AMMI Small12 Angry Men 2/08.Qxd

Total Page:16

File Type:pdf, Size:1020Kb

AMMI Small12 Angry Men 2/08.Qxd SCREENING AMERICA 12 Angry Men United Artists. Released in New York April 1957. 93 minutes. Directed by Sidney Lumet. Produced by Henry Fonda and Reginald Rose. Written by Reginald Rose. Photographed by Boris Kaufman. Filmed in New York City. 12 Angry Men. The jury’s first vote is eleven to one in favor of a guilty verdict. CAST OF CHARACTERS Juror 8 Henry Fonda Juror 2 John Fiedler Juror 3 Lee J. Cobb Juror 5 Jack Klugman Juror 10 Ed Begley Juror 6 Edward Binns Juror 4 E. G. Marshall Juror 9 Joseph Sweeney Juror 7 Jack Warden Juror 11 George Voskovec Juror 1 Martin Balsam Juror 12 Robert Webber SCREENING AMERICA/12 ANGRY MEN 1 12 ANGRY MEN “If there is a reasonable doubt in your minds as to the guilt of the accused—a reason- able doubt—then you must bring me a verdict 12 Angry Men is about 12 strangers of not guilty. If, however, there’s no reasonable doubt, then you must in good conscience find who have been brought together the accused guilty. However you decide, your verdict must be unanimous. In the event you by the government to serve as find the accused guilty... the death sentence is mandatory in this case. You are faced with a jurors. Alone in the jury room, these 12 men grave responsibility.” must decide if an 18-year-old boy accused of killing his father is guilty or innocent. WHAT TO LOOK FOR: JUROR 8 As the jurors The importance of this decision—the begin their deliberations, the vote is eleven to importance of jury duty itself—is the major one in favor of a guilty verdict. The single vote Henry Fonda This 11-by-14-inch as juror 8, lobby card was described in the one of a set script as “a man that exhibitors who sees many could display in sides to every theater lobbies question and and windows. constantly seeks the truth.” Gift of Gerald Leibowitz theme of 12 Angry Men. As the movie begins, for not guilty comes from the film’s hero, the courtroom portion of the trial has just juror 8. Though some of the other jurors ended, and the judge is giving his instructions respond with anger and hostility, juror 8 insists to the jury. He tells them, “You’ve listened to that they spend more time discussing what the testimony, you’ve had the law read to you they saw and heard in the courtroom. He tells All illustrations and interpreted as it applies to this case. It’s them, “It’s not easy to raise my hand and send are drawn from now your duty to sit down and try to separate a boy off to die without talking about it first.” the collection of the American the facts from the fancy. One man is dead. As the movie continues, juror 8 demon- Museum of the Another man’s life is at stake. strates that there may be more than one way Moving Image. 2 AMERICAN MUSEUM OF THE MOVING IMAGE SCREENING AMERICA/12 ANGRY MEN 3 to interpret a witness’ testimony or a piece of deep personal prejudices—his hostility toward evidence. He shows the other jurors how prej- anyone who does not share his social and eth- udice can prevent people from judging others nic background—make him believe the fairly. He teaches them what it means to have defendant is a liar. “You know how these peo- a “reasonable doubt.” Eventually, he per- ple lie!” he says. “It’s born in them.” suades all of the others to vote with him. WHAT TO LOOK FOR: THE VERDICT Juror 8 WHAT TO LOOK FOR: JURORS 3 AND 10 The and the others at last convince jurors 3 and 10 most difficult jurors to persuade are jurors 3 and to vote not guilty, but it is important to 10. The filmmakers used these two characters to remember that this verdict could be wrong. At show us what happens when citizens are unable the end of the movie we do not really know to judge a case impartially. Jurors are supposed the truth. We only know how this jury voted. to be impartial, which means that they must If the defendant is truly innocent, then judge a case based only on the evidence—the justice has been done but the real murderer is The script describes juror 3 (center, pointing) as “a humorless man who is intolerant of opinions other than his own.” facts—that they see and hear in the courtroom. still on the loose. If he is really guilty, then this Juror 3’s attitude toward the defendant jury is letting a killer go free. As juror 6 says to Juror 10 is is influenced by painful memories of his rela- juror 8 early in the film, “Supposin’ you talk a bigot. He makes tionship with his own son. He had a fistfight us all out of this, and the kid really did knife the mistake with his son two years ago, and they have not his father?” of thinking seen each other since. As a result he is angry Juror 8 does not answer because there that all the at all children and young people (“Rotten is no answer. The truth is often difficult, if not jurors share his feelings. kids!” he says) and he automatically assumes impossible, to know. Near the end of the that the teenage defendant is lying. Juror 10’s movie juror 8 reminds his fellow jurors, “I 4 AMERICAN MUSEUM OF THE MOVING IMAGE SCREENING AMERICA/12 ANGRY MEN 5 don’t really know what the truth is. I don’t them; the right to a public trial in the district suppose anybody will ever really know. But in which the crime occurred; the right to nine of us now seem to feel that the defen- question witnesses who testify against them; dant is innocent.... We may be wrong. We may and the right to call witnesses to testify in be trying to let a guilty man go free.... But we their defense. Criminal defendants had these have a reasonable doubt. And that’s some- rights in 1787 and they still have them today. thing that’s very valuable in our system.” INNOCENT UNTIL PROVEN GUILTY Defendants THE AMERICAN JURY are always considered innocent until proven guilty, and the burden of proof is on the gov- ernment. Prosecutors know that the evidence A jury is a group of ordinary citi- must be strong enough to convince a group of ordinary citizens, not experts. Also, they must zens, usually 12 of them, who assume that the jury will only hear evidence are chosen at random to decide the outcome—the verdict—of a trial. The practice of deciding a trial by jury dates back to the fourteenth century, and the earliest set- tlers of the original 13 colonies brought this legal custom to America with them. THE CONSTITUTION AND THE BILL OF RIGHTS The purpose of the jury is to protect individual citizens from the government, which might abuse its power. The founders of the United States were determined to protect the rights of individual citizens, and the U.S. Constitution about the single crime in question. Defendants guarantees that any citizen accused of a crime may question witnesses, call their own witnesses, The jurors has a right to a jury trial. In fact, the founders or even testify themselves, but they are not inspect the murder felt the jury was so important that they required to do any of these things. The defen- weapon. described this right further in the first ten dant does not have to prove his or her inno- amendments to the Constitution, which are cence, but the government must prove the known as the Bill of Rights. defendant’s guilt. The Bill of Rights gave defendants the The government must also, in most fed- right to be informed of the charges against eral and state cases, convince all 12 jurors of 6 AMERICAN MUSEUM OF THE MOVING IMAGE SCREENING AMERICA/12 ANGRY MEN 7 its version of the facts. This requirement that their votes. As long as a juror believes his jury verdicts be unanimous dates back to the doubt is reasonable, he will fulfill his civic adoption of the Constitution. duty by voting not guilty. REASONABLE DOUBT To return a verdict of JURY DUTY AND VOIR DIRE The Constitution guilty, a jury must be convinced of the also guarantees the right to an impartial jury. accused’s guilt “beyond a reasonable doubt.” To ensure fairness in general, jury service is As jurors learn, “Proof beyond a reasonable required of American citizens—for hundreds doubt is not proof beyond all doubt, or to a of years, the government has called citizens to Juror 3 tells mathematical or absolute certainty,” but the jury duty. To prevent the government from juror 8 about government’s case must still be strong. The choosing only people who would take its side, the son he evidence must convince the jurors of every ele- potential jurors are called at random. hasn’t seen in ment of the crime, including the defendant’s To ensure fairness in a particular case, two years. identity as the person who committed it. the prosecutor, defense attorney, and judge Jurors 5, 6, and 4 (foreground) argue about the testimony of a witness. They have all remembered it differently. A reasonable doubt is “a doubt for question potential jurors before the trial. This which a reason can be given...
