2009: Souls in Transition
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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
ENGLISH 2810: Television As Literature (V
ENGLISH 2810: Television as Literature (v. 1.0) 9:00 – 10:15 T/Th | EH 229 Dr. Scott Rogers | [email protected] | EH 448 http://faculty.weber.edu/srogers The Course The average American watches about 5 hours of television a day. We are told that this is bad. We are told that television is bad for us, that it is bad for our families, and that it is wasting our time. But not all television is that way. Some television shows have what we might call “literary pretensions.” Shows such as Twin Peaks, Homicide: Life on the Street, The Wire, Buffy the Vampire Slayer, Firefly, Veronica Mars, Battlestar Galactica, and LOST have been both critically acclaimed and the subject of much academic study. In this course, we shall examine a select few of these shows, watching complete seasons as if they were self-contained literary texts. In other words, in this course, you will watch TV and get credit for it. You will also learn to view television in an active and critical fashion, paying attention to the standard literary techniques (e.g. character, theme, symbol, plot) as well as televisual issues such as lighting, music, and camerawork. Texts Students will be expected to own, or have access to, the following: Firefly ($18 on amazon.com; free on hulu.com) and Serenity ($4 used on amazon.com) LOST season one ($25 on amazon.com; free on hulu.com or abc.com) Battlestar Galactica season one ($30 on amazon.com) It is in your best interest to buy or borrow these, if only to make it easier for you to go back and re-watch episodes for your assignments. -
Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
English II RELEASED
STAAR® State of Texas Assessments of Academic Readiness English II Administered April 2019 RELEASED Copyright © 2019, Texas Education Agency. All rights reserved. Reproduction of all or portions of this work is prohibited without express written permission from the Texas Education Agency. STAAR English II 09/17/2019 EN2SP19R_rev00 STAAR English II 09/17/2019 EN2SP19R_rev00 REVISING English II Page 3 STAAR English II 09/17/2019 EN2SP19R_rev00 Read the selection and choose the best answer to each question. Then fill in the answer on your answer document. J.T. wrote this paper about a unique Japanese activity. Read the paper and look for any revisions J.T. should make. Then answer the questions that follow. In Sync (1) Texas is known for its superb high school marching bands. (2) Each week during football season, thousands of students take to the field to display their musical and marching talents. (3) These same students also compete in local, state, and national competitions and exhibitions. (4) However, marching bands aren’t found in just this state or even just this country. (5) But in one country there are marchers who skip the music component all together. (6) Students at Japan’s Nippon Sports Science University, NSSU, participate in an intricate marching-like exhibition known as precision walking. (7) NSSU students have perfected the nearly 50-year-old tradition of shuudan koudou, which means “collective action.” (8) The collective action is a carefully choreographed display of synchronized walking. (9) Identically dressed students walk forward and backward to form lines and shapes, even crossing between one another at times. -
The Expression of Orientations in Time and Space With
The Expression of Orientations in Time and Space with Flashbacks and Flash-forwards in the Series "Lost" Promotor: Auteur: Prof. Dr. S. Slembrouck Olga Berendeeva Master in de Taal- en Letterkunde Afstudeerrichting: Master Engels Academiejaar 2008-2009 2e examenperiode For My Parents Who are so far But always so close to me Мои родителям, Которые так далеко, Но всегда рядом ii Acknowledgments First of all, I would like to thank Professor Dr. Stefaan Slembrouck for his interest in my work. I am grateful for all the encouragement, help and ideas he gave me throughout the writing. He was the one who helped me to figure out the subject of my work which I am especially thankful for as it has been such a pleasure working on it! Secondly, I want to thank my boyfriend Patrick who shared enthusiasm for my subject, inspired me, and always encouraged me to keep up even when my mood was down. Also my friend Sarah who gave me a feedback on my thesis was a very big help and I am grateful. A special thank you goes to my parents who always believed in me and supported me. Thanks to all the teachers and professors who provided me with the necessary baggage of knowledge which I will now proudly carry through life. iii Foreword In my previous research paper I wrote about film discourse, thus, this time I wanted to continue with it but have something new, some kind of challenge which would interest me. After a conversation with my thesis guide, Professor Slembrouck, we decided to stick on to film discourse but to expand it. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Reserve Duty for Flight Crewmembers
Federal Aviation Administration Aviation Rulemaking Advisory Committee Air Carrier Operations Issue Area Reserve Duty/Rest Requirements Working Group Task 1 – Reserve Duty for Flight Crewmembers Task Assignment [Federal Register: July 9, 1998 (Volume 63, Number 131)] [Notices] [Page 37167-37168] From the Federal Register Online via GPO Access [wais.access.gpo.gov] [DOCID:fr09jy98-136] [[Page 37167]] ======================================================================= ----------------------------------------------------------------------- DEPARTMENT OF TRANSPORTATION Federal Aviation Administration Aviation Rulemaking Advisory Committee; Air Carrier Operations Issues--New Task AGENCY: Federal Aviation Administration (FAA), DOT. ACTION: Notice of new task assignment for the Aviation Rulemaking Advisory Committee (ARAC). ----------------------------------------------------------------------- SUMMARY: Notice is given of a new task assigned to and accepted by the Aviation Rulemaking Advisory Committee (ARAC). This notice informs the public of the activities of ARAC. FOR FURTHER INFORMATION CONTACT: Quentin Smith, Flight Standards Service, AFS-200, Federal Aviation Administration, 800 Independence Avenue, SW., Washington, DC 20591. SUPPLEMENTARY INFORMATION: Background The FAA has established an Aviation Rulemaking Advisory Committee to provide advice and recommendations to the FAA Administrator, through the Associate Administrator for Regulation and Certification, on the full range of the FAA's rulemaking activities with respect to aviation- -
The First Four Churches
The Book of Revelation – Chapter 2: The First Four Churches The Paern for the 7 Leers1: Congregatio Comman Description Word of Word of Admonitio Call to Promise n d to Write of Speaker Commendatio Criticism n Hear n Ephesus 1 2 3 4 5 6 7 Smyrna 1 2 3 X 5 6 7 Pergamum 1 2 3 4 5 6 7 Thyatira 1 2 3 4 5 7 6 Sardis 1 2 5 3 4 7 6 Philadelphia 1 2 3 X 5 7 6 Laodicea 1 2 X 4 5 7 6 The Church in Ephesus – 2:1-7 - Command to Write: [2:1a] This is the paern for all subsequent addresses in the next couple chapters (2:1, 8, 12, 18; 3:1, 7, and 14) - Description of the Speaker: [2:1b] The one who holds the seven stars in his right hand [1:16; also John 10:28-29], and who walks among the seven golden lampstands [1:12ff; Mahew 18:20]. - Word(s) of Commendation: [2:2-3] a1) I know your deeds, a2) your hard work, a3) your perseverance, b) cannot tolerate wicked men, c) have tested false apostles [Acts 17:11; 1 John 4:1; Jeremiah 23:21], d) persevered and endured hardships for Jesus' name, and e) have not grown weary. - Word of Criticism: You have forsaken your first love. What was their “first love”? Some possibilities: + Predestination – First mention of “love” in Paul's leer [1:5], first mention of “firsts” in the leer [1:11-12] Not likely due to the commendation above. -
The 10 Principles of Good Practice – Part II
Loss Control Bulletin ARCHITECTS AND ENGINEERS PROFESSIONAL LIABILITY INSURANCE The 10 Principles of Good Practice – Part II Introduction 6. Keep your client informed As a design professional, your role This may seem similar to principle can extend to a wide range of areas, #2, Educate your client, but this including original concept and design, mainly deals with managing the project supervision, expert analysis client’s expectations at the outset of and certification, and in some a project. However, keeping the client instances contract administration. informed is important throughout the However, at every step along the duration of a project—particularly way you are exposed to a number of when it comes to identifying problems liability exposures. and risks, and allowing the client to make decisions based on the To help you manage these exposures, consultant’s advice. we’ve developed The 10 Principles of Good Practice. These principles are For example, as a contract To reference our archive of loss prevention materials, claims examples and detailed based on lessons we’ve learned in our administrator, the consultant may product information, please go to our website more than 40 years of claims analysis be dealing with a contractor who is victorinsurance.ca. and risk assessment. In this second accumulating extras on a project. of two bulletins, we’ve outlined Given that the client could ultimately PROGRAM ENDORSED BY the importance of follow-through bear the cost of these extras, the on a project. This can be achieved consultant should identify why the by keeping your client informed; extras are being incurred and raise dealing with issues promptly; keeping the issue as soon as possible with written records; and ensuring the the client. -
Gender Roles & Occupations
1 Gender Roles & Occupations: A Look at Character Attributes and Job-Related Aspirations in Film and Television Stacy L. Smith, PhD Marc Choueiti Ashley Prescott & Katherine Pieper, PhD Annenberg School for Communication & Journalism University of Southern California An Executive Report Geena Davis Institute on Gender in Media Our earlier research shows that gender roles are still stereotyped in entertainment popular with children.1 For example, female characters in feature films populate less than 30% of all speaking roles. A slightly better percentage emerges across our research on gender roles in children’s television programming. Not only are on screen females present less frequently than on screen males, they are often sexualized, domesticated, and sometimes lack gainful employment. To illustrate this last point, our recent analysis2 of every first run general audience film (n=21) theatrically released between September 2006 and September 2009 reveals that a higher percentage of males (57.8%) than females (31.6%) are depicted with an occupation. While females hold marginally more professional jobs than their male counterparts (24.6% vs. 20.9%), women are noticeably absent in some of the most prestigious occupational posts. Across more than 300 speaking characters, not one female is depicted in the medical sciences (e.g., doctor, veterinarian), executive business suites (e.g., CEO, CFO), legal world (e.g., attorney, judge), or political arena. More optimistically, 6 of the 65 working females (9%) are shown with a job in the hard sciences or as pilots/astronauts. These findings suggest that females have not shattered as many glass ceilings in the “reel” world as one might suspect. -
95-345 & 95-346
OFFICIAL TRANSCRIPT PROCEEDINGS BEFORE THE SUPREME COURT OF THE UNITED STATES CAPTION: UNITED STATES, Petitioner v. GUY JEROME URSERY; and UNITED STATES, Petitioner v. $405,089.23 IN UNITED STATES CURRENCY, ET AL. CASE NO: 95-345 & 95-346 PLACE: Washington, D.C. DATE: Wednesday, April 17, 1996 PAGES: 1-76 ALDERSON REPORTING COMPANY 1111 14TH STREET, N.W. WASHINGTON, D.C. 20005-5650 202 289-2260 1 IN THE SUPREME COURT OF THE UNITED STATES 2 --------------- -X 3 UNITED STATES, : 4 Petitioner : 5 v. : No. 95-345 6 GUY JEROME URSERY; : 7 and : 8 UNITED STATES, : 9 Petitioner : 10 v. : No. 95-346 11 $405,089.23 IN UNITED STATES : 12 CURRENCY, ET AL. : 13 _x 14 Washington, D.C. 15 Wednesday, April 17, 1996 16 The above-entitled matter came on for oral 17 argument before the Supreme Court of the United States at 18 10:02 a.m. 19 APPEARANCES: 20 MICHAEL R. DREEBEN, ESQ., Deputy Solicitor General, 21 Department of Justice, Washington, D.C.; on behalf of 22 the Petitioner. 23 JEFFRY K. FINER, ESQ., Spokane, Washington; on behalf of 24 the Respondents $405,089.23, et al. 25 1 ALDERSON REPORTING COMPANY, INC. 1111 FOURTEENTH STREET, N.W. SUITE 400 WASHINGTON, D.C. 20005 (202)289-2260 (800) FOR DEPO 1 APPEARANCES: 2 LAWRENCE S. ROBBINS, ESQ., Washington, D.C.; on behalf of 3 the Respondent Ursery. 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 2 ALDERSON REPORTING COMPANY, INC. 1111 FOURTEENTH STREET, N.W. -
X************************************************* Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 339 452 PS 019 726 TITLE National Children's Day: A Celebration of Programs That Work. Hearing before the Task Force on Human Resources of the Committee on the Budget. House of Representatives, One Hundred First Congress, Second Session. INSTITUTION Congress of the U.S., Washington, D.C. House Committee on the Budget. PUB DATE 4 Oct 90 NOTE 228p.; Serial No. 5-12. Filmed from best copy available. Many pages have small and broken print. AVAILABLE FROMSuperintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402 (Stock No. 552-070-09370-2, $6.50). PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Adolescents; *At Risk Persons; Children; Disabilities; Early Parenthood; Elementary Secondary Education; High School Equivalency Programs; Parent Education; Preschool Education; Private Agencies; *Program Attitudes; *Progrant Effectiveness; Public Agencies; *Youth Programs IDENTIFIERS *Childrens Day ABSTRACT This hearing was part of a week of events commemorating National Children's Day. The hearing focused on children who have overcome adverse situations throug:: innovative private and public programs. More than 200 youth ambassadors were sent by their state governors to represent 45 states at the events in the District of Columbia. The presentation of testimony was introduced by honorary chairperson Cisay Houston and her daughter, Whitney Houston. Testimony was offered to the task force by 20 youth ambassadors. These ambassadors discussed their positive erperiences with programs that involved teaching parenting skills to teen mothers and providing: (1) means for teen mothers to continue their education; (2) jobs for youth; (3) assistance to migrant and refugee 'amilies; (4) assistance to disabled youth; (3) peer counseling, and (6) community projects.