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Edited by Arne De Boever and Warren Neidich
Book small final_cover new 6/15/13 9:19 AM Pagina 1 This book collects the papers that were presented at Edited by Arne De Boever “The Psychopathologies of Cognitive Capitalism: Part One” 1 and Warren Neidich conference in Los Angeles in November 2012. The conference brought together an international array of philosophers, critical theorists, media theorists, art historians, architects, and artists to discuss the state of the mind and the brain under the conditions of cognitive capitalism, in which they have become the new focus of laboring. How have emancipatory politics, art and architecture, and education been redefined by semiocapitalism? What might be the lasting, material ramifications of semiocapitalism on the mind and the brain? The Psychopathologies of Cognitive Capitalism: Part One is part of a series that will pursue these and other questions. What is the future of the mind under cognitive capitalism? Can a term such as plastic materialism describe the substantive changes in neural architectures instigated by a contingent cultural habitus? What about the unconscious under these conditions? How might JONATHAN BELLER it be modified, mutated, and modulated by the evolving conditions FRANCO “BIFO” BERARDI of global attention? Is there such a thing as cognitive communism, and what might be its distinctive pathologies? How does artistic ARNE DE BOEVER research—the methods and practices of artistic production and the JODI DEAN knowledge they produce—create new emancipatory possibilities WARREN NEIDICH in opposition to the overwhelming instrumentalization of the PATRICIA PISTERS general intellect under semiocapitalism? JASON SMITH TIZIANA TERRANOVA BRUCE WEXLER ARNE DE BOEVER is Assistant Professor of American Studies in the School of Critical Studies at the California Institute of the Arts. -
'Relocalization and Prefigurative Movements
1 ‘RELOCALIZATION AND PREFIGURATIVE MOVEMENTS’ AS SOCIAL NETWORKS AGAINST GLOBALIZATION: THE CONSTRUCTION OF LOCAL ALTERNATIVES TO GLOBAL CAPITALISM Michail Psimitis email: [email protected] Associate professor full address: Ioustinianou 3 Department of Sociology 81100 Mytilene University of the Aegean tel: (+30)22510-36514 & 23597 ABSTRACT Drawing upon an older periodization concerning worldwide social movements, we can say that the current decade is the first one of a period characterized by the strong presence of ‘relocalization and prefigurative social movements’. While earlier forms of organized collective actions either remained almost exclusively confined to the limits of the nation state (labor movements and new social movements) or explicitly rejected the nation state as the objective of their presence and chose a global action (global movements), modern relocalization movements reject both types of action and prefer an action focused directly against globalization. They act outside and away from the state and focus on territorial regeneration of the local autonomy as the cornerstone of self-governed and direct-democratic communities, with strong egalitarian social ties and a propensity for coequal participation. 2 These contemporary movements appear as forms of local resistance to globalization, but they are not showing trends of spatial or social isolation or marginalization, as happened, for instance, to most old communes and intentional communities of the past century. Instead, these are cosmopolitan communities that -
Art Schools Burning and Other Songs of Love and War: Anti-Capitalist
