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Ruth Wallen ~ Judith Margolis ~ Gail Rebhan Karen Shaw ~ Barbara
Ruth Wallen ~ Judith Margolis ~ Gail Rebhan Karen Shaw ~ Barbara Drucker ~ Diane Fine Beth Grossman ~ Karen Klein ~ cj grossman Stephanie Brody-Lederman ~ Jo-Ann Brody Judy Hoffman ~ Susan Bee ~ Pnina Gagnon Evelyn Eller ~ Miriam Schaer ~ Vered Galor Lynne Avadenka ~ Ruth Ginsberg-Place Elaine Langerman ~ Channa Horwitz Elena Mary Siff ~ Miriam Beerman Robyn Sassen ~ Ita Aber ~ Paula Levine Claire Jeanine Satin ~ Beth Bachenheimer Gloria Helfgott ~ Linda Rubinstein ~ Io Palmer Robbin Ami Silverberg ~ Eva-Lynn Diesenhaus Lila Wahrhaftig ~ Joyce Abrams ~ Carol Hamoy Melinda Smith Altshuler ~ Marilyn R. Rosenberg Laurel Paley ~ Johanna Drucker ~ Sophia Rosenberg Terry Braunstein ~ Beverly Naidus ~ Sonya Rapoport Barbara Milman ~ Sandra Jackman ~ Carrie Ungerman The Park School of Baltimore presents Women of the Book Jewish Artists Jewish Themes Artists around the world began making books as an art form in the second half of the 20th century, experimenting with innovative combinations of images, text, and format, sometimes creating single works and at other times publishing multiple copies. The aim of artists’ books is not to merely see words on the page, but to think about how the words, pictures, and physical form of the object all contribute to the meaning. Artists’ books assume many forms and have made use of every artistic medium and method of bookmaking. A wide variety of structures and formats are employed, such as traditional codex, unfolding accordion books, pop-ups, fans, and scrolls. The materials used in these works range from handmade and commercially produced papers to nontraditional materials such as found objects, fabric, ceramic, wood, and metal. One of the most compelling exhibitions of artists books is this collection, Women of the Book: Jewish Artists, Jewish Themes. -
Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
Daly, Timothy Michael (2016) Towards a fugitive press: materiality and the printed photograph in artists’ books. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/617237/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly PhD 2016 Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy MIRIAD Manchester Metropolitan University June 2016 Contents a. Abstract 1 b. Research question 3 c. Field 5 d. Aims and objectives 31 e. Literature review 33 f. Methodology 93 g. Practice 101 h. Further research 207 i. Contribution to knowledge 217 j. Conclusion 220 k. Index of practice conclusions 225 l. References 229 m. Bibliography 244 n. Research outputs 247 o. Appendix - published research 249 Tim Daly Speke (1987) Silver-gelatin prints in folio A. Abstract The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists’ books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions with it in ways obvious and subtle. -
What Inflamed the Iraq War?
Reuters Institute for the Study of Journalism Fellowship Paper, University of Oxford What Inflamed The Iraq War? The Perspectives of American Cartoonists By Rania M.R. Saleh Hilary Term 2008 1 ACKNOWLEDGEMENT I would like to express my deepest appreciation to the Heikal Foundation for Arab Journalism, particularly to its founder, Mr. Mohamed Hassanein Heikal. His support and encouragement made this study come true. Also, special thanks go to Hani Shukrallah, executive director, and Nora Koloyan, for their time and patience. I would like also to give my sincere thanks to Reuters Institute for the Study of Journalism, particularly to its director Dr Sarmila Bose. My warm gratitude goes to Trevor Mostyn, senior advisor, for his time and for his generous help and encouragement, and to Reuter's administrators, Kate and Tori. Special acknowledgement goes to my academic supervisor, Dr. Eduardo Posada Carbo for his general guidance and helpful suggestions and to my specialist supervisor, Dr. Walter Armbrust, for his valuable advice and information. I would like also to thank Professor Avi Shlaim, for his articles on the Middle East and for his concern. Special thanks go to the staff members of the Middle East Center for hosting our (Heikal fellows) final presentation and for their fruitful feedback. My sincere appreciation and gratitude go to my mother for her continuous support, understanding and encouragement, and to all my friends, particularly, Amina Zaghloul and Amr Okasha for telling me about this fellowship program and for their support. Many thanks are to John Kelley for sharing with me information and thoughts on American newspapers with more focus on the Washington Post . -
