The Rose Free

Total Page:16

File Type:pdf, Size:1020Kb

The Rose Free FREE THE ROSE PDF David Austin | 478 pages | 16 Oct 2012 | ACC Art Books | 9781870673785 | English | Woodbridge, United Kingdom The Rose (song) - Wikipedia Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. This movie follows Rose's career during her last tour, as she's determined to return to her Florida hometown. Although a success, she's exhausted and lonely, The Rose continued working by her gruff and The Rose manager. Though loud and brassy, Rose is an insecure alcoholic and former drug user who seems to crave approval in her life. She begins a romance with a limousine driver, who's actually an A. Sergeant from the United States Army. Her rock and roll lifestyle of sex, drugs, and rock and roll, and constant touring, lead her to an inevitable breakdown. Written by R. The Rose is a fairly good loose The Rose of the life and tragedy of Janis Joplin. Bette Midler more than pulls it off as the title character. She plays a singer who seems larger than life when she's on stage, but once she steps off it, we see a troubled and lonely woman on the brink of a complete The Rose. In an early scene, Rose pleads with her manager Alan Bates to give her a year off to presumably dry out and rest up. Her manager scoffs at this notion more than once throughout the film as there is just too much at stake financially if she stops performing for a while. We see Rose sink deeper and deeper into depression and alcoholism as the film goes on from one performance to another. Along the way, Rose meets up with a limo driver Frederic Forrest with whom she has a fling. Houston, as he's called, is drawn to this rich and vulnerable woman, but he The Rose deal with some of her personal circumstances. He feels a lot of the attention she receives comes from the wrong people and for the wrong reasons. Rose The Rose likes this guy, and the troubles she The Rose with him really make things a lot worse as the film moves toward its conclusion. That being a concert which will be held in her home town. She also has an ambiguous relationship with David Keith who plays a young soldier she meets up with in an airport scene. Keith is supposedly hired on as a bodyguard, but his true purpose is never really explained. Problems with both people and substance abuse The Rose throughout the film, and the conclusion can be seen from quite a ways off. The film has several good points. First off, the acting is terrific all around. Midler has the feisty character down perfectly. Alan Bates as her manager is top drawer, too. Their conflict creates perhaps the most memorable scenes. Forrest mostly underplays as a The Rose boy along for the ride who has a hard time The Rose to grips with this wild woman who has just fallen for him. Nobody comes up short in the acting department. The down side to this film deals with The Rose. Midler's singing. Director Mark Rydell has to toe a pretty thin line in terms of what this film is The Rose to be. Is it a musical The Rose built around Midler's singing ability, or is it a drama about a tragic musical figure? To his credit, Rydell pretty much has it both ways. Midler's singing ability is what it is. Personally I can take or The Rose it. Do some of the songs go on too The Rose For me, yes. I would have preferred more dialog and less music. But hard core fans of Midler will love the songs. The idea this film effectively conveys is that celebrities are often some of the most lonely people on earth. True, they are surrounded by all kinds of staff and get all kinds of attention from fans, but beneath all of that there The Rose isn't much to it for most celebs. The way they live, especially musicians who constantly tour, gives them little time to settle down and experience traditional friendships or romantic relationships. The Rose how in an early scene, Rose practically falls down the stairs of an airplane, and nobody helps her! Her band just The Rose gets on a bus and her manager grudgingly goes over and helps her up after a moment. Regular people who are neither rich or famous often cannot fathom how some celebs seem to self-destruct before they've even had long careers. Britney Spears would The Rose to mind. Truth is, we humans are all basically creatures of duality. No matter who we are, we The Rose have our good and bad times. Most people can get through the bad times with the help of friends and family. The Rose however have a lot farther to fall than most people when things start coming apart. Other than expensive rehab facilities which seldom work, a celeb The Rose has nobody else to turn to that The Rose deal with them as a real person while they attempt to overcome their demons. That said, is it any wonder so The Rose of them go from top of the world to down in the gutter seemingly overnight? The Hound. Looking for something to watch? Choose an adventure below and The Rose your next favorite movie or TV show. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents The Rose. External Sites. User Reviews. User Ratings. External The Rose. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The tragic The Rose of a self-destructive female rock star who struggles to deal with the The Rose pressures of her career and the demands of her ruthless business manager. Director: Mark Rydell. Available on Amazon. Added to Watchlist. From metacritic. The Best Horror Movies on Netflix. The Rose Globe Winning Movies to See. Marco Movies to share. Best Music Biopics. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Nominated for 4 Oscars. Edit Cast Cast overview, first billed only: Bette Midler Rose Alan Bates Rudge Frederic Forrest The Rose Harry Dean Stanton Billy Ray Barry Primus Dennis David Keith Mal Sandra McCabe Sarah Will Hare Leonard Rudy Bond The Rose (film) - Wikipedia Bette Midler made the song famous when The Rose recorded it for her film The Rosein which it plays during the closing credits. It has been recorded The Rose times including by Conway Twitty and Westlife who both had Number one hits with the song. However the The Rose was not written for the movie: Amanda McBroom recalls, "I wrote it in [or]and I sang it occasionally in clubs. Jim Nabors had a The Rose talk show, and I sang ["The Rose"] on his show once. Said McBroom: "'The Rose' is When I finished it, I realized it doesn't have a bridge or a hookbut I couldn't think of anything to [add]. McBroom's composition was one of seven songs selected by Midler from thirty song possibilities proffered by Paul A. Rothchildthe producer of The Rose soundtrack album. Reportedly Rothchild had listened to over 3, songs in order to assemble those thirty possibilities. Released as the second single from The Rose soundtrack album"The Rose" hit number 1 on the Cashbox Top and peaked at number 3 on the Billboard Hot chart. Additionally, it was number 1 The Rose the Adult Contemporary chart for five weeks running. There are two mixes of the song. The single mix features orchestration, while the version in the film and on its soundtrack includes an extended introduction while doing away with the orchestration in favor of piano-and-vocals only. Despite not having been recorded prior to The Rose soundtrack of the film The Rosethe song had not been written for the film. Country singer Conway Twitty recorded a cover version in January Conway Twitty's version was his 30th number one single on the US country chart. It reached number one on the UK Singles Chartbecoming the group's 14th and most recent number-one single in the United Kingdom. The video for this single was presented in two versions; one in black and white and the other in color. It shows the emotions and events leading up to a couple's wedding procession. The band members are clad in suits and are shown in a checkered-floor room. During the initial period of the video's release, fans were given the opportunity to customise the music video by digitally adding their names to various elements such as the wedding invitation The Rose. During The Rose episode, the Griffin family except The Rose sings the song as a family road trip song. From Wikipedia, the free encyclopedia. Retrieved Bette Midler: Still Divine 1st ed. New York: Cooper Square Press. Archived from the original on Archived from the original on August 12, Retrieved May 18, Archived from the original on September 28, Record Research. Irish The Rose Chart. Retrieved July 27, November 25, Official Charts Company. Singles Top Swiss Singles The Rose. Gaon Chart in Korean. Korea Music Content Industry Association. Archived from the original on January 12, Retrieved The Rose 5, Retrieved May 30, Retrieved June 19, British Phonographic Industry.
Recommended publications
  • MCA-700 Midline/Reissue Series
    MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063.
    [Show full text]
  • Mow!,'Mum INN Nn
    mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show.
    [Show full text]
  • Variational Text Linguistics: Revisiting Register in English
    Christoph Schubert and Christina Sanchez-Stockhammer (Eds.) Variational Text Linguistics Topics in English Linguistics Editors Elizabeth Closs Traugott Bernd Kortmann Volume 90 Variational Text Linguistics Revisiting Register in English Edited by Christoph Schubert Christina Sanchez-Stockhammer ISBN 978-3-11-044310-3 e-ISBN (PDF) 978-3-11-044355-4 e-ISBN (EPUB) 978-3-11-043533-7 ISSN 1434-3452 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Brian Stablyk/Photographer’s Choice RF/Getty Images Typesetting: fidus Publikations-Service GmbH, Nördlingen Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgements The foundations for this edited collection of articles were laid at the interna- tional conference Register revisited: New perspectives on functional text variety in English, which took place at the University of Vechta, Germany, from June 27 to 29, 2013. The aim of the present volume is to conserve the research papers and many inspiring discussions which were stimulated then and to make them available to a larger audience. It was only possible to achieve this aim thanks to the help of many people joining us in the effort. First and foremost, we would like to thank all contributors for their continued cooperation in this project.
