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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Allegheny National Forest Fiscal Year 1999 Annual Report October 1, 1998 - September 30, 1999 2 Caring for the Land and Serving People Allegheny National Forest
Allegheny National Forest Fiscal Year 1999 Annual Report October 1, 1998 - September 30, 1999 2 Caring For The Land and Serving People Allegheny National Forest.... Land of Many Uses The Allegheny National Forest is The motto “Land of Many Uses” one of 155 National Forests managed captures the National Forest goal of by the U.S. Department of Agriculture a healthy, vigorous forest providing –Forest Service, and the only one in wood products, watershed protection, a Pennsylvania. National Forests are dif- variety of wildlife habits, and recre- ferent than other federal lands, most ational opportunities. of which are managed for a single pur- The Forest Service practices pose. Congress mandates that National conservation of all natural Forests be managed to provide multiple resources entrusted to its stew- resource benefi ts, and in a sustainable ardship, caring for the land way so future generations will enjoy and striving to balance these these lands, too. multiple benefi ts—to meet Forest Reserves were fi rst established not only our needs today, in 1891. The Organic Administration but the needs of tomorrow Act of 1897 defi ned their mission to too. Gifford Pinchot, the “improve and protect the forest within fi rst Chief of the Forest the boundaries, or for the purpose of Service, summed it up securing favorable conditions of water when he said National fl ows, and to furnish a continuous Forest lands are managed supply of timber.” In 1907, the “for the greatest good Forest Reserves were renamed National of the greatest Forests. Over time, various laws added number in the long other benefi ts like wilderness, heritage run.” resources and grazing to the original idea of watershed protection and con- tinuous timber. -
Singing Accent Americanisation in the Light of Frequency Effects: Lot Unrounding and Price Monophthongisation in Focus
Research in Language, 2018, vol. 16:2 DOI: 10.2478/rela-2018-0008 SINGING ACCENT AMERICANISATION IN THE LIGHT OF FREQUENCY EFFECTS: LOT UNROUNDING AND PRICE MONOPHTHONGISATION IN FOCUS MONIKA KONERT-PANEK University of Warsaw [email protected] Abstract The paper investigates – within the framework of usage-based phonology – the significance of lexical frequency effects in singing accent Americanisation. The accent of Joe Elliott of a British band, Def Leppard is analysed with regard to LOT unrounding and PRICE monophthongisation. Both auditory and acoustic methods are employed; PRAAT is used to provide acoustic verification of the auditory analysis whenever isolated vocal tracks are available. The statistical significance of the obtained results is verified by means of a chi- square test. In both analysed cases the percentage of frequent words undergoing the change is higher compared with infrequent ones and in the case of PRICE monphthongisation the result is statistically significant, which suggests that word frequency may affect singing style variation. Keywords: frequency effects, LOT unrounding, popular music, PRICE monophthong- gisation, singing accent, usage-based phonology 1. Introduction The phenomenon of style-shifting involved in pop singing in general and the Americanisation of British singing accent in particular have been investigated from various theoretical perspectives (Trudgill 1983, Simpson 1999, Beal 2009, Gibson and Bell 2012 among others). Depending on the theoretical standpoint, the notions of identity, reference style or default accent have been brought to light and assigned major explanatory power. Trudgill (1983) in his seminal paper on the sociolinguistics of British pop-song pronunciation interprets the emulation of the American accent as a symbolic tribute to the origins of popular music and provides the list of six characteristic features of this stylisation (1), two of which ((1c) and (1d)) are addressed in the present paper. -
