Administration Ministry Annual Report to the Congregation
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An Interview at the Foreign Correspondents Club of Thailand
Asia Pacific Media ducatE or Issue 8 Article 14 1-2000 An interview at the Foreign Correspondents Club of Thailand J. Tebbutt LaTrobe University Follow this and additional works at: https://ro.uow.edu.au/apme Recommended Citation Tebbutt, J., An interview at the Foreign Correspondents Club of Thailand, Asia Pacific Media Educator, 8, 2000, 164-172. Available at:https://ro.uow.edu.au/apme/vol1/iss8/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] JOHN TEBBUTT: Foreign correspondent ... An Interview At The Foreign Correspondents Club Of Thailand John Tebbutt . LaTrobe University, Melbourne espite the competitive nature of journalism, foreign D correspondents have found they have a need to come together around their common interests. Moreover correspondents reporting for a home audience often require a space where they can establish a common ground with officials and news sources, where news events are packaged specifically for the benefit of transmission overseas. Generally journalists also find that a place where they can be involved in an informal sharing of information, contacts and discussion of recent events is often essential in a country where they are unfamiliar with the language. For these reasons foreign correspondent clubs have become important sites for the correspondent to affirm and develop their professional identities. In Asia the first formal foreign correspondent clubs were established in Tokyo in 1945 and soon after in Hong Kong. The history of the clubs can be traced to the fact to ‘cantonments’ for journalists that were established in hotels or boarding houses during military operations a practice that continued in World War II in Asia particularly. -
Media Images of War 3(1) 7–41 © the Author(S) 2010 Reprints and Permission: Sagepub
MWC Article Media, War & Conflict Media images of war 3(1) 7–41 © The Author(s) 2010 Reprints and permission: sagepub. co.uk/journalsPermissions.nav DOI: 10.1177/1750635210356813 Michael Griffin http://mwc.sagepub.com Macalester College, Saint Paul, MN, USA Abstract Photographic images of war have been used to accentuate and lend authority to war reporting since the early 20th century, with depictions in 1930s picture magazines of the Spanish Civil War prompting unprecedented expectations for frontline visual coverage. By the 1960s, Vietnam War coverage came to be associated with personal, independent and uncensored reporting and image making, seen as a journalistic ideal by some, and an obstacle to successful government conduct of the war by others. This article considers the idealized ‘myth’ of Vietnam War coverage and how it has influenced print and television photojournalism of American conflicts, skewing expectations of wartime media performance and fostering a consistent pattern of US Government/media collaboration. Upon analysis, pictorial coverage of US wars by the American media not only fails to live up to the myth of Vietnam but tends to be compliant and nationalist. It fails to reflect popular ideals of independent and critical photojournalism, or even the willingness to depict the realities of war. Keywords documentary, Gulf War, Iraq War, journalism, news, photography, photojournalism, television, television news, Vietnam War, visual communication, visual culture, war, war photography Media representations of war are of interest to media scholars for many reasons. First, as reports or images associated with extreme conflict and matters of life and death, they tend to draw intense public attention, and potentially influence public opinion. -
One Crowded Hour: Neil Davis - Combat Cameraman (1934-1985)
ONE CROWDED HOUR: NEIL DAVIS - COMBAT CAMERAMAN (1934-1985) Author: Tim Bowden, Nicholas Bell Number of Pages: none Published Date: 01 Apr 2013 Publisher: Bolinda Publishing Publication Country: Australia Language: English ISBN: 9781743157602 DOWNLOAD: ONE CROWDED HOUR: NEIL DAVIS - COMBAT CAMERAMAN (1934-1985) One Crowded Hour: Neil Davis - Combat Cameraman (1934-1985) PDF Book There are some less interesting chapters, mainly to do with his assignments outside of Asia, but the book never gets bogged down. Copy to clipboard Close. Lists with This Book. Davis died instantly, and his camera fell to the ground, still running. Upper Coomera Library Borrow it. Neil had admitted to me that he became addicted to combat and I wanted to hear him say why. Text body is clean, and free from previous owner annotation, underlining and highlighting. AbeBooks has millions of books. And in he scooped the world's press by filming the taking of Saigon's Presidential Palace - the moment that symbolised the American defeat. Verified Purchase. The Guardian. Picked this up at an op shop and started reading it on a whim. Condition: Acceptable. The book is a keeper for me. I had no real knowledge of Neil, having been only 14 when he was killed. Additional terms may apply to data associated with third party namespaces. Creator true Bowden, Tim, Was he brave, or really foolish? He suffered from polio in his late teens but in he started at the ABC, working as a cine-cameraman. Jun 07, karl levy rated it it was amazing. Ironically in September , having survived so much war, Neil Davis was killed while filming an attempted coup in the streets of Bangkok. -
Viral Spiral Also by David Bollier
