Important Monthly Current Affairs Capsule – May 2020
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Admiral Sunil Lanba, Pvsm Avsm (Retd)
ADMIRAL SUNIL LANBA, PVSM AVSM (RETD) Admiral Sunil Lanba PVSM, AVSM (Retd) Former Chief of the Naval Staff, Indian Navy Chairman, NMF An alumnus of the National Defence Academy, Khadakwasla, the Defence Services Staff College, Wellington, the College of Defence Management, Secunderabad, and, the Royal College of Defence Studies, London, Admiral Sunil Lanba assumed command of the Indian Navy, as the 23rd Chief of the Naval Staff, on 31 May 16. He was appointed Chairman, Chiefs of Staff Committee on 31 December 2016. Admiral Lanba is a specialist in Navigation and Aircraft Direction and has served as the navigation and operations officer aboard several ships in both the Eastern and Western Fleets of the Indian Navy. He has nearly four decades of naval experience, which includes tenures at sea and ashore, the latter in various headquarters, operational and training establishments, as also tri-Service institutions. His sea tenures include the command of INS Kakinada, a specialised Mine Countermeasures Vessel, INS Himgiri, an indigenous Leander Class Frigate, INS Ranvijay, a Kashin Class Destroyer, and, INS Mumbai, an indigenous Delhi Class Destroyer. He has also been the Executive Officer of the aircraft carrier, INS Viraat and the Fleet Operations Officer of the Western Fleet. With multiple tenures on the training staff of India’s premier training establishments, Admiral Lanba has been deeply engaged with professional training, the shaping of India’s future leadership, and, the skilling of the officers of the Indian Armed Forces. On elevation to Flag rank, Admiral Lanba tenanted several significant assignments in the Navy. As the Chief of Staff of the Southern Naval Command, he was responsible for the transformation of the training methodology for the future Indian Navy. -
Annual Report 2017-18 Annual Report St St Inveso Mundus (2015), AES+F, at Anand Warehouse, Mattancheri 1 April 2017 to 31 March 2018 Contents
Annual Report 2017-18 Annual Report st st Inveso Mundus (2015), AES+F, at Anand Warehouse, Mattancheri 1 April 2017 to 31 March 2018 Contents 06 Introduction 08 Kochi Biennale Foundation 10 Board of Trustees 12 Kochi-Muziris Biennale 2018 Curator 14 Kochi Biennale Foundation Programmes 22 Fundraiser Auction 24 CSR Support and Kochi Biennale Foundation 24 Meeting of The Board of Trustees 24 Constitution of Internal Complaints Committee 26 Audit & Accountability 48 Kochi-Muziris Biennale 2016 Sponsors, Patrons & Supporters Front Cover: Parayi Petta Panthirukulam (2016), PK Sadanandan, at Aspinwall House, Fort Kochi 4 5 Introduction On behalf of the trustees of the Kochi replicated across India. Kochi Biennale The respected Indian artist Anita Dube Biennale Foundation, I’m pleased to Foundation is honoured by the trust was announced as curator for the 2018 present the annual report of the activities placed in us by the government of Kerala. edition of the Biennale. She has begun her of the organisation for the year 2017-18. research for the fourth iteration. Anita is This contains a summary of our activities We are an organisation founded by expected to travel to around 30 countries this year, as well as the audited balance artists, led by artists, and curated by outside of India for research and discussion sheet for the financial year. artists. Without support from the artists towards her exhibition. Given the nature community in India and outside, the of her art practice and her capacities as a I feel that the Kochi-Muziris Biennale Biennale would be impossible. They critical thinker in the art-world, I have no has raised the bar for public cultural have been with the Foundation from doubt that she will put together a strong and programmes in India. -