Module 4: Fire Management
Module 4: Fire Management Photo: Michal Bukowski Statue of St. Florian, the patron saint of firefighters, erected in the XIX century after a great fire in the village of Lipnica Murowana, in Lesser Poland. Module 4: Fire Management Proposed Agenda Time Section name 8:00 8:30 Welcome 8:30 9:00 Introduction and Objectives 9:00 9:30 Activity I and discussion 9:30 10:00 Break 10:00 10:30 History and Policies 10:30 11:00 Standards and Orders 11:00 11:30 1910 revisited 11:30 12:00 How Things Change 12:00 12:30 Lunch 12:30 1:30 Incident Command System 1:30 2:00 Wildland Fires 2:00 2:30 Structural Fires 2:30 3:30 Risk and Safety 3:30 4:00 Lessons Learned 4:00 4:30 Egos, Personalities, and Politics 4:30 5:00 Wrap-up 5:00 5:30 Discuss plans for the fire field trip 2 Module 4: Fire Management Overview Content Outline This module focuses on the history and social ■ Introduction contexts of fire management, how those contexts ■ History and Policies influence policies, how fire management evolved ❏ The Incident Command System over time, and basic fire management objectives. ❏ The NWCG ❏ More tragedies mean more adaptation Learning Objectives ❏ Standardization ■ Wildland and Structural Fires ■ Understand the history of wildland fire ❏ Wildland fires fighting in a cultural, political, and social ❏ Structure fires context ❏ Risk ■ Identify and define different approaches to ■ Put it out suppressing and controlling fire ❏ Fire prevention ■ Understand the management objectives for ❏ Fire control fire suppression (wildland and structure) ❏ Fire exclusion ■ Compare and contrast the uses of fire con- ❏ Fire suppression trol vs. -
Músicas Japonesas -.: Karaoke Box Kampai
CANTOR CÓD. TÍTULO 19 18483 ANO KAMI HIKOHKI KUMORIZORA WATTE Abe Shizue 18424 MIZU IRO NO TEGAMI Ai 2017 STORY Ai 18319 YOU ARE MY STAR Ai 18486 BELIEVE Ai Johji e Shiki Chinami 5103 AKAI GLASS Aikawa Nanase 5678 BYE BYE Aikawa Nanase 5815 SWEET EMOTION Aikawa Nanasse 5645 YUME MIRU SHOJYOJYA IRARENAI Aiko 2031 KABUTO MUSHI Akikawa Masafumi 2015 SEN NO KAZE NI NATTE Akimoto Junko 2011 MADINSON GUN NO KOI Akimoto Junko 2022 AI NO MAMA DE... Akimoto Junko 2124 AME NO TABIBITO Akimoto Junko 18233 TASOGARE LOVE AGAIN Akioka Shuji 2296 OTOKO NO TABIJI Akioka Shuji 18432 SAKE BOJO Alan 18485 BALLAD ~NAMONAKI KOI NO UTA~ Alice 2266 IMA WA MOH DARE MO Alice 5117 FUYU NO INAZUMA Amane Kaoru 18279 TAIYOH NO UTA Ami Suzuki 5658 ALONE IN MY ROOM Amin 2223 MATSU WA Amuro Namie 5294 STOP THE MUSIC Amuro Namie 5300 TRY ME (WATASHI O SHINDITE) Amuro Namie 5340 CAN YOU CELEBRATE Amuro Namie 5341 CHASE THE CHANCE Amuro Namie 5711 I HAVE NEVER SEEN Amuro Namie 5766 NEVER END Amuro Namie 5798 SAY THE WORD Amuro Namie 5820 THINK OF ME Amuro Namie 5838 WISHING ON THE SAME STAR An Cafe 18425 NATSU KOI NATSU GAME An Ri 2379 OLIVIA O KIKINAGARA Angela Aki 2040 THIS LOVE Angela Aki 2360 TEGAMI ~ HAIKEI JUHGO NO KIMI E Angela Aki 18211 KISS ME GOODBYE Angela Aki 18224 RAIN Angela Aki 18296 KAGAYAKU HITO Angela Aki 18358 WE'RE ALL ALONE Ann Lewis 2258 GOODBYE MY LOVE Ann Louise 5494 WOMAN Anri 18229 SUMMER CANDLES Anzen Chitai 5105 ANATANI Anzen Chitai 5107 AOI HITOMI NO ERIS Anzen Chitai 5280 FRIEND Anzen Chitai 5128 KANASHIMINI SAYONARA Página 1 CANTOR CÓD. -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
Strange Dissertation Final Draft