VIRAL SPIRAL ALSO BY DAVID BOLLIER Brand Name Bullies Silent Theft Aiming Higher Sophisticated Sabotage (with co-authors Thomas O. McGarity and Sidney Shapiro) The Great Hartford Circus Fire (with co-author Henry S. Cohn) Freedom from Harm (with co-author Joan Claybrook) VIRAL SPIRAL How the Commoners Built a Digital Republic of Their Own David Bollier To Norman Lear, dear friend and intrepid explorer of the frontiers of democratic practice © 2008 by David Bollier All rights reserved. No part of this book may be reproduced, in any form, without written permission from the publisher. The author has made an online version of the book available under a Creative Commons Attribution-NonCommercial license. It can be accessed at http://www.viralspiral.cc and http://www.onthecommons.org. Requests for permission to reproduce selections from this book should be mailed to: Permissions Department, The New Press, 38 Greene Street, New York,NY 10013. Published in the United States by The New Press, New York,2008 Distributed by W.W.Norton & Company,Inc., New York ISBN 978-1-59558-396-3 (hc.) CIP data available The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press operates in the public interest rather than for private gain, and is committed to publishing, in innovative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. www.thenewpress.com A Caravan book. For more information, visit www.caravanbooks.org. Composition by dix! This book was set in Bembo Printed in the United States of America 10987654321 CONTENTS Acknowledgments vii Introduction 1 Part I: Harbingers of the Sharing Economy 21 1. -
Christian Responsibility in the US Foster System
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 From the Father’s Heart to our Hands: Christian Responsibility in the U.S. Foster System Amelia Tam Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, Family, Life Course, and Society Commons, and the Social Work Commons Recommended Citation Tam, Amelia, "From the Father’s Heart to our Hands: Christian Responsibility in the U.S. Foster System" (2017). Selected Honors Theses. 73. http://firescholars.seu.edu/honors/73 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. FROM THE FATHER’S HEART TO OUR HANDS: CHRISTIAN RESPONSIBILITY IN THE U.S. FOSTER SYSTEM by Amelia Kathryn Tam Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 Copyright © 2017 by Amelia Tam All rights reserved i ABSTRACT Nearly half a million children are currently served by the child welfare system in the United States. This overwhelming strain on state departments and non-profit placement agencies is compounded by the fact that there are not enough available homes. There appears to be a shortage of capable and resilient foster and adoptive parents. Thousands of children who are ready to be adopted do not have anyone to take them in, and thousands more float in the system until new families agree to foster. This seeming shortage of homes is absurd considering the wealth of compassion and capability within the American church. -
The Record 2019/20
The Record 2019/20 The Record 2019/20 contents 5 Letter from the Warden 6 Fellows and Academic Staff 9 Fellowship Elections and Appointments 10 Non-academic Staff 13 JCR and MCR Committees 14 Matriculation 20 Undergraduate Scholarships 22 College Awards and Prizes 24 Academic Distinctions 27 Higher Degrees 28 Fellows’ Publications 36 Sports and Games 40 Clubs and Societies 41 The Chapel 41 Parishes Update 41 Bursar’s Update 42 Gifts to the Library and Archive 43 Fellows’ Obituaries 46 Alumni Obituaries 62 News of Alumni letter from the warden When I wrote this letter last year we had just had the official opening of the H B Allen Centre by HRH the Duke of Cambridge at the beginning of what we expected to be a marvellous year of celebration of the College’s 150th anniversary. The impact of COVID-19 means that this year’s perspective is gloomier. Over the summer we initiated a redundancy programme for our non-academic staff in response to the financial impact and the operational consequences of the pandemic. We also spent a great deal of time planning for the return of students for Michaelmas Term with as much attention to sustaining the positive aspects of their experience as public health restrictions will allow. Unsurprisingly there is an atmosphere of uncertainty about how the external context will influence what happens. We recognise that we are unlikely to see a full return to anything like our previous normality in the course of this academic year. However, I do need to record changes in the Fellowship in the usual way. -
A 3Rd Strike No Light a Few Good Men Have I Never a Girl Called Jane
A 3rd Strike No Light A Few Good Men Have I Never A Girl Called Jane He'S Alive A Little Night Music Send In The Clowns A Perfect Circle Imagine A Teens Bouncing Off The Ceiling A Teens Can't Help Falling In Love With You A Teens Floor Filler A Teens Halfway Around The World A1 Caught In The Middle A1 Ready Or Not A1 Summertime Of Our Lives A1 Take On Me A3 Woke Up This Morning Aaliyah Are You That Somebody Aaliyah At Your Best (You Are Love) Aaliyah Come Over Aaliyah Hot Like Fire Aaliyah If Your Girl Only Knew Aaliyah Journey To The Past Aaliyah Miss You Aaliyah More Than A Woman Aaliyah One I Gave My Heart To Aaliyah Rock The Boat Aaliyah Try Again Aaliyah We Need A Resolution Aaliyah & Tank Come Over Abandoned Pools Remedy ABBA Angel Eyes ABBA As Good As New ABBA Chiquita ABBA Dancing Queen ABBA Day Before You Came ABBA Does Your Mother Know ABBA Fernando ABBA Gimmie Gimmie Gimmie ABBA Happy New Year ABBA Hasta Manana ABBA Head Over Heels ABBA Honey Honey ABBA I Do I Do I Do I Do I Do ABBA I Have A Dream ABBA Knowing Me, Knowing You ABBA Lay All Your Love On Me ABBA Mama Mia ABBA Money Money Money ABBA Name Of The Game ABBA One Of Us ABBA Ring Ring ABBA Rock Me ABBA So Long ABBA SOS ABBA Summer Night City ABBA Super Trouper ABBA Take A Chance On Me ABBA Thank You For The Music ABBA Voulezvous ABBA Waterloo ABBA Winner Takes All Abbott, Gregory Shake You Down Abbott, Russ Atmosphere ABC Be Near Me ABC Look Of Love ABC Poison Arrow ABC When Smokey Sings Abdul, Paula Blowing Kisses In The Wind Abdul, Paula Cold Hearted Abdul, Paula Knocked -
