Yearling Nominations 2020
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A COASTAL COMMUNICATIONS CORPORATION PUBLICATION MARCH/APRIL 2013 VOL. 20 NO. 2 $10.00 Las Vegas The Odds-On-Favorite for Meeting Success Photo courtesy of Las Vegas News Bureau News Vegas Photo courtesy of Las Page 36 Spa Resorts Page 14 Tech Update Page 18 CSR Page 22 Florida Page 28 ISSN 1095-9726 .........................................USPS 012-991 A COASTAL COMMUNICATIONS CORPORATION PUBLICATION MARCH/APRIL 2013 Vol. 20 No. 2 Photo by Belinda Serata Photography Belinda Serata Photo by Page 28 FEATURES Teambuilding challenges arranged by Miami’s Vibe Agency under Florida’s sunny skies and balmy breezes kept 14 The Wellness Prescription these financial firm’s attendees fully Meetings + Spa Resorts = Smart Business energized and engaged. By Stella Johnson A wellness visit to the 18 High-Tech Tools G Spa at Foxwoods Resort Casino, a premiere Connecticut for Managing meeting property, is Meetings always welcome. And Proving Their Value By George Seli DEPARTMENTS 22 The Greater Good 4 PUBLISHER’S MESSAGE How CSR Adds Value to the 6 INDUSTRY NEWS Community and the Company By John Buchanan 7 SNAPSHOTS Page 14 Photo courtesy of Foxwoods Resort Casino Photo courtesy of Foxwoods 10 FAcebook…OR FAcE TIME? Why Business Relationships Take More Than Texting, Friending and Online Connecting DESTINATIONS By Michael Houlihan 12 Presentations 28 Florida 8 Ways to Increase and Sustain Audience Participation The Dream Destination By Scott Steinberg By Derek Reveron 50 cORPORATE LADDER Page 22 Photo courtesy of PwC 50 READER SERVIcE CSR at work.Winners of PwC’s High 36 Las Vegas School Business Challenge received The Odds-On-Favorite $40,000 from the PwC Charitable for Meeting Success Foundation Inc. -
June Newsletter
June Newsletter Ed & Hazel Richmond Public Library Vision: Expanding Minds. Empowering People. Enriching Community. 110 N. Lamont St. Aransas Pass, Texas 78336 (361)758-2350 Upcoming Events Dear Reader, Keep Aransas Beautiful This month’s featured author is Michael Crichton. John Michael Crichton was born on October 23, 1942, in Chicago, Illinois, to John Henderson Crichton, a journalist, and Zula June 8, 2017 5:15-6:00 p.m. Miller Crichton. He was raised on Long Island, in Roslyn, New York, and showed a keen Pre-Natal Wellness Class interest in writing from a young age; at 14, he had a column related to travel published June 8, 2017 9:00-12:00 p.m. in The New York Times. Crichton had always planned on becoming a writer and began his Silver Sneakers – Members Only studies at Harvard College in 1960. During his undergraduate study in literature, he June 9, 2017 11:00 a.m. conducted an experiment to expose a professor who he believed was giving him Food Handlers Class abnormally low marks and criticizing his literary style. Informing another professor of his June 12, 2017 6:00 p.m. suspicions, Crichton submitted an essay by George Orwell under his own name. The paper was returned by his unwitting professor with a mark of "B” His issues with the English Mahjong Club department led Crichton to switch his undergraduate concentration; he obtained his June 13, 2017 1:00-5:00 p.m. bachelor's degree in biological anthropology summa cum laude in 1964 and was initiated Library Board Meeting – into the Phi Beta Kappa Society. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
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Abbey, Cherie D., Ed. Biography Today: Author Series. Profil
