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Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
The New York City Jazz Record
BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions: -
General Guidelines for Guest Editor
1 Vol 15 Issue 01 – 02 January 2007 The Burkina Electric Project and Some Thoughts About Electronic Music in Africa Lukas Ligeti [email protected] http://www.lukasligeti.com Keywords Burkina Electric Project, electronic music, Africa, electronics and computer technology Abstract This paper is an updated summary of a presentation I gave at the Unyazi Electronic Music Festival in Johannesburg, South Africa in 2005. Burkina Electric, founded in 2004, is an ensemble featuring two musicians (singer Mai Lingani and guitarist Wende K. Blass) and two dancers (Hugues Zoko and Idrissa Kafando) from Burkina Faso; the German pop music pioneer Pyrolator on electronics (both audio and visual); and myself on electronics and drums. Our objective is to create and perform original music