Romanian Films
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Literatura Română Din Voivodina: Despre Poetul Ion Miloş
QUAESTIONES ROMANICAE VI Limba şi literatura română Mărioara SFERA Literatura română din Voivodina: (Universitatea din Novi Sad) despre poetul Ion Miloş Abstract: (Romanian Literature in Voivodina: Ion Miloș) Through his lyrics, the poet Ion Miloș (originating from the Serbian Banat) offered in his work an original vision of the role of poetry and religion in the life of modern being. On the other side, he tried to offer an original recipe for creating a discussion of ideas and interactive exposure of some axiological options. The pain of poetry and religion is a theme that has constantly preoccupied Ion Miloș under whose sign he gave life to many lyrics. His poetry must be necessarily seen as an integral part of his vast cultural-literary commitment. Spread over more than four decades, his volumes of poetry in Romanian language foremost highlight the direct and permanent contact with Western-European poetic space. Keywords: canon, Ion Miloș, poetry, Romanian literature from Serbian Banat, modernism. Rezumat: Prin versurile sale, poetul Ion Miloş, originar din Banatul sârbesc, a oferit în opera sa o viziune originală asupra rolului poeziei şi al religiei în viaţa omului modern. Pe de altă parte, a încercat să ofere o reţetă originală pentru crearea unei dezbateri de idei şi de expunere interactivă a unor opţiuni axiologice. Durerea poeziei şi a religiei este o temă care l-a preocupat constant pe Ion Miloş, sub semnul căreia a dat viaţă multor versuri. Poezia lui trebuie văzută neapărat ca parte integrantă a vastei sale angajări cultural-literare. Răspândite pe intervalul a peste patru decenii, volumele sale de poezie în limba română evidenţiază în primul rând contactul direct şi permanent cu spaţiul poetic vest-european. -
Mihai Mărgineanu
Festivalul International Multicultural Callatis Fest 11 – 16 August 2015 Olimp - Mangalia Trafic: 100.000 participanti Membru FIDOF, International Federation of Festival Organizations Parteneri: Primaria Mangalia Asociatia de Turism Sudul Litoralului ICR Bucharest Fashion Week, Fashion TV Parteneri media: TVR, KISS FM, Adevarul, Evenimentul, Etiquette, Ring, Antena Stars, Spectator, Agentia de carte Trofeele Callatis 2015 by Patrick Mateescu • Trofeele CallatisFest oferite unor personalitati ale vietii culturale si sociale vor fi realizate de marele sculptor american de origine romana Patrick Mateescu. • Statueta va fi o replica de cca 30 de cm modelata din ceramica aurita, a statuii monumentale aflata pe malul marii, langa Hotel Paradiso, care il reprezinta pe Mihai Eminescu, poetul nepereche, de la a carui nastere aniversam 165 de ani. "Sudul litoralului este important pentru mine pentru că înseamnă mai mult decat mare. Inseamnă și aviație. Am speranța ca turismul in România se va dezvolta în anii ce vor veni, iar Festivalul Callatis trebuie sa continue și să devină un brand de țară." Mihai Mărgineanu “Am avut bucuria să-mi fie daruită o Stea pe Aleea Stelelor de Mare si trofeul, pe scena plutitoare. Festivalul aniversează 18 ani de existență stralucitoare, longevitate ce atestă efort, dăruire și muzică bună într-un decor feeric, natural.” Margareta Pâslaru "Suntem onorați că am fost invitati la Callatis Fest 2015. Abia asteptăm sa concertăm în fața publicului din Mangalia și să sărbătorim împreună cei 30 de ani de carieră." Cargo “În 2009 la Callatis am fost primită cu brațele deschise! Oamenii sunt speciali și calzi. Mangalia este orașul meu de suflet unde mi-am petrecut adolescența și anii de liceu! Abia aștept să mă reintorc! Mă leagă multe amintiri frumoase!” Inna Festival la majorat Un “tânăr” cu tradiție, multicultural, iubit național și de diaspora încă din 1997. -
Tglengarrians See King and I Queen on Royal Tour
