Read Book Damn Son Where Did You Find This? : a Book About Us

Total Page:16

File Type:pdf, Size:1020Kb

Load more

DAMN SON WHERE DID YOU FIND THIS? : A BOOK ABOUT US HIPHOP MIXTAPE COVER ART PDF, EPUB, EBOOK Tobias Hansson | 148 pages | 28 Feb 2017 | Verlag Der Buchhandlung Walther Konig | 9783863359775 | English | Cologne, Germany Damn Son Where Did You Find This? : A Book About Us Hiphop Mixtape Cover Art PDF Book The title track from XXX a triple entendre for his third album, his 30th year, and his preferred adult entertainment rating compacts his vision, his determination, his torture. Case in point: His mixtape Rich Forever , in which the former prison guard fully embraces his villainous kingpin persona, casting himself as the hardboiled antihero of his own blockbuster action franchise. Quality headphones are mandatory for optimal enjoyment. Always pushing genre boundaries, Doomtree is known for incorporating a wide range of musical influences into their work with lyrical complexity and wordplay — both on their group albums and their solo efforts. Had they been released earlier, they would have been included here. This album is full of great songs. Lyrics-wise The Good Fight is more than a worthwhile listen as well — with Oddisee telling us about his experiences as an artist in the music business and life in general. That said, the experience is ultimately rewarding — and even if this is not even the best album billy woods has released in the s, it is an essential part of his catalog and it helps cements his status as one of the decades MVPs. TPAB was released in the spring of , three years after Trayvon Martin was gunned down, and over a year after Michael Brown and Eric Garner were murdered; Lamar knew that pain and knew, too, that more was to come. Text von Harry Prenger. Because of the large number of Kool Keith releases over the years, people tend to dismiss all of them as trash. Both the visit and a couple of phone calls to the number on the card took me to a dead end. But until then, the man who made it famous is the one who matters most, even if he transcended the need for it. The album itself is a dance between this dichotomy, one black Americans know all too well: between pain and beauty and what happens when one is informed by the other. Vince Staples - Summertime '06 After winning acclaim with a series of mixtapes and his Hell Can Wait EP , and gaining some notoriety by being dismissive about 90s Hip Hop in a high profile interview , Compton rapper Vince Staples made a big splash with Summertime 06 , his official full-length debut. Chill, Dummy is P. But after branching off from the collective, he grew into the role of jazz poet, with an expanded circle of friends influencing him. Her fourth album, Are We There, was the first to rise from classic soul more than indie rock; the faint organ licks and slow, patient drums are designed to center a torrential voice, the kind that stands pleading at the footlights. Consequently we can end up believing we have solid opinions on records we may never have given our honest and sustained attention. Pure, unadulterated The Money Store. Powell, Aubrey. Dylan's first studio release since his hit 'Love And Theft' is his 44th album overall. Maybe modern Paramore feels as urgent as old Paramore did once because the confusions of young life have lingered longer than expected; maybe no one really ever grows up at all. Blonde is one synonym for American. The eighth full-length release for the British metalcore band is its first without Tom Searle, who passed away in August Legend has it, Granduciel was tortured by its creation, endlessly scrapping and rebuilding each track by himself to the point of madness and near- physical collapse. Some people tried and failed, resulting in the death of one of the robbers. First, they were actual cassettes , and were usually used by DJs as a kind of beat portfolio. Many of the earliest books, particularly those dating back to the s and before, are now extremely scarce and increasingly expensive. S, from Minneapolis, Minnesota is a founding member of the indie Hip Hop collective Doomtree, and responsible for a whole bunch of dope albums over the years. Alex Giannascoli could never be called a frugal songwriter. By Kendrick Lamar At least. Now, all this may sound a tad more negative than it should — it is just meant to serve as a little counterweight to the blind Kenrick praise that seems obligatory these days. The boat goes down—the man, too, in all his contradictions. And they dedicated their lives to sinking slave ships — so they became this super, underwater force against slavery. Syro is the kind of album you return to in order to remind yourself why you fell in love with electronic music in the first place. Apollo Brown - Grandeur Grandeur is another great release from the most consistent producer