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Jane Cornwell Speaks to Simon Emmerson, One of the Original Co-Founders of Afro Celt Sound System, and Fellow Member Johnny
AFRO CELT SOUND SYSTEM quarter of a century ago in Dakar, Senegal, a “It was frustrating,” confesses Emmerson, “going onstage respected British producer, guitarist and self- and playing the same set over and over again. My mates were described “East End New Age lager lout” stood like, ‘Hey, it’s good to see you reliving the spirit of the 90s!’ I recording a West African melody that sounded, to felt like we’d become a nostalgia band.” Bringing it Back Ahis ears, just like a traditional Irish air. Convinced there was ACSS had always been a supergroup whose line-up more to this than mere coincidence, he set in motion a chain expanded and evolved around its four core members (for Jane Cornwell speaks to Simon Emmerson, one of the original of events that would culminate in over one-and-a-half million years, Emmerson, Irish sean nós singer Iarla Ó’Lionáird, Irish album sales, two Grammy nominations, several world tours bodhrán and whistle player James McNally and engineer/ co-founders of Afro Celt Sound System, and fellow member Johnny and a couple of A-list film soundtracks. And it ain’t over yet. programmer Martin Russell), with artists ranging from Peter Kalsi about their long-awaited return to the studio and stage Last month a new, reinvigorated Afro Celt Sound System Gabriel and Robert Plant to Sinéad O’Connor and Mundy gi!ed us !e Source, their first album in a decade. It’s a work guesting on di$erent albums. that comes full circle, being as fluid and organic as their 1996 While a 20th anniversary album of new material was long debut, Volume 1: Sound Magic, and bigging up the African in the o%ng, various wildly successful projects by individual side of their migh" Afro-Celtic collaborations, as their debut members made getting together tricky. -
Learnenglish Professionals
LearnEnglish Professionals INDIAN POP MUSIC AUDIOSCRIPT Listen to an interview with Mahesh Gupta, tabla player and DJ about his music. Optional exercise: Decide if these statements are true or false. (Answers below). 1. Mahesh thinks that the two styles of music he plays are completely different. 2. Rhythm is something fundamental to all music. 3. Mahesh thinks that live music doesn’t work in clubs. 4. He thinks that it is too early to try Djing at a classical music concert. 5. Indian audiences are far more lively than Western ones. 6. Mahesh is always looking for new experiences. Interviewer (I): Mahesh, you trained as a classical Indian musician, but now you spend most of your time playing records in nightclubs…they’re two very different things! Mahesh (M): Well, yes, they are…the two worlds are very different, but there is something that connects them… I: …and what’s that? M: Rhythm. An interest in rhythm. Rhythm is fundamental to everything that I do. Whether it’s the rhythmic section of a classical Indian raga, or some “Asian Underground” electronic beats in a club… I: And you mix the two things don’t you? M: Yes…I’ve played live tabla to electronic accompaniment in clubs in Europe. I: How has that gone down? M: Really well…I think people are getting bored of ordinary clubs and faceless DJs. Some live music is a great addition. I: And have you tried djing for a classical Indian audience on the other hand? M: No! I’m not quite sure the world’s ready for that yet…still, it’s an interesting idea! I: How are audiences for your music different in India and in Europe? M: Well, the classical audiences are far more sedate in Europe than in India. -
Anoushka Shankar Thursday, May 2, 2019 at 8:00Pm This Is the 939Th Concert in Koerner Hall
Anoushka Shankar Thursday, May 2, 2019 at 8:00pm This is the 939th concert in Koerner Hall Anoushka Shankar, sitar Ojas Adhiya, tabla Pirashanna Thevarajah, mridangam Ravichandra Kulur, flute Danny Keane, cello & piano Kenji Ota, tanpura Anoushka Shankar Sitar player and composer Anoushka Shankar is a singular figure in the Indian classical and progressive world music scenes. Her dynamic and spiritual musicality has garnered several prestigious accolades, including six Grammy Award nominations, recognition as the youngest – and first female – recipient of a British House of Commons Shield, credit as an Asian Hero by TIME magazine, an Eastern Eye Award for Music, and a Songlines Best Artist Award. Most recently, she became one of the first five female composers to have been added to the UK A-level music syllabus. Deeply rooted in the Indian classical music tradition, Shankar studied exclusively from the age of nine under her father and guru, the late Ravi Shankar, and made her professional debut as a classical sitarist at the age of 13. By the age of 20, she had made three classical recordings for EMI/Angel and received her first Grammy nomination, thereby becoming the first Indian female and youngest-ever nominee in the world music category. She is also the first Indian artist to perform at the Grammy Awards. In addition to performing as a solo sitarist, her compositional work has led to cross-cultural collaborations with artists such as Sting, M.I.A., Herbie Hancock, Pepe Habichuela, Karsh Kale, Rodrigo y Gabriela, and Joshua Bell, demonstrating the versatility of the sitar across musical genres. -
