Anton Grot Papers, 1920-1950
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Catalogo Giornate Del Cinema Muto 2011
Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A. -
Korngold, Alfred Newman, Philip Sainton, Adolph Deutsch, Hans J
570110-11bk Sea Hawk:570183bk Son of Kong 24/4/07 5:36 PM Page 24 John Morgan Widely regarded in film-music circles as a master colorist with a keen insight into orchestration and the power of music, Los Angeles-based composer John Morgan began his career working alongside such composers as Alex North and Fred Steiner before embarking on his own. Among other projects, he co-composed the richly dramatic score for the cult-documentary film Trinity and Beyond, described by one critic as “an atomic-age Fantasia, thanks to its spectacular nuclear explosions and powerhouse music.” In addition, Morgan has won acclaim for efforts to rescue, restore and re-record lost film scores from the past. Recently, Morgan composed the score for the acclaimed documentary, Cinerama Adventure. William Stromberg A native of Oceanside, California, who hails from a family of film-makers, William T. Stromberg balances his career as a composer of strikingly vivid film scores with that of a busy conductor in the original Marco Polo Classic Film Score Series. Besides conducting his own scores—including his music for the thriller Other Voices and the documentary Trinity and Beyond—Stromberg serves as a conductor for other film composers. He is especially noted for his passion in reconstructing and conducting film scores from Hollywood’s Golden Age, including several works recorded for RCA with the Brandenburg Philharmonic. For Marco Polo, he has conducted albums of music devoted to Max Steiner, Erich Wolfgang Korngold, Alfred Newman, Philip Sainton, Adolph Deutsch, Hans J. Salter, Victor Young, Franz Waxman, Bernard Hermann and Malcolm Arnold. -
Star Channels, July 15-21
JULY 15 - 21, 2018 staradvertiser.com COLLISION COURSE Loyalties will be challenged as humanity sits on the brink of Earth’s potential extinction. Learn if order can continue to suppress chaos on a new episode of Salvation. Airs Monday, July 16, on CBS Let’s bring over 70 candidates into view. Watch Candidates In Focus on ¶ũe^eh<aZgg^e-2' ?hk\Zg]b]Zm^bg_h%]^[Zm^lZg]_hknfl%oblbmolelo.org/vote JULY 16AUGUST 10 olelo.org MF, 7AM & 7PM | SA & SU, 7AM, 2PM & 7PM ON THE COVER | SALVATION Impending doom Multiple threats plague Armed with this new, time-sensitive informa- narrative. The actress notes that, while “the tion, Darius and Liam head to the Pentagon show is mostly about this impeding asteroid — season 2 of ‘Salvation’ and deliver the news to the Department of the sort of scaring, impending doom of that,” Defense’s deputy secretary, Harris Edwards people are “still living [their lives],” as the truth By K.A. Taylor (Ian Anthony Dale, “Hawaii Five-0”). Harris makes it difficult for people to accept, which TV Media and DOD public affairs press secretary Grace leads them to set out a course of action that Barrows (Jennifer Finnigan, “Tyrant”) have no reveals what’s truly important to them. Now cience fiction is increasingly becoming choice but to let these two skilled scientists that “the public knows” and “the secret is out science fact. The dreams of golden era into a covert operation called Sampson, re- ... people go bananas.” An event such as this Swriters and directors, while perhaps a vealing that the government was already well will no doubt “bring out the best” or to “bring bit exaggerated, are more prevalent now than aware of the threat but had chosen to keep it out the worst [in us],” but ultimately, Finnigan ever before. -
THE MAD GENIUS: a RETROSPECT to John Barrymore