0F5401520b5aa0736889b067d9
The Location of Culture ‘The work being done in my field, African and African-American Studies, is unimaginably richer because of Homi Bhabha’s stunning contribution to literary, historical, and cultural studies. The breadth and depth of his analysis, and the razor precision of his writing, push us all to be better, more innovative scholars, and I thank him for it.’ Henry Louis Gates, JR ‘The Location of Culture has been extraordinarily fertile for work in a variety of fields: literature, geography, architecture, politics among them. Homi Bhabha is at once radical and subtle in his method of argument and his insights have been fundamental to the flourishing of post-colonial studies.’ Gillian Beer, University of Cambridge ‘The Location of Culture is an exuberantly intelligent voyage of dis- covery and disorientation. Supple, subtle, and unafraid, its power lies in its remarkable openness to all that is challenging and unsettling in the contemporary world.’ Stephen Greenblatt, Harvard University ‘Bhabha is that rare thing, a reader of enormous subtlety and wit, a theorist of uncommon power. His work is a landmark in the exchange between ages, genres and cultures; the colonial, post-colonial, mod- ernist and postmodern.’ Edward Said ‘Homi Bhabha is one of that small group occupying the front ranks of literary and cultural theoretical thought. Any serious discussion of post-colonial/postmodern scholarship is inconceivable without refer- encing Mr Bhabha.’ Toni Morrison '\ L £ ~ () ~~ ct:o S Qrn r- • m • () ~ CI) ( m V ..q S 5 \ Routledge Classics contains the very best of Routledge publishing over the past century or so, books that have, by popular consent, become established as classics in their field. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Listed Exhibitions (PDF)
G A G O S I A N G A L L E R Y Anish Kapoor Biography Born in 1954, Mumbai, India. Lives and works in London, England. Education: 1973–1977 Hornsey College of Art, London, England. 1977–1978 Chelsea School of Art, London, England. Solo Exhibitions: 2016 Anish Kapoor. Gagosian Gallery, Hong Kong, China. Anish Kapoor: Today You Will Be In Paradise. Gladstone Gallery, New York, NY. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor. Lisson Gallery, Milan, Italy. Anish Kapoor. Museo Universitario Arte Contemporáneo, Mexico City, Mexico. 2015 Descension. Galleria Continua, San Gimignano, Italy. Anish Kapoor. Regen Projects, Los Angeles, CA. Kapoor Versailles. Gardens at the Palace of Versailles, Versailles, France. Anish Kapoor. Gladstone Gallery, Brussels, Belgium. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor: Prints from the Collection of Jordan D. Schnitzer. Portland Art Museum, Portland, OR. Anish Kapoor chez Le Corbusier. Couvent de La Tourette, Eveux, France. Anish Kapoor: My Red Homeland. Jewish Museum and Tolerance Centre, Moscow, Russia. 2013 Anish Kapoor in Instanbul. Sakıp Sabancı Museum, Istanbul, Turkey. Anish Kapoor Retrospective. Martin Gropius Bau, Berlin, Germany 2012 Anish Kapoor. Museum of Contemporary Art, Sydney, Australia. Anish Kapoor. Gladstone Gallery, New York, NY. Anish Kapoor. Leeum – Samsung Museum of Art, Seoul, Korea. Anish Kapoor, Solo Exhibition. PinchukArtCentre, Kiev, Ukraine. Anish Kapoor. Lisson Gallery, London, England. Flashback: Anish Kapoor. Longside Gallery, Yorkshire Sculpture Park, West Bretton, England. Anish Kapoor. De Pont Foundation for Contemporary Art, Tilburg, Netherlands. 2011 Anish Kapoor: Turning the Wold Upside Down. Kensington Gardens, London, England. Anish Kapoor: Flashback. Nottingham Castle Museum, Nottingham, England. -
PRESS RELEASE Homeward ARPITA SINGH 18 March
