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Bibliography

Bibliography

Primary Readings

Ai. Vice: New and Selected Poems. New York: W. W. Norton, 2000.

Alexander, Elizabeth. Crave Radiance: New and Selected Poems, 1990-2010. St. Paul: Graywolf Press, 2010.

---. The Venus Hottentot. St. Paul: Greywolf Press, 2004.

Alexander, Will. Exobiology as Goddess, Santa Clara, CA: Manifest Press, 2004.

Anglesey, Zoë, ed. Listen Up!: Spoken Word Poetry. New York: One World, 1999.

Baraka, Amiri. The LeRoi Jones/ Reader. Ed. William J. Harris. New York: Thunder’s Mouth Press, 1991.

Brooks, Gwendolyn. Selected Poems. New York: Harper Perennial Modern Classics, 2006.

Brown, Jericho. Please. Kalamazoo, MI: New Issues Poetry & Prose, 2008.

Clifton, Lucille. The Collected Poems of Lucille Clifton. Ed. Kevin Young. Rochester, NY: BOA Editions 2012.

Coleman, Wanda. Mercurochrome: New Poems. Santa Rosa, Ca: Black Sparrow Press, 2001.

Cortez, Jayne. On the Imperial Highway: New and Selected Poems. Brooklyn: Hanging Loose Press, 2009.

Davis, Frank Marshall. Black Moods: Collected Poems. Ed. J. Edgar Tidwell. Urbana: U of Illinois P, 2002.

Dawes, Kwame. Duppy Conqueror: New and Selected Poems. Seattle, WA: Copper Canyon Press, January 2013.

Dove, Rita. Selected Poems. New York: Pantheon Books, 1993.

---. Thomas and Beulah: Poems. Pittsburgh: Carnegie-Mellon UP, 1987.

Eady, Cornelius. Brutal Imagination. New York: G.P. Putnam’s Sons, 2001.

Ellis, Thomas Sayers. The Maverick Room: Poems. St. Paul, MN: Graywolf Press, 2004.

Bibliography

Finney, Nikky. Head Off & Split. Evanston, IL: Triquarterly/Northwestern UP, 2011.

Gilbert, Christopher. Across the Mutual Landscape. St. Paul, MN: Graywolf Press,1984.

Girmay, Aracelis. Kingdom Animalia Rochester, NY: BOA Editions, 2011.

Giovanni, Nikki. The Collected Poetry of Nikki Giovanni: 1968-1998. New York: Harper Perennial Modern Classics, 2007.

Giscombe, C.S. Into and Out of Dislocation. Darby, PA: Diane Publishing, 2001.

Harper, Michael. Dear John, Dear Coltrane. Urbana: U of Illinois P. 1985 (1970).

--. Songlines in Michaeltree: New and Collected Poems. Urbana: U of Illinois P, 2000.

Hayden, Robert. Collected Poems. New York: Liveright, 1997.

Hayes, Terrance. Lighthead. New York: Penguin Books, 2010.

Hutchinson, Ishion. For District Leeds, UK: Peepal Tree Press, 2010.

Hughes, Langston. Vintage Hughes. New York: Vintage Books, 2004.

Jackson, Major. Hoops. New York: Norton, 2006.

Jahannes, Ja A. WordSongPoets: A Memoir Anthology. Savannah, GA: Turner Mayfield Publishing, 2011.

Jess, Tyehimba. Leadbelly. Seattle: Wave Books, 2005.

Jordan, June. Directed by Desire: The Collected Poems of June Jordan. Eds. Jan Heller Levi and Sara Miles. Port Townsend, Wash: Copper Canyon Press, 2005.

Joseph, Allison. My Father’s Kites. Bowling Green, KY: Steel Toe Books, 2010.

Kaminski, Megan. Desiring Map. Atlanta: Coconut Books, 2012.

Kaufman, Bob. The Ancient Rain: Poems 1956-1978. New York: New Directions, 1981.

Kearney, Douglas. Black Automaton. Albany, NY: Fence Books, 2009.

Knight, Etheridge. The Essential . Pittsburgh: U of Pittsburgh P, 1986.

Bibliography

Komunyakaa, Yusef. Blue Notes: Essays, Interviews, and Commentaries. Ed. Radiclani Clytus. Ann Arbor: U of Michigan P, 2000.

--. Neon Vernacular. Middleton, CT: Wesleyan UP, 1993.

Lorde, Audre. The Collected Poems of Audrew Lorde. New York: Norton, 1997.

Mackey, Nathaniel. Song of the Andoumboulou: 18-20. Santa Cruz: Moving Parts Press, 1994.