Anne Dudek Trademarktalent.Com/Annedudek
Anne Dudek trademarktalent.com/annedudek TELEVISION [selected credits] Corporate Series Regular Comedy Central Bosch Recurring Amazon You’re The Worst Recurring FX The Inbetween Recurring NBC The Flash Recurring The CW The Magicians Recurring SYFY Mad Men Recurring AMC Those Who Kill Recurring A&E Covert Affairs Series Regular USA Masters Of Sex Guest Star Showtime The Mindy Project Guest Star Hulu Longmire Guest Star A&E Aquarius Guest Star NBC The Devil You Know Guest Star HBO NCIS: New Orleans Guest Star CBS House M.D. Recurring FOX Big Love Recurring HBO * SAG Award Nomination, Outstanding Performance by an Ensemble in a Drama Series Grey’s Anatomy Guest Star ABC Grimm Guest Star NBC Criminal Minds Guest Star CBS Castle Guest Star ABC Private Practice Guest Star ABC Bones Recurring FBC Touch Guest Star FOX Rizzoli & Isles Guest Star TNT The Mentalist Guest Star CBS Untitled Victor Fresco Pilot Series Regular ABC Numbers Guest Star CBS Big Day Recurring ABC Psych (pilot) Series Regular USA Law & Order: Criminal Intent Guest Lead NBC How I Met Your Mother Recurring CBS Head Cases Guest Star FBC Charmed Guest Star WB Less Than Perfect Recurring ABC Invasion Recurring ABC Desperate Housewives Guest Star ABC Friends Guest Star NBC Six Feet Under Guest Star HBO Judging Amy Guest Star CBS ER Guest Star NBC The Book Group Series Regular Channel 4 Television (UK) For The People (pilot) Series Regular Lifetime Early Edition Guest Star CBS FILM The Friend She Met Online MOW Dir: Curtis Crawford Middle Man Indie Dir: Ned Crowley The Waiting Indie -
The Effect of War on Art: the Work of Mark Rothko Elizabeth Leigh Doland Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 The effect of war on art: the work of Mark Rothko Elizabeth Leigh Doland Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Doland, Elizabeth Leigh, "The effect of war on art: the work of Mark Rothko" (2010). LSU Master's Theses. 2986. https://digitalcommons.lsu.edu/gradschool_theses/2986 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE EFFECT OF WAR ON ART: THE WORK OF MARK ROTHKO A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Elizabeth Doland B.A., Louisiana State University, 2007 May 2010 TABLE OF CONTENTS ABSTRACT…………………………………………………………………iii CHAPTER 1 INTRODUCTION……………………………………………........1 2 EARLY LIFE……………………………………………………....3 Yale Years……………………………………………………6 Beginning Life as Artist……………………………………...7 Milton Avery…………………………………………………9 3 GREAT DEPRESSION EFFECTS………………………………...13 Artists’ Union………………………………………………...15 The Ten……………………………………………………….17 WPA………………………………………………………….19 -
Word Search Bilquis (Yetide) Badaki Unite Call (972) 937-3310 © Zap2it
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad April 28 - May 4, 2017 We’ve got you covered! waxahachietx.com The quest for the A L Y R E L J Q A R A B V A H 2 x 3" ad S A Q I S M A U M C S H A N E Your Key P U D Y H C E A W F E L B E W To Buying Triple Crown begins T R U K A R H A F I M K O N D M A P V E W A R W G E S D B A and Selling! 2 x 3.5" ad B R O W N I N G E A K A Y U H I D O L Z T W H W I T T G K S L P U G U A B E S M B Q U I Q Q E S N Q S E E D A W E A V I U B H X I W L T E N Q O R E P I K A U K T I K M B E L D Y E S A C D T V E T A W R S I S E A B E I A D V T D E R G D U M P E H A V K E S H A D O W A N T W A M C A I L A V Y H L X Y “American Gods” on Starz (Words in parentheses not in puzzle) Shadow (Moon) (Ricky) Whittle (Neil) Gaiman Place your classified Solution on page 13 (Mr.) Wednesday (Ian) McShane Bodyguard ad in the Waxahachie Daily 2 x 3" ad Laura (Moon) (Emily) Browning Believe Light, Midlothian1 xMirror 4" ad and Mad (Sweeney) (Pablo) Schreiber Power Ellis County Trading Post! Word Search Bilquis (Yetide) Badaki Unite Call (972) 937-3310 © Zap2it The 143rd Kentucky Derby airs Saturday on NBC. -
The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art
Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns. -
Edward Steichen in München: Wir Alle – the Family of Man in Der Städtischen Galerie Im Lenbachhaus, 1955
