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Westminster Abbey South Quire Aisle
Westminster Abbey South Quire Aisle The Dedication of a Memorial Stone to P G Wodehouse Friday 20th September 2019 6.15 pm HISTORICAL NOTE It is no bad thing to be remembered for cheering people up. As Pelham Grenville Wodehouse (1881–1975) has it in his novel Something Fresh, the gift of humour is twice blessed, both by those who give and those who receive: ‘As we grow older and realize more clearly the limitations of human happiness, we come to see that the only real and abiding pleasure in life is to give pleasure to other people.’ Wodehouse dedicated almost 75 years of his professional life to doing just that, arguably better—and certainly with greater application—than any other writer before or since. For he never deviated from the path of that ambition, no matter what life threw at him. If, as he once wrote, “the object of all good literature is to purge the soul of its petty troubles”, the consistently upbeat tone of his 100 or so books must represent one of the largest-ever literary bequests to human happiness by one man. This has made Wodehouse one of the few humourists we can rely on to increase the number of hours of sunshine in the day, helping us to joke unhappiness and seriousness back down to their proper size simply by basking in the warmth of his unique comic world. And that’s before we get round to mentioning his 300 or so song lyrics, countless newspaper articles, poems, and stage plays. The 1998 edition of the Oxford English Dictionary cited over 1,600 quotations from Wodehouse, second only to Shakespeare. -
Lieutenant Colonel Norman T. P. Murphy May 20, 1933–October 18, 2016 by David Landman
The quarterly journal of The Wodehouse Society Volume 37 Number 4 Winter 2016 Lieutenant Colonel Norman T. P. Murphy May 20, 1933–October 18, 2016 by David Landman t is distressing to report that one of the mainstays I of The Wodehouse Society, Norman Murphy, died on October 18 of complications following a stroke. I stare at this dismal sentence and find it hard to digest. And then it occurs to me—as I sense his scrupulous presence— that I don’t really know what a mainstay is. He would have, though—as well as every other mast, sail, and item of tackle on an eighteenth-century ship of the line. So change the metaphor: Norman Murphy, the dean of The Wodehouse Society, has died. More accurate, perhaps, but no less dismal. Even the bare facts of his life as they are recounted in the splendid obituaries published in the October 20 London Times and Daily Telegraph (http://tinyurl.com/ ntpm-times and http://tinyurl.com/ntpm-teleg) evoke the sense of an extraordinary man. I recommend readers view these touching portraits; in this article I shall just note a Norman explains the Wodehouse regalia tea bell at one of the biennial conventions of The Wodehouse Society few highlights of his life and relate some anecdotes—many from personal experience—that I hope will convey the spirited dash of his personality and what it was like to be in the presence of a man of such intense energy and unquenchable curiosity about everything in the world. Born in London in 1933 to physician Thomas Murphy and his wife, Norah, Irish emigrants from County Cork, Norman told me that one of his earliest memories was being wakened by his mother to watch in the distance the flames consuming the Crystal Palace (then located in southeast London). -
Summer 2007 Large, Amiable Englishman Who Amused the World by DAVID MCDONOUGH
The quarterly journal of The Wodehouse Society Volume 28 Number 2 Summer 2007 Large, Amiable Englishman Who Amused the World BY DAVID MCDONOUGH ecently I read that doing crossword puzzles helps to was “sires,” and the answer was “begets.” In Right Ho, R ward off dementia. It’s probably too late for me (I Jeeves (aka Brinkley Manor, 1934), Gussie Fink-Nottle started writing this on my calculator), but I’ve been giving interrogates G. G. Simmons, the prizewinner for Scripture it a shot. Armed with several good erasers, a thesaurus, knowledge at the Market Snodsbury Grammar School and my wife no more than a phone call away, I’ve been presentations. Gussie, fortified by a liberal dose of liquor- doing okay. laced orange juice, is suspicious of Master Simmons’s bona I’ve discovered that some of Wodehouse’s observations fides. on the genre are still in vogue. Although the Egyptian sun god (Ra) rarely rears its sunny head, the flightless “. and how are we to know that this has Australian bird (emu) is still a staple of the old downs and all been open and above board? Let me test you, acrosses. In fact, if you know a few internet terms and G. G. Simmons. Who was What’s-His-Name—the the names of one hockey player (Orr) and one baseball chap who begat Thingummy? Can you answer me player (Ott), you are in pretty good shape to get started. that, Simmons?” I still haven’t come across George Mulliner’s favorite clue, “Sir, no, sir.” though: “a hyphenated word of nine letters, ending in k Gussie turned to the bearded bloke. -
Index to Plum Lines 1980–2020