Seeking Higher Ground: Contemporary Back-to-the-Land Movements in Eastern Kentucky by Jason George Strange A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Geography in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Watts, Chair Professor Michael Johns Professor Michael Burawoy Fall 2013 Seeking Higher Ground: Contemporary Back-to-the-Land Movements in Eastern Kentucky © 2013 Jason George Strange Abstract Seeking Higher Ground: Contemporary Back-to-the-Land Movements in Eastern Kentucky By Jason George Strange Doctor of Philosophy in Geography University of California, Berkeley Professor Michael Watts, Chair When I was growing up in the beautiful Red Lick Valley in eastern Kentucky, I saw many families practicing intensive subsistence production. They grew large gardens, raised chickens for eggs and meat, built their own homes, and fixed their own cars and trucks. On the Yurok Reservation, I again saw a profound and ongoing engagement with hunting, gathering, and crafting activities – and then encountered contemporary subsistence yet again when I visited my wife’s childhood home in rural Ireland. When I began my graduate studies, however, I could find little reflection of these activities in either the scholarly record or popular media. When they were noticed at all, they were often targeted for stereotyped ridicule: contemporary homesteaders in the US were either remnant hippies from the ‘60s, or quaint mountain folks -
All WAYS FREE
May you Always be... All WAYS FREE Caption describing picture or graphic. Summer 2015 ALL WAYS FREE 2015 2 Statement of Intent All Ways Free is an actualization of a need to expand communication among the people of the planet. We offer a forum for: sharing heartsongs, dreams, visions, and the realization of peace updates on the events of the world and those in our own backyards expressing creativity in po- etry, cartoons, short stories, drawings bringing increased awareness to the difficulties and problems facing us, as well as potential solutions, our progress and accomplishments most im- portantly, sharing of love for one another and our planet home All Ways Free is an inclusive experience, with input from any and all. A volunteer staff meets before each edition to combine the collective effort into a polished product. We have chosen not to sell All Ways Free, or any space within it. Instead, it flies on love, energy, money, and materials freely given. With this process we hope to bring about a shared vision of love, peace, justice, and freedom, through a strong, broad, common unity. All Ways Free is completely noncommercial, meaning it relies on YOU to keep it afloat with your donations. Likewise, it is a collaborative effort which needs creative family like YOU to help by writing articles and other original content for next summer's edition! To contact us for information on submissions or donations, email the current crew at [email protected] Rainbow Connection New York Albany Lightline: (518) 377-6662 Arcata Lighline:(707) -
Preparation for Initial Company Operations-Student Manual
Preparation for Initial Company Operations PICO-Student Manual 1st Edition, 5th Printing-April 2014 FEMA/USFA/NFA PICO-SM April 2014 Preparation for Initial Company Operations 1st Edition, 5th Printing Preparation for Initial Company Operations PICO-Student Manual 1st Edition, 5th Printing-April 2014 This Student Manual may contain material that is copyright protected. USFA has been granted a license to use that material only for NFA-sponsored course deliveries as part of the course materials, and it shall not be duplicated without consent of the copyright holder. States wishing to use these materials as part of state-sponsorship and/or third parties wishing to use these materials must obtain permission to use the copyright material(s) from the copyright holder prior to teaching the course. PREPARATION FOR INITIAL COMPANY OPERATIONS NOTICE: This material has been developed by the National Fire Academy (NFA) of the United States Fire Administration (USFA) for use by State and metropolitan fire training programs. NFA endorsement of this material is conditional on use without modification. NFA material, whether printed text or software, may not be used in any manner that