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs. -
Neil Brian Davis
Neil Brian Davis Date of birth: 14 February 1934 Place of birth: Tasmania Date of death: 09 September 1985 Place of death: Bangkok, Thailand Neil Davis, one of Australia's most respected combat cameramen, was born on 14 February 1934 in southern Tasmania. He was a good student, a keen sportsman and took up photography in his high school years. He left school at 14 to work in the Tasmanian Government Film Unit. At the same time he became a professional footballer and, later, a runner. He contracted polio in his late teens, but recovered to return to his film work. In 1961 he joined the ABC as a cine-cameraman but left in December 1963 to take a job as Visnews's cameraman and correspondent for south-east Asia, based in Singapore. In early 1964 Davis went to Borneo to cover the confrontation between Indonesia and Malaya. It was his first Asian assignment - the first of many - and his first war, but he saw no action. Shortly afterwards Davis made his first visits to Vietnam and Laos. Although he reported from across Asia, he is best remembered for his long association with, and reporting on, the war in Indo-China. Unusual among foreign correspondents, Davis chose to film the war from the South Vietnamese perspective, shooting acclaimed combat footage on many occasions and acquiring a reputation for skill and luck. He was driven by the desire to obtain the best film he could and was well-known for his neutrality, crossing, on one occasion, to film from the Viet Cong side. -
Transcript of Interview
Australians at War Film Archive David Brill (Brillo) - Transcript of interview Date of interview: 9th December 2003 http://australiansatwarfilmarchive.unsw.edu.au/archive/1296 Tape 1 00:45 Give us a summary of your life. My name is David Brill. I’m from Tasmania, which I’m very proud of. Quite a lot of interesting people come out of Tasmania. Neil Davis [war cameraman and correspondent] and a few others; [Tim] Bowden, 01:00 Christopher Koch, who wrote Living Dangerously, Highways to War. Did you ever see that book, “Highways to War”? It’s a book about partly my life and Neil’s life. It’s won the Miles Franklin award. I’ll show it to you later. I was born in Devonport, a place called Latrobe, which is near Devonport where the main hospital was, in 1944. Went to school in Launceston at Scotch College where I was a warrant officer in the cadet corps, which made 01:30 me very interested in the military. I was at one stage thinking of going to Duntroon [Royal Military College]. I’m very glad I didn’t now, looking back on my life. I always had a passion for communication; journalism, filmmaking, the arts. That’s what I was pretty good at in school, and biology. My parents owned a hotel in Longford just outside Launceston, population of about 12,000 people. I used to look forward to 02:00 getting Life Magazine, which was a weekly magazine then. Probably the greatest pictorial magazine in the world. A lot of wonderful photographers and writers who worked for it. -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group. -
NO PLUCKING! Oddments Collected by a Reptile of the Press
NO PLUCKING! Oddments collected by a reptile of the press By Tim Bowden THE AUTHOR TIM BOWDEN AM Tim Bowden is a broadcaster, radio and television documentary maker, historian and author. Born in Hobart in 1937 (which means he is now quite old), he is well known for hosting the ABC-TV listener and viewer reaction program Backchat from 1986 to 1994. He is the author of 17 books including One Crowded Hour – Neil Davis, Combat Cameraman; The Way My Father Tells It - The Story of An Australian Life; Antarctica And Back In Sixty Days, Aunty’s Jubilee – 50 years of ABC-TV; The Changi Camera and Stubborn Buggers – the survivors of the infamous POW gaol that made Changi look like heaven. Bowden's background in journalism includes current affairs, news, and feature and documentary work. He has worked as a foreign correspondent in Asia (covering the Vietnam war) and in North America. In 1969 he was the first executive producer of the ABC radio current affairs program PM, before becoming a producer with the ground-breaking television current affairs program This Day Tonight in the early 1970s. In 1985 Bowden founded the ABC Radio’s Social History Unit. Since 1989 Tim Bowden has been actively broadcasting, writing and researching Australian activities in Antarctica. He was commissioned to write the official history of ANARE (Australian National Antarctic Research Expeditions) The Silence Calling – Australians in Antarctica 1947-97. Bowden also presented six half-hour documentaries Breaking the Ice on ABC-TV in 1996. Tim Bowden received an Order of Australia for services to public broadcasting in June 1994.