DOCUMENT RESUME ED 434 064 SO 031 051 AUTHOR Harris, Laurie Lanzen, Ed.; Abbey, Cherie D., Ed. TITLE Biography Today: Author Series. Profiles of People of Interest to Young Readers. Volume 5, 1999. ISBN ISBN-0-7808-0372-8 PUB DATE 1999-00-00 NOTE 194p. AVAILABLE FROM Omnigraphics, Inc., 2500 Penobscot Building, Detroit, MI 48226; Tel: 800-234-1340 (Toll Free). PUB TYPE Books (010) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Adolescent Literature; *Authors; Biographies; Childrens Literature; Elementary Secondary Education; Language Arts; *Popular Culture; Profiles; Reading Interests; Recreational Reading; Social Studies; Student Interests; *Supplementary Reading Materials IDENTIFIERS *Biodata; *Illustrators; Writing for Children ABSTRACT As with the regular issues of "Biography Today," this special subject volume on "Authors" was created to appeal to young readers in a format they can enjoy reading and readily understand. Each volume contains alphabetically-arranged sketches. Each entry in the volume provides at least one picture of the individual profiled, and bold-faced rubrics lead readers to information on birth, youth, early memories, education, hobbies, and honors and awards. Each entry ends with a list of easily accessible sources designed to lead the student to further reading on the individual and a current address. Obituary entries are also included and clearly marked in both the table of contents and at the beginning of the entry. Ten authors are profiled in this volume:(1) Sharon Creech;(2) Michael Crichton;(3) Karen Cushman;(4) Tomie dePaola;(5) Lorraine Hansberry;(6) Karen Hesse; (7) Brian Jacques;(8) Gary Soto;(9) Richard Wright; and (10) Laurence Yep. A series of general, places of birth, and birthday indexes is included. -
Hans Abbing Is a Painter, a Photographer and an Economist
abb. 25-03-2002 12:22 Pagina 1 Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknow- ingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists’ poverty. The economy of the arts is exceptional. Although the arts oper- ate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis. Hans Abbing is a painter, a photographer and an economist. As an economist he lectures at the Fa c u l t y of History and Arts at the Erasmus University in Rotterdam. Hans Abbing Why Are PostScript-illustratie Artists Poor? (ISBN 90-5356-565-5) The Exceptional Economy of the Arts Who but Hans Abbing could write such a book, combining penetrating economic analysis and a studio-level grasp of what’s really going in the art world? And it is openhandedly written, accessible to lay people of all sorts? Whether non- economists or non-artists. A triumph, and a sure best-seller. Deirdre McCloskey Proffesor of Economics, University of Illinois at Chicago A m s t e r dam University Press w w w . a u p . -
Five Patients in 50 Years: Revisiting the Speculations of Michael Crichton’S Medical School Nonfiction
Five Patients in 50 years: Revisiting the speculations of Michael Crichton’s medical school nonfiction Tyler D. Barrett, MA, MPS Tyler Barrett is an Assessment Clinician at the Kaiser Permanente Washington Health Research Institute, Seattle, WA. “We’re talking about what the future is; no one knows what the future is!” – Michael Crichton, 20071 uthor Michael Crichton (1942-2008) crafted con- vincing stories of speculative science and tech- nology into Hollywood blockbusters and wide Acommercial success. Throughout his career, he leveraged his medical education to construct an identity as an au- thority on science. In merging facts and scientific processes with plausible speculation, he earned a reputation for fore- sight intermittently at odds with scientific accuracy. By December 1969, the 27-year-old Crichton had al- picture industry for film adaptation. Among them was ready written 10 novels, published mostly under pseud- The Andromeda Strain, which became a New York Times onyms from the 1960s to early 1970s. Three of the Best Seller. By his own admission, Crichton was enjoy- novels had recently been purchased by the motion ing his success and recognition as an author, with trips 8 The Pharos/Winter 2021 to Hollywood and meetings with high-profile entertain- was followed by two additional Lange potboilers, and a ment executives.2. He was, at the time, also a fourth-year crime fiction collaboration with his brother under the medical student at Harvard completing clinical rotations alias Michael Douglas. at Massachusetts General Hospital. When he did return to publishing as Michael Crichton, in 1970, it was for Five Patients: The Hospital Explained, Medical school bookends a work of educative nonfiction interspersed with specu- Crichton’s experiences in medical school were both lation. -