would mislead or that would suggest or imply endorsement by NFA of any commercial product, process, or service. ii PREPARATION FOR INITIAL COMPANY OPERATIONS U.S. DEPARTMENT OF HOMELAND SECURITY UNITED STATES FIRE ADMINISTRATION NATIONAL FIRE ACADEMY FOREWORD The U.S. Fire Administration (USFA), an important component of the Department of Homeland Security (DHS), serves the leadership of this Nation as the DHS's fire protection and emergency response expert. The USFA is located at the National Emergency Training Center (NETC) in Emmitsburg, Maryland, and includes the National Fire Academy (NFA), National Fire Data Center (NFDC), and the National Fire Programs (NFP). -
A Journey Through the Inner World of Def Leppard
THE MANY FACES OF DEF LEPPARD A JOURNEY THROUGH THE INNER WORLD OF DEF LEPPARD 2LP 7798093712896 RELEASE: 04-12-2020 With more than 65 million albums sold worldwide and two prestigious Diamond Awards to their credit, Def Leppard with its current line-up –Joe Elliott (vocals), Phil Collen (guitar), Rick Savage LIMITED EDITION (bass), Vivian Campbell (guitar) and Rick Allen (drums)— continue to be one of the most important GATEFOLD TRANSPARENT forces in rock music.n many ways, ORANGE/BLUE MARBLED 180 GR. VINYL Def Leppard were the definitive hard rock band of the ‘80s. There were groups that rocked harder, but few captured the spirit of the times quite as well. Emerging in the late ‘70s as part of the New Wave of British Heavy Metal, Def Leppard gained a following outside of that scene by toning down their heavy riffs and emphasizing melody. In The Many Faces of Def Leppard, we are going to dig deep into the lesser known work of their members, collaborations, side projects and of course, their hit-filled catalog. LP1 - THE MANY FACES OF DEF LEPPARD LP2 - THE SONGS Side A Side A ALL JOIN HANDS - ROADHOUSE FEAT. PETE WILLIS & FRANK NOON POUR SOME SUGAR ON ME - LEE THOMPSON, JOHNNY DEE, RICHARD KENDRICK, I WILL BE THERE - GOMAGOG FEAT. PETE WILLIS & JANICK GERS MARKO PUKKILA & HOWIE SIMON DOIN’ FINE - CARMINE APPICE FEAT. VIVIAN CAMPBELL HYSTERIA - DANIEL FLORES ON A LONELY ROAD - THE FROG & THE RICK VITO BAND LET IT GO - WICKED GARDEN FEAT. JOE ELLIOTT ROCK ROCK TIL YOU DROP - CHRIS POLAND, JOE VIERS & RICHARD KENDRICK OVER MY DEAD BODY - MAN RAZE FEAT. -
Sunrise Fire Rescue Operations and Policy Manual
UPDATED ON 6/21/2016 OPERATIONS AND POLICIES MANUAL Sunrise Fire Rescue Operations & Policies Manual Index June 21, 2016 SECTION 1 ORGANIZATION 100.00 Mission Statement August 4, 2003 100.01 Organizational Structure October 1, 2013 100.02 Operations & Policies Manual (OPM) February 3, 2014 SECTION 2 HUMAN RESOURCES 200.00 Duties & Responsibilities 200.01 Firefighter/EMT December 23, 2014 200.02 Firefighter/Paramedic December 23, 2014 200.03 Fire Inspector December 23, 2014 200.04 Driver Operator December 23, 2014 200.05 Rescue Lieutenant – Section 1 Shift December 23, 2014 200.05 Rescue Lieutenant – Section 2 Non Shift December 23, 2014 200.06 Fire Captain December 23, 2014 Sect. 1 Fire Captain EMS Shift Supervisor December 23, 2014 Sect. 2 Fire Captain EMS Non Shift December 23, 2014 Sect. 3 Fire Captain Fire Life Safety December 23, 2014 Sect. 4 Fire Captain Plan Review December 23, 2014 Sect. 5 Fire Captain Logistics December 23, 2014 Sect. 6 Fire Captain Special Operations July 28, 2010 Sect. 7 Fire captain Training April 30, 2013 200.07 Fire Marshal April 27, 2011 200.08 Battalion Chief April 30, 2013 Sect. 1 Support Battalion Chief April 30, 2013 Sect 2 Emergency Management Battalion Chief April 30, 2013 200.09 Fire Division Chief April 30, 2013 201.00 Promotional Qualifications 201.01 Entry Level/Firefighter December 23, 2014 201.02 Driver Operator December 23, 2014 201.03 Rescue Lieutenant December 23, 2014 201.04 Fire Captain December 23, 2014 201.06 Battalion Chief December 23, 2014 201.07 Special Operations Team Member April