from the s. Golden Age Hip Hop fans who turned away from Hip Hop around the turn of the millennium because all the mainstream offered up was watered- down dumbed-down rap music, should check out albums like The Element Of Surprise and have their faith in and enthusiasm about Hip Hop restored. When A Moon Shaped Pool entered the world in May , many of the horrors Radiohead had spent more than two decades warning us about were coming to fruition. This mixture of things—and its beneficial distance from New York—gives The Epic its casual hugeness. It was his major-label debut, and according to himself his most personal up till then. When you buy something through our retail links, however, Pitchfork may earn an affiliate commission. By choosing I Accept , you consent to our use of cookies and other tracking technologies. Originally published in the s, this is an excellent book for beginners, offering simple instructions along with clear diagrams. Here he is on The Arsenio Hall Show the next year, sans glasses—one of the clearest looks the public would ever get of his features:. The music, however, remains gorgeous and rooted in the metaphysical. Damn Son Where Did You Find This? : A Book About Us Hiphop Mixtape Cover Art Writer From beginning to end, it details one calamity after another—some merely deflating, others catastrophic, including incidents of addiction, abuse, and suicide. Even coming from a group that had, over the previous decade, forsaken neon-bright indie-pop for black-light techno-goth and impenetrable operatic dronescapes , Shaking the Habitual marked yet another radical act of self-negation. Throughout, she solidifies her mastery of the strange, wonderful new pop world she continues to build. It is cotton-soft and canyon-wide, as crisp and ornate as frost forming on the window. But they never sounded as undeniably funky. Meueler, Christof; Dobler, Franz. Before he became notorious for trolling journalists and engaging in performance art about What It All Means, Josh Tillman captured the feeling of love as a defiant, selfish, and contradictory state of emotions on I Love You, Honeybear. Millennials coming at this album can end up feeling like the guy who saw Hamlet and complained it was all quotations. Authored by Tobias Hansson and Michael Thorsby, this book is a striking visual testament to the short flowering of reality-transcending artwork and designers who took creative expression to the extreme. To survive, he makes depression , debt , and self-destruction into sublime cosmic jokes at his own mopey, myopic expense. Instead, what emerges is a portrait of contagious empathy. An unanswered prayer for a united and forgiving USA. The music runs then crawls, plays dumb then flaunts frills. The level of detail is stunning — the light, the tattoos, the composition. Girls mastermind Meghan Remy has evolved from one-person noisemaker to charismatic leader of a cracking rock band, her aesthetic priorities—simple melodies, rich textures, subversive lyrics—have remained steadfast. Then again, so is life. Dazed media sites. Picking up where 's resurgent 'Time Out of Mind' left off, 'Love And Theft' finds the year-old Dylan self-producing the album's 12 tracks. His covers are a lot freer and more far-out and he's by far the most dark; his work can be really shocking and very violent. Robin Pecknold and co. And like true performance artists, siblings Karin and Olaf Dreijer knew that the legitimacy of their message hinged on their willingness to obliterate themselves. Sampha grieves by expressing his sorrow as well as molding it into new forms. Elusive and independent, he weaves from genre to genre, sometimes shifting gears to obliterate category altogether, as he cruises past the conventions the culture still fears to let go. Along the way, Remy captures the tension of the times with a rapturous swagger, building a catchy, cathartic response to the world. The album was also about an artist taking control over her own narrative, after releasing records that asked the audience — and the press — to like her. Berlin Originally released in Japan, the sophomore album for Liam Hayes as Plush is finally released wide. The debut full-length studio release for the British rapper features guest appearances from Burna Boy and J Hus. Let England Shake digs deep into the soil of the land, where buried ploughshares lie waiting to be beaten into swords. Unknown Pleasures , Joy Division. By signing up, you agree to our Privacy Notice and European users agree to the data transfer policy. He was only 18 at the top of the decade, when he and his childhood friends were dubbed the Next Great Punk Band, and across four albums and countless shows, they put in the work needed to uphold the claim.
Recommended publications
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
  • Whiskey River (Take My Mind)  I 

