“Boardwalk Empire” “Breaking Bad” “Downton Abbey” “Game of Thrones” “Homeland” “Mad Men” “30 Rock”

Total Page:16

File Type:pdf, Size:1020Kb

“Boardwalk Empire” “Breaking Bad” “Downton Abbey” “Game of Thrones” “Homeland” “Mad Men” “30 Rock” OUTSTANDING DRAMA SERIES OUTSTANDING LEAD ACTOR IN A COMEDY SERIES OUTSTANDING SUPPORTING ACTRESS IN A MINISERIES, “Boardwalk Empire” Alec Baldwin, “30 Rock” MOVIE OR DRAMATIC SPECIAL “Breaking Bad” Louis C.K., “Louie” Frances Conroy, “American Horror Story” “Downton Abbey” Don Cheadle, “House of Lies” Judy Davis, “Page Eight” “Game of Thrones” Jon Cryer, “Two and a Half Men” Jessica Lange, “American Horror Story” “Homeland” Larry David, “Curb Your Enthusiasm” Sarah Paulson, “Game Change” “Mad Men” Jim Parsons, “The Big Bang Theory” Mare Winningham, “Hatfields & McCoys” OUTSTANDING COMEDY SERIES OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES OUTSTANDING DIRECTING FOR A DRAMA SERIES “30 Rock” Zooey Deschanel, “New Girl” Phil Abraham, “Mad Men” “The Big Bang Theory” Lena Dunham, “Girls” Michael Cuesta, “Homeland” “Curb Your Enthusiasm” Edie Falco, “Nurse Jackie” Vince Gilligan, “Breaking Bad” “Girls” Tina Fey, “30 Rock” Brian Percival, “Downton Abbey” “Modern Family” Julia Louis-Dreyfus, “Veep” Tim Van Patten, “Boardwalk Empire” Melissa McCarthy, “Mike & Molly” “Veep” OUTSTANDING DIRECTING FOR A COMEDY SERIES Amy Poehler, “Parks and Recreation” OUTSTANDING MINISERIES OR TV MOVIE Louis C.K., “Louie” OUTSTANDING LEAD ACTOR IN A MINISERIES OR MOVIE Lena Dunham, “Girls” “American Horror Story” Kevin Costner, “Hatfields & McCoys” Jake Kasdan, “New Girl” “Game Change” Benedict Cumberbatch, “Sherlock: Steven Levitan, “Modern Family” “Hatfields & McCoys” A Scandal in Belgravia” Robert B. Weidi, “Curb Your Enthusiam” “Hemingway & Gellhorn” Idris Elba, “Luther” Jason Winer, “Modern Family” “Luther” Woody Harrelson, “Game Change” “Sherlock: A Scandal in Belgravia” OUTSTANDING DIRECTING FOR A MINISERIES. Clive Owen, “Hemingway & Gellhorn” MOVIE OR DRAMATIC SPECIAL OUTSTANDING VARIETY, MUSIC OR COMEDY SERIES Bill Paxton, “Hatfields & McCoys” Philip Kaufman, “Hemingway & Gellhorn” “The Colbert Report” OUTSTANDING LEAD ACTRESS IN A MINISERIES OR MOVIE Paul McGuigan, “Sherlock: A Scandal in Belgravia” “The Daily Show with Jon Stewart” Connie Britton, “American Horror Story” Sam Miller, “Luther” “Jimmy Kimmel Live!” Ashley Judd, “Missing” Kevin Reynolds, “Hatfields & McCoys” “Late Night with Jimmy Fallon” Nicole Kidman, “Hemingway & Gellhorn” Jay Roach, “Game Change” “Real Time with Bill Maher” Julianne Moore, “Game Change” “Saturday Night Live” OUTSTANDING DIRECTING FOR A VARIETY, Emma Thompson, “The Song of Lunch” MUSIC OR COMEDY SPECIAL OUTSTANDING REALITY-COMPETITION PROGRAM OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES Louis C.K., “Live at the Beacon Theater” “The Amazing Race” Jim Carter, “Downton Abbey” Louis J. Horvitz, “54th Grammy Awards” “Dancing with the Stars” Brendan Coyle, “Downton Abbey” Don Mischer, “84th Academy Awards” “Project Runway” Peter Dinklage, “Game of Thrones” Alan Skog, “New York City Ballet “So You Think You Can Dance” Giancarlo Esposito, “Breaking Bad” George Balanchine’s The Nutcracker” “Top Chef” Jared Harris, “Mad Men” Glenn Weiss, “65th Tony Awards” “The Voice” Aaron Paul, “Breaking Bad” OUTSTANDING WRITING FOR A DRAMA SERIES OUTSTANDING HOST FOR A REALITY OR OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES REALITY-COMPETITION PROGRAM Semi Chellas, Matthew Weiner, “Mad Men” Christine Baranski, “The Good Wife” Semi Chellas, Matthew Weiner, “Mad Men” Tom Bergeron, “Dancing with the Stars” Joanne Froggatt, “Downton Abbey” Cat Deely, “So You Think You Can Dance” Julian Fellowes, “Downton Abbey” Anna Gunn, “Breaking Bad” Alex Gansa, Howard Gordon, Gideon Raff, “Homeland” Phil Keoghan, “The Amazing Race” Christina Hendricks, “Mad Men” Ryan Seacrest, “American