D-40 Defence Colony, New Delhi 110024 | T +91-11-24622545/24615368 D-53 Defence Colony, New Delhi - 110024 | T +91-11-46103550/46103551 E [email protected] | W www.vadehraart.com PRESS RELEASE Homeward ARPITA SINGH 18 March – 16 April 2021 D-40 Defence Colony, New Delhi Vadehra Art Gallery is pleased to announce a continuation of our presentation titled Homeward, featuring a recent body of worK by Arpita Singh, which was recently presented as part of On Site, a collaborative exhibition by four leading galleries held at BiKaner House, New Delhi, earlier this month, and is now on view at our modern gallery. Described as a figurative artist and a modernist, Arpita Singh still maKes it a point to stay tuned in to traditional Indian art forms and aesthetics, like miniaturist painting and different forms of folk art, employing them regularly in her work. Afflicted by the problems that are faced each and every day by women in her country and the world in general, Singh paints the range of emotions that she exchanges with these subjects – from sorrow to joy and from suffering to hope – providing a view of the ongoing communication she maintains with them. In this latest body of watercolours on paper and oil paintings, Singh’s cartographical autobiographies assume new dimensions through an intensification of colour, accenting her imagined landscapes with the flourish of expressionist emotion. With compositions foregrounded in movement, Singh tends to emphasize the potential of individual agency operating within collective constraints, though her mapping doesn’t seem to prioritize any one aspect – whether the fictional, mythical, personal, public fact or dream. -
Engineering the Art of Anish Kapoor
ENGINEERING THE ART OF ANISH KAPOOR ESSAY BY CHRISTOPHER HORNZEE‐ JONES (Published with permission by the Solomon Guggenheim Museum New York) Design and engineering firm Aerotrope’s work on Anish Kapoor’s Deutsche Guggenheim commission is the latest in a series of close collaborations with the artist that began almost ten years ago. Over this period, we have contributed our technical expertise to the realization of his increasingly ambitious artworks in both public spaces and galleries, working with a diversity of materials from steel and wax to water and air, each of which has presented specific possibilities and challenges. I have been drawn to working with artists due to my long‐standing passion for creativity that spans the arts, design, engineering, and science. In our work outside of the art world, our role is often to evolve new designs and technology in the fields of renewable energy and experimental low‐energy vehicles. We see our work with artists as an integrated and enriching part of our practice, not as an interesting sideline to “real” work. The process of critically reexamining our received assumptions of what is possible and then formulating bold new expressions of vision is as vital to making compelling artworks as it is to adapting our society to the challenges of climate change and the limits of global resources. During each project with Kapoor, we may go through periods of relatively independent parallel work, which are linked by sessions of closely interactive review. Our objective, especially during the initial phase of realizing a new work, is to keep the creative options as open as possible rather than to let premature decision making, often driven by technical or production concerns, constrain or deflect Kapoor’s artistic judgments. -
Utopias and Dystopias in World Literature