VOL. Xivn—No. 21, Alexandria, Ont., Friday, May 26, 1939. $2.00 A YEAS tGlengarrians See King and i Queen on Royal Tour #8,000^at|Alexandria, Sunday, Give IN MAGNIFICENT SETTING CANADA GETS ROYAL SALUTE Whole Empire Heard His Majesty Monarchs Real Highland Welcome Speak From Winnipeg Wednesday '/V .- "■ ■- Flowers Presented by. Little Tots During Seven- 1 pill % .. Royal Visitors Given Warm Reception At All Minute Stop Here.—Queen Asks Ontario Points—Now Getting For Pipe Music x Prairie Welcome Winnipeg, May ^4—British subjects in the four corners of the world today Their Majesties King George VI and Queen Elizabeth came to Alex- heard King George, speaking from the centre of Canada in an Empire Day ad- andria Sunday afternoon and during- their seven-minute stop, here, won a dress, declare that spiritual dignity and material happiness of human life must be : lasting plaice in the hearts of over 8,000 wildly cheering subjects who hiad general before the Empire can claim to be of service to its own people and the assembled from every section of Glengarry and many outside points to do world. them honor. Throughout the entire visit and until the train was lost to view. He said the Empire’s wealth and power were but instruments, and the end was -Their Majesties remained on the observation platform plainly visible ta » all <(freedom, justice and peace in equal numbers for all, secure against attack from present. While yet retaining their regal bearing, the king and Queen dis- without and from within.”. played a warm, democratic friendliness as. -
Eminescu Și Romantismul German Zoe Dumitrescu-Bușulenga
Când vorbesc despre Mihai Eminescu mi se pare că întreprind o acţiune sacerdotală. F „C C. A. Z D-B – M B Caietele de la Putna 3, III – 2010 Apare cu binecuvântarea Înalt Preas nţitului Pimen, Arhiepiscop al Sucevei şi Rădăuţilor În căutarea absolutului: Eminescu C: D H, E S, A Z, A C, G Ș, C U , I P, E S, G G, M D, I L, M Ș, S L, L C, V C, E D, I M, C-R Ș-N, R H, N R, O G E, I M, N P C: B M, L L, D H, D C E : N P IAR CERUL ESTE TATĂL MEU / ŞI MUMA MEA E MAREA „Eminescu şi romantismul german” de Zoe Dumitrescu-Buşulenga, într-un nou veşmânt editorial D H, E S, L C, S L, I T P, I D D ISSN 1844–7791 © Fundaţia „Credinţă şi Creaţie. Acad. Zoe Dumitrescu-Buşulenga – Maica Benedicta” Editura Nicodim Caligraful Mănăstirea Putna, 2010 Tel. : 0230 414 055 Fax: 0230 414 119 Argument Fundaţia „Credinţă și Creaţie. Academician Zoe Dumitrescu-Bușulenga – Maica Benedicta”a organizat, în perioada 19-22 august 2009, colocviul internaţional cu tema „În căutarea absolutului: Eminescu”, prilejuit de comemorarea a 120 de ani de la trecerea în veșnicie a celui mai mare poet al românilor. Manifestarea s-a constituit ca un omagiu adus celei care a meditat o viaţă întreagă la sensurile poeziei eminesciene: academician Zoe Dumitrescu-Bușulenga. „Când vorbesc despre Mihai Eminescu mi se pare că întreprind o acţiune sacerdotală”, mărturisea ea. S-au reunit, la Putna, exegeţi consacraţi și iubitori ai operei lui Eminescu (din România, Republica Moldova, Italia și Ucraina), personalităţi reprezentative ale culturii române actuale, tineri doctoranzi și cercetători ai poeziei, prozei și publicisticii eminesciene. -
PEN (Organization)
PEN (Organization): An Inventory of Its Records at the Harry Ransom Center Descriptive Summary Creator: PEN (Organization) Title: PEN (Organization) Records Dates: 1912-2008 (bulk 1926-1997) Extent: 352 document boxes, 5 card boxes (cb), 5 oversize boxes (osb) (153.29 linear feet), 4 oversize folders (osf) Abstract: The records of the London-based writers' organizations English PEN and PEN International, founded by Catharine Amy Dawson Scott in 1921, contain extensive correspondence with writer-members and other PEN centres around the world. Their records document campaigns, international congresses and other meetings, committees, finances, lectures and other programs, literary prizes awarded, membership, publications, and social events over several decades. Call Number: Manuscript Collection MS-03133 Language: The records are primarily written in English with sizeable amounts in French, German, and Spanish, and lesser amounts in numerous other languages. Non-English items are sometimes accompanied by translations. Note: The Ransom Center gratefully acknowledges the assistance of the National Endowment for the Humanities, which provided funds for the preservation, cataloging, and selective digitization of this collection. The PEN Digital Collection contains 3,500 images of newsletters, minutes, reports, scrapbooks, and ephemera selected from the PEN Records. An additional 900 images selected from the PEN Records and related Ransom Center collections now form five PEN Teaching Guides that highlight PEN's interactions with major political and historical trends across the twentieth century, exploring the organization's negotiation with questions surrounding free speech, political displacement, and human rights, and with global conflicts like World War II and the Cold War. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. -