Idol” Andre Jacquemetton, Archie Panjabi, “The Good Wife” Maria Jacquemetton, “Mad Men” Betty White, “Betty White’s Off Their Rockers” Maggie Smith, “Downton Abbey” OUTSTANDING WRITING FOR A COMEDY SERIES OUTSTANDING LEAD ACTOR IN A DRAMA SERIES OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES Louis C.K., “Louie” Hugh Bonneville, “Downton Abbey” Ty Burrell, “Modern Family” Lena Dunham, “Girls” Steve Buscemi, “Boardwalk Empire” Jesse Tyler Ferguson, “Modern Family” Chris McKenna, “Community” Bryan Cranston, “Breaking Bad” Max Greenfield, “New Girl” Amy Poehler, “Parks and Recreation” Michael C. Hall, “Dexter” Bill Hader, “Saturday Night Live” Michael Schur, “Parks and Recreation” Jon Hamm, “Mad Men” Ed O’Neill, “Modern Family” Damian Lewis, “Homeland” Eric Stonestreet, “Modern Family” OUTSTANDING WRITING FOR A MINISERIES, MOVIE OR DRAMATIC SPECIAL OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES Neil Cross, “Luther” Kathy Bates, “Harry’s Law” Mayim Bialik, “The Big Bang Theory” Bill Kerby, Ted Mann, Ronald Parker, “Hatfields & McCoys” Glenn Close, “Damages” Julie Bowen, “Modern Family” Steven Moffat, “Sherlock: A Scandal in Belgravia” Claire Danes, “Homeland” Kathryn Joosten, “Desperate Housewives” Abi Morgan, “The Hour” Michelle Dockery, “Downton Abbey” Sofia Vergara, “Modern Family” Danny Strong, “Game Change” Julianna Margulies, “The Good Wife” Merritt Wever, “Nurse Jackie” Elisabeth Moss, “Mad Men” Kristen Wiig, “Saturday Night Live” OUTSTANDING WRITING FOR A VARIETY, MUSIC OR COMEDY SPECIAL OUTSTANDING SUPPORTING ACTOR IN A MINISERIES, “65th Tony Awards” MOVIE OR DRAMATIC SPECIAL “84th Academy Awards” Tom Berenger, “Hatfields & McCoys” “Betty White’s 90th Birthday: Martin Freeman, “Sherlock: A Scandal in Belgravia” A Tribute to America’s Golden Girl” Ed Harris, “Game Change” “The Kennedy Center Honors” Denis O’Hare, “American Horror Story” “Live at the Beacon Theater” David Strathairn, “Hemingway & Gellhorn”.
Recommended publications
  • Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
    Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
    [Show full text]
  • The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
    RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television.
    [Show full text]
  • 1919 Golden Globe Nominees 1
    1919 Golden Globe Nominees 1. BEST TELEVISION SERIES – DRAMA a. THE AMERICANS FX NETWORKS Fox 21 Television Studios / FX Productions b. BODYGUARD NETFLIX World Productions / an ITV Studios company c. HOMECOMING PRIME VIDEO Universal Cable Productions LLA / Amazon Studios d. KILLING EVE BBC AMERICA BBC AMERICA / Sid Gentle Films Ltd e. POSE FX NETWORKS Fox 21 Television Studios / FX Productions 2. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA a. CAITRIONA BALFE OUTLANDER b. ELISABETH MOSS THE HANDMAID'S TALE c. SANDRA OH KILLING EVE d. JULIA ROBERTS HOMECOMING e. KERI RUSSELL THE AMERICANS 3. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA a. JASON BATEMAN OZARK b. STEPHAN JAMES HOMECOMING c. RICHARD MADDEN BODYGUARD d. BILLY PORTER POSE e. MATTHEW RHYS THE AMERICANS 4. BEST TELEVISION SERIES – MUSICAL OR COMEDY a. BARRY HBO HBO Entertainment / Alec Berg / Hanarply b. THE GOOD PLACE NBC Universal Television / Fremulon / 3 Arts Entertainment c. KIDDING SHOWTIME SHOWTIME / SOME KIND OF GARDEN / Aggregate Films / Broadlawn Films d. THE KOMINSKY METHOD NETFLIX Warner Bros. Television e. THE MARVELOUS MRS. MAISEL PRIME VIDEO Amazon Studios 5. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY a. KRISTEN BELL THE GOOD PLACE b. CANDICE BERGEN MURPHY BROWN c. ALISON BRIE GLOW d. RACHEL BROSNAHAN THE MARVELOUS MRS. MAISEL e. DEBRA MESSING WILL & GRACE 6. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY a. SACHA BARON COHEN WHO IS AMERICA b. JIM CARREY KIDDING c. MICHAEL DOUGLAS THE KOMINSKY METHOD d. DONALD GLOVER ATLANTA e. BILL HADER BARRY 7.