Filozofická Fakulta Univerzity Palackého
Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Themes and Conflicts in Michael Crichton’s Novels Bakalářská práce Autor: Jan David (Anglická – Německá filologie) Vedoucí práce: PhDr. Libor Práger Olomouc 2012 Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně a uvedl úplný seznam citované a použité literatury. V Olomouci dne 17.8.2012 ___________________________ Contents 1. Introduction ......................................................................................................................... 1 2. Biography of Michael Crichton and the Influences of His Life on His Literary Career .... 3 2.1 Michael Crichton’s Life ............................................................................................... 3 2.2 Influences on Michael Crichton’s Work and Choice of Themes ................................ 6 2.2.1 Childhood and Undergraduate College Experience ............................................. 6 2.2.2 Studies at Harvard Medical School ...................................................................... 6 2.2.3 Making Movies .................................................................................................... 8 2.2.4 Traveling .............................................................................................................. 9 2.2.5 Contact with Psychic Powers ............................................................................. 10 3. Themes and Conflicts in Michael Crichton’s Works ....................................................... -
![The Hard Case Crime Novels [2004-Present]](https://docslib.b-cdn.net/cover/7282/the-hard-case-crime-novels-2004-present-5977282.webp)
The Hard Case Crime Novels [2004-Present]
The Hard Case Crime novels [2004-present] Lib-Print --> means available in either hardback or paperback to check out from the library Lib-CD --> means available as book-on-cd audiobook to check out from the library Lib-eB --> means available as an eBook to check out from the library HCC-Box --> means one or more copies were provided to Just Desserts in Trade Paperback by Hard Case Crime 2004 001 GRIFTER’S GAME by Lawrence Block (2004/1961) 002 FADE TO BLONDE by Max Phillips (2004) 003 TOP OF THE HEAP by Erle Stanley Gardner (2004/1952) 004 LITTLE GIRL LOST by Richard Aleas (2004) 005 TWO FOR THE MONEY by Max Allan Collins (2004/1973) 006 THE CONFESSION by Domenic Stansberry (2004) 2005 007 HOME IS THE SAILOR by Day Keene (2005/1952) 008 KISS HER GOODBYE by Allan Guthrie (2005) 009 361 by Donald E. Westlake (2005/1962) 010 PLUNDER OF THE SUN by David Dodge (2005/1949) 011 BRANDED WOMAN by Wade Miller (2005/1952) 012 DUTCH UNCLE by Peter Pavia (2005) 013 THE COLORADO KID by Stephen King (2005) -- Lib-Print, Lib-CD 014 THE GIRL WITH THE LONG GREEN HEART by Lawrence Block (2005/1965) -- Lib-Print 015 THE GUTTER AND THE GRAVE by Ed McBain (2005/1958) 2006 016 NIGHT WALKER by Donald Hamilton (2006/1954) 017 A TOUCH OF DEATH by Charles Williams (2006/1953) 018 SAY IT WITH BULLETS by Richard Powell (2006/1953) 019 WITNESS TO MYSELF by Seymour Shubin (2006) 020 BUST by Ken Bruen and Jason Starr (2006) 021 STRAIGHT CUT by Madison Smartt Bell (2006/1986) 022 LEMONS NEVER LIE by Richard Stark (2006/1971) 023 THE LAST QUARRY by Max Allan Collins (2006/novel 2006, based on 1989 short story) -- Lib-eB 024 THE GUNS OF HEAVEN by Pete Hamill (2006/1983) 025 THE LAST MATCH by David Dodge (2006/written in 1973, not published until 2003/2006) 026 GRAVE DESCEND by Michael Crichton writing as John Lange (2006/1970 pseudonym hidden until 2013) 027 THE PEDDLER by Richard S. -
Humans Versus Machines in the Anthropocene