Madhubuti, Haki. Liberation Narratives: New and Collected Poems: 1966-2009. Chicago: Third World Press, 2009. moore, jessica Care. God is Not an American. Atlanta: Moore Black Press, 2009.

Moore, Lenard. The Open Eye. North Carolina Haiku Society Press, 1985.

Morris, Tracie. TDJ: To Do w/John. Berkeley: Zasterle Press, 2011.

Moss, Thylias. Slave Moth. New York: Persea Books, 2004.

Mullen, Harryette. The Cracks Between What We Are and What We Are Supposed To Be. Tuscaloosa: University of Alabama, 2012.

---. Muse & Drudge. Philadelphia: Singing Horse Press, 1995.

Nelson, Marilyn. A Wreath for Emmett Till. Boston: Houghton Mifflin Books for Children, 2005.

Obadike, Mendi and Keith Mendi. Crosstalk: American Speech Music. Bridge Records, 2008.

Osbey, Brenda Marie. History and Other Poems. St. Louis, MO: Time Being Books, 2012.

Reed, Ishmael. New and Collected Poems: 1964-2006. New York: Carroll and Graff, 2006.

Roberson, Ed. Atmosphere Conditions. Los Angeles: Sun and Moon P, 2000.

Salaam, Kalamu ya. My Story, My Song. AFO Records, 1995.

Sanchez, Sonia. Shake Loose My Skin: New and Selected Poems. Boston: Beacon Press, 2000.

--. I’ve Been a Woman: New and Selected Poems. Chicago: Third World Press, 1985.

Shange, Ntozake. For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf. New York: Scribner, 1989.

Shockley, Evie. the new black. Middletown, CT: Wesleyan UP, 2011. singleton, giovanni. Ascensions. Denver: Counterpath, 2012. Bibliography

Smith, Patricia. Blood Dazzler. : Coffee House Press, 2008.

Strange, Sharan. Ash. Boston: Beacon, 2001.

Tallie, Mariahadess Ekere. Karma’s Footsteps. United Kingdom: Flipped Eye Publishing, 2011.

Tolson, Melvin. A Gallery of Harlem Portraits. St. Louis: U of Missouri P, 1980.

Trethewey, Natasha. Native Guard. Boston: Houghton Mifflin, 2006.

--. Thrall. Boston: Hougton Mifflin, 2012.

Troupe, Quincy. Transcircularities: New and Selected Poems. Minneapolis: Coffee House, 2002.

Walker, Alice. Collected Poems: Her Blue Body Everything We Know: Earthling Poems 1965- 1990. London: Woman’s Press LTD, 1991.

Walker, Frank X. Turn Me Loose: The Unghosting of Medgar Evers. Athens: U of Georgia P, 2013. Walker, Margaret. This is My Century: New and Collected Poems. Athens: U of Georgia P, 2013 (1989).

Williams, Saul. Said the Shotgun to the Head. New York: MtV Books, 2003.

Wright, Jay. Transfigurations: Collected Poems. Baton Rough: Louisiana State UP, 2000.

Young, Kevin. The Grey Album. St. Paul: Graywolf Press, 2012.

Zephaniah, Benjamin. The Dread Affair: Collected Poems Suffolk, UK: Arena Books, 1985.

Anthologies

Dungy, Camille, ed. Black Nature: Four Centuries of African American Nature Poetry. Athens: U of Georgia P, 2009.

Feinstein, Sascha and Yusef Komunyakaa, eds. The Jazz Poetry Anthology. Bloomington: Indiana UP, 1991.

---. The Second Set: The Jazz Poetry Anthology, Vol. 2. Bloomington: Indiana UP, 1996.

Finney, Nikky, ed. Ringing Ear: Black Poets Lean South. Athens: U of Georgia P, 2007.

Grand Slam! Best of the National Poetry Slam Vol. 1. Mouth Almighty Records, 1996. Bibliography

Medina, Tony and Louis Reyes Rivera, eds. Bum Rush the Page: A Def Poetry Jam. New York: Three Rivers Press, 2001.

---, Samiya A. Bashir, and Quraysh Ali Lansansa, eds. Role Call: A Generational Anthology of Social and Political Black Art & Literature: Chicago: Third World Press, 2002.

Nielsen, Aldon and and Lauri Ramey, eds. Every Goodbye Ain’t Gone: An Anthology of Innovative Poetry by . Tuscaloosa: U of Alabama P, 2006.

Powell, Kevin and Ras Baraka, eds. In the Tradition: An Anthology of Young Black Writers. New York: Harlem River Press, 1992.

Thomas, Sheree, ed. Dark Matter: Reading the Bones. New York: Warner Books, 2005.

Tumi, Keith, ed. Rainbow Darkness: An Anthology of African American Poetry. Oxford, OH: Miami University Press, 2005.