    [Show full text]
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • 5Th Annual Heroes4heroes Los Angeles Police Memorial Foundation Celebrity Poker Tournament & Casino Night Party Sunday November 17, 2019 @ 4Pm
    5th Annual Heroes4Heroes Los Angeles Police Memorial Foundation Celebrity Poker Tournament & Casino Night Party Sunday November 17, 2019 @ 4pm Over 50 celebrities and community members will gather together to play poker, casino games and enjoy a party to help raise money for the children and widows of LAPD Officers that have been killed in the line of Duty. Without the help of the foundation many of their kids will not have the opportunity to go to college, will lack basic funds for sporting activities or even medical costs. We hope you can join us to support this worthy cause. *poker*casino games*party*cocktails*music*food*auction*raffle*photobooth*red carpet arrivals and more… Since its inception in 1972, the Foundation has granted more than $18 million for medical, funeral and educational expenses without any taxpayer money. Past Celebrity supporters include: Jack Nicholson, Jerry West, Wayne Gretzky, Mark Wahlberg, Elton John, Sugar Ray Leonard, Vin Scully, Dennis Quaid, Kelsey Grammer, Eddie Van Halen, Samuel L. Jackson, Richard Dreyfuss, Chris O'Donnell, George Lopez, Larry King, Tommy Lasorda, Oscar de la Hoya, Rihanna, Ray Romano, Betty White, Andy Garcia, Luke Wilson, Gene Simmons, Marlon Wayans, Backstreet Boys, Paula Abdul, David Hasselhoff, Dean Martin, Frank Sinatra, Sammy Davis Jr., Bob Newhart, Telly Savalas, Johnny Grant, James Gandolfini and many more. Each year, superstars from TV, Film, Music and Sports join together to show support for the men & women who serve their community. This star-studded event is covered by mainstream media worldwide and is great exposure for sponsors who participate. Our events are covered by top mainstream entertainment media such as People, US Weekly, OK Magazine, Star, Extra, E Entertainment, Access Hollywood, Daily Mail, Extra, Variety, Hollywood Reporter and worldwide news outlets including Yahoo Finance, Yahoo Sports, Market Watch/Dow Jones, Reuters, Bloomberg Business Week, Fox News and more.
    [Show full text]
  • Coldplay? 2016 CILL Season Begins 2016 Primary Election Results: So Goes City Island
    Periodicals Paid at Bronx, N.Y. USPS 114-590 Volume 45 Number 4 May 2016 One Dollar Coldplay? 2016 CILL Season Begins By VIRGINIA DANNEGGER and KAREN NANI ria Piri, concession stand managers Jim and singlehandedly did the job of several and Sue Goonan, and equipment manager people. Even though his boys aged out of Lou Lomanaco. Several of these board the league, John still dedicates his time to members have served multiple terms on the help.” He presented John with a framed board. CILL jersey and a plaque in appreciation Mr. Esposito gave special thanks to for his support of the league and the City Photos by RICK DeWITT the outgoing president, John Tomsen, Island community. It was a chilly start to the 2016 Little League season on April 9, but the baseball tradi- who threw out the first pitch. “John has “As many of you know, volunteering tion dating back to 1900 is alive and warm on City Island. There are major, minor and time is a family commitment. Whether it t-ball teams competing once again this season. The ceremonial first pitch was thrown been president of the CILL since 2009 by outgoing president John Tomsen, who was also awarded a framed jersey by the Continued on page 19 new league president, Dom Esposito (right, top photo). New York State Assemblyman Michael Benedetto joined Catherine Ambrosini, Mr. Esposito and Mr. Tomsen (second photo, l. to r.) for the season opener. The American Legion color guard bearers led the teams in the “Star Spangled Banner.” As the weather warms up, head down to Ambro- 2016 Primary Election Results: sini Field next to P.S.