Rail Operations Skills for the Twenty First Century
www.railwayoperators.co.uk Issue 47 | April 2021 THE BIANNUAL MAGAZINE FOR MEMBERS OF THE INSTITUTION OF RAILWAY OPERATORS IRO here for you, supporting your Rail operations skills development Within 24 hours of the first Covid lockdown being announced, IRO had for the twenty first “ungated” access to our Professional Operators Development (POD) tool, ensuring that it could be reached by everyone in rail and not just members and the employees of century corporate members. We predicted that online resources for self-development would be useful for those isolating or furloughed. We made them free Fiona Tordoff Rachel Heath and they have been widely taken up. Not only AIRO FIRO has IRO membership been increasing we have also experienced a growing number of enquiries coming through from engineers and Fiona Tordoff IRO’s CEO and Rachel Heath, IRO Midlands Area Chair reflect on the important other disciplines who are interested in joining. contribution made by operations to the success of our railways and the vital part our profession must Just before second lockdown, IRO launched Rail Academy (RA), offering online rail play in taking the rail industry forward… operations learning with unlimited potential Believe it or not Railway Operations is a more for customisation by employers, again putting established profession than many of us think - learning within arm’s reach of anyone working as old as the engineering disciplines that it sits in rail. alongside. Ever since the first railways were built, Because of restrictions, we moved our area operators and engineers have worked side by side, events programme online with free monthly and it is well over 200 years since the first rule book webinars broadcasting to regular audiences was published! of over two hundred people. -
Erdélyi Toll
66 Mú z sák ajándéka Regéczy Szabina Perle Az ős z evangéliuma — két műfordító, Beke Sándor és Ráduly János „ajándéka” Beke Sándor — Ráduly János: Az ős z evangéliuma. Versfordítások a román költészetből. Erdélyi Gondolat Könyvkiadó, Székelyudvarhely, 2O19 Miközben Beke Sándor — Ráduly János: Az ősz evangéliuma. Versfordítások a román költészetből című, 2O19-ben, az Erdélyi Gondolat Könyvkiadónál megje lent reprezentatív és elegáns kivitelezésű könyvet lapozgatom, hirtelen eszembe jut a Helikon Könyvkiadó gondozásában napvilágot látott Liliput-kötet, Mihai Eminescu: Luceafărul — Der Abendstern — Az Estcsillag című kiadvány, melynek előszavában Nicolae Balota „közlekedő edényeknek” nevezi a műfordításokat, a mű fordítókat pedig kulcs-, illetve híd-embereknek, akik önmagukat saját lelkűkben más költői lelkek eszme- és érzésvilágát tükröző énjüket állítják összekötőként a különböző világirodalmi rangra áhítozó nemzeti irodalmak közé. Ilyen „közlekedő edényeket” gyártott Ráduly János is, aki az adys megfo galmazású „Dunának, Oltnak egy a hangja” eszméjében a két sokat szenvedett nemzetet — a magyarokat és a románokat — közelebb hozhatja egymáshoz. Köztudott tény, hogy Ráduly János költő, író, nyelvész, rovásíráskutató, az erdé lyi román—magyar fordítás egyik karizmatikus egyénisége. Műfordítói mun kásságát díjjal jutalmazták: 2OOO-ben díjat vett át Mihai Eminescu költeménye inek tolmácsolásáért. A 150 éve született Mihai Eminescu Emlékdíjat és a hozzá tartozó Oklevelet az akkori államelnök, Emil Constantinescu és Ion Caramitru, kulturális miniszter írta alá. Az elismerés önmagáért beszél, hiszen Eminescu egyike a legnehezebben fordítható román költőknek. S mivel napjainkban na gyon kevesen tolmácsolják Eminescu verseit (mai műfordítóink elsősorban a je lenkori és kortárs költők átültetésére szakosodtak), rendkívüli érdeklődéssel vettem kezembe a Beke Sándor — Ráduly János Az ősz evangéliuma című közös kötetből Ráduly Eminescu-fordításait. -