Warners’ Edward G. Robinson, will now go THE MAD GENIUS: A RETROSPECT to John Barrymore. No reason is given for the switch, but surely Warners, delighted by By Greg Mank Svengali, wants a follow-up similar in style and scope. For 1931 moviegoers, beholding At Last! Barrymore on the screen is akin to 2010 audi- The Great John BARRYMORE ences watching a rock star—a crazy, unbridled At His Zenith! talent, shooting off sparks of what Greta Garbo –Warner Bros. Publicity for later hailed as the man’s “divine madness.” The Mad Genius, 1931 Barrymore himself had discussed film- ing Hamlet for Warner Bros., but The Genius Monday, March 9, 1931. impressed the studio as the perfect vehicle Bella Vista is an estate, almost fairy- to follow Svengali—fresh enough to avoid tale in its extravagance, nestled on a seeming a carbon copy, and melodramatic mountain in Beverly Hills. In the pre-dawn enough to allow the star to explode in his darkness, the virtual castle, with a tower, frenetic fashion. pools, and aviary, glistens under a waning While Svengali traced back to George Du full moon. The entranceway gate bears a Maurier’s venerable 1894 novel Trilby, many coat of arms, personally designed by Bella stage productions, and at least three film Vista’s master and revealing his repellent versions, The Genius has no such pedigree. Marian Marsh as Trilby and John Barrymore as the title character in Svengali self-image: a serpent wearing a crown. (1931). Warner Bros.’ high hopes for this film’s popularity inspired production It’s based on a Broadway-bound play by As the master arises, he probably doesn’t of The Mad Genius. -
Motion Picture Reviews
MOTION PICTURE REVIEWS WOMEN’S UNIVKSI17 CLUB LOS ANGCLCS.CAL/r Vol. Ill 1932 Digitized by the Internet Archive in 2016 with funding from Media History Digital Library https://archive.org/details/motionpicturerev00wome_1 MOTION PICTURE REVIEWS THE WOMEN'S UNIVERSITY CLUB LOS ANGELES, CALIFORNIA JANUARY 1932 THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN 943 South Hoover Street <$xj> Telephone DRexel 2177 <Sx8> Copyright by Women’s University Club 1931 WEBBCRAFT PRINTERS. 1051 ARLINGTON AVE , LOS ANGELES Motion Picture Reviews Three MOTION • PICTURE • REVIEWS Published monthly by THE WOMEN’S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN Mrs. John Vruwink Mrs. Gerard A. Murray ) Co-Chairmen Mrs. Palmer Cook, \ Preview Chairman Editors Mrs. J. Allen Davis Mrs. Arthur Jones Mrs. Walter Van Dyke Mrs. Palmer Cook M rs. John Vruwink, Mrs. F. H. Partridge Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California. VOL. III. No. 1 JANUARY, 1932 10c per Copy, $1.00 per Year FEATURE FILMS 4 BEAU HUNKS » » lem and the crime situation, realistic and ex- Laurel and Hardy. Direction by James citing. Mr. Huston gives an excellent charac- terization. Horne. M.G.M. Adolescents, 12 to 16 Children, 8 to 12 When Hardy’s best girl refuses him, he and Laurel join the Foreign Legion and become Not suitable No heroes through a series of blunders only possi- C+-9 ble to these incomparable comedians. The picture follows the well known Laurel and COCK OF THE AIR » » Hardy formula and will delight their many Billie Dove, Chester Morris, .Watt Moore followers. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema. -
Inside Facts of Stage and Screen (May 3, 1930)
: STAGE RADIO SCREEN PRICE 10 CENTS MUSIC Only Theatrical Newspaper on the Pacific Coast ESTABLISHED 1S24 EDITED BY JACK JOSEPHS Entered as Second Class Matter, April 1927, at Post- Published Every Saturday at 800-801 Warner Bros. Down- Vol. XI 29, Saturday, May 3, 1930 No. 18 office, Los Angeles, Calif., under Act of March 3, 1879. town Building, 401 West Seventh St., Los Angeles, Calif. STAGE SHOW LANDSLIDE STARTING IN HOLLYWOOD 17 THEATRICAL Rie PREMIERE PROJECTS SET GtCKTD ACTS May SAN FRANCISCO, Acknowledging the need Approximately $15,- 1. — for stage support for the will be spent on 000,000 big specials, operators of of new construction the film capital de luxe amusement centers in houses have come back to Northern California with- the prologue and other at- in the next three months, tendant showman ship plans are fol- if present features, to keep up box- lowed. office totals for the big Here are seventeen pro- houses. posed theatres, opera On May 30 the Fox- houses and amusement West Coast Grauman’s centers, some of them al- Chinese will return to the ready nearly un^ler way, lavish prologue method, and others only in the with Sid Grauman again conference stage at the helm for the pre- 1. A Sam Levin house on miere of “Hell’s Angels.” Ocean avenue between Fairfield The new Pantages Theatre, and Lakewood avenues, San Fran- to be jointly operated by the Pan- cisco, at an estimated cost of tages brothers with West Coast, $250,000. Plans are under prepa- will start with elaborate prologue ration for this house. -