[email protected] LAKER
THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 CAMPUS LIVING SPORTS Seniors get ready for Men’s and women’s graduate school soccer makes NCAA admissions playoff s Page 5 Page 12 Vol. 80 No. 7 Mercyhurst College 501 E. 38th St. Erie Pa. 16546 November 1, 2006 THE ERCIAD M County Council is considering a ban on smoking 15th career fair that could affect restaurants, bars and students biggest in history The record number of employers By Merissa Frank this year may indicate a better market, Contributing writer Curb your butt Rizzone believes. “After 9/11, campus recruiting took a hit. An improvement From freshmen to seniors, now is the in the economy is being shown,” Riz- time in life when we must defi ne who zone said. we are in terms of a career. Those of us Students can expect to see employers who didn’t become an astronaut or an from the CIA, Border patrol, WJET TV actor will be looking for other options and Enterprise Car Rental. at the Career Fair this week. In addition, there are 26 nursing A record number of employers, from companies, several police departments, local to national, will gather at the Ath- 25 HRIM companies and 20-25 groups letic Center on Nov. 2 from 1-4 p.m. geared towards Intel. What does that mean to us? Children’s Hospital of Pittsburgh and Well, for those seniors, it means fi nd- Cleveland Clinic will make their fi rst ing a niche for after graduation. For appearances at the Career Fair. -
Durham Research Online
Durham Research Online Deposited in DRO: 05 August 2016 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Leante, Laura (2009) 'Urban Myth : bhangra and the dhol craze in the UK.', in Music in motion : diversity and dialogue in Europe. Bielefeld: Transcript Verlag, pp. 191-207. Further information on publisher's website: http://www.transcript-verlag.de/978-3-8376-1074-1/ Publisher's copyright statement: This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk (revised version – November 2008) 1 “Urban myth”: bhangra and the dhol craze in the UK Bhangra is believed to have originated in western Punjab (in today’s Pakistan) as a rural male dance performed to the rhythm of the dhol, a large double-headed barrel drum, to celebrate the spring harvest. -
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For Component 3: Appraising)
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For component 3: Appraising) Background information and performance circumstances The composer Anoushka Shankar was born in 1981, in London, and is the daughter of the famous sitar player Ravi Shankar. She was brought up in London, Delhi and California, where she attended high school. She studied sitar with her father from the age of 7, began playing tampura in his concerts at 10, and gave her first solo sitar performances at 13. She signed her first recording contract at 16 and her first three album releases were of Indian Classical performances. Her first cross-over/fusion album – Rise – was released in 2005 and was nominated for a Grammy, in the Contemporary World Music category. Her albums since Breathing Under Water have continued to explore the connections between Indian music and other styles. She has collaborated with some major artists – Sting, Nithin Sawhney, Joshua Bell and George Harrison, as well as with her father, Ravi Shankar, and her half-sister, Norah Jones. She has also performed around the world as a Classical sitar player – playing her father’s sitar concertos with major orchestras. The piece Breathing Under Water was Anoushka Shankar’s fifth album, and her second of original fusion music. Her main collaborator was Utkarsha (Karsh) Kale, an Indian musician and composer and co-founder of Tabla Beat Science – an Indian band exploring ambient, drum & bass and electronica in a Hindustani music setting. Kale contributes dance music textures and technical expertise, as well as playing tabla, drums and guitar on the album. -
Illegal Immigrants and the Informal Economy: Worker and Employer Experiences in the Asian Underground Economy