    [Show full text]
  • 1 the Silver Trumpet Owen Barfield Part I Chapter I Once Upon a Time
    The Silver Trumpet Owen Barfield Part I Chapter I Once upon a time there were two little Princesses whose names were Violetta and Gambetta; and they lived in Mountainy Castle. They were twins, and they were so like each other that when Violetta came in from a walk with her feet wet, Gambetta was sometimes told to go and change her stockings, because the Queen couldn’t tell which from the other. But that didn’t often happen, because if Princess Violetta was out for a walk, Princess Gambetta was almost sure to be out with her. Indeed they were so fond of one another that you might have thought they were tied together with a piece of string. All the same, the Queen used to be so fussed and worried by the confusion that, what with one thing and another, she persuaded the King to appoint a special Lord to distinguish between them. And he was called the Lord High Teller of the Other from Which. The first thing he did, after he was given this office, was to decree that everyone should call them by shorter names, because, as he said, their names both ended with “etta”, and that made it much harder to tell. “Why does it make it harder to tell?” said the King. “I don’t see why it should make it harder.” “Never mind why, Your Majesty,” the Lord High Teller replied firmly, “but it does.” “Very well,” said His Majesty, “I think you are rather a fool, but I will do as you say, and I will see that my subjects do as you say, because this is your job and not mine.” And he went off hunting.
    [Show full text]
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Sut Lovingood: Yarns Spun
    Sut Lovingood: Yarns Spun George Washington Harris Sut Lovingood: Yarns Spun Table of Contents Sut Lovingood: Yarns Spun.....................................................................................................................................1 George Washington Harris.............................................................................................................................2 PREFACE......................................................................................................................................................3 DEDICATORY..............................................................................................................................................4 SUT LOVINGOOD'S DADDY, ACTING HORSE......................................................................................5 SUT'S NEW−FANGLED SHIRT..................................................................................................................8 THE WIDOW MC CLOUD'S MARE.........................................................................................................11 PARSON JOHN BULLEN'S LIZARDS.....................................................................................................15 A RAZOR−GRINDER IN A THUNDER−STORM...................................................................................19 OLD SKISSIM'S MIDDLE BOY................................................................................................................21 BLOWN UP WITH SODA..........................................................................................................................24
    [Show full text]
  • Piatkus Non-Fiction Backlist Translation Rights
    PIATKUS NON-FICTION BACKLIST TRANSLATION RIGHTS Contents: Non-fiction p.2 Mind, Body & Spirit p.11 Health p.30 Patrick Holford p.42 Self-help/Popular Psychology p.54 Sex p.76 Memoir p.78 Humour p.87 Business p.89 ANDY HINE Rights Director (Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States ) [email protected] KATE HIBBERT Rights Director (US, worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, and the Indian Subcontinent) [email protected] SARAH BIRDSEY Rights Manager (France, Greece, Turkey, Hebrew and Arabic rights, and all of Eastern Europe except Poland) [email protected] RUTH CASE-GREEN Rights Executive [email protected] JESSICA CALLAGHAN Rights Assistant [email protected] Carmelite House 50 Victoria Embankment London EC4Y 0DZ tel: +44 (0)20 3122 6209 1 NON-FICTION THE ORGANISED MUM METHOD: ROCK THE HOUSEWORK AND TRANSFORM YOUR HOME IN 30 MINUTES A DAY by Gemma Bray Say goodbye to mess, clutter and weekends spent tidying and cleaning! Gemma Bray (a.k.a The Organised Mum) is a firm believer that there is more to life than housework, and over the last decade she has perfected The Organised Mum Method (TOMM). TOMM is a structured, manageable and ultra-efficient cleaning routine that ensures all areas of the home are taken care of, as well as time-saving recipes that can be prepared in seconds. It's easy to follow, effective and ensures that everything gets done in just 30 minutes a day, Monday to Friday...and you get weekends off! As well as handy housekeeping hacks, Bray shares her super speedy recipes that will focus on delicious slow-cooked dishes that can be prepared in a flash.