August 30, 2011 (XXIII:1) Mervyn Leroy, GOLD DIGGERS of 1933 (1933, 97 Min)
August 30, 2011 (XXIII:1) Mervyn LeRoy, GOLD DIGGERS OF 1933 (1933, 97 min) Directed by Mervyn LeRoy Written by Erwin Gelsey, James Seymour, David Boehm, Ben Markson, & Avery Hopwood (play) Produced by Robert Lord, Jack L. Warner Cinematography by Sol Polito Edited by George Amy Art Direction by Anton Grot Costume Design by Orry-Kelly Makeup by Perc Westmore Music & lyrics byAl Dubin, Harry Warren Conducted by Leo F. Forbstein Arranged by Ray Heindorf Numbers created and directed by Busby Berkeley Warren William...Lawrence 1935 Oil for the Lamps of China, 1933 Tugboat Annie, 1933 Gold Joan Blondell...Carol Diggers of 1933, 1932 I Am a Fugitive from a Chain Gang, 1932 Aline MacMahon...Trixie Three on a Match, 1932 Big City Blues, 1932 The Heart of New Ruby Keeler...Polly York, 1931 Five Star Final, 1931 Broadminded, 1931 Little Caesar, Dick Powell...Brad 1930 Show Girl in Hollywood, 1929 Broadway Babies, 1928 Flying Guy Kibbee...Peabody Romeos, and 1927 No Place to Go. Ned Sparks...Barney Ginger Rogers...Fay Jack L. Warner (August 2, 1892 in London, Ontario, Canada – Billy Barty...Baby in 'Pettin' in the Park' Number September 9, 1978, Los Angeles, California) was a prolific Busby Berkeley...Call Boy producer: he has almost 300 producing credits. He won two Oscars, Dennis O'Keefe...Chorus Boy the 1965 Irving G. Thalberg Memorial Award and the 1965 Best Jane Wyman...Gold Digger Picture Award for My Fair Lady (1964). Some of his other films are 1972 Dirty Little Billy, 1972 1776, 1967 Camelot, 1964 My Fair Awards Lady, 1949 Beyond the Forest, -
Bamcinématek Presents Tuesdays with Elliott, a Weekly Tribute to Film Critic and Longtime Cinemachat Host Elliott Stein, Tuesdays Feb 26—Apr 23
BAMcinématek presents Tuesdays with Elliott, a weekly tribute to film critic and longtime Cinemachat host Elliott Stein, Tuesdays Feb 26—Apr 23 Nine films, eight in 35mm! Special guest hosts at every screening, including Howard Mandelbaum, Eric Myers, Jake Perlin, and Clark Frederick The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Feb 4, 2013—On Tuesdays from February 26 through April 23, BAMcinématek presents Tuesdays with Elliott, a nine-film tribute to Elliott Stein. Film critic, historian, script writer, and host of more than 120 monthly Cinemachats at BAMcinématek, BAM’s beloved friend passed away last November at the age of 83. This spring, we pay tribute to the incomparable raconteur with a trove of “Cinemachat classics” and rarities from his near-bottomless wish list—each presented by a different guest host. Opening the tribute series on Tuesday, Feburary 26, is Robert Wise’s frontier psychodrama (and atypical Robert Mitchum vehicle) Blood on the Moon (1948), which completes the “late 40s noir Western trilogy” Elliott began with his final two chats, Pursued and Ramrod. Lensed by crack cinematographer Nicholas Musuraca (Out of the Past, The Locket—another noteworthy Cinemachat in 2011) and based on a novel by Luke Short (who also wrote Ramrod), Blood on the Moon follows a roving cowboy (Mitchum) embroiled in a turf war between feuding ranchers and homesteaders in what The New York Times called a “stand out from run-of-the-range action dramas…just about everything that can and should happen in a Western.” This screening of a rare archival 35mm print will be followed by a panel discussion with some of Elliott’s colleagues and collaborators, including Howard Mandelbaum, Eric Myers, Jake Perlin, and Clark Frederick. -
Library of Congress Motion Picture Conservation Center Quarterly Production Reports, 2000 – 2005