Hypothesis on Tararira, Benjamin Fondane's Lost Film
www.unatc.ro Academic Journal of National University of Theatre and Film “I.L. Caragiale” – Vol. 2, No. 1, 2018 UNATC PRESS UNATC The academic journal of the National University of Theatre and Film “I.L. Caragiale“ publishes original papers aimed to analyzing in-depth different aspects of cinema, film, television and new media, written in English. You can find information about the way to submit papers on cover no 3 and at the Internet address: www.unatc.ro Editor in chief: Dana Duma Deputy editor: Andrei Gorzo [email protected] [email protected] [email protected] Managing Editor: Anca Ioniţă [email protected] Copy Editor: Andrei Gorzo, Anca Ioniță Editorial Board: Laurenţiu Damian, Dana Duma, Andrei Gorzo, Ovidiu Georgescu, Marius Nedelcu, Radu Nicoară Advisory Board: Dominique Nasta (Université Libre de Bruxelles) Christina Stojanova (Regina University, Canada) Tereza Barta (York University, Toronto, Canada) UNATC PRESS ISSN: 2343 – 7286 ISSN-L: 2286 – 4466 Art Director: Alexandru Oriean Photo cover: Vlad Ivanov in Dogs by Bogdan Mirică Printing House: Net Print This issue is published with the support of The Romanian Filmmakers’ Union (UCIN) National University of Theatre and Film “I.L. Caragiale” Close Up: Film and Media Studies Vol. 2, No. 1, 2018 UNATC PRESS BUCUREȘTI CONTENTS Close Up: Film and Media Studies • Vol. 2, No. 1, 2018 Christina Stojanova Some Notes on the Phenomenology of Evil in New Romanian Cinema 7 Dana Duma Hypothesis on Tararira, Benjamin Fondane’s Lost Film 19 Andrei Gorzo Making Sense of the New Romanian Cinema: Three Perspectives 27 Ana Agopian For a New Novel. -
Biblioteca Naţională a României Centrul Naţional ISBN-ISSN-CIP Bd
BIBLIOTECA NAŢIONALĂ A ROMÂNIEI CENTRUL NAŢIONAL CIP BIBLIOGRAFIA CĂRŢILOR ÎN CURS DE APARIŢIE CIP Anul XVI, nr. 12 decembrie 2013 Editura Bibliotecii Naţionale a României Bucureşti 2013 Redacţia: Biblioteca Naţională a României Centrul Naţional ISBN-ISSN-CIP Bd. Unirii, nr. 22, sector 3 Bucureşti, cod 030833 Tel.: 021/311.26.35 Fax: 021/312.49.90 E-mail: [email protected] URL: www.bibnat.ro ISSN = 2284 - 8401 ISSN-L = 1453 - 8008 Redactor responsabil: Nicoleta Corpaci Notă: Descrierile CIP sunt realizate exclusiv pe baza informaţiilor furnizate de către editori. Centrul Naţional CIP nu-şi asumă responsabilitatea pentru modificările ulterioare redactării descrierilor CIP şi a numărului de faţă. © 2013 Toate drepturile sunt rezervate Editurii Bibliotecii Naţionale a României. Nicio parte din aceasta lucrare nu poate fi reprodusă sub nicio formă, fără acordul prealabil, în scris, al redacţiei. 4 BIBLIOGRAFIA CĂRŢILOR ÎN CURS DE APARIŢIE CUPRINS 0 GENERALITĂŢI...............................................................................................8 004 Calculatoare. Prelucrarea datelor...............................................................8 006 Standardizare. Metrologie........................................................................15 008 Civilizaţie. Cultură...................................................................................16 01 Bibliografii. Cataloage...............................................................................20 02 Biblioteconomie. Biblioteci.......................................................................21 -
The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts 2017-18
SOVEREIGN GRANT ACT 2011 The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts 2017-18 Presented to Parliament pursuant to Section 2 and Section 4 of the Sovereign Grant Act 2011 Ordered by the House of Commons to be printed 27 June 2018 HC 1153 © Crown copyright 2018 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open- government-licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us using the contact details available at www.royal.uk ISBN 978-1-5286-0459-8 CCS 0518725758 06/18 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK on behalf of the Controller of Her Majesty’s Stationery Office. Produced by Impress Print Services Limited. FRONT COVER: Queen Elizabeth II and The Duke of Edinburgh visit Stirling Castle on 5th July 2017. Photograph provided courtesy of Jane Barlow/Press Association. CONTENTS Page The Sovereign Grant 2 The Official Duties of The Queen 3 Performance Report 9 Accountability Report: Governance Statement 27 Remuneration and Staff Report 40 Statement of the Keeper of the Privy Purse’s Financial Responsibilities 44 The Certificate and Report of the Comptroller and Auditor General to the Houses of 46 Parliament and the Royal -