COMPETING FANTASIES OF HUMANS AND MACHINES: SYMBOLIC CONVERGENCES IN ARTIFICIAL INTELLIGENCE EVENTS COVERAGE _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by HAYDEN ROBERT LEWIS Dr. Margaret Duffy, Thesis Supervisor DECEMBER 2017 © Copyright by Hayden Lewis 2017 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled COMPETING FANTASIES OF HUMANS AND MACHINES presented by Hayden Lewis, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Margaret Duffy Professor Jon Stemmle Professor Sara Shipley-Hiles Professor Sandy Rikoon DEDICATION This thesis is dedicated to my parents, Anna and Robert, without whom none of this would have been possible, and due to whom I’ll always remember not to take myself too seriously — except when you’re trying to fool the academy into awarding you a master’s degree. Running Head: COMPETING FANTASIES OF HUMANS AND MACHINES Lewis ii ACKNOWLEDGEMENTS Due to a general inclination to take inspiration from small and unexpected sources, the sheer scope of the acknowledgements I’d like to recognize as having influenced this thesis far surpasses what would fit on a standard acknowledgements page. So while I’m not normally one to stick to conventions, I’m obliged to keep this page concise and somewhat regrettably vanilla. In short, the completion of this thesis would not have been possible without the undying support of my committee, professors, and everyone else who helped me along this journey. -
Paris, Female Stardom, and 1930S French Cinema
Paris, Female Stardom, and 1930s French Cinema DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Jennifer Branlat, M.A. Graduate Program in French and Italian The Ohio State University 2012 Dissertation Committee: Prof. Judith Mayne, Advisor Prof. Jean-François Fourny Prof. Jennifer Willging Copyright by Jennifer Branlat 2012 ABSTRACT This study investigates Parisian femininity in 1930s French cinema in order to show how representations of women draw from city spaces, real or imagined, and the extent to which these images are made visible by the French star system as it reorganizes with the advent of sound. I claim that the three stars of this study, Annabella, Arletty, and Danielle Darrieux, develop distinctly Parisian star images that draw from both a past cultural tradition that eroticizes the urban lower-class woman and modern ideals concerning her independence and mobility through the urban environment. My analysis of representations of women in the films Quatorze juillet (René Clair, 1933), Hôtel du Nord (Marcel Carné, 1938), Abus de confiance and Retour à l’aube (Henri Decoin, 1937, 1938) reveals that, while archetypal figures like the midinette (shopgirl) and the prostitute are anchored in idealized images of the popular neighborhood life of the past, the appearance of a modern woman in the second half of the decade is concurrent with looking to new city spaces and experiences to tell stories about women. Solitary walking, driving, shopping, and going to the cinema, for example, are depicted as privileged moments of reflection or leisure offered to women in the public sphere. -
Constraining Lars Von Trier: Issues of Censorship
CONSTRAINING LARS VON TRIER: ISSUES OF CENSORSHIP, CREATIVITY, AND PROVOCATION A Dissertation By Kirsten L. Boatwright Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2011 Major Subject: English UMI Number: 3506848 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3506848 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CONSTRAINING LARS VON TRIER: ISSUES OF CENSORSHIP, CREATIVITY, AND PROVOCATION Kirsten L. Boatwright Approved as to style and content by Graduate Committee: <f. Dr. Linda C. Badley, Dissertation Director TU^-, Dr. Will Brantley, Reader Dr. Laura Dubek, Reader Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION A university's essential character is that of being a center of free inquiry and criticism—a thing not to be sacrificed for anything else. -Richard Hofstadter, Columbia University, 1968 This dissertation is dedicated to the seventy faculty members in whose classes I listened, inquired, and learned. Thank you for guiding my journey. u ACKNOWLEDGEMENTS Although writing a dissertation may at times be a lonely process, it is never a solitary endeavor.