Young, Kevin, ed. Blues Poems. New York: Knopf, 2003.

Secondary Readings

Anderson, T. J. Notes to Make the Sound Come Right: Four Innovations in Jazz Poetry. Fayetteville: U of Arkansas p, 2004.

Ashe, Bertram D. “Theorizing the Post-Soul Aesthetic: An Introduction.”African American Review 41.4 (2007): 609-623.

Baker, Houston A. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: U of Chicago P, 1984.

Baraka, Amiri. “A Post-Racial Anthology?” Review of Angels of Ascent: A Norton Contemporary African American Poetry , edited by Charles Rowell. Poetry Magazine, May 2013.

Bolden, Tony. Afro-Blue: Improvisations in African American Poetry. Urbana: U of Illinois P, 2004.

---. The Funk Era and Beyond: New Perspectives in Black Popular Culture. New York: Palgrave Macmillan, 2008.

Boyd, Melba Joyce. Wrestling with the Muse: and the Broadside Press. New York: Columbia UP, 2003.

Bradley, Adam. Book of Rhymes: The Poetics of Hip Hop. New York: BasicCivitas, 2009.

Bibliography

Brown, Fahamisha Patricia. Performing the Word: African American Poetry as Vernacular Culture. Piscataway, NJ: Rutgers UP, 1999.

Cataliotti, Robert H. Liner notes. Every Tone a Testimony. New York: Smithsonian Folkways, 2001.

Cobb, William Jelani. To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic. New York: New York UP, 2007.

---. Poetry & Music. Tradition and Moderne Musik Produktion, 1994.

Crane, R. S. Critical and Historical Principles of Literary History. Chicago: U of Chicago P, 1971.

Dove, Rita. “Defending an Anthology.” New York Review of Books. http://www.nybooks.com/articles/archives/2011/dec/22/defending-anthology/

Denning, Michael. Cultural Front: The Laboring of American Culture in the Twentieth Century. New York: Verson, 1997.

Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge: Harvard UP, 2003.

Eleveld, Mark. Spoken Word Revolution: Slam, Hip Hop and Poetry of a New Generation. Source Books, 2005.

Ernest, John. Chaotic Justice: Rethinking African American Literary History. Chapel Hill: U of North Carolina P, 2009.

Gabbin, Joanne V., ed. Furious Flower II: African American Poetry for the to the Present. Charlottesville: UP of Virginia, 2004.

---, ed. The Furious Flowering of African American Poetry. Charlottesville: UP of Virginia, 1999.

Gayle, Addison, Jr., ed. The Black Aesthetic. Garden City, NY: Doubleday, 1971.

Glazier, Loss Pequeño. Digital Poetics: The Making of E-Poetries. Tuscaloosa: U of Alabama P, 2002.

Graham, Maryemma, ed. Conversations with Margaret Walker. Jackson: UP of Mississippi, 2002.

--- and Jerry W. Ward, Jr., eds. The Cambridge History of African American Literature. Cambridge: Cambridge UP, 2011.

Bibliography

Hall, James. “On Sale at Your Favorite Newsstand: /Black World and the 1960s.” The Black Press: New Literary and Historical Essays. Ed. Todd Vogel. New Brunswick, NJ: Rutgers UP, 2001. 188-206.

Henderson, Stephen. Understanding the New Black Poetry: Black Speech and Black Music as Poetic References. New York: William Morrow, 1973.

Holladay, Hilary. Wild Blessings: The Poetry of Lucille Clifton. Baton Rouge: Louisiana State UP, 2012.

Jackson, Leon. “The Talking Book and the Talking Book Historian: African American Cultures of Print—The State of the Discipline.” Book History. Volume 13, 2010: 251-308.

Jones, LeRoi (Amiri Baraka) and Larry Neal, eds. Black fire: An Anthology of Afro-American Writing. New York, Morrow, 1968.

Jones, Meta DuEwa. The Muse Is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word. Urbana: U of Illinois P, 2011.

King, Lovalerie and Shirley Moody. The Living Canon: Contemporary African American Literature. Bloomington: U of Indiana Press, 2013.

King, Woodie and Earl Anthony, eds. Black Poets and Prophets: The Theory, Practice and Esthetics of the Pan-Africanist Movement. New York: Mentor, 1972.

Kinnamon, Kenneth. “Anthologies.” Oxford Companion to African American Literature. Eds. William L. Andrews, et al. New York: Oxford UP, 1997. 22-28.

Leonard, Keith. Fettered Genius: The African American Bardic Poet from Slavery to Civil Rights. Charlottesville: U of Virginia P, 2006.