    [Show full text]
  • Movie Catalog Movie
    AVENGERS BY THE NUMBERS On-Board Inside front cover EVERYTHING GAME OF THRONES MOVIE CATALOG Pages 36-38 © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Paramount Pictures © 2019 Warner Bros. Ent. All rights reserved. © 2019 RJD Filmworks, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. STX Entertainment 2019 © © Amazon Studios © 2019 Disney Enterprises, inc. © 2019 STX Entertainment 2019 © © Lions Gate Entertainment, Inc. © 2019 Warner Bros. Ent. All rights reserved. July/August 2019 | 1.877.660.7245 | swank.com/on-board-movies H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H ExperienceH H H H H H H H H H H H H H H H HTHE H ADVENTURESH H H H H H H H of the AVENGERS H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Marvel H HH H H H H H HH HH H HH HH H 2008H H H H H H HH H H H H 2008H H H H H H H H H H2010 H H H H H H H H H2011 H H H H H H H H H2011 H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel H H H H H2012 H H H H H H H H H2013 H H H H H H H H H2013 H H H H H H H H H2014 H H H H H H H H H 2014H H H H H H H H H 2015H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Columbia Pictures Industries, Inc.
    [Show full text]
  • Boardwalk Empire
    BOARDWALK EMPIRE "Pilot" Written by Terence Winter FIRST DRAFT April 16, 2008 EXT. ATLANTIC OCEAN - NIGHT With a buoy softly clanging in the distance, a 90-foot fishing schooner, the Tomoka, rocks lazily on the open ocean, waves gently lapping at its hull. ON DECK BILL MCCOY, pensive, 40, checks his pocket watch, then spits tobacco juice as he peers into the darkness. In the distance, WE SEE flickering lights, then HEAR the rumble of motorboats approaching, twenty in all. Their engines idle as the first pulls up and moors alongside. BILL MCCOY (calling down) Sittin' goddarnn duck out here. DANNY MURDOCH, tough, 30s, looks up from the motorboat, where he's accompanied by a YOUNG HOOD, 18. MURDOCH So move it then, c'mon. ON DECK McCoy yankS a canvas tarp off a mountainous stack of netted cargo -- hundreds of crates marked 'Canadian Club Whiskey·. With workmanlike precision, he and .. three CREWMAN hoist the first load of two dozen crates up and over the side, lowering it down on a pulley. As the net reaches the motorboat: MURDOCH (CONT'D) (to the Young Hood) Liquid gold, boyo. They finish setting the load in place, then Murdoch guns the motorboat and heads off. Another boat putters in to take his slot as the next cargo net is lowered. TRACK WITH MURDOCH'S MOTORBOAT as it heads inland through the darkness over the water. Slowly, a KINGDOM OF LIGHTS appears on the horizon, with grand hotels, massive neon signs, carnival rides and giant lighted piers lining its shore. As we draw closer, WE HEAR faint music which grows louder and LOUDER -- circus calliope mixed with raucous Dixieland jazz.
    [Show full text]
  • Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
    Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself").
    [Show full text]
  • 73Rd-Nominations-Facts-V2.Pdf
    FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page
    [Show full text]
  • Cast Bios Betty White
    CAST BIOS BETTY WHITE (Annie Eason) – Betty White was born in Oak Park, Illinois and grew up in Los Angeles. After graduating from Beverly Hills High School, she got her big break when she joined a local live TV program. Two years later, White inherited the show. Forming her own production company, White and her partners produced a number of projects for television while she became a popular figure on talk, variety and game shows. She is the winner of two daytime Emmy® Awards. In primetime, she won two Emmy® Awards for her portrayal of Sue Ann Nivens, the Happy Homemaker, on “The Mary Tyler Moore Show.” She earned two more Emmys® for her roles in “The Golden Girls” and “The John Larroquette Show.” White narrated the New Year’s Day Tournament of Roses Parade on network television for 20 years and the Macy’s Thanksgiving Day Parade for 10. She has appeared in a number of feature films including “Dennis the Menace Strikes Again” and “Bringing Down the House.” Her motion picture-for-television credits include “Chance of a Lifetime” and “Stealing Christmas.” White’s most recent guest-starring roles have been on “Everwood,” “Malcolm in the Middle,” “My Wife and Kids” and “The Practice,” for which she was nominated for yet another Emmy®. An avid activist for the health and welfare of animals, White created, wrote and hosted a syndicated TV animal series, “The Pet Set,” and is the author of four books. She has been honored by the Pacific Pioneers in Broadcasting, American Women in Radio and TV, the American Comedy Awards, and has been inducted into the Television Academy’s Hall of Fame.
    [Show full text]