ILLEGAL IMMIGRANTS AND THE INFORMAL ECONOMY: WORKER AND EMPLOYER EXPERIENCES IN THE ASIAN UNDERGROUND ECONOMY Trevor Jones and Monder Ram De Montfort University and Paul Edwards University of Warwick Abstract The informal economy and migration in advanced economies are two major political issues. This paper connects them through a study of the concrete experiences of workers, and the firms employing them, in the exemplary case of the clothing and catering sectors in a British city. This experience illustrates, notably through wages as low as £2 per hour, how people live through the tensions of economic pressures for cheap labor and political attempts to regulate its use. Illegal migration was a key reason for the survival of these firms, in supplying cheap and flexible labor. It was not, however, organized in any way by the firms, and they disliked it in principle while having little option but to employ illegals. Workers largely had to accept their lot. An approach to managing the issue through encouragement, rather than strict enforcement, is suggested. Introduction In 2003, we carried out research on behalf of the DTI into the use of illegal immigrant workers by Asian-owned firms in Birmingham and the West Midlands (Ram et al 2002a). Using trusted intermediaries, we were able to conduct twenty in-depth interviews with undocumented workers and a further twenty with their employers. Ten cases were drawn from the International Journal of Economic Development Volume Six, Number 2, pp. 98-119 2004 99 clothing sector, and ten from catering (embracing mainly curry houses and similar low-price restaurants). -
365 Fifth 2012 May Dc Final6color:Layout 1
365 Fifth May 2012 News and Events of Interest to the Graduate Center Community (Clockwise from above left) Provost Robinson, Ruth Wilson Gilmore, David Sorkin, Anne Stone, Jesse Prinz, Uday Mehta, and Herman Bennett PHOTOS: MICHAEL DI VITO 50th Anniversary Spring Convocation Looks Ahead The spring convocation, celebrating the Graduate Center’s fiftieth anniversary on April 16 in Elebash Recital Hall, showcased the creative brand of scholarship that has made the Graduate Center a unique institution. Presentations by six newer members of the doctoral faculty illuminated areas of future inquiry. After an introduction by GC Provost Chase Robinson, Professor of Earth and Environmental Sciences Ruth Wilson Gilmore spoke on “Incarceration”; Distinguished Professor of History David Sorkin on “Enlightenment”; Professor of History Herman Bennett on “Diaspora”; Associate Professor of Music and Medieval Studies Anne Stone on “Song”; Distinguished Professor of Political Science Uday Mehta on “Violence”; and Distinguished Professor of Philosophy Jesse Prinz discoursed on “Brains.” The convocation was sponsored by the Advanced Research Collaborative (ARC). Under the leadership of Professor of Anthropology Donald Robotham, executive officer of the Office of Educational Opportunity and Diversity Programs, ARC brings together the collaborative research activities of the Graduate Center, promoting interdisciplinary research, partnering with GC research centers, institutes, and interdisciplinary committees, connecting GC research programs with research activities at the CUNY colleges, and providing a home for outstanding visiting scholars to work with GC faculty and students. THE GRADUATE CENTER CELEBRATES FIFTY YEARS OF EXCELLENCE IN HIGHER EDUCATION 1961–2011 GRADUATE CENTER COMMUNITY NEWS | May 2012 Two New Distinguished Professors Appointed Two members of the doctoral faculty have been named distinguished professors at the Graduate Center: Carol C. -
3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat. -
The Appropriation of Commodified African-American Culture by South Asian Youth in Britain
Performing 'Blackness': The Appropriation of Commodified African-American Culture by South Asian youth in Britain By Tilusha Ghelani An MPhil thesis submitted to Department of Cultural Studies and Sociology School of Social Sciences The University of Birmingham University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. «WI& &\*^ Jj r° 5 c .9 K> -* O -O ^o' X OD Abstract In recent years, African-American popular culture has been marketed for mass global consumption through music, film, television and fashion. Hip-hop culture and rap music has been at the forefront of this commodification process. The proliferation of these mass marketed forms coincided with the growing up of a generation of British Asian youth who lacked presence in the British media. In this thesis the global sell of 'blackness' is examined alongside the structural position and visibility of South Asian youth in Britain. The cultural moment when the appropriation of African-American culture (and particularly hip-hop) by South Asian youth proliferated, is researched through in-depth interviews with participants who were growing up at the time. The ways in which 'black' codes were used, their investment in these and the effect on their identities at a subjective level is also examined. -
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cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved. -
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