Art Schools Burning and Other Songs of Love and War: Anti-Capitalist Vectors and Rhizomes By Gene Ray Kurfürstenstr. 4A D-10785 Berlin Email: [email protected] Ku’e! out to the comrades on the occupied island of O’ahu. Table of Contents Acknowledgments iv Preface: Is Another Art World Possible? v Part I: The One into Two 1 1. Art Schools Burning and Other Songs of Love and War 2 2. Tactical Media and the End of the End of History 64 3. Avant-Gardes as Anti-Capitalist Vector 94 Part II: The Two into... X [“V,” “R,” “M,” “C,”...] 131 4. Flag Rage: Responding to John Sims’s Recoloration Proclamation 132 5. “Everything for Everyone, and For Free, Too!”: A Conversation with Berlin Umsonst 152 6. Something Like That 175 Notes 188 Acknowledgments As ever, these textual traces of a thinking in process only became possible through a process of thinking with others. Many warm thanks to the friends who at various times have read all or parts of the manuscript and have generously shared their responses and criticisms: Iain Boal, Rozalinda Borcila, Gaye Chan, Steven Corcoran, Theodore Harris, Brian Holmes, Henrik Lebuhn, Thomas Pepper, Csaba Polony, Gregory Sholette, Joni Spigler, Ursula Tax and Dan Wang. And thanks to Antje, Kalle and Peter for the guided glimpse into their part of the rhizomes. With this book as with the last one, my wife Gaby has been nothing less than the necessary condition of my own possibility; now as then, my gratitude for that gift is more than I can bring to words. -
Tyler Coburn Born 1983, New York Lives and Works in New York
Tyler Coburn Born 1983, New York Lives and works in New York EDUCATION Whitney Independent Study Program, Studio Concentration, New York, 2013 – 14 University of Southern California, Roski School of Fine Arts, Los Angeles CA M.F.A. Studio Art, 2012 Yale University, New Haven CT B.A. Literature with an Interdisciplinary Concentration in Visual Culture, 2006 SELECTED EXHIBITIONS AND PROJECTS 2021 vogliamo tutto, OGR, Turin Time Capsule 2045, an Art by Translation project at Palais des Beaux-arts, Paris Tribunalism, an exhibition and conference at Leuphana University Lüneburg 52 Proposals for the 20s, invited by Maria Lind Pizza Piennale, co-organized with Volk Lika, Always Fresh, New York 2020 Counterfactuals, a workshop and project for Wendy’s Subway, New York Counterfactuals, Cultural Capital Introspection (CCI), Ukraine Selfing, two talks and a collective animation project for Home Cooking Archimime, a video collaboration with Aura Rosenberg c/o Meliksetian | Briggs and galleryplatform.la Resonator, an audio work for Infrasonica’s Sonic Realism / Wave #2 Excerpt from Body Work in Sibling Gardens 2, curated by Viktor Timofeev, Montez Press Radio 2019 What We Mean By Freedom, Kunstverein Bielefeld Re-Imagining Futures, curated by Henk Slager, On Curating Project Space, Zurich Report, MMCA Changdong, Seoul 24/7, curated by Sarah Cook, Somerset House, London Self as Actor, NeMe, Cyprus OPEN SCORES. How to program the Commons, panke.gallery, Berlin 2018 Ergonomic Futures, with furniture permanently installed in Centre Pompidou and Museum of Man, Paris Remote Viewer, Koenig & Clinton, New York (solo) Remote Viewer, an animated essay for Tensta Konsthall’s SPACE platform Remote Viewer, a workshop at Triangle Arts Association, New York (in collaboration with Ian Hatcher) On Circulation, Bergen Konsthall Stagings. -
Edited by Warren Neidich
Part Two Final File First Edition_cover part two 5/21/14 9:43 PM Pagina 2 Edited by Warren Neidich ESSAYS BY INA BLOM ARNE DE BOEVER PASCAL GIELEN SANFORD KWINTER MAURIZIO LAZZARATO KARL LYDÉN YANN MOULIER BOUTANG WARREN NEIDICH MATTEO PASQUINELLI ALEXEI PENZIN PATRICIA REED JOHN ROBERTS LISS C. WERNER CHARLES T. WOLFE ARCHIVE BOOKS VOX SERIES Edited by Warren Neidich ESSAYS BY INA BLOM ARNE DE BOEVER PASCAL GIELEN SANFORD KWINTER MAURIZIO LAZZARATO KARL LYDÉN YANN MOULIER BOUTANG WARREN NEIDICH MATTEO PASQUINELLI ALEXEI PENZIN PATRICIA REED JOHN ROBERTS LISS C. WERNER CHARLES T. WOLFE ARCHIVE BOOKS This book collects together extended papers that were presented at The Psychopathologies of Cognitive Capitalism: Part Two at ICI Berlin in March 2013. This volume is the second in a series of book that aims attempts to broaden the definition of cognitive capitalism in terms of the scope of its material relations, especially as it relates to the condi- tions of mind and brain in our new world of advanced telecommunica- tion, data mining and social relations. It is our hope to first improve awa- reness of its most repressive charac- teristics and secondly to produce an arsenal of discursive practices with which to combat it. Edited by Warren Neidich Coordinating editor Nicola Guy Proofreading by Theo Barry-Born Designed by Archive Appendix, Berlin Printed by Erredi, Genova Published by Archive Books Dieffenbachstraße 31 10967 Berlin www.archivebooks.org ISBN 978-3-943620-16-0 CONTENTS INTRODUCTION Warren Neidich The Early and Late Stages of Cognitive Capitalism .................................... 9 SECTION 1 Cognitive Capitalism The Early Phase Ina Blom Video and Autobiography vs. -
Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue Published by WCA ● Gallery Guide
1 Wexner Center for the Arts Exhibition History Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue published by WCA ● Gallery Guide ●LaToya Ruby Frazier: The Last Cruze February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Sadie Benning: Pain Thing February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Stanya Kahn: No Go Backs January 22 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●HERE: Ann Hamilton, Jenny Holzer, Maya Lin September 21 – December 29, 2019 *+●Barbara Hammer: In This Body (F/V Residency Award) June 1 – August 11, 2019 *Cecilia Vicuña: Lo Precario/The Precarious June 1 – August 11, 2019 Jason Moran June 1 – August 11, 2019 *+●Alicia McCarthy: No Straight Lines February 2 – August 1, 2019 John Waters: Indecent Exposure February 2 – April 28, 2019 Peter Hujar: Speed of Life February 2 – April 28, 2019 *+♦Mickalene Thomas: I Can’t See You Without Me (Visual Arts Residency Award) September 14 –December 30, 2018 *● Inherent Structure May 19 – August 12, 2018 Richard Aldrich Zachary Armstrong Key: * Organized by the Wexner Center ♦ Catalogue published by WCA + New Work Commissions/Residencies ● Gallery Guide Updated July 2, 2020 2 Kevin Beasley Sam Moyer Sam Gilliam Angel Otero Channing Hansen Laura Owens Arturo Herrera Ruth Root Eric N. Mack Thomas Scheibitz Rebecca Morris Amy Sillman Carrie Moyer Stanley Whitney *+●Anita Witek: Clip February 3-May 6, 2018 *●William Kentridge: The Refusal of Time February 3-April 15, 2018 All of Everything: Todd Oldham Fashion February 3-April 15, 2018 Cindy Sherman: Imitation of Life September 16-December 31, 2017 *+●Gray Matters May 20, 2017–July 30 2017 Tauba Auerbach Cristina Iglesias Erin Shirreff Carol Bove Jennie C. -
After the New Social Democracy Offers a Distinctive Contribution to Political Ideas
fitzpatrick cvr 8/8/03 11:10 AM Page 1 Social democracy has made a political comeback in recent years, After thenewsocialdemocracy especially under the influence of the Third Way. However, not everyone is convinced that this ‘new social democracy’ is the best means of reviving the Left’s social project. This book explains why and offers an alternative approach. Bringing together a range of social and political theories After the After the new new social democracy engages with some of the most important contemporary debates regarding the present direction and future of the Left. Drawing upon egalitarian, feminist and environmental social democracy ideas it proposes that the social democratic tradition can be renewed but only if the dominance of conservative ideas is challenged more effectively. It explores a number of issues with this aim in mind, including justice, the state, democracy, welfare reform, new technologies, future generations and the new genetics. Employing a lively and authoritative style After the new social democracy offers a distinctive contribution to political ideas. It will appeal to all of those interested in politics, philosophy, social policy and social studies. Social welfare for the Tony Fitzpatrick is a Senior Lecturer in the School of Sociology and Social twenty-first century Policy, University of Nottingham. FITZPATRICK TONY FITZPATRICK TZPPR 4/25/2005 4:45 PM Page i After the new social democracy TZPPR 4/25/2005 4:45 PM Page ii For my parents TZPPR 4/25/2005 4:45 PM Page iii After the new social democracy Social welfare for the twenty-first century TONY FITZPATRICK Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave TZPPR 4/25/2005 4:45 PM Page iv Copyright © Tony Fitzpatrick 2003 The right of Tony Fitzpatrick to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. -
Untitled (Forever), 2017