INDEX TO PLUM LINES 1980–2020 Guide to the Index: While there are all sorts of rules and guidelines on the subject of indexing, virtually none can be applied to the formidable task of indexing Plum Lines (and its predecessor, Comments in Passing), the quarterly journal of The Wodehouse Society, which was founded in 1980. Too many variables confront the task’s indexer—not to mention a few too many errors in how issues were numbered over the years (see Index to the Index, below). Consequently, a new sort of index has been created in such a way (we hope) as to make it as easy as possible to use. Following are some guidelines. 1. Finding what you want: Whatever you are looking for, it should be possible to find it using our handy-dandy system of cross-referencing: • SUBJECTS are in BOLD CAPS followed by a list of the relevant articles. (See the list of Subject Headings, below.) • Authors and Contributors (note that some articles have both an author and a contributor) are listed in uppercase-lowercase bold, last name first, with a list of articles following the name. • Regular columns are simply listed in bold under their own titles rather than under a subject heading. 2. Locating the listed article: Any article listed in the index is followed by a series of numbers indicating its volume number, issue number, and page number. For example, one can find articles on Across the pale parabola: 14.2.17; 15.4.13 in Volume 14, Number 2, Page 17 and Volume 15, Number 4, Page 13. -
Wodehouse - UK and US Editions
Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian A Damsel in Distress 1919 x En jomfru i nød A Few Quick Ones 1959 x A Gentleman of Leisure 1910 x The Intrusion of Jimmy A Man of Means (med C. H. Bovill, UK) 1991 x A Pelican at Blandings 1969 x No Nudes is Good Nudes A Prefect's Uncle 1903 x A Prince for Hire 2003 0 A Wodehouse Miscellany (e-bok) 2003 0 Aunts Aren't Gentlemen 1974 x The Cat-nappers Tanter er ikke Gentlemen Bachelors Anonymous 1973 x Anonyme Peppersvenner Barmy in Wonderland 1952 x Angel Cake Big Money 1931 x Penger som gress Bill the Conqueror 1924 x Blandings Castle and Elsewhere 1935 x Blandings Castle Bring on the Girls 1953 x Carry on Jeeves 1925 x Cocktail Time 1958 x Company for Henry 1967 x The Purloined Paperweight Death At the Excelsior and Other Stories (e-bok) 2003 0 Do Butlers Burgle Banks 1968 x Doctor Sally 1932 x Eggs, Beans and Crumpets 1940 x French Leave 1956 x Franskbrød og arme riddere Frozen Assets 1964 x Biffen's Millions Full Moon 1947 x Månelyst på Blandings Galahad at Blandings 1968 x The Binkmanship of Galahad Threepwood Heavy Weather 1933 x Salig i sin tro Hot Water 1932 x Høk over høk Ice in the Bedroom 1961 x The Ice in the Bedroom Gjemt men ikke glemt If I Were You 1931 x Indiscretions of Archie 1921 x Side 1 av 4 / presented by blandings.no Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian Jeeves and the Feudal Spirit 1954 x Bertie Wooster Sees it Through Jeg stoler på Jeeves Jeeves in the Offing 1960 x How Right You Are, Jeeves S.O.S. -
Know Your Audience: Middlebrow Aesthetic and Literary Positioning in the Fiction of P.G
Northumbria Research Link Citation: Einhaus, Ann-Marie (2016) Know Your Audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. Wodehouse. In: Middlebrow Wodehouse: P.G. Wodehouse's Work in Context. Ashgate, Farnham, pp. 16-33. ISBN 9781472454485 Published by: Ashgate URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/25720/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) PLEASE NOTE: This is the typescript of the published version of ‘Know your audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. -
Autumn-Winter 2002
Beyond Anatole: Dining with Wodehouse b y D a n C o h en FTER stuffing myself to the eyeballs at Thanks eats and drinks so much that about twice a year he has to A giving and still facing several days of cold turkey go to one of the spas to get planed down. and turkey hash, I began to brood upon the subject Bertie himself is a big eater. He starts with tea in of food and eating as they appear in Plums stories and bed— no calories in that—but it is sometimes accom novels. panied by toast. Then there is breakfast, usually eggs and Like me, most of Wodehouse’s characters were bacon, with toast and marmalade. Then there is coffee. hearty eaters. So a good place to start an examination of With cream? We don’t know. There are some variations: food in Wodehouse is with the intriguing little article in he will take kippers, sausages, ham, or kidneys on toast the September issue of Wooster Sauce, the journal of the and mushrooms. UK Wodehouse Society, by James Clayton. The title asks Lunch is usually at the Drones. But it is invariably the question, “Why Isn’t Bertie Fat?” Bertie is consistent preceded by a cocktail or two. In Right Hoy Jeeves, he ly described as being slender, willowy or lissome. No describes having two dry martinis before lunch. I don’t hint of fat. know how many calories there are in a martini, but it’s Can it be heredity? We know nothing of Bertie’s par not a diet drink. -
Aunts Aren't What?