    Whiskey River (Take My Mind)  I 

    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
  • Chance the Rapper Coloring Book Mp3, Flac, Wma

    Chance the Rapper Coloring Book Mp3, Flac, Wma

    Chance The Rapper Coloring Book mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Coloring Book Country: US Released: 2016 MP3 version RAR size: 1582 mb FLAC version RAR size: 1475 mb WMA version RAR size: 1170 mb Rating: 4.4 Votes: 177 Other Formats: XM ADX MPC AC3 VQF ASF DMF Tracklist Hide Credits All We Got 1 Featuring – Chicago Children's Choir, Kanye WestProducer [Uncredited] – Kanye West, The 3:23 Social Experiment No Problem 2 5:04 Featuring – 2 Chainz, Lil WayneProducer [Uncredited] – Brasstracks Summer Friends 3 4:50 Featuring – Francis & The Lights*, Jeremih D.R.A.M. Sings Special 4 1:41 Featuring [Uncredited] – D.R.A.M. 5 Blessings 3:41 6 Same Drugs 4:17 Mixtape 7 4:52 Featuring – Lil Yachty, Young Thug Angels 8 3:26 Featuring – Saba Juke Jam 9 3:39 Featuring – Justin Bieber, Towkio All Night 10 2:21 Featuring – Knox Fortune How Great 11 5:37 Featuring – Jay Electronica, My Cousin Nicole Smoke Break 12 3:46 Featuring – Future Finish Line / Drown 13 6:46 Featuring – Eryn Allen Kane, Kirk Franklin, Noname , T-Pain Blessings (Reprise) 14 3:50 Featuring – Ty Dolla $ign* Credits Artwork [Uncredited] – Brandon Breaux Other versions Category Artist Title (Format) Label Category Country Year Not On Label (Chance Chance The Coloring Book (14xFile, none The Rapper Self- none US 2016 Rapper MP3, Mixtape, 320) released) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB 3 Album, Mixtape, CTRCB 3 2016 Rapper The Rapper) Unofficial, Yel) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB3 Album, Mixtape, CTRCB3 2016 Rapper The Rapper) Unofficial, Cle) Chance The Coloring Book (2xLP, Not On Label (Chance none none UK 2018 Rapper Mixtape, Red) The Rapper) Coloring Book (2xLP, Chance The Not On Label (Chance none Mixtape, Unofficial, none US 2016 Rapper The Rapper) Gre) Related Music albums to Coloring Book by Chance The Rapper Rick Ro$$ - The Black Bar Mitzvah DJ UE - Monthly Whizz Vol.
  • Dessa & Jocelyn Hagen

    Dessa & Jocelyn Hagen

    Look Out Above Dessa & Jocelyn Hagen pdf download $1.50 GP-D026 printed $3.00 SATB, a cappella COLLABORATION Dessa & Jocelyn Hagen Look Out Above for a cappella SATB choir, soloists, body percussion, opt. movement Commissioned by & dedicated to the Macalester College Choirs with special thanks to Dr. Michael McGaghie, conductor www.graphitepublishing.com GP-D026 Commissioned by & Dedicated to the Macalester College Choirs pdf download $1.50 with special thanks to Dr. Michael McGaghie, conductor (2017) Look Out Above for SATB a cappella choir, soloists, body percussion & optional movement Text: IPA Guide: We can’t be stopped [ɑ] - car they can’t catch us - sitting just like midnight on the clock: [ɪ] Text by: Dessa Dessa & Jocelyn Hagen it’s all hands up-- [ʌ] - cup, luck with help from the Macalester College Choir Students before tick goes toc, [ɔ] - call, saw it’s just the dust we kick up, so - boat [o] INSTRUCTIONS: Resembling a clock, conductor sweeps look out, look out, look out [u] - who left arm from left to right, like the arm of a clock. Choir look out above members create their ticking sound loudest when the arm cause we’re coming up is directly pointed at them. There should be gradual overlap look about above between sections. there’s no stopping us We can’t be stopped…. Presto = 166-170 q - Dessa pwhispering: P Left 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ã 4 Ó ∑ ∑ Ó From the Composers: tI tI tI tI tI tI tI-kʌ-tI-kʌ-tI-kʌ-tI-kʌ - tI-kʌ-tI - kʌ whispering: p P Some vocal works ask to be delivered by a perfect blend of instructions for its performance, but I am asking you to Middle 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ voices: a finely tuned, powerful, unified sound.
  • Stu Davis: Canada's Cowboy Troubadour