Edward Steichen in München: Wir alle – The Family of Man in der Städtischen Galerie im Lenbachhaus, 1955 von Werner Sollors (Harvard University) für online seit: 17.08.2020 1 Edward Steichen in München: Wir alle – The Family of Man in der Städtischen Galerie im Lenbachhaus, 19551 Vor 65 Jahren, vom 19. November bis 18. Dezember 1955, wurde die von Edward Steichen zusammengestellte Foto-Ausstellung The Family of Man, die im Januar des gleichen Jahres im Museum of Modern Art (MoMA) New York mit großem Erfolg eröffnet worden war, unter dem Doppeltitel The Family of Man – Wir alle in München gezeigt. 1 Exzerpiert aus einem Vortrag an der Bayerischen Amerika-Akademie München (BAA). Danksagungen: Timo Müller und Sascha Pöhlmann (Konstanz), Dr. Margarethe Schweiger-Wilhelm (BAA), Meike Zwingenberger und Jasmin Falk (Amerikahaus München), Gerd Hurm (Trier), Shamoon Zamir (NYU Abu Dhabi), Anke Reitz (Steichen-Sammlung, Schloß Clervaux, Centre national de l’audivisuel CNA, Luxemburg), Dr. Ursula Keitz, Susanne Böller und Sarah Bock (alle drei Städtische Galerie im Lenbachhaus München), Dr. Richard Hampe (Nachlassverwalter Franz Roh), Dr. Ulrich Pohlmann, Rudolf Scheutle und Marion Glaser (alle drei Münchner Stadtmuseum), Elisabeth Angermair (Stadtarchiv München), Petra Höhenberger (Bayerische Staatsbibliothek), Philip Koch (Wolfgang Koeppen-Archiv Greifswald), Agnes Harder (Germanisches Nationalmuseum Nürnberg), Thomas Huttig (Willi Huttig- Archiv Starnberg), Monica Blank (Rockefeller Archive Center), Judith Cohen (United States Holocaust Memorial Museum) und Nicole Westerdahl (Jackie Martin Papers, Special Collections Research Center, Syracuse University Libraries). Alle USIS-Materialien kommen aus den National Archives Washington, Record Group 306-FM. Eric Sandeen schrieb das klassische Buch zur Family of Man und Gerd Hurm, Anke Reitz und Shamoon Zamir gaben einen Band mit vorher nicht beachteten Materialien und neuen Interpretationen der Ausstellung heraus. -
Kirkus Best Books of 2020
Featuring 328 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 23 | 1 DECEMBER 2020 REVIEWS THE BEST BOOKS OF 2020 SPECIAL ISSUE BONUS: Kirkus & Rolling Stone’s Top Music Books of 2020 The 100 Best Nonfiction and 100 Best YA Books of the Year + Our Regular December 1 Issue from the editor’s desk: Books That Deserved More Buzz Chairman HERBERT SIMON President & Publisher BY TOM BEER MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] John Paraskevas Editor-in-Chief Every December, I look back on the year past and give a shoutout to those TOM BEER books that deserved more buzz—more reviews, more word-of-mouth [email protected] Vice President of Marketing promotion, more book-club love, more Twitter excitement. It’s a subjec- SARAH KALINA tive assessment—how exactly do you measure buzz? And how much is not [email protected] Managing/Nonfiction Editor enough?—but I relish the exercise because it lets me revisit some titles ERIC LIEBETRAU that merit a second look. [email protected] Fiction Editor Of course, in 2020 every book deserved more buzz. Between the pan- LAURIE MUCHNICK demic and the presidential election, it was hard for many titles, deprived [email protected] Young Readers’ Editor of their traditional publicity campaigns, to get the attention they needed. VICKY SMITH A few lucky titles came out early in the year, disappeared when coronavi- [email protected] Tom Beer Young Readers’ Editor rus turned our world upside down, and then managed to rebound; Douglas LAURA SIMEON [email protected] Stuart’s Shuggie Bain (Grove, Feb. -
Manhattan Year BA-NY H&R Original Purchaser Sold Address(Es)
Manhattan Year BA-NY H&R Original Purchaser Sold Address(es) Location Remains UN Plaza Hotel (Park Hyatt) 1981 1 UN Plaza Manhattan N Reader's Digest 1981 28 West 23rd Street Manhattan Y NYC Dept of General Services 1981 NYC West Manhattan * Summit Hotel 1981 51 & LEX Manhattan N Schieffelin and Company 1981 2 Park Avenue Manhattan Y Ernst and Company 1981 1 Battery Park Plaza Manhattan Y Reeves Brothers, Inc. 1981 104 W 40th Street Manhattan Y Alpine Hotel 1981 NYC West Manhattan * Care 1982 660 1st Ave. Manhattan Y Brooks Brothers 1982 1120 Ave of Amer. Manhattan Y Care 1982 660 1st Ave. Manhattan Y Sanwa Bank 1982 220 Park Avenue Manhattan Y City Miday Club 1982 140 Broadway Manhattan Y Royal Business Machines 1982 Manhattan Manhattan * Billboard Publications 1982 1515 Broadway Manhattan Y U.N. Development Program 1982 1 United Nations Plaza Manhattan N Population Council 1982 1 Dag Hammarskjold Plaza Manhattan Y Park Lane Hotel 1983 36 Central Park South Manhattan Y U.S. Trust Company 1983 770 Broadway Manhattan Y Ford Foundation 1983 320 43rd Street Manhattan Y The Shoreham 1983 33 W 52nd Street Manhattan Y MacMillen & Co 1983 Manhattan Manhattan * Solomon R Gugenheim 1983 1071 5th Avenue Manhattan * Museum American Bell (ATTIS) 1983 1 Penn Plaza, 2nd Floor Manhattan Y NYC Office of Prosecution 1983 80 Center Street, 6th Floor Manhattan Y Mc Hugh, Leonard & O'Connor 1983 Manhattan Manhattan * Keene Corporation 1983 757 3rd Avenue Manhattan Y Melhado, Flynn & Assocs. 