The Supremes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Requirements James Miyor to Hit a 3-Pointer to Broken Their Five-Game and the Carrier Dome
; 9m '^wrw,' 4fi M' Pag» 24 • THE VILLANOVAN • JwHMry 30, 1$07 Sports I S Wildcats terminate losing streak Vol. 62, Na IS VILLANOVA UNIVER8fTY, VILLANOVA, PA**^» w^ f FetmiaryS, 1987 By STEPHEN J. SCHLAGER stripe. Rony Seikaly hit two from back and forth at each other and Seton Hall's Mark Bryant com- Wilson ended the scoring by ^ the line followed by an eight-foot the first half ended with Villanova mitted his fifth persona] foul and hitting both ends of a one-and-one. The Villanova Wildcat basket- jumper by Coleman to tie the ball up by nine, 42-33. sent Massey to the line. Massey The final score read Villanova 86, ball team ventured on a road trip game at 40. West scored first in second half missed the one-and-one, allowing Seton Hall 82. The WUdcaU had last week to Syracuse University The score was tied again at 42, making two charity points and a finally Requirements James Miyor to hit a 3-pointer to broken their five-game and the Carrier Dome. Villanova 48 and then at 50 before Syracuse 16-foot jumper off a feed from bring the score to a diff-hanging losing streak. came out and put the squeeze on took the lead for good off a Sher- Wilson. By the time the first the Orangemen. man Douglas jumper from 18 feet television timeout rolled along the Villanova controlled the tap and with 3:28 left in the game. Wildcats were still up by nine, 50- and Doug West slammed home the Syracuse took complete control 41. -
A Happy Family I Love Mother; She Loves Me We Love Daddy, Yes Sir
Songs La , la, la. The snow on the ground goes Crunch, crunch, crunch A Happy Family The boys and the girls I love mother; she loves me All jump with glee We love daddy, yes sir-ree He loves us and so you see Baa Baa Black Sheep We are a happy family Baa, baa black sheep, Have you any wool? I love sister; she loves me Yes sir, yes sir, We love brother yes sir-ree Three bags full. He loves us and so you see We are a happy family One for my master, One for my dame, Animal Sounds (tune Brother John) And one for the little boy I’m a duck, Who lives down the lane. I’m a duck Watch me walk, watch me walk Baby Put Your Pants On Hear me when I talk hear me when I talk (tune: Mama’a Little Baby Loves Shortnin’) Quack, quack, quack, Baby put your pants on, pants on, pants on, Quack, quack, quack Baby put your pants on 1, 2, 3 *repeat: Repeat with shirt, socks, etc I’m a birdie, watch me fly-tweet Now that you’re all dressed, all dressed, all I’m a kitten, watch me scratch-meow dressed, I’m a dog, watch me dig-woof Now that you’re all dressed lets go play! Then sing in reverse order Apricot Tree Baby take your socks off, socks off, socks off I looked out the window and what did I see? Baby take your socks off, 1, 2, 3 Popcorn popping on the apricot tree! Repeat with shirt, pants, etc Spring has brought me such a nice surprise Now that you’re all naked, all naked, all naked Blossoms popping right before my eyes Now that you’re all naked Let’s take a bath! I can take an armful and make a treat A popcorn ball that would smell so sweet Bicycle It wasn’t really so, but it seemed to me (Tune: Row, Row, Row Your Boat) Popcorn popping on the apricot tree! Ride, ride, ride your bike Up and down the street At Christmas Time (Tune: Wheel on the Bus) Happily, happily, happily, happily, The bells on the sleigh go ring, ring ,ring. -
Sunday Nights with Walt Everything I Know I Learned from “The Wonderful World of Disney”
Sunday Nights with Walt Everything I Know I Learned from “The Wonderful World of Disney” Richard Rothrock Theme Park Press The Happiest Books on Earth www.ThemeParkPress.com Contents Introduction vii 1 “And Now Your Host, Walt Disney” 1 2 A Carousel of Color 9 3 A Carousel of American History 21 4 Adventures in Nature 49 Commercial Break: Making Mom’s Pizza 69 5 Life Lessons and Journeys with Our Pets and Horses 71 6 A Carousel of Fabulous, Faraway Places 89 7 Walt and His Park 109 8 The Show after Walt 119 Commercial Break: Fads and Evolutions 125 9 Solving a Mystery 129 10 Growing Up 143 11 Discovering the Classics 165 Commercial Break: Rich’s Top Ten 177 12 Learning the Ropes of Romance 179 13 Embracing the Future 191 Afterword 209 Acknowledgements 213 About the Author 215 About Theme Park Press 217 Introduction Growing up in the 1960s and 1970s, Sunday nights at my house were different from the other nights of the