MEJO The MELOW Journal of World Literature Volume 4 February 2020 ISSN: 2581-5768 A peer-refereed journal published annually by MELOW (The Society for the Study of the Multi-Ethnic Literatures of the World) Sunny Pleasure Domes and Caves of Ice: Utopias and Dystopias in World Literature Editor Manpreet Kaur Kang Volume Sub-Editors Neela Sarkar Barnali Saha 1 Editor Manpreet Kaur Kang, Professor of English, Guru Gobind Singh IP University, Delhi Email: [email protected] Volume Sub-Editors Neela Sarkar, Associate Professor, New Alipore College, W.B. Email: [email protected] Barnali Saha, Research Scholar, Guru Gobind Singh IP University, Delhi Email: [email protected] Editorial Board: Anil Raina, Professor of English, Panjab University Email: [email protected] Debarati Bandyopadhyay, Professor of English, Visva-Bharati, Santiniketan Email: [email protected] Himadri Lahiri, Professor of English, University of Burdwan Email: [email protected] Manju Jaidka, Professor, Shoolini University, Solan Email: [email protected] Rimika Singhvi, Associate Professor, IIS University, Jaipur Email: [email protected] Roshan Lal Sharma, Professor, Central University of Himachal Pradesh, Dharamshala Email: [email protected] 2 3 EDITORIAL NOTE MEJO, or the MELOW Journal of World Literature, is a peer-refereed E-journal brought out biannually by MELOW, the Society for the Study of the Multi-Ethnic Literatures of the World. It is a reincarnation of the previous publications brought out in book or printed form by the Society right since its inception in 1998. MELOW is an academic organization, one of the foremost of its kind in India. -
Read the Full Interview in the Jan. 2020 Edition Of
Defence.Capital BUSINESS AND POLITICS OF ARMING INDIA JANUARY 2020 CDS: An uphill task Three years may be too short a tenure for General Bipin Rawat Sample Market Reports For Commissioning Reports and for Pricing, Contact Us: IndoStrat Enterprises Phone: +91 9871050869 * * * Email: [email protected] 2 Defence.Capital JANUARY 2020 EDITORIAL Dear Reader, t truly gives me immense happiness to greet as you step into New Year 2020. I am doubly happy Ibecause it has been our singular privilege to present to you Defence.Capital, a uniquely placed news portal and monthly magazine focusing on the defence, aerospace, homeland security and shipping sectors. Am sure the discerning reader and observer in you will lap up this product from the IndoStrat En- terprises stable. While the online portal will be a platform to provide you breaking news, the monthly magazine in a print form and in the electronic, soft copy format will be explainers of issues that are gripping the focus sectors. The January 2020 edition of Defence.Capital with special focus on the Army Day is the first ever of the printed magazine and the ezine editions, though the online product is already six months old. The editorial team looks forward to your valuable suggestions and feedback on the product and ways to improve it further, so that the website and the magazine become the first stop of all the stake-holders in the sectors from which we will be bringing news that you can use. Defence Budget 2020-21 It is but customary that the Indian government presents the general budget for the 2020-21 fiscal within a month or so of entering a new year. -
Sainik Cover Copy
2018 16-30 April Vol 65 No 8 ` 5 SAINIK Samachar Prime Minister inaugurates India’s mega exhibition – DEFEXPO 2018 The Prime Minister, Shri Narendra Modi visiting the pavilions, at the inauguration ceremony of the DefExpo India 2018, at Mahabalipuram, Tamil Nadu on April 12, 2018. The Prime Minister, Shri Narendra Modi witnessing the demonstration of equipment of the three Armed forces, at the inauguration ceremony of the DefExpo India 2018, at Mahabalipuram, Tamil Nadu on April 12, 2018. In This Issue Since 1909 BIRTH ANNIVERSARY CELEBRATIONS PM’s Address at DEFEXPO 2018 4 (Initially published as FAUJI AKHBAR) Vol. 65 q No 8 26 Chaitra - 10 Vaisakha, 1940 (Saka) 16-30 April 2018 The journal of India’s Armed Forces published every fortnight in thirteen languages including Hindi & English on behalf of Ministry of Defence. It is not necessarily an organ for the