    Stu Davis: Canada's Cowboy Troubadour

    Stu Davis: Canada’s Cowboy Troubadour by Brock Silversides Stu Davis was an immense presence on Western Canada’s country music scene from the late 1930s to the late 1960s. His is a name no longer well-known, even though he was continually on the radio and television waves regionally and nationally for more than a quarter century. In addition, he released twenty-three singles, twenty albums, and published four folios of songs: a multi-layered creative output unmatched by most of his contemporaries. Born David Stewart, he was the youngest son of Alex Stewart and Magdelena Fawns. They had emigrated from Scotland to Saskatchewan in 1909, homesteading on Twp. 13, Range 15, west of the 2nd Meridian.1 This was in the middle of the great Regina Plain, near the town of Francis. The Stewarts Sales card for Stu Davis (Montreal: RCA Victor Co. Ltd.) 1948 Library & Archives Canada Brock Silversides ([email protected]) is Director of the University of Toronto Media Commons. 1. Census of Manitoba, Saskatchewan and Alberta 1916, Saskatchewan, District 31 Weyburn, Subdistrict 22, Township 13 Range 15, W2M, Schedule No. 1, 3. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. CAML REVIEW / REVUE DE L’ACBM 47, NO. 2-3 (AUGUST-NOVEMBER / AOÛT-NOVEMBRE 2019) PAGE 27 managed to keep the farm going for more than a decade, but only marginally. In 1920 they moved into Regina where Alex found employment as a gardener, then as a teamster for the City of Regina Parks Board. The family moved frequently: city directories show them at 1400 Rae Street (1921), 1367 Lorne North (1923), 929 Edgar Street (1924-1929), 1202 Elliott Street (1933-1936), 1265 Scarth Street for the remainder of the 1930s, and 1178 Cameron Street through the war years.2 Through these moves the family kept a hand in farming, with a small farm 12 kilometres northwest of the city near the hamlet of Boggy Creek, a stone’s throw from the scenic Qu’Appelle Valley.
  • Bradley Syllabus for South

    Bradley Syllabus for South

    Special Topics in African American Literature: OutKast and the Rise of the Hip Hop South Regina N. Bradley, Ph.D. Course Description In 1995, Atlanta, GA, duo OutKast attended the Source Hip Hop Awards, where they won the award for best new duo. Mostly attended by bicoastal rappers and hip hop enthusiasts, OutKast was booed off the stage. OutKast member Andre Benjamin, clearly frustrated, emphatically declared what is now known as the rallying cry for young black southerners: “the South got something to say.” For this course, we will use OutKast’s body of work as a case study questioning how we recognize race and identity in the American South after the civil rights movement. Using a variety of post–civil rights era texts including film, fiction, criticism, and music, students will interrogate OutKast’s music as the foundation of what the instructor theorizes as “the hip hop South,” the southern black social-cultural landscape in place over the last twenty-five years. Course Objectives 1. To develop and utilize a multidisciplinary critical framework to successfully engage with conversations revolving around contemporary identity politics and (southern) popular culture 2. To challenge students to engage with unfamiliar texts, cultural expressions, and language in order to learn how to be socially and culturally sensitive and aware of modes of expression outside of their own experiences. 3. To develop research and writing skills to create and/or improve one’s scholarly voice and others via the following assignments: • Critical listening journal • Nerdy hip hop review **Explicit Content Statement** (courtesy: Dr. Treva B. Lindsey) Over the course of the semester students will be introduced to texts that may be explicit in nature (i.e., cursing, sexual content).
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature

    A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature

    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
  • Chance the Rapper's Creation of a New Community of Christian

    Chance the Rapper's Creation of a New Community of Christian

    Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough.
  • Loretta Lynn: Writin' Life Article 1

    Loretta Lynn: Writin' Life Article 1

    Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse.
  • Wild Waters Music Fest to Save the Boundary Waters

