Jersey Jazz Society Dedicated to the Performance, Promotion and Preservation of Jazz
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Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Pm California State University Northridge
Vol. 29 No. 51 Sundial sued- Califomia State University Northridge .0\co Friday, December 5, 1975 editors, advisor lack counsel By DEBBIE GOFFA m: *• Editor lO^l^ffi Both the State of Califomia and the Associated Students are denying responsibility for the legal defense of three persons being sued in connection with their work on the Daily Sundial. The three, Dan Halcomb, former Sundial ad visor/publisher; and Ross Goldberg and Jim Yeager, former Sundial co-editors, have been named as A) '^ defendants in a $3.5 million libel suit. KW^KH\S The suit, filed by the Glendale University College of Law, alleges that the law school was libeled in an article which appeared in the Sundial October 9, 1974. The article was written as a guest commentary by Thomas Fldward Wall, who was also named as a defendant in the suit, along with the State of California and five John Does. A MERRY CHRISTMAS for Indian chUdren is the between Sierra Hall South and North; the drive will The suit was filed in Los Angeles superior court June intent of CSUN's Sophomore Class toy and clothing continue through Dec. 10. 30, and until two weeks ago, Halcomb, Yeager and drive. The collection booth is located in the breezeway Sundial photo by Ed Bedwell drive. 1 he collection booth is located in the breezeway aundial photo by bd nedwell Goldberg said they were told by representatives from the State Attorney General's Office the state would defend them in court. U.N. resolution on Zionism partially Now, Halcomb said, Joe Herron. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Biography-George-ROBERT.Pdf
George ROBERT Born on September 15, 1960 in Chambésy (Geneva), Switzerland, George Robert is internationally reCognized as one of the leading alto saxophonists in jazz today. He started piano at a very early age and at age 10 he began Clarinet lessons at the Geneva Conservatory with LuC Hoffmann. In 1980 he moved to Boston and studied alto saxophone with Joe Viola at the Berklee College of MusiC. In 1984 he earned a Bachelor of Arts in Jazz Composition & Arranging and moved to New York where he enrolled at the Manhattan SChool of MusiC. He studied with Bob Mintzer and earned a Master’s Degree in Jazz PerformanCe in 1987. He played lead alto in the Manhattan SChool of MusiC Big Band for 2 years, whiCh earned in 1985 the 1st Prize in the College Big Band Category in the Down Beat Magazine Jazz Awards In July 1984 he performed on the main stage of the Montreux Jazz Festival and earned an Outstanding PerformanCe Award from Down Beat Magazine. In 1985 & 1986 he toured Europe extensively. In 1987 he met Tom Harrell and together they founded the George Robert-Tom Harrell Quintet (with Dado Moroni, Reggie Johnson & Bill Goodwin). The group Completed 125 ConCerts worldwide between 1987 & 1992, and reCorded 5 albums. He remained in New York City and free-lanCed for 7 years, playing with Billy Hart, Buster Williams, the Lionel Hampton Big Band, the Toshiko Akiyoshi-Lew Tabackin Jazz OrChestra, Joe Lovano, and many others. He met Clark Terry and started touring with him extensively, Completing a 16- week, 65-ConCert world tour in 1991. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographicaliy in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Aitor, Ml 48106-1346 USA 800-521-0600 UMI CIVIL WAR, MACRO-SOCIAL CONTEXTS, AND INTERVENING MECHANISMS: IDENTIFYING STRUCTURAL LINKAGES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Christenson, M.Div., M.A. ***** The Ohio State University 2001 Dissertation Committee: Approved by: Edward M. -
A Strayhorn Centennial Salute NJJS Presents an Afternoon of Billy Strayhorn’S Music at Morristown’S Mayo PAC See Page 26
Volume 43 • Issue 7 July/August 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Michael Hashim leads the Billy Strayhorn Orchestra at the Mayo Performing Arts Center in Morristown on June 14. Photo by Mitchell Seidel. A Strayhorn Centennial Salute NJJS presents an afternoon of Billy Strayhorn’s music at Morristown’s Mayo PAC See page 26. New JerseyJazzSociety in this issue: New JerSey JAzz SocIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 Mail Box. 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 hope that everyone who is reading this is July 31. It will also be a first for us, as Jackie New/Renewed Members ............48 I having a great summer so far and/or has made Wetcher and I will be spending a couple of days StorIeS plans for their upcoming summer vacation. I also there. Billy Strayhorn Tribute ...........cover hope that those plans include the Morristown Jazz At six o’clock, the music turns to the blues with Big Band in the Sky ..................8 and Blues Festival, which will be taking place on the always entertaining Roomful of Blues followed Talking Jazz: Roseanna Vitro. 12 Saturday, August 15 on the Morristown Green. Noteworthy ......................24 by the legendary blues hall of fame harmonica President Emeritus Writes ...........28 The festival is returning for the fifth season and player Charlie Musselwhite and his all-star band 92nd St. -
F. Ludwig Diehn Concert Series: Nicki Parrott with John Toomey and Russ
2013–2014 season Diehn Concert Series Sept. 9, 2013 Andrew Pelletier, horn Sept. 23, 2013 Stefon Harris and the Blackout Band, composer, vibraphonist, marimbist Oct. 29, 2013 Boston Camerata, early music Feb. 17, 2014 Berlin Philharmonic Wind Quintet with Andrey Kasparov, woodwind quintet with piano Nicki Parrott March 24, 2014 with John Toomey and Russ Helm Lambert Orkis (In conjunction with the Annual Nicki Parrott, bass Harold Protsman Classical Period Piano Competition) John Toomey, piano Russ Helm, drums April 14, 2014 Nicki Parrott, with the John Toomey Trio Monday, April 14, 2014 8:00 p.m. (In conjunction with a five day residency, April 10 – 14) Wilson G. Chandler Recital Hall, F. Ludwig Diehn Center for the Performing Arts An endowment established at the Hampton Roads Community Foundation, made possible by a generous gift from F. Ludwig Diehn, funds this program. Nicki Parrott will announce the program from the stage. Brecker, Clark Terry, Jose Feliciano, Rebecca Parris, Bucky Pizzarelli, John Pizzarelli, Dick Hyman, Patti LaBelle and the New York Pops Orchestra, Harry Allen, Michel Legrand, Joining Nicki Parrott for tonight’s performance: Marlena Shaw, Mike Stern, David Krakauer, Ken Peplowski, Ann Hampton Callaway, Scott Hamilton, Larry Carlton and Victor Wooten. Parrott has also performed in several John Toomey, piano Broadway shows such as “Avenue Q,” “Imaginary Friends,” “You’re a Good Man, Russ Helm, drums Charlie Brown,” “Summer of ’42” and “Jekyll and Hyde.” Parrott has performed at many major festivals around the globe including the Newport Born in Newcastle, Australia, Nicki Parrott started her musical training with the piano Jazz Festival, Jazz in July at the 92nd Street Y, Litchfield Jazz Festival, Detroit Jazz at the age of 4, and soon after took up the flute as well. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Various Funky Beats Mp3, Flac, Wma
Various Funky Beats mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Funky Beats Country: US Released: 1994 Style: Jazz-Funk, Soul-Jazz MP3 version RAR size: 1442 mb FLAC version RAR size: 1434 mb WMA version RAR size: 1182 mb Rating: 4.5 Votes: 525 Other Formats: MP4 DXD VOX APE DMF VQF FLAC Tracklist 1 –Bernard Purdie Theme From Shaft 5:52 2 –Melvin Sparks Featuring Idris Muhammad Spark Plug 8:50 3 –Johnny "Hammond" Smith* Featuring Bernard Purdie Soul Talk 9:30 4 –Leon Spencer* Featuring Idris Muhammad First Gravy 4:01 5 –Idris Muhammad Super Bad 5:25 6 –Bernard Purdie Purdie Good 6:25 7 –Joe Dukes Moohah The D.J. 7:29 8 –Gene Ammons Featuring Bernard Purdie Jungle Strut 5:08 9 –Brother Jack McDuff Featuring Joe Dukes Soulful Drums 4:15 10 –Boogaloo Joe Jones* Featuring Bernard Purdie Brown Bag 5:05 11 –Sonny Stitt Featuring Idris Muhammad The Bar-B-Que Man 7:58 Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Remastered At – Fantasy Studios Credits Art Direction, Design – Phil Carroll Recorded By – Rudy Van Gelder Remastered By [Digital Remastering] – Joe Tarantino Supervised By [Original Session Supervision] – Bob Porter (tracks: 1 to 6, 8, 10, 11), Lew Futterman (tracks: 7), Ozzie Cadena (tracks: 9) Notes All selections recorded by Rudy Van Gelder (Englewood Cliffs, NJ), except "Moohah the D.J." Digital remastering , 1994 (Fantasy Studio, Berkeley) Total time 70:26 Barcode and Other Identifiers Barcode: 025218514828 Other versions Category Artist Title (Format) Label Category -
HA-Bio New 2010
Howard Alden- Jazz Guitarist “He may be the best of his generation,” writes Owen Cordle in JAZZ TIMES. George Kanzler of the NEWARK STAR LEDGER proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the NEW YORK POST observes that he is “ ...one of the very finest young guitarists working today.” It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best. Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Louis Armstrong, Count Basie and Benny Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt and George Van Eps. Soon he was working professionally around Los Angeles playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east, for a summer in Atlantic City with vibraphone legend Red Norvo, and continued to perform with him frequently for several years. Upon moving to New York City in 1982, Aldenʼs skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache` and Woody Herman. He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.