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • 97-Year-Old Resident Has Been Playing the Harmonica for 86 Years | Jackson News - - Mlive.Com 11/25/09 9:05 AM
    97-year-old resident has been playing the harmonica for 86 years | Jackson News - - MLive.com 11/25/09 9:05 AM Brought to you by: Sign in to MLive.com » Site Search Search Local Business Listings Not a member? Register Now » Search by keyword, town name, Web ID and more... Home News Business Sports Entertainment Living Interact Jobs Autos Real Estate Classifieds Shop Place An Ad News Michigan News Opinion Obituaries Crime Education Lottery Weather See another view of this page by choosing local coverage below. How to set your local coverage Jackson Ann Arbor Bay City Detroit Flint Grand Rapids Kalamazoo Muskegon Saginaw Statewide JACKSON NEWS JACKSON WEATHER The Latest Community, Education & Government News, Blogs, Photos & Videos Jackson, MI change location 47° Cloudy JACKSON NEWS 97-year-old resident has been playing the • Other Cities, Radar, More ... Resources harmonica for 86 years • RSS | Newsletters By Jackson Citizen Patriot staff • Follow on Twitter November 24, 2009, 6:35PM • Facebook us! Forms • Engagement | Wedding • Commitment Ceremony • Anniversary • Religious Ceremony • Honors and Birthdays • Graduation Contacts • Jackson Citizen Patriot • MLive.com Jackson News headlines Related • Building damaged in S. Jackson Street blaze was uninsured; Studio of Jackson • Jackson Jobs artist destroyed in blaze 9:26 PM • Jackson Real Estate Katie Rausch | Jackson Citizen Patriot • Police focusing on drunken drivers in • Jackson Autos Jackson during holidays 11:38 PM Orville Emerson, 97, has been playing the harmonica for most of his life. Currently, • Jackson Classifieds he plays with the Rose City Harmonica Club. • Three people injured in crash on Airport Road in Jackson County 10:45 PM • Daybook for Nov.
    [Show full text]
  • Wikipedia Beetles Dung Beetles Are Beetles That Feed on Feces
    Wikipedia beetles Dung beetles are beetles that feed on feces. Some species of dung beetles can bury dung times their own mass in one night. Many dung beetles, known as rollers , roll dung into round balls, which are used as a food source or breeding chambers. Others, known as tunnelers , bury the dung wherever they find it. A third group, the dwellers , neither roll nor burrow: they simply live in manure. They are often attracted by the dung collected by burrowing owls. There are dung beetle species of different colours and sizes, and some functional traits such as body mass or biomass and leg length can have high levels of variability. All the species belong to the superfamily Scarabaeoidea , most of them to the subfamilies Scarabaeinae and Aphodiinae of the family Scarabaeidae scarab beetles. As most species of Scarabaeinae feed exclusively on feces, that subfamily is often dubbed true dung beetles. There are dung-feeding beetles which belong to other families, such as the Geotrupidae the earth-boring dung beetle. The Scarabaeinae alone comprises more than 5, species. The nocturnal African dung beetle Scarabaeus satyrus is one of the few known non-vertebrate animals that navigate and orient themselves using the Milky Way. Dung beetles are not a single taxonomic group; dung feeding is found in a number of families of beetles, so the behaviour cannot be assumed to have evolved only once. Dung beetles live in many habitats , including desert, grasslands and savannas , [9] farmlands , and native and planted forests. They are found on all continents except Antarctica. They eat the dung of herbivores and omnivores , and prefer that produced by the latter.
    [Show full text]
  • Title "Stand by Your Man/There Ain't No Future In
    TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.
    [Show full text]