Description of document: The Library of Congress Motion Picture Conservation Center quarterly production reports, 2000 – 2005 Requested date: 20-February-2006 Released date: 22-June-2006 Posted date: 11-January-2008 Title of Document Quarterly Production Report [various periods] Production Report [various periods] Date/date range of document: 16-May-2000 – 13-July-2005 Source of document: The Library of Congress Office Systems Services 101 Independence Avenue, S.E. Washington, D.C. 20540-9440 The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. THE LIBRARY OF CONGRESS 101 INDEPENDENCE AVENUE, S.E. WASIDNGTON, D.C. 20540-9440 OFFICE SYSTEMS SERVICES June 22, 2006 We acknowledge receipt ofcheck number in the amount of$58.50 for information requested in your letter ofFebruary 20,2006. Enclosed are 83 pages of 1st Quarter 2000 through 2nd Quarter 2005 Motion Picture Conservation Center quarterly production reports. Note that only an annual report was compiled for the time period July 2001 - July 2002 and is included with the quarterly reports requested. -
'The Marvelous Mrs. Maisel' –
4936 Ortega Blvd - Jacksonville $339,000 Lovely historical Ortega, all Introducing our NEW brick home with real wood 54' Large Format fl oors, some carpet, formal HP 315 Latex Printer living room with fi replace Marketing every property that goes through to the large Bigger, Faster & As if it were our own. family room, formal dining rm, Your Full Service Print Shop! Better Quality! • RESIDENTIAL • spacious eat in kitchen with Business Cards Flyers Brochures T-Shirts Banners • COMMERCIAL • greenhouse window. Large Bindery Envelopes Graphic Design..... and much more! Buying • Selling • Renting master with walk in closet, upgraded master bath with dressing area. All bed- rooms are large (one currently used as offi ce). Large laundry rm off kitchen, 1857 Wells Road, Suite 1 A&B Orange Park, FL 32073 (904) 282-0810 www.sirspeedyop.com [email protected] sunroom glass enclosed, huge screened porch, oversized brick paver patio. Phone: 904-269-5116 RealtyMastersInc.com One car garage. 2 x 2” ad 2 x 2” ad SALES PARTS Thursday, November 29, 2018 SERVICE Rachel Brosnahan stars in “The Marvelous Mrs. Maisel,” which begins streaming its second We make season Wednesday customizing on Amazon. your cart easy. 904-214-3723 2581-A Blanding Blvd. ‘The Marvelous Mrs. Maisel’ – Middleburg, FL 32068 MyCustomCart.com Will the stand-up fall flat? 1 x 5” ad 16th Annual The REAL Lighted Boat Parade Fish Camp! December 8, 2018 @ 6:30pm FISHF CAMP RESTAURANTR Whitey’s& CAMPGROUND Family Owned & Operated Since 1963 2032 CR 220 • South of Orange Park • 904-269-4198 • whiteysfi shcamp.com4 x 3” ad BY GEORGE DICKIE BY GEORGE DICKIE A powerful enemy looms for Midge in Season 2 of ‘The Marvelous Mrs. -
History of Cinema
History of Cinema Series 1 Hollywood and the Production Code Selected files from the Motion Picture Association of America Production Code Administration collection. Filmed from the holdings of the Margaret Herrick Library, Academy of Motion Picture Arts and Sciences Primary Source Media History of Cinema Series 1 Hollywood and the Production Code Selected files from the Motion Picture Association of America Production Code Administration collection. Filmed from the holdings of the Margaret Herrick Library, Academy of Motion Picture Arts and Sciences Primary Source Media 12 Lunar Drive, Woodbridge, CT 06525 Tel: (800) 444 0799 and (203) 397 2600 Fax: (203) 397 3893 P.O. Box 45, Reading, England Tel: (+44) 1734 583247 Fax: (+44) 1734 394334 ISBN: 1-57803-354-3 All rights reserved, including those to reproduce this book or any parts thereof in any form Printed and bound in the United States of America © 2006 Thomson Gale A microfilm product from Primary Source Media COPYRIGHT STATEMENT The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials including foreign works under certain conditions. In addition, the United States extends protection to foreign works by means of various international conventions, bilateral agreements, and proclamations. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement.