Content Marketing Strategy
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User-Generated Content for Marketing and Advertising
USER-GENERATED CONTENT FOR MARKETING AND ADVERTISING An IAB Buyer's Guide Use of User-Generated Content (UGC) for marketing and advertising purposes has grown significantly in recent years largely due to the rise of social and messaging platforms where "ordinary people" have become avid and voluntary content creators, notably on their mobile devices. Publishers, marketers, and agencies are increasingly taking notice and capitalizing on this trend in new and exciting ways. UGC as a marketing and advertising tactic has developed into a distinctly different discipline than Influencer Marketing and, thus, warrants its own exploratory. This is an important shift in thinking by IAB from prior guidance on UGC that previously included top down influencers as part of the definition of UGC. This Guide includes a Definition, Key Benefits, Sources and Types of UGC, Use Cases, and Legal considerations. The goal of the Guide is to help brands and their agencies understand how UGC can help meet their marketing and advertising objectives. May 2019 TABLE OF CONTENTS Mission and Contributors . 3 What is UGC? . 4 • Definition . 4 • The Difference between UGC and Influencer Marketing Content........................4 The Main Types of UGC . 5 What's Driving Growth of UGC for Marketing and Advertising? . 6 Key Benefits of UGC for Use in Marketing and Advertising . 7 The Proven Effectiveness of UGC . 8 • Why Do People Share? ........................................................8 • Why Do People Share Content About Brands?......................................8 • What Makes UGC Effective? . 8 • How Effective is UGC When Used in/as Advertisements? . 11 How UGC is Being Used in Advertising and Marketing Today . 12 • UGC for Advertising Examples . -
And Branded Entertainment? Creating Exclusive, Engaging and Entertaining Content
10 Years of the BCMA Duck Tape ‘Race of Gentlemen’ Stop Trying to Make Your Ads Go Viral: Alison Knight Tenthwave Top Tips for Video Success Unruly Carphone Warehouse ‘Smarter World’ Adjust Your Set Defining Branded Content for the Digital Age: Phase One Findings Chivas Regal ‘MASHTUN’ RESEARCH Ipsos MORI & Oxford Brookes FOREWORD Somethin' Else CASE STUDIES Terra ‘Penetras de Luxo’ Looking Forward to the Russia Wanted Agency and ASAS da Imaginação Anton Efimov Next 10 Years Andrew Canter Unilever Dove ‘Real Beauty Sketches’ Brazil Ogilvy Patrícia Weiss Barclays ‘Your Bank’ Red Bee Media Contributors Metro Trains Melbourne ‘Dumb Ways to Die’ INTRODUCTION McCann Producers MARKET REPORTS Unilever Surf TOWIE ‘Summer D’Reem’ Feedback ITV Expert Predictions Report Volvo Trucks ‘The Epic Split’ Justin Kirby Forsman & Bodenfors Sony Xperia ‘Vs The Northern Lights’ DigitasLBi ABOUT THE BOOK PepsiCo Lyubimy ‘Natural Love’ Copyright 2014. This book may not be Fuse Russia THE FUTURE reproduced in whole or in part without the written permission of the publishers Intel+Toshiba ‘The Beauty Inside’ (BCMA, DMC, New Media Works) and Pereira & O’Dell Eurostar the relevant copyright owner. Please Nick Mercer contact [email protected] in the first Unilever Hellmann’s ‘In Search of Real Food’ instance to request such permission. All Ogilvy trademarks and registered trademarks CONTENTS acknowledged. All rights reserved. CLIENT VIEW Back in the early 2000s, I worked with a The number of interested parties wanting number of companies who were advising a forum for discussion, sharing of ideas, brands to use different ways of setting industry standards and communicating with their audiences, development of best practice steadily Alison Knight often substituting and in some instances increased and the Branded Content Founder, BCMA replacing more traditional advertising Marketing Association or BCMA was routes. -
\Guide the Comprehensive Guide to Native Advertising
\ guide The Comprehensive Guide to Native Advertising The Comprehensive Guide to Native Advertising A Vocus eBook Paid For and Posted by XYZ iPad 10:15AM Promoted by XYZ Sponsored by XYZ GET VOCUS. VOCUS GETS BUSINESS. GET STARTED NOW AT VOCUS.COM The Comprehensive Guide to Native Advertising The Comprehensive Guide to Native Advertising A Vocus eBook Native advertising – the purchasing of sponsored content on social networks and online websites – dominated digital marketing conversations the past year. Market research company BIA/Kelsey estimates that U.S. native ad spending on social sites might have reached $2.36 billion in 2013, or 38.9 percent of total U.S. paid social ad expenditures. How can you effectively work native advertising into your marketing mix? This eBook highlights some techniques brands are using to do just that. It will show you the rich native advertising ecosystem of publishers, vendors, social networks and search engines that help companies create, manage and track content. Finally, we’ll show you the ethical issues to avoid with sponsored content. The Federal Trade Commission (FTC) recently held a meeting with brands and publishers to discuss native advertising – and while some issues were highlighted, others were raised. Your brand can use this set of tools, as long as the ads disclose sponsorship so that consumers are better informed. iPad 10:15AM The Comprehensive Guide to Native Advertising What is Native Advertising? In The New York Times example below, the post is clearly labeled as “Paid For and Posted by Dell.” A survey from Online Publishers Asso- ciation says native ads include “con- iPad 10:15AM tent integrated into the design of the publishers site, living in the same domain, as well as content either provided by, produced in conjunction with or created on behalf of our advertisers that runs within the editorial stream.” In native ads, there is a clear delinea- tion, labeling the unit as ad content. -
Branded Content Creation & Distribution Guide
Branded Content Creation & Distribution Guide Steps for Success. Developing and distributing branded content has become more complicated than ever with a wide array of package options and pricing that can vary significantly depending on the content creator, buy types, content types, publisher sites, and more. This guide is designed to help brand marketers and their agencies identify the various branded content creation and distribution options available today and, importantly, understand the key factors that should be considered upfront to make sure that all branded content/native advertising buy meets strategic objectives/KPIs. iab.com/branded-content April 2018 © 2018 Interactive Advertising Bureau Branded Content Creation & Distribution Guide Table of Contents Mission and Contributors ................................................................................................................... 3 Introduction ........................................................................................................................................ 5 Setting the Stage – The IAB Branded Content Creation & Distribution Definitions Framework ......... 6 Where to Start – Key Steps ............................................................................................................... 8 First step: What’s your strategy and KPIs? ..................................................................................... 8 Next Step: Content: Do you have content? Do you need content? ............................................. 9 Next step: -
WTF IS NATIVE ADVERTISING? Introduction
SPONSORED BY IS NATIVE ADVERTISING? Table of Contents Introduction WTF is Native 3 14 Programmatic? Nomenclature The Native Ad 4 16 Triumvirate 5 Decision tree 17 The Ad Man 18 The Publisher Issues Still Plaguing 19 The Platform 6 Native Advertising Glossary 7 Scale 20 8 Metrics 10 Labelling 11 The Church/State Divide 12 Credibility 3 / WTF IS NATIVE ADVERTISING? Introduction In 2013, native advertising galloped onto the scene like a masked hero, poised to hoist publishers atop a white horse, rescuing them from the twin menaces of programmatic advertising and sagging CPMs. But who’s really there when you peel back the mask? Native advertising is a murky business. Ad executives may not consider it advertising. Editorial departments certainly don’t consider it editorial. Even among its practitioners there is debate — is it a format or is it a function? Publishers who have invested in the studio model position native advertising as the perfect storm of context, creative capital and digital strategy. For platforms, it may be the same old banner advertising refitted for the social stream. Digiday created the WTF series to parse murky digital marketing concepts just like these. WTF is Native Advertising? Keep reading to find out..... DIGIDAY 4 / WTF IS NATIVE ADVERTISING? Nomenclature Native advertising An advertising message designed Branded content Content created to promote a Content-recommendation widgets Another form to mimic the form and function of its environment brand’s products or values. Branded content can take of native advertising often used by publishers, these a variety of formats, not all of them technically “native.” appear to consumers most often at the bottom of a web Content marketing Any marketing messages that do Branded content placed on third-party publishing page with lines like “From around the web,” or “You not fit within traditional formats like TV and radio spots, sites or platforms can be considered native advertising, may also like.” print ads or banner messaging. -
Going Native
GoinG native: hSow Marketers are reinventinG the online video advertisinG experience in association with: contents Summary ...............................................................................................................2 Foreword ...............................................................................................................3 Going Native ....................................................................................................... 4 The Changing Face of Distribution .............................................................5 The Power of Video .........................................................................................7 Heineken and 007 .............................................................................................8 Honda Million Mile Joe and Monsters Calling Home ............................ 9 Demand for Native Video .............................................................................10 Using Irreverence to Connect: K-Swiss and Kenny Powers .............. 11 Indie Meets Social Media: The Beauty Inside......................................... 12 The Advantage of Alignment ...................................................................... 13 Matching the Right Content to the Brand: JetBlue .............................14 Conclusion: The Future of the Market ......................................................15 Methodology ......................................................................................................16 summary Marketers are broadly -
2017 Manufacturing Content Marketing Survey
MANUFACTURING CONTENT MARKETING: Benchmarks, Budgets, and Trends—North America SPONSORED BY TABLE OF CONTENTS 3 Welcome 19 SECTION 3: Content Marketing Strategy 4 This Year’s Top Manufacturing 24 SECTION 4: Content Creation & Distribution Content Marketing Performers At-A-Glance 35 SECTION 5: Goals & Metrics 5 Differences Between Manufacturing Content Marketers and B2B Content 41 SECTION 6: Budgets & Spending Marketers Overall 44 Methodology/Demographics 6 SECTION 1: Usage & Team Organization 45 About 11 SECTION 2: Clarity, Commitment & Overall Success SPONSORED BY 2 WELCOME Greetings Marketers, Welcome to Manufacturing Content Marketing: 2017 Benchmarks, Budgets, and Trends— North America. In the four years we’ve been reporting on how manufacturers use content marketing, this year’s results reveal the most progress they’ve made thus far. The fact that we see a 72% increase over last year in the percentage of manufacturing marketers who have a documented content marketing strategy (18% last year vs. 31% this year) indicates Joe Pulizzi they’ve taken one of the most important steps toward achieving content marketing success: Founder putting their strategy in writing. Content Marketing Institute Other important keys to their increased success over the last year included doing a better job with content creation, making content marketing a greater priority, and spending more time on content marketing. While the progress is encouraging, more manufacturing leaders need to make it clear within their organizations what an effective or successful content marketing program looks like. And, perhaps most importantly, they need to more fully commit to content marketing. Read on for the full results from our annual content marketing survey, and best wishes for a prosperous 2017. -
Content Marketing Members-Only Conference
Content Marketing Members-Only Conference Wednesday, March 12, 2014 | Charles Schwab & Co. Inc. | San Francisco, CA at We’ll be live tweeting throughout the conference (@ANAMarketers), as well as posting photos and other information at facebook.com/ANA. www.ana.net Table of Contents ANA Content Marketing Members-Only Conference at Charles Schwab & Co. Agenda ............................................................................ pg 2 Speaker Bios .................................................................... pg 4 Attendees ........................................................................ pg 7 ANA Member Benefits .....................................................pg 15 www.ana.net 1 Agenda ANA Content Marketing Members-Only Conference at Charles Schwab & Co. WEDNESDAY, MARCH 12, 2014 to expand the opportunity to engage balance different content strategies for consumers and to build brand affinity different types of brands, or measure Breakfast (8:15 a.m.) in a new way that complements tradi- real results? The next five years will see tional advertising. a strategic inflection for marketing and advertising, and content will be at the Helen Loh General Session (9:00 a.m.) core. This session will talk through the Vice President, Content and Digital Marketing business case, the process, the tactics Charles Schwab & Co. Inc. BENJAMIN MOORE USES CONTENT TO and real-life examples of how real CONNECT WITH DIFFERENT AUDIENCE Tami Dorsey brands are using content to drive real SEGMENTS Editorial Director marketing results. Charles Schwab & Co. Inc. Staying true to their namesake’s 130+ Robert Rose Chief Strategist year-old vision, Benjamin Moore & Co. INTEL DEVELOPS A BRANDED Content Marketing Institute is committed to producing the highest CONTENT FORMULA TO ENSURE quality paints and finishes in the indus- try. But marketing to their disparate REPEATED SUCCESS Lunch (12:50 p.m.) target markets (contractors to home- When Intel & Toshiba launched “The owners, as well as designers and archi- Inside Experience” in 2011 it was General Session Cont. -
The Beauty Inside, a Audiência Como Herói1
The Beauty Inside, a Audiência como Herói1 Mariana Castro Dias2 Pontifícia Universidade Católica do Rio de Janeiro Resumo Em um contexto hipersaturado de mensagens, as marcas são obrigadas a reinventar sua forma de comunicação para poder chamar a atenção de seus consumidores, cada vez mais exigentes. Com a série social online The Beauty Inside, a Intel e a Toshiba não só conquistaram seu público-alvo com conteúdo relevante, como também o tornaram protagonista de sua narrativa. A série conta, através de plataformas como o youtube e o facebook, a história de amor entre Alex e Lea. Esse artigo revela como a audiência fez parte desse processo e como as marcas foram capazes de preservar seus valores e demonstrar a funcionalidade de seus produtos, sem prejuízo do entretenimento. Palavras-chave: publicidade; marketing de conteúdo; advertainment; cultura participativa. The Beauty Inside foi a segunda série social online desenvolvida, em uma parceria entre a Intel e a Toshiba, pela agência Pereira & O'Dell. O desenvolvimento dessas séries teve como objetivo principal criar uma conexão com jovens entre 18 e 24 anos, público obcecado pela Apple, e aliar as marcas ao conceito de criatividade, gerando buzz em torno delas. A primeira série social, intitulada Inside (2011), já havia tido um retorno muito positivo. Nela, uma garota acordava em um cativeiro e, durante 11 dias seguidos, a audiência tentava ajudá-la a sair de lá, por meio de suas redes sociais. Os fãs, encantados por se sentirem parte da narrativa, fizeram até um vídeo, agradecendo às marcas pela experiência. 1 Trabalho originalmente apresentado no Grupo de Trabalho 6 - Comunicação, Consumo e Subjetividade, do 5º Encontro de GTs - Comunicon, realizado nos dias 5, 6 e 7 de outubro de 2015. -
Under the Silver Lake
Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love. -
Content Marketing
Ellerbe 1 Lexicon and Marketing Strategy Essay Content Marketing Hames Ellerbe Marketing, Media, and Communication II February 14, 2017 Ellerbe 2 Lexicons explored Strategic Planning is an organizational management activity, which is used to set priorities, focus resources, and strengthen operations. The planning works to make an agreement on the desired results and what to change, should an issue arise. Strategic planning is an effort that makes decisions and actions that shape and guide what an organization is, who it serves, what it does, and why it does it; focusing on the future. Medium(s) are the materials or platforms used to create a work of art, design, or information. Social Media are forms of electronic communication (as websites for social networking and micro blogging) through which users create online communities to share information, ideas, personal messages, and other content (such as videos). Visual Impact is the first thing we work toward in a design and is also an aspect of design marketing collateral with a strong mental picture effect. Perception is the way of regarding, understanding, or interpreting something; and is the base for content marketing. Content is the information portrayed in a work. Emphasis is the exaggeration of words or an aspect of a design in a text or design with a different style to have words or aspect stand out. Content Marketing Organizations neglecting marketing often, are on a crash course for failure. Marketing is the process for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large (American Marketing Association [AMA], n.d.). -
The Use Content Marketing to Boost Your Website Traffic
F R E E G U I D E USE CONTENT MARKETING TO BOOST YOUR WEBSITE TRAFFIC & DIGITAL PRESENCE PIVOTPATH Content Marketing is a commitment, not a campaign. Content marketing is key to any successful business. Creating resonating messaging has been proven to be the most effective way to market your business. Though traditional marketing has been constant, one must have the right combination of traditional and content marketing to set your business apart from the competition. Digital presence simply means how you occupy space online, on any search engine. Further, it’s based on how you engage with your audience online more effectively midst competition within your industry. So how exactly do you boost website traffic and increase digital traffic in such a crowded online space? Kickstart your content marketing with these tips on how to boost your website traffic and digital presence. There are hard and fast rules, so roll your sleeves up and get ready. 32 PIVOTPATH | 3 SEO-OPTIMIZED PROFESSIONAL WEBSITE The five basics of a great website are stunning visuals, optimized messaging, responsive design, functionality, and relevant, resonating content. Optimizing your site's SEO is the first step to increasing your ranking and being seen online. Since you want to rank for specific keywords or keyword phrases, ensure that they are incorporated into the general message of your website as well as with your landing page. Tools like Yoast can help you optimize your on- page SEO however, if you want your website to rank high into the SERPS, it is recommended to get in touch with digital marketing experts (at PivotPath) who can help rank your website higher with more technical SEO approach, build links and do off Page SEO.