Timeline – Roman-Renn Foundling Hospital, Florence 1419 AD Pantheon, Rome 118 AD Parthenon, Athens 450 BC

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Timeline – Roman-Renn Foundling Hospital, Florence 1419 AD Pantheon, Rome 118 AD Parthenon, Athens 450 BC

700 600 500 Parthenon, Athens 450 BC 400 300 200 100 Timeline – roman-renn 0 100 Pantheon, Rome 118 AD 200 300 400 500 600 Roman Greek Egyptian Gothic 700 800 900 1000 1100 1200 1300 1400 Foundling Hospital, Florence 1419 AD 1500 1600 1700 1800 1900 2000 700 600 500 400 300 200 100 Timeline – renn-rococo 0 100 200 300 400 500 600 Roman Greek Egyptian Gothic 700 800 900 1000 1100 1200 1300 1400 Early Renaissance 1500 High Late 1600 Baroque 1700 Rococo 1800 1900 2000 graph 1 kouros-archaic doric archaic rothko progression le corbusier-early le corbusier-early language exp language exp graph 2 evolution evolution evolution complexity dramatic arc early-late renn high modernism bauhaus unite d’habitation deconstruction Baroque modernism jumping the shark Denver Liebeskind Denver 1970 ponti pruitt-igo pruitt-igo plan voisson santa croce san lorenzo maggiore-mid neumann-late san chappelle 700 600 500 400 300 200 100 Timeline – roman-renn 0 100 200 300 400 500 600 Roman Greek Egyptian Gothic 700 800 900 1000 1100 1200 1300 1400 1500 1600 1700 1800 1900 2000 croce-lorenzo-compare florence duccio renaissance painting school of athens foundling 1419 foundling hospital detail palazzo medici plan palazzo medici Strozzi ruccelai palazzo vecchio pienza- naive pienza- wright-richardson-arch corner santa croce 1429-pazzi pazzi pazzi chapel pazzi Pazzi corner-interior Intr. Corner Detail -exterior 1444-michelozzo michelozzo 1459 picolomini, pienza-1459 1500 s.m. dla pace-bramante 1500- Cancelleria rome 1468 palazzo ducale, 1587 palazzo della sapienza-de la porte, rome coliseum 1515 palazzo farnese, rome 1526 Carlos V by machucha, alhambra carlos V alhambra 1526 san lorenzo facade san lorenzo/sm d fiore Alberti alberti alberti sm novella san lorenzo facade san lorezo façade san lorenzo facade san lorenzo facade michel-sketch san lorenzo facade san lorenzo facade san lorenzo facade san lorenzo facade basilica basilica basilica basilica basilica basilica basilica façade san lorenzo facade s miniato sm novella Palladio –double ped. san domenico sicilian naivite’ sicilian naivite’ san domenico jefferson’s naivite Bramante –tempietto Carlos V 1526 machucha longhena evans centralized evans centralized leonard central noguchi ring porta pia-noguchi niche sketches-1 niche sketches-1 michel-sketch michel-sketch niche sketches-1 niche sketches-1 niche sketches-1 niche sketches-1 campidoglio campidogilo seriality campidoglio olympic stadium seriality coliseum Michelangelo-laurentian st peters facade centralized/leonard st peters dome michelangelo dome St peters crossing st peters eames seriality? st peters plan st. peters pantheon pantheon hagia sophia pendentive st peters plan michelangelo knave .

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Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia.
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The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676.
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