PUBLISHERS DISTRIBUTED BY D.A.P. SP21 CATALOG CAPTIONS PAGE 6: Georgia O’Keeffe, Series I—No. 3, 1918. Oil on Actes Sud | Archive of Modern Conflict | Arquine | Art / Books | Art Gallery of York board, 20 × 16”. Milwaukee Art Museum. Gift of Jane University | Art Insights | Art Issues Press | Artspace Books | Aspen Art Museum | Atelier Bradley Pettit Foundation and the Georgia O’Keeffe Foundation. PAGE 7: Georgia O’Keeffe, Black Mesa Éditions | Atlas Press | August Editions | Badlands Unlimited | Berkeley Art Museum | Landscape, New Mexico / Out Back of Marie’s II, 1930. Oil on canvas. 24.5 x 36”. Georgia O’Keeffe Museum, Gift Blank Forms | Bokförlaget Stolpe | Bywater Bros. Editions | Cabinet | Cahiers d’Art of the Burnett Foundation. PAGE 8: (Upper) Emil Bisttram, | Canada | Candela Books | Carnegie Museum Of Art | Carpenter Center | Center For Creative Forces, 1936. Oil on canvas, 36 x 27”. Private collection, Courtesy Aaron Payne Fine Art, Santa Fe. Art, Design and Visual Culture, UMBC | Chris Boot | Circle Books | Contemporary Art (Lower) Raymond Jonson, Casein Tempera No. 1, 1939. Casein on canvas, 22 x 35”. Albuquerque Museum, gift Museum, Houston | Contemporary Art Museum, St Louis | Cooper-Hewitt | Corraini of Rose Silva and Evelyn Gutierrez. PAGE 9: (Upper) The Editions | DABA Press | Damiani | Dancing Foxes Press | Deitch Projects Archive | Sun, c. 1955. Oil on board, 6.2 × 5.5”. Private collection. © Estate of Leonora Carrington. PAGE 10: (Upper left) DelMonico Books | Design Museum | Deste Foundation for Contemporary Art | Dia Hayao Miyazaki, [Woman] imageboard, Nausicaä of the Valley of the Wind (1984). © Studio Ghibli. (Upper right) Center For The Arts | Dis Voir, Editions | Drawing Center | Dumont | Dung Beetle | Hayao Miyazaki, [Castle in the Sky] imageboard, Castle Dust to Digital | Eakins Press | Ediciones Poligrafa | Edition Patrick Frey | Editions in the Sky (1986). -
).'82/+ 0'3+9 -'22+8?
Black Mirror Curated by Julia Schwartz ).'82/+0'3+9-'22+8? Black Mirror Curated by Julia Schwartz Charlie James Gallery is pleased to present Black Mirror, a group exhibition curated by Julia Schwartz, with works by Andrea Marie Breiling, Dani Dodge, Kio Griffith, Karl Haendel, Kenyatta AC Hinkle, Cole M James, Elana Mann, Abdul Mazid, Thinh Nguyen, Warren Neidich, Claudia Parducci, Julia Schwartz, and Thaddeus Strode. In Black Mirror, 13 artists respond to the current political and cultural moment through painting, drawing, installation, photography, and video. The works in this exhibition contend with what it means to live in the age of Trump, Wikileaks, and border walls; an age when the term BlackLivesMatter holds urgent currency, women’s bodies are once again up for grabs and whole segments of the population are obliged to live in a state of erasure. The artists employ disparate approaches in their responses to this historical moment: subversive humor and wit, practical guidance, documentation and conceptual analysis, poignant abstraction, emotional release. The title, Black Mirror, is taken from the dystopian TV show, which examines the dangerous capacities of technology and social media to shape our thoughts and control our behaviors. Black Mirror refers as well to Claude Glass, small mirrors used by artists that abstract and distort the reflected subject. Black Mirror Curated by Julia Schwartz Black Mirror Curated by Julia Schwartz Black Mirror Andrea Marie Breilling Burn Baby Burn Oil and enamel on canvas 72 x 48 inches 2017 Black -
Revolutions in Reverse O
Minor Compositions Open Access Statement – Please Read This book is open access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. All Minor Compositions publications are placed for free, in their entirety, on the web. This is because the free and autonomous sharing of knowledges and experiences is important, especially at a time when the restructuring and increased centralization of book distribution makes it difficult (and expensive) to distribute radical texts effectively. The free posting of these texts does not mean that the necessary energy and labor to produce them is no longer there. One can think of buying physical copies not as the purchase of commodities, but as a form of support or solidarity for an approach to knowledge production and engaged research (particularly when purchasing directly from the publisher). The open access nature of this publication means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, it is against the purposes of Minor Compositions open access approach to: • gain financially from the work • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution of the work • distribute in or through a commercial body (with the exception of academic usage within educational institutions) The intent of Minor Compositions as a project is that any surpluses generated from the use of collectively produced literature are intended to return to further the development and production of further publications and writing: that which comes from the commons will be used to keep cultivating those commons. -
Jean Baudrillard's Karl Marx — Productivist Ideology, and the Future of the Left
Fast Capitalism ISSN 1930-014X Volume 8 • Issue 2 • 2011 doi:10.32855/fcapital.201102.009 Jean Baudrillard’s Karl Marx — Productivist Ideology, And The Future of the Left Gerry Coulter Introduction The grand Marxist promise has ended (Baudrillard, 1985:95). Marx believed that in economics and its dialectical procedure he found fundamental agency, all he found was what haunts it (Baudrillard, 1993a:237). The place of Marx’s writings in scholarly circles has changed greatly over the past 40 years – the four decades in which Baudrillard published over 40 books. Marx found his way into a significant place in 29 of these texts. Baudrillard’s passage through Marx is telling of important developments in intellectual culture in recent times. None of these is any more important than the future of Marx’s writings. While many in the West continued to believe that Marx’s ideas could provide solutions to capitalist political economy, Baudrillard was among the first on the Left to become deeply dissatisfied with Marx’s writings. The break with Marx was an important part of Baudrillard’s coming to grips with radical uncertainty – an uncertainty which accelerates and envelopes all of us in the continuing mutations of fast (hyper) capitalism. For anyone interested in the future of Marx, Baudrillard’s encounter with him after 1968 is crucial. Just as Baudrillard was not especially comfortable in the “post-Marxist” world – many scholars who are not fond of Baudrillard have come to recognize that the Marx we have today, for better or worse, is one that has passed through Baudrillard and his contemporaries. -
Degrowth and Educative Deconstruction of the Neoliberal Subject: Alternatives to Build up a Sustainable Society
Degrowth and Educative Deconstruction of the Neoliberal Subject: Alternatives to Build up a Sustainable Society Enrique Javier Díez-Gutiérrez1 and José María Díaz-Nafría2 1 Universidad de León, León, Spain [email protected] 2 Madrid Open University, Madrid, Spain [email protected] Abstract. The paper makes a literary review of degrowth pedagogy. Degrowth has become one of the fundamental approaches posed to sur- vive in a world of limited resources and to face the profound causes of the current crisis. Learning to live better with less turns out to be not a moral postulate but a vital necessity of our species. The paper analyses the current investigations in the field, as well as the relevant publica- tions in 88 peer review articles, focused on degrowth published between 2006 and 2019, including 41 proposals for action, among which 14 are specialized in the field of education. The conclusions point to the urgent and imperative need to change economic and environmental policies, but also mentalities. Decolonising the collective dominant imaginary trapped in consumerism and individualism; educating in a collective and shared lifestyle of voluntary sobriety; deconstructing the productivist reason and adopting an alternative model of eco social future in the unique world we have. The education and the school, as discussed in the paper, has a fundamental role to play in this endeavor. Keywords: Degrowth · Ecological sustainability · Emancipatory ed- ucational research · Environmental education · Critical pedagogy. Growing continuously, as the capitalism insistently proposes as it were one of its fundamental postulates, is simply impossible in a limited world, like ours, for obvious material constraints [40, 56, 57, 100].