week. It was the only night when my mother made pizza. It was the only night of the week when we could drink soda. It was the only night of the week when we could have candy for dessert. Iit was the only night of the week when we were allowed to eat dinner in front of the television. And the only shows we ever watched were Mutual of Omaha’s Wild Kingdom and The Wonderful World of Disney. (Mom sent us to bed as soon as Bonanza started.) For almost the entirety of my childhood, The Wonderful World of Disney was always there, even as I grew from a boy to a young man of eighteen, and even as my family moved from the small towns and farms of rural Indiana to the coal and steel towns of West Virginia to the towering spires of the Motor City in Michigan. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
1950S Culture Webquest Description: Created to Allow Students to Explore 1950S Culture
1950s Culture WebQuest Description: Created to allow students to explore 1950s culture. Grade Level: 9-12 Curriculum: Social Studies Keywords: 1950s, fifties, pop-culture Published On: 2008-03-01 09:50:33 Last Modified: 2008-02-29 08:10:21 WebQuest URL: http://zunal.com/webquest.php?w=8063 You will participating in a webquest to explore the culture and trends of the 1950s. The various websites will present you with information on everything from Levittown to the censorship of Elvis. Take your time going through the sites and remember to record your answers on your worksheet. Follow the instructions on the next page to navigate through the website. Record your answers on the worksheet provided. Welcome to the 1950s! Through this webquest you will be exploring the culture and trends of the 1950s. Remember to record what you find on your worksheet. 1. Congratulations! You have just been married. Take a look at this Home Economics textbook to find some tips on how to be the perfect housewife.2. Time to move to the suburbs! You and your spouse have decided to buy a house in Levittown, PA. Look at the four different models and decide which one fits your style and needs best.3. You need a new car to park in your new garage. Check out these classic cars and choose one you would like to have.4. To celebrate buying a new car you and your spouse decide to go to the drive-in for dinner and a movie. Click on the link above to read more about the drive-in. -
Born to Read: How to Nurture a Baby's Love of Learning. INSTITUTION Florida Dept
DOCUMENT RESUME ED 429 615 IR 057 341 AUTHOR Fiore, Carole, Comp. TITLE Born To Read: How To Nurture a Baby's Love of Learning. INSTITUTION Florida Dept. of State, Tallahassee. Div. of Library and Information Services. PUB DATE 1998-11-00 NOTE 264p.; Manual for the Born To Read Capacity Building Workshop (Tallahassee, FL, November 9-10, 1998). PUB TYPE Guides Non-Classroom (055) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS *At Risk Persons; Bibliographies; Brain; *Child Development; Child Health; Childrens Libraries; Childrens Literature; Cooperative Programs; Early Parenthood; *Family Literacy; Infants; *Library Services; *Outreach Programs; Parent Participation; Parent Role; *Parenting Skills; Partnerships in Education; Program Development; Public Libraries; Publicity; Toddlers; Volunteers; Workshops IDENTIFIERS Florida ABSTRACT Library and health care professionals team up in the Born to Read partnerships in Florida to empower at-risk expectant and new parents to take an active role in the health and education of their children. Designed for Born to Read workshop participants, this manual contains the following sections:(1) General Information, including workshop agendas, lists of participants, and library program information sheets;(2) Overview, including Born to Read goals/highlights and library program descriptions;(3) Brain Research, including statements on the importance of early childhood brain development, guiding principles for policy makers, an address on the Committee for Economic Development's role in childhood education/development, -
Montrose, Houston, Texas 77006; Phone: (713) BODLE of CHAMPAGNE and ROSES on MOVE-IN