The Tragicomedy of Romanian Communism
RESEARCH REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : THE TRAGICOMEDY OF ROMANIAN COMMUNIS M AUTHOR : Vladimir Tismanean u CONTRACTOR : Foreign Policy Researc h Institute PRINCIPAL INVESTIGATOR : Vladimir Tismanean u COUNCIL CONTRACT NUMBER : 903-0 4 DATE : September, 198 9 The work leading to this report was supported by funds provided b y the National Council for Soviet and East European Research . Th e analysis and interpretations contained in the report are those o f the author . a NOTE This report, based on an article to be published i n Eastern EuropeanPolitics andSocieties, is an inciden- tal product of the Council Contract identified on the title page . It is not the Final Report, which wa s distributed in August, 1989 . TABLE OF CONTENTS Page Introduction 1 Stalin's Romanian Disciples 1 1 The Comintern and the RCP 1 6 Stalinism for All Seasons 3 4 The Anti-De-Stalinization Platform 3 9 The Road to Absolute Power 43 The Manipulated Manipulator 47 Assault on the Party Apparatus 5 2 Notes 57 The Tragicomedy of Romanian Communis m Vladimir Tismanean u Un monde sans tyrans serait aussi ennuyeux qu'un jardi n zoologique sans hyenes . E . M . Cioran, Histoire et utopi e Now, despite eternal cabals in the inner clique and unendin g shifts of personnel, with their tremendous accumulation o f hatred, bitterness, and personal resentment, the Leader' s position can remain secure against chaotic palace revolution s not because of his superior gifts, about which the men in hi s intimate surroundings frequently have no great illusions, bu t because of these men's sincere and sensible conviction tha t without him everything would be immediately lost . -
Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context
Psychology, 2019, 10, 1159-1175 http://www.scirp.org/journal/psych ISSN Online: 2152-7199 ISSN Print: 2152-7180 Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context Emanuel-Alexandru Vasiliu Apollonia TV, Iași, Romania How to cite this paper: Vasiliu, E.-A. Abstract (2019). Lucian Pintilie and Censorship in a Post-Stalinist Authoritarian Context. Psy- The objective of my work is to shed light on the way in which the post-1953 chology, 10, 1159-1175. ideology of the Romanian Communist Party influenced Romanian theatre https://doi.org/10.4236/psych.2019.108075 and film director Lucian Pintilie’s career, resulting in a ban to work in Roma- Received: May 21, 2019 nia. Reacting to the imposition of the cultural revolution and against the laws Accepted: June 27, 2019 of coagulating the socialist realist work of art, Lucian Pintilie managed to Published: June 30, 2019 mark the Romanian theatrical and cinema landscape through the artistic quality of the productions and the directed films, replicated by the renown of Copyright © 2019 by author(s) and Scientific Research Publishing Inc. the imposed interdiction. This work is licensed under the Creative Commons Attribution International Keywords License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ Lucian Pintilie, Censorship, Ideology, Theatre Open Access 1. General Presentation Ceauşescu’s Romania was a closed society, characterised by repression in all fields of human existence: limitations of ownerships rights, hard labour condi- tions and small wages, lacking freedom of movement, bureaucratic obstacles against emigration, violations of the rights of national minorities, contempt for religious faiths and the persecution of religious practices, drastic economic aus- terity, constant censorship in the field of culture, the repression of all dissident views and an omnipresent cult around the president and his family, which con- tributed to the demoralisation of the population.