The quarterly journal of The Wodehouse Society Volume 27 Number 3 Autumn 2006 Aunts Aren’t What? BY CHARLES GOULD ecently, cataloguing a collection of Wodehouse novels in translation, I was struck again by R the strangeness of the title Aunts Aren’t Gentlemen and by the sad history that seems to dog this title and its illustrators, who in my experience always include a cat. Wodehouse’s original title is derived from the dialogue between Jeeves and Bertie at the very end of the novel, in which Bertie’s idea that “the trouble with aunts as a class” is “that they are not gentlemen.” In context, this is very funny and certainly needs no explication. We are well accustomed to the “ungentlemanly” behavior of Aunt Agatha—autocratic, tyrannical, unreasoning, and unfair—though in this instance it’s the good and deserving Aunt Dahlia whose “moral code is lax.” But exalted to the level of a title and thus isolated, the statement A sensible Teutonic “aunts aren’t gentlemen” provokes some scrutiny. translation First, it involves a terrible pun—or at least homonymic wordplay—lost immediately on such lost American souls as pronounce “aunt” “ant” and “aren’t” “arunt.” That “aunt” and “aren’t” are homonyms is something of a stretch in English anyway, and to stretch it into a translation is hopeless. True, in “The Aunt and the Sluggard” (My Man Jeeves), Wodehouse wants us to pronounce “aunt” “ant” so that the title will remind us of the fable of the Ant and the Grasshopper; but “ants aren’t gentlemen” hasn’t a whisper of wit or euphony to recommend it to the ear. -
[026.Book] Download My Man Jeeves PDF
Download: My Man Jeeves PDF Free [026.Book] Download My Man Jeeves PDF By P G. Wodehouse My Man Jeeves you can download free book and read My Man Jeeves for free here. Do you want to search free download My Man Jeeves or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #My Man Jeeves | 2014-06-23 | Original language: English | PDF # 1 | 9.00 x .45 x 6.00l, .60 | File type: PDF | 196 pages | |1 of 1 people found the following review helpful.| Oversized, skimpy, odd format for classic stories | By Rhode Red |I'm a ginormous Wodehouse fan, but not a fan of this particularly-published volume. It's nothing more than 8 Wodehouse stories printed on 8 1/2 x 11 paper with a cover slapped on. There's no copyright info (OK I guess these must not be covered by copyright anymore, but surely a 'first published in' date and info wou | | "All the voices are done by the excellent Martin Jarvis . Jarvis himself is fantastic." -- Frank Behrens, unknown date "Pairs Jarvis’ smooth rendition… with five Jeeves stories about the quietly comic valet. A fine introducti My Man Jeeves is a classic English humour anthology by P G. Wodehouse. Of the eight stories in this collection, half feature P.G. Wodehouse’s popular characters Jeeves and Bertie Wooster, while the others concern Reggie Pepper, an early prototype for Wooster. -
Wooster Sauce – March 2009
Wooster Sauce – March 2009 I had wanted to tell the Master this and gladden his That is increasingly true in England and the rest of indulgent heart with the tribute being paid to him at this the Commonwealth, but not in India. While no English- outpost of Wodehouseana thousands of miles away language writer can truly be said to have a “mass” from any place he had ever written about. But I had following in India, where only a small percentage of the never been satisfied by any of my drafts of the letter. It population read English, Wodehouse has maintained a had to be just right. Of course, it never was, and now I general rather than a “cult” audience; unlike others, he would never be able to establish this small connection has never gone out of fashion. This bewilders those to the writer who had given me more joy than anything who think that nothing could be further removed from else in my life. Indian life, with its poverty and political intensity, than The loss was personal, but it was widely shared: the silly escapades of Wodehouse’s decadent P. G. Wodehouse was by far the most popular English- Edwardian Young Men in Spats. language writer in India. His erudite butlers, absent- India’s fascination with Wodehouse is one of those minded earls and silly-ass aristocrats, out to pinch endearing mysteries. Many believe that Wodehouse’s policemen’s helmets or perform acts of petty larceny at popularity reflects a nostalgia for the British Empire in the behest of tyrannical aunts, are beloved by most India. -
Wodehouse and the Baroque*1
Connotations Vol. 20.2-3 (2010/2011) Worcestershirewards: Wodehouse and the Baroque*1 LAWRENCE DUGAN I should define as baroque that style which deli- berately exhausts (or tries to exhaust) all its pos- sibilities and which borders on its own parody. (Jorge Luis Borges, The Universal History of Infamy 11) Unfortunately, however, if there was one thing circumstances weren’t, it was different from what they were, and there was no suspicion of a song on the lips. The more I thought of what lay before me at these bally Towers, the bowed- downer did the heart become. (P. G. Wodehouse, The Code of the Woosters 31) A good way to understand the achievement of P. G. Wodehouse is to look closely at the style in which he wrote his Jeeves and Wooster novels, which began in the 1920s, and to realise how different it is from that used in the dozens of other books he wrote, some of them as much admired as the famous master-and-servant stories. Indeed, those other novels and stories, including the Psmith books of the 1910s and the later Blandings Castle series, are useful in showing just how distinct a style it is. It is a unique, vernacular, contorted, slangy idiom which I have labeled baroque because it is in such sharp con- trast to the almost bland classical sentences of the other Wodehouse books. The Merriam Webster’s Collegiate Dictionary describes the ba- roque style as “marked generally by use of complex forms, bold or- *For debates inspired by this article, please check the Connotations website at <http://www.connotations.de/debdugan02023.htm>. -
Download Uncle Fred in the Spring Time, PG Wodehouse, Random
Uncle Fred in the Spring Time, P. G. Wodehouse, Random House, 2008, 0099513846, 9780099513841, . A classic Blandings novel from P.G. Wodehouse, the great comic writer of the 20th century. Uncle Fred believes he can achieve anything in the springtime. However, disguised as a loony-doctor and trying to prevent prize pig, the Empress of Blandings, from falling into the hands of the unscrupulous Duke of Dunstable, he is stretched to his limit.. DOWNLOAD http://bit.ly/1b83oAD Indiscretions of Archie , P. G. Wodehouse, Jan 1, 2008, Fiction, 204 pages. Originally published: London: Herbert Jenkins, 1921.. Thank You, Jeeves , P. G. Wodehouse, Jul 1, 2013, Fiction, 240 pages. When Bertram Wooster's valet resigns, Bertram finds he cannot survive without him.. If I were you , Pelham Grenville Wodehouse, 1931, Fiction, 305 pages. Prince Of Darkness (Mills & Boon Vintage 90s Modern) , Kate Proctor, Oct 5, 2012, Fiction, . A Secret Never To Be Told Ros Bryant had been abandoned as a baby. Now grown up, she was determined to unravel the mystery surrounding her childhood. But in searching for her .... The Best of Wodehouse An Anthology, Pelham Grenville Wodehouse, 2007, Fiction, 796 pages. A compilation of works by one of the twentieth century's leading humorists features two novels, The Code of the Woosters and Uncle Fred in the Springtime, as well as fourteen .... Uncle Fred An Omnibus, Pelham Grenville Wodehouse, 1992, Humorous stories, English, 640 pages. ГЅWitty and effortlessly fluid. His books are laugh-out-loud funny.ГЅГЅArabella Weir Three sparkling volumes featuring that most effervescent of peers, Trederick, fifth Earl of ...