McGann, Jerome J. “On Creating a Usable Future.” Profession (2011): 182-195.

---. Radiant Textuality: Literature after the World Wide Web. New York: Palgrave, 2001.

Neal, Larry. “Any Day Now: Black Art and Black Liberation.” Ebony August 1969: 54-58, 62.

Nielsen, Aldon Lynn. Black Chant: Languages of African-American Postmodernism. New York: Cambridge UP, 1997.

---. Integral Music: Languages of African American Innovation. Tuscaloosa: U of Alabama P, 2004.

Pavlic, Ed. Crossroads Modernism: Descent and Emergence in African American Literary Culture. Minneapolis: U of Minnesota P, 2002

Bibliography

Rambsy, Howard, II. The Black Arts Enterprise and the Production of African American Poetry. Ann Arbor: U of Michigan P, 2011.

---.“Catching Holy Ghosts: The Diverse Manifestations of Black Persona Poetry.” African American Review. 42.3-4 (Fall/Winter 2008): 549-564.

Randall, Dudley, ed. Black Poetry: A Supplement to Anthologies which Exclude Black Poets. Detroit: Broadside Press, 1971.

Redmond, Eugene B. Drumvoices: The Mission of Afro-American Poetry. Garden City, NY: Anchor Press/Doubleday, 1976.

---. “Stridency and the Sword: Literary and Cultural Emphasis in Afro-American Magazines.” The Little Magazine in America: A Modern Documentary History. Eds. Elliott Anderson and Mark Kinzie. Yonkers, NY: Pushcart, 1978. 538-573.

Rasula, Jed. Syncopations: The Stress of Innovation in Contemporary American Poetry. Tuscaloosa: U of Alabama P, 2004.

Rodgers, Carolyn. “Black Poetry: Where It’s At.” Negro Digest (September 1969): 7 – 16.

Ryan, Jennifer D. Post-Jazz Poetics: A Social History. New York: Palgrave Macmillan, 2010.

Schreibman, Ray S. and John Unsworth, eds. A Companion to Digital Humanities. Oxford: Blackwell, 2004.

Schwartz, Lisa K. et al. Poetry in America: Review of the Findings. Poetry Foundation. January 2006.

Shockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City: U of Iowa Press, 2011.

Schultz, Kathy Lou. The Afro-Modernist Epic and Literary History: Tolson, Hughes, Baraka. New York: Palgrave Macmillan, 2013.

Smethurst, James. The Black Arts Movement: Literary Nationalism in the 1960s and 1970s. Chapel Hill: U of North Carolina P, 2005.

---. The New Red Negro: The Literary Left and African American Poetry, 1930-1946. New York: Oxford University Press, 1999.

Smith, David L. “The Black Arts Movement and Its Critics.” American Literary History. 3:1 (1991).

Thomas, Lorenzo. Don’t Deny My Name: Words and Music and the Black Intellectual Tradition. Ann Arbor: U of Michigan P, 2008. Bibliography

---. Extraordinary Measures: Afrocentric Modernism and Twentieth Century American Poetry. Tuscaloosa: U of Alabama P, 2000.

Thompson, Julius E. Dudley Randall, Broadside Press, and the Black Arts Movement in Detroit, 1960-1995. Jefferson, NC: McFarland, 1999.

Vendler, Helen. “Are These Poems to Remember?” New York Review of Books. http://www.nybooks.com/articles/archives/2011/nov/24/are-these-poems-remember/

Vincent, Rickey. Funk: The Music, the People, and the Rhythm of the One. New York: St. Martin’s Press, 1996.

Wallace, Mark and Steven Marks, eds. Telling It Slant: Avant-Garde Poetics of the 1990s. Tuscaloosa: U of Alabama P, 2002.

--- and Maryemma Graham, eds. The Cambridge History of African American Literature. Cambridge: Cambridge UP, 2011.

Young, Kevin, ed. “Introduction.” Jazz Poems. New York: Knopf, 2006.

Media Resources (A full bibliography of media resources will be available on our website)

Coal Black Voices (Jean Donahue and Fred Johnson, Producer Directors)

Cortez, Jayne. Taking the Blues Back Home. Verve Records, 1996.

Furious Flower Video Anthology (3 vols)

BaddDD . Attie and Goldward Productions, 2014.

Johnson, Linton Kwesi Making History. Island Records 1984.

Our Souls Have Grown Deep Like the Rivers. Audio CD. Rhino / Wea, 2000.

Poetry in America: Project Summary. Poetry Foundation. http://www.poetryfoundation.org/foundation/initiative_pa_summary.html

Sundiata, Sekou. Long Story Short. Righteous Babe Records, 2000. http://www.poetry.rapgenius.com/