5 YEARS OLD••• AND STILLGROWING STRONG!!! In Celebration of our 5th Anniversary BUY ONE YEAR NOW AND GEl YOUR SECOND YEAR FREE!!! At the FITNESS EXCHANGE we tailor a program to meet your needs and supervise you on our DOUBLE LINE OF NAUTILUS EQUIPMENT. Our SUNTANA (UVA) tanning beds are safer than the sun itself. Available also are FREE WEIGHTS. sauna. jacuzzi. juices. great music and more. HOURS: MON-FRI BAM-10PM. SAT 10AM-BPM. SUN NOON-BPM OFFERENDS APRIL 30! DALLAS ~ IFlllrrnesrs HOUSTON NUMBERS WELCOMES THE WHITE PARTY 2615 Oak Lawn 0 ~C UI:] aD 3307 Richmond #101 at Maple eD«:InrAlnOO at Buffalo Speedway PHONE 526-1220 NAUTILUS FOR MEN PHONE 524-9932 MEMBERS WORKOUT FREE IN ... PAGE 4 TWT APRIL 13 - 19, 1984 Dallas, Houston, Los Angeles, New York and San Francisco ~ ANNOUNCIN(;' HOUSTON'S NEWEST GAY APARTMENT COMMUNITY .. CORPORATE LEASING AVAILABLE IF You LIVE OUT OF STATE. PLEASE TELEPHONE COLLECT. _----~(ONTENTS Volume 10, Number 4 April 13-19, 1984 11 TWTNEWS~ _ I,V 'I/-2~\ 21.06 Appeal April 17, FBI Investigates San Antonio Shooting Death. ~~r- >- •......- ---,-,'----7':". "-: 19 COMMENT _ J 21 NEWSTALKPublic Forum _ ~'." - u: City Councilman George Greanias-Conclusion by Chuck Patrick ~~~~.~trlfte. yV"f-: 29 HIGHLlGHT _ .,r~\~~~*":\\~~:'~\.c 35 GaysBOOKSin Nazi Germany - Horrors of the Past by Herb Croner, Ph.D._ ,'i'~' ~'i. Streetbou Dreams. by Kevin Essner Reviewed by David Fields Out on a Limb. by Shirley MacLaine Reviewed by Sara lindley 38 MOVIES _ Hard to Hold. with Rick Springfield Reviewed by 0. Flores Alvarez ROSEWOOD ESTATES Romancing the Stone. -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
J. Frank Wilson
J. FRANK WILSON J. Frank was born December 11, 1941 in Lufkin, TX. In 1962 J. Frank Wilson, After Being Discharged From Goodfellow Air Force Base, Auditioned For The San Angelo Based Group "The Cavaliers" (Sid Holmes-Lewis Elliott-Bob Zeller-Ray Smith). J. Frank Would Then Be Discovered By Independent Record Producer Sonley Roush Who Had Booked The Band At The Blue Note Club (3rd and Birdwell St) In Big Spring, Texas In 1962. After Signing A 3 Year Manager's Contract With Sid Holmes, In 1963, Frank Took A Leave Of Absents. In 1964 J. Frank Was Re-Instated As The Lead Singer For The Cavaliers Replacing John Maberry. The Cavaliers, J. Frank Wilson, Buddy Croyle, Lewis Elliott, Roland Atkinson, Jim Wynne And A Girl Who Sang In Church (unknown) Went About The Business Of Copying Wayne Cochran's Record In Ron Newdoll's Studio In San Angelo. With J. Frank In Top Form The Record (First Released On Tamara 761 & Le Cam 722) On Josie Started Moving Up The Billboard Charts. It Wasn't Long After This That Contract Disputes, Law Suits, And Greedy Un- Scrupulous Promoters Began Taking Their Toll. After Touring With The Dick Clark Caravan Of Stars The Cavaliers Quit On The Road Returning Back To San Angelo. A Short Time Later Sonley Roush (Road Mgr.) Died In A Car Crash While Touring With J. Frank, Murry Kellum (Long Tall Texan), Travis Wammack (Scratchy), Jerry Graham (Bass), Phil Trunzo (Drums) And Buddy Croyle (Guitar/Sax). The Song, Last Kiss, Had Been Based On An Actual Event That Took The Lives Of 3 Teens In Georgia. -
View Playbill
MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL. -
Legends of Motown: Celebrating the Supremes Opening June 25
Legends Of Motown: Celebrating The Supremes Opening June 25 New Exhibit Features Rare Artifacts from the Premier Motown Records Act Founding Supremes Member Ms. Mary Wilson to Appear at the GRAMMY Museum June 24 For Intimate Interview and Q&A LOS ANGELES (June 5, 2015) — The GRAMMY Museum will explore the enduring legacy and influence of Motown Records' premier recording artists with the unveiling of Legends Of Motown: Celebrating The Supremes on June 25, 2015. The exhibit will offer visitors a unique look at the life and career of one of the most successful American singing groups of the '60s, the Supremes, through rare artifacts from the private collection of founding member Ms. Mary Wilson. On display on the Museum's third floor through spring 2016, the exhibit will feature rare photographs from the personal collection of Mary Wilson; concert posters; tour books, fan memorabilia; and an assortment of performance gowns, including: "Primette Pristine" gowns worn in 1961, one of the earliest sets purchased by the Supremes when they were still known as the Primettes "White De Mink" outfit worn on ABC's "The Hollywood Palace" in 1966 "Turquoise Freeze" dresses worn during a 1967 appearance on "The Ed Sullivan Show" "Red Hot" gown worn by Mary Wilson on "The Ed Sullivan Show" in 1970 for the debut of the new Supremes lineup featuring Cindy Birdsong and Jean Terrell "We've been eager to feature an exhibit celebrating Motown since we honored Berry Gordy and Smokey Robinson at our inaugural benefit gala in 2013," said Bob Santelli, Executive Director of the GRAMMY Museum.