expression of the Government’s defence policy. The published items represent the views of respective writers and correspondents. Editor-in-Chief Hasibur Rahman Senior Editor Ms Ruby T Sharma RM Appreciates National 7 DRDO Celebrates 8 Editor Ehsan Khusro Level Open Challenge… ‘Make in India’ Spirit… Sub Editor Sub Maj KC Sahu Coordination Kunal Kumar Business Manager Rajpal Our Correspondents DELHI: Col Aman Anand; Capt DK Sharma VSM; Wg Cdr Anupam Banerjee; Manoj Tuli; Nampibou Marinmai; Ved Pal; Divyanshu Kumar; Photo Editor: K Ramesh; ALLAHABAD: Gp Capt BB Pande; BENGALURU: Guruprasad HL; CHANDIGARH: Anil Gaur; CHENNAI: T Shanmugam; GANDHINAGAR: Wg Cdr Abhishek Matiman; GUWAHATI: -
Indian Industry Action Towards Covid-19
INDIAN INDUSTRY ACTION TOWARDS COMPENDIUM COVID-19 Project Team – Anil Kumar Bains, Jayashree Singha, Kavita Kathait, Lakshmi Iyengar, Naresh Saini, Varuna Chauhan Copyright © 2020 Confederation of Indian Industry (CII). Published by CII. All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), in part or full in any manner whatsoever, or translated into any language, without the prior written permission of the copyright owner. CII has made every eort to ensure the accuracy of the information and material presented in this document. Nonetheless, all information, estimates and opinions contained in this publication are subject to change without notice, and do not constitute professional advice in any manner. Neither CII nor any of its oce bearers or analysts or employees accept or assume any responsibility or liability in respect of the information provided herein. However, any discrepancy or error found in this publication may please be brought to the notice of CII for appropriate correction. 01. ACC Ltd. -------------------------------------------------------------------------------------------------- 02. Adani Group -------------------------------------------------------------------------------------------------- 03. Alstom India -------------------------------------------------------------------------------------------------- 04. Bajaj Group -------------------------------------------------------------------------------------------------- -
National Law University, Delhi Sector-14, Dwarka New Delhi-110078
NATIONAL LAW UNIVERSITY, DELHI SECTOR-14, DWARKA NEW DELHI-110078 ALL INDIA LAW ENTRANCE TEST-2016 (AILET-2016), B.A. LL.B.(HONS.) RESULT Marks Wise S.No. Roll No Name of the Candidate Name of Father/Mother/ Guardian DoB Gender Marks 1 52788 KARAN DHALLA DEEPESH DHALLA 03/02/1998 M 119 2 55979 SHUBHAM JAIN BHUPENDRA JAIN 20/11/1997 M 116 3 56876 VANSH AGGARWAL PAWAN SINGHAL 25/03/1998 M 116 4 63245 ARTH NAGPAL RAJESH NAGPAL 28/08/1997 M 114 5 64122 RIJU SHRIVASTAVA YUGENDRA ARYA 27/04/1998 F 114 6 69185 ROHIL BIPIN DESHPANDE BIPIN GAJANAN DESHPANDE 10/05/1998 M 114 7 70191 ARVIND KUMAR TIWARI AKHILESH CHANDRA TIWARI 03/10/1997 M 114 8 75260 ANUBHUTI GARG ARUN GARG 13/06/1997 F 114 9 63398 EKANSH ARORA RAJESH ARORA 08/01/1997 M 113 10 66089 KARISHMA KARTHIK KARTHIK SUBRAMANIAN 06/04/1998 F 113 11 75266 ANUNA TIWARI SANJAY TIWARI 14/08/1997 F 113 12 77055 ANMOL DHAWAN SANJEEV DHAWAN 29/12/1998 M 113 13 77061 ANUKRITI KUDESHIA ANURODH KUDESHIA 27/09/1997 F 113 14 64048 PRANSHU SHUKLA SANJAY SHUKLA 24/02/1998 M 112 15 71044 NIKHIL SHARMA PRAMOD KUMAR SHARMA 21/01/1997 M 112 16 75365 AVANI AGARWAL SURENDRA KUMAR AGARWAL 28/06/1998 F 112 17 63385 DIVYA KUMAR GARG NITIN GARG 05/04/1998 M 111 18 64071 PRIYANKA CHATURVEDI D. P. CHATURVEDI 20/02/1997 F 111 19 72316 PRITHVI JOSHI ARUN JOSHI 28/10/1998 M 111 20 74213 SHIVAM SINGHANIA SUNIL SINGHANIA 27/02/1998 M 111 21 74227 SHREYA JAIPURIA BIRENDRA JAIPURIA 22/12/1997 F 111 22 77417 SREEDEVI GOPALAKRISHNAN NAIR GOPALAKRISHNAN NAIR 01/07/1997 F 111 23 50911 ANKUR SINGHAL ANIL KUMAR SINGHAL 26/12/1997