    Wild Waters Music Fest to Save the Boundary Waters

    The Campaign to Save the Boundary Waters announces Wild Waters Music Fest to Save the Boundary Waters Wild Waters Music Fest will take place on Friday, August 16th, 2019 at Bayfront Festival Park in Duluth, MN ELY, MN - Today the Campaign to Save the Boundary Waters announced its inaugural ​ ​ Wild Waters Music Fest: a single day concert event featuring some of Minnesota’s ​ finest musicians to amplify the fight to save the Boundary Waters from proposed sulfide-ore copper mining. In partnership with Live Nation and hosted by Art In Bayfront Park, Wild Waters Music ​ ​ ​ ​ Fest to Save the Boundary Waters will take place on Friday, August 16th, 2019 at ​ ​ Bayfront Festival Park in Duluth, MN. The day will feature sets from nine ​ ​ ​ Minnesota-based artists including Atmosphere, Doomtree, Cloud Cult, Low, Jeremy ​ ​ ​ ​ ​ ​ ​ ​ ​ Messersmith, deM atlaS, War Bonnet, The Lioness, and DJ Keezy. ​ ​ ​ ​ ​ ​ ​ ​ ​ Tickets start at $33 and go on sale this Friday, June 14th at 12:00 PM CT here: https://www.ticketmaster.com/event/060056C4BF53768C A portion of the proceeds from each ticket sold to Wild Waters Music Fest, plus any additional donations will go directly to Northeastern Minnesotans for Wilderness, the organization leading the Campaign to Save the Boundary Waters, working to permanently protect this Minnesota crown-jewel and America’s most popular Wilderness. The festivities will commence at 3:30 PM. On-site food and beverages will be provided by an assortment of local food trucks, restaurants and breweries. For more information, including set times, parking, accommodations and FAQs, please visit: https://www.savetheboundarywaters.org/wildwaters ​ “Like the Boundary Waters, Minnesota’s rich music scene is cherished here at home and recognized far and wide.
  • Ilc / Record Store Day 2011

    Ilc / Record Store Day 2011

    ILC / RECORD STORE DAY 2011 SPECIAL EDITION RELEASES FROM: BLACK MARKET BABY, BOUNCING SOULS, THE FRUSTRATORS, THE MENZINGERS, TOUCHÉ AMORÉ, WILLIAM ELLIOTT WHITMORE / P.O.S. LIMITED QUANTITIES AVAILABLE! WWW.ILCDISTRO.COM / [email protected] BLACK MARKET BABY “POTENTIAL SUICIDE” 7” Released nearly 30 years ago and out-of-print since then, Dr. Strange has finally re-released this legendary Killed By Death 7" (originally on Limp Records) with two never before heard live versions of "America's Youth" and "Killing Time" from D.C's 9:30 Club in 1984. The studio tracks were originally recorded by Skip Groff at Inner Ear (Minor Threat, S.O.A., Teen Idles) and the live tracks by Government Issue's Tom Lyle. BLACK MARKET BABY influenced many of the early D.C. bands such as Minor Threat, S.O.A., Government Issue and more. Essential for early 80's hardcore fans! BLACK MARKET BABY POTENTIAL SUICIDE DSR126-7-RSD 7” WASHINGTON, DC PUNK 50 WASHINGTON, DC - NEW YORK, NY - SAN FRANCISCO, CA - $4.98 LOS ANGELES, CA - WORLDWIDE NO UPC NO RESTRICTIONS MINOR THREAT,GOVERNMENT ISSUE, BAD BRAINS, THE NECROS 01. POTENTIAL SUICIDE 02. YOUTH CRIMES 03. AMERICA'S YOUTH + SPECIAL EDITION ON GOLD VINYL, LIMITED TO 200 COPIES AND 04. KILLING TIME ONLY AVAILABLE ON RECORD STORE DAY 2011! + OUT-OF-PRINT FOR NEARLY 30 YEARS! + INCLUDES TWO NEVER BEFORE RELEASED BONUS TRACKS + REMASTERED BY TOM LYLE OF GOVERNMENT ISSUE + ORIGINAL PRESSING REGULARLY SELLS FOR $100+ LIMIT OF 3 COPIES PER STORE / NON-RETURNABLE BOUNCING SOULS “LIVE AT GENERATION RECORDS” LP On Record Store Day 2009, THE BOUNCING SOULS played a special, acoustic in-store at Generation Records in New York City.