1983 530 5th Avenue Manhattan Y Argentine Consulate 1983 12 W 56th Street Manhattan Y Carol Management 1983 122 E42nd St Manhattan Y Chemical Bank 1983 277 Park Avenue, 2nd Floor Manhattan Y Merrill Lynch 1983 55 Water Street, Floors 36 & 37 Manhattan Y WNET Channel 13 1983 356 W 58th Street Manhattan Y Hotel President (Best Western) 1983 234 W 48th Street Manhattan Y First Boston Corp 1983 5 World Trade Center Manhattan Y Ruffa & Hanover, P.C. -
18 Works from the Bachman Collection (1606) Lot 2
18 Works from the Bachman Collection (1606) June 4, 2018 EDT Lot 2 Estimate: $150000 - $250000 (plus Buyer's Premium) Hans Hofmann (American/German, 1880-1966) Cataclysm (Homage to Howard Putzel) Signed, dated 'August 11 - 1945' and inscribed 'hommage to howard putzel,' bottom right, oil and casein on board. [HH no. 562-1945; Estate no. M-0264] 51 3/4 x 48 in. (131.4 x 121.9cm) Provenance: The Estate of the Artist. André Emmerich Gallery, New York, New York (acquired directly from the above in 1986). The Estate of Lee & Gilbert Bachman, Atlanta, Georgia & Boca Raton, Florida (acquired directly from the above in 1986). EXHIBITED: "Hans Hofmann: Recent Paintings," Mortimer Brandt Gallery, New York, March 18 - 30, 1946. "Seeing the Unseeable," Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, January 3 - March 3, 1947. "Hans Hofmann: Early Paintings," Kootz Gallery, New York, January 20 - 31, 1959. "Hans Hofmann: A Retrospective Exhibition," a traveling exhibition: Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 14, 1976 - January 2, 1977; Museum of Fine Arts, Houston, Texas, February 4 - April 3, 1977, p. 51 (illustrated in the exhibition catalogue). "Abstract Expressionism: The Formative Years," a traveling exhibition: Howard F. Johnson Museum of Art, March 1 - June 1, 1978; Seibu Museum, Karuizawa, Japan, June - July, 1978; Whitney Museum of American Art, New York, September 1 - December 1, 1978, p. 80 (illustrated in the exhibition catalogue). "Flying Tigers: Painting and Sculpture in New York, 1939 - 1946," a traveling exhibition: Bell Gallery, Brown University, Providence, Rhode Island, April 26 - May 27, 1985; Parrish Art Museum, Southampton, Long Island, New York, June 9 - July 28, 1985. -
The C Oop Er Union
Founded by inventor, industrialist and philanthropist Peter Cooper in 1859, The Cooper Union for the Advancement of Science and Art offers an unparalleled education in art, architecture and engineering, and gives every admitted student a full-tuition scholarship. Believing that an “education of the first rank” should be “as free as air and water,” Peter Cooper, who himself had less than a year THE COOPER UNION of formal schooling, established The Cooper Union to offer a free education to working-class men and women without regard to gender, race, religion or economic status. A century and a half later, The Cooper Union is ranked among the finest American colleges. It remains a private institution with a public mission: To prepare gifted students to make enlightened contributions to the cultural and scientific life of our great urban centers. RANKINGS The rigor of The Cooper Union’s academic programs has made it one of the top-ranked institutions of higher education in the nation in all categories. • Ranked Best Baccalaureate College (north) by U.S. News and World Report • Ranked third in the nation among Undergraduate Engineering Colleges by U.S. News and World Report; ranked first in undergraduate engineering colleges in chemical engineering • Ranked third in research culture among architecture schools worldwide in a survey by the Key Centre for Architectural Sociology • Listed among the Best Design Schools for Creative Talent by Business Week • Listed among the Nation’s 25 Hottest Universities by the Newsweek-Kaplan College Guide • Listed