Recommended publications
  • 2013 Morpheus Staff
    2013 Morpheus Staff Editor-in-Chief.......................................................Logan Burd Contest Director................................................Clayton Burke Layout and Design Director..........................Jackie Stanziano Marketing Director...........................................Cole Randolph Cover Design....................................................TJ Wasserman Heidelberg University Morpheus Literary Magazine 2013 2 Table of Contents Morpheus Literary Competition Author Biographies............................................................................................................................5 Fiction Winners..................................................................................................................................7 Poetry Winners.................................................................................................................................18 Visual Arts Winners.........................................................................................................................22 Journalism Winners.........................................................................................................................26 Academic Winners..........................................................................................................................36 Senior Writing Projects Author Biographies..........................................................................................................................68 Logan Burd.....................................................................................................................................70
    [Show full text]
  • The Ledger and Times, July 19, 1958
    Murray State's Digital Commons The Ledger & Times Newspapers 7-19-1958 The Ledger and Times, July 19, 1958 The Ledger and Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger and Times, "The Ledger and Times, July 19, 1958" (1958). The Ledger & Times. 3368. https://digitalcommons.murraystate.edu/tlt/3368 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. Selected As A Best All Round Kentucky Community Newspaper JULY 18, 195g First .. Largest Circulation In with The City Local News Largest 40 • and Circulation In Local PictureA The Comity IN OUR 79th YEAR Murra KN, Saturda Afternoon, 19 1958 MURRAY POPULATION 10,100 Vol. LXXIX No. 171 se natural carelessness United Press people. Long and ir- >ties of work are not in orderly check-ups of ints, and farm peegie to overlook little thiNs iger life and limb. A ard in the barn floor. UNICIPAL PARKING VOTED BY COUNCIL pa, rubbish left idly Hair Styling Show Pre-School Clinic e all booby traps of To Appear Present Location Of Beale Number land Number6 Not To Be Held Here U.S. Plane Is Scheduled The Devry's Beauty Supply A pre-school clinic will. be to 90 In New Directory."2-5" System Used Company will sponsor a hair held at the Hearth Department Home To Park 75 Cars styling show in Murray for N.
    [Show full text]
  • Season 5 Article
    N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s.
    [Show full text]
  • Last Tango in Paris (1972) Dramas Bernardo Bertolucci
    S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .
    [Show full text]
  • Deadlock Ends: Mayor Elected Hartard Jpsuroives Fifth Ballot Is The
    MIT' The Weather Oldest and Largest Today: Mostly sunny, 41°F (SoC) Tomorrow: Partly cloudy, 46°F (8°C) ewspaper Thursday: Partly cloudy, 36°F (2°C) Details, Page 2 Volume 120, Number 5 Cambridge, Massachusetts 02139 Tuesday, February 15, 2000 Deadlock Ends: Mayor Elected Hartard JPSuroives Fifth Ballot Is the . diverse coalition consisting of coun- ciation members Braude and Davis. Impeac hment ThO tes cillors James Braude. Henrietta Councillor Kenneth Reeves com- .I.~ (./1t ,,(, Charm for GallUCCIO Davis. David Maher. Michael Sulli- pared this election to the 1998 elec- van. and Tim Toomey. Maher was tion of Francis Duehay. In that elec- By Frank Dabek elected as vice mayor by a unani- tion, CCA members failed to rally By Sanjay Basu ade stand he had used during the EDITOR IN CHIEF mous vote. behind one candidate for mayor. ASSOCIATE NEWS EDITOR campaign. In a dramatic turn of events An emotional Galluccio said resulting in the acrimonious defeat Harvard's Undergraduate Coun- Burton's opponents, visibly frus- Anthony D.Galluccio was elected as after his election that his "door will of Katherine Triantifillou. cil voted not to remove Vice Presi- trated with their first loss, quickly the new mayor of Cambridge early be open" to all councillors and that The election was "as treacherous dent John A. Burton '01 from office moved to discuss the infringement this morning. he hopes that Cambridge will be a as could be." said Reeves. who cast in an impeachment hearing last Sun- on BGL TSA rights. But the Galluccio's election on the fifth better city at the end of his term.
    [Show full text]
  • A Historical/Critical Analysis of the Tv Series the Fugitive
    A HISTORICAL/CRITICAL ANALYSIS OF THE TV SERIES THE FUGITIVE THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By David P. Pierson, B.S. Denton, Texas May, 1993 Pierson, David P., A Historical/Critical Analysis Of The TV Series The Fugitive. Master of Science (Radio/TV/Film), May 1993, 168 pp., bibliography, 70 titles. In many respects, the popular 1960's television series, The Fugitive perfectly captured the swelling disillusionment with authority, alienation, and discontent that soon encompassed American society. This historical/critical study provides a broad overview of the economic, social, and political climate that surrounded the creation of The Fugitive. The primary focus of this study is the analysis of five discursive topics (individualism, marriage, justice & authority, professionalism, science and technology) within selected episodes and to show how they relate to broader cultural debates which occurred at that time. Finally, this study argues that The Fui1gitive is a part of a television adventure subgenre which we may classify as the contemporary "wanderer-hero" narrative and traces its evolution through selected television series from the last three decades. TABLE OF CONTENTS Chapter Page I. INTRODUCTION . 1 The Sixties The Emergence of a Television Culture The Fugitive Notes on Methodology II. THE TV INDUSTRY AND THE FUGITIVE . 26 The Great Shift ABC-TV Network and the Creation of The Fugitive 60's Programming Trends and The Fugitive III. THE DISCURSIVE FUGITIVE . 70 Individualism Marriage Justice and Authority Professionalism Science and Technology Conclusion IV.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • Daily Iowan (Iowa City, Iowa), 1946-04-25
    !t, 1946 ~ GOOD MORNING, IOWA CITY! Generally fair and continued mild weather can be expected for today and tomorrow. No rain is in at owal1 sight for the next three days. Established 1868 Vol. 78, No. 183 Iowa City, Iowa, Thursday, April 25--Five Cents • • owes, its" o Ylng gainst ----~----------------------~--------------~---------------------~ * * * - --------* * * Chiang Makes Attorneys Refute Motion OPA-Increases (oncession -T D·· Eld Price Ceilings On'Assembly a Ismlss · ora Trial . On Cigarettes Reds' Armed Strength FD'i9ht Fails-Old (o~nsel (Iaim~ Rumors Fly in Search Hike Multiple-Pack, Stabilization Director In Manchuria Helps Carton, Vending Calls for Repudiation In Quick Settlement For Mussolinr sBody Machine Sales Of Control OPf3osition CHUNOKJJ.\fG (AP)-ChiulI g' oy '. He Was Told , Note Bearing Fascist WASHINGTON CAP) - OPA W.Af:lIIJNO'['ON (AP) 'ta­ last night announced an increase Kai·Shek made It IIlajol' COll' " bilization Di l'cctOI' C Ii e s Le i' Signature Says Body In retail price ceilings lor mul­ cession to th e Communists yes· BowIe called upon bu in s­ Given Decent Burial tiple-pack, carton and vending mcn last night to repudiate tcrday by postponing the no· Ba~~ ~Ies To Keep Quiet machine sales of cigarettes, tional as 'cmbly, and he 11'0.' l' . DETROIT (AP) - Sheryl Beth The increases, granted because "tbe lobbying which "arious ported ready to COIl1 p l'omise as Cannell, one-day old baby flown MILAN (AP)-An anonymous of a jump in manufacturing costs, minority groups who claim FORT DODGE (AP)-District telephone caller today declared the wcll 011 embattled !-JulI chul'ia, here early yesterday in an oxygen are: they speak fot' oUlel· busine ·s· Judge H.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • 12 Angry Men (1957, Not Rated)
    Lee J. Cobb #3, George Voskovec #11, E.G. Marshall #4, Robert Webber #12, Jack Warden #7, Ed Begley #10, Jack Klugman #5, Joseph Sweeney #9, Henry Fonda #8, John Fiedler #2, Martin Balsam #1, and Edward Binns #6 12 Angry Men (1957, Not Rated) Directed by Sidney Lemut, Written by Reginald Rose Available on DVD through Netflix A jury holdout attempts to prevent a miscarriage of justice by forcing his colleagues to reconsider the evidence. Twelve Angry Men is a courtroom drama broadcast initially as a television play in 1954. The following year it was adapted for the stage, and in 1957 was made into a film. It has since had numerous remakes, adaptations, and tributes. Selected in 2007 for the National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant,” it was rated as the second-best courtroom drama ever (after To Kill a Mockingbird) by the American Film Institute. What a Character-Study Is Meant to Be (IMDB User Review, 8 June 2002) Intense courtroom drama having 12 very different people, all males, struggle with a murder case involving a young Puerto Rican boy that seems cut-and-dried. However, Juror 8 (Henry Fonda) does not believe it to be as sure-fire as it appears. He votes not guilty and what follows is a chain of events that will test the views, beliefs and thoughts of the other 11 members. Fonda is great, but Lee J. Cobb steals every scene (and that is not easy to do in a film like this).
    [Show full text]
  • "Long Before the War Ended, Patton Was a Legend. Spectacular, Swaggerinc , Pistol Packing, Deeply Religious and Violently Profane
    No BASTARD EVER WON A WAR BY DYING FOR HIS COUNTRY. HE WON IT BY MAKING THE OTHER POOR DUMB BASTARD DIE FOR HIS COUNTRY..." GENERAL GEORGE S, RATION, JR. FROM A NEW YORK TIMES EDITORIAL, DEC. 22, 1945: "LONG BEFORE THE WAR ENDED, PATTON WAS A LEGEND. SPECTACULAR, SWAGGERINC , PISTOL PACKING, DEEPLY RELIGIOUS AND VIOLENTLY PROFANE... EASILY MOVED TO ANGER... EASILY MOVED TO TEARS... HE WAS A STRANGE COMBINATION OF FIRE AND ICE." «*-«•r. snrrr/ K uu, MJJJW•X * tit "t*Vl TOV i !*m Keumt rttMIUH.SgttffiffB mUiSlRWmStlK 81. l«m*S/i«SS. 'ISSlfliilSSTSItt SlbUliMMtn tfWT (OIBSWTK V facets of t fie 'Diamond: 75 years of 'Best "Picture Dinners Academy of Motion Ticture Arts and Sciences SamueC QoCcfwyn 'Theater ApriC28, 2003 1970 The Forty-Third Academy Awards® presentation, for films released in 1970, was held on April 15, 1971 in the Dorothy Chandler Pavilion of the Los Angeles County Music Center. It was produced for the Academy by Robert Wise. It was produced and directed for NBC by Richard Dunlap. Awards were presented by thirty-four "Friends of Oscar®" including: Burt Bacharach, Harry Belafonte, Richard Benjamin, Joan Blondell, Jim Brown, Genevieve Bujold, Glen Campbell, Petula Clark, Angie Dickinson, Melvyn Douglas, Lola Falana, Janet Gaynor, Goldie Hawn, Bob Hope, John Huston, James Earl Jones, Shirley Jones, Sally Kellerman, Burt Lancaster, Steve McQueen, John Marley, Walter Matthau, Sarah Miles, Ricardo Montalban, Jeanne Moreau, Merle Oberon, Ryan O'Neal, Gregory Peck, Paula Prentiss, Juliet Prowse, Eva Marie Saint, George Segal, Maggie Smith and Gig Young. Ingmar Bergman received the Thalberg Award, Frank Sinatra the Hersholt Humanitarian Award and Honorary Oscars went to Orson Welles and Lillian Gish.
    [Show full text]
  • Introduction to the 50Th Anniversary of 12 Angry Men
    Chicago-Kent Law Review Volume 82 Issue 2 Symposium: The 50th Anniversary of 12 Article 3 Angry Men April 2007 Introduction to the 50th Anniversary of 12 Angry Men Nancy S. Marder IIT Chicago-Kent College of Law Follow this and additional works at: https://scholarship.kentlaw.iit.edu/cklawreview Part of the Law Commons Recommended Citation Nancy S. Marder, Introduction to the 50th Anniversary of 12 Angry Men, 82 Chi.-Kent L. Rev. 557 (2007). Available at: https://scholarship.kentlaw.iit.edu/cklawreview/vol82/iss2/3 This Article is brought to you for free and open access by Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in Chicago-Kent Law Review by an authorized editor of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. INTRODUCTION TO THE 50TH ANNIVERSARY OF 12 ANGRYMEN NANCY S. MARDER* INTRODUCTION I have had the opportunity to organize two academic panels on the subject of this Symposium, The 50th Anniversary of 12 Angry Men. Each panel included several of the contributors to this Symposium. The first panel was held at the Association of American Law Schools ("AALS") Annual Meeting in Washington, D.C., in January 20071 and the second panel was held at the Law & Society Association Annual Meeting in Ber- lin, Germany, in July 2007.2 As the organizer of these two panels, I felt that I owed it to the audiences to address at least two questions: Why this movie? Why now? These two questions are also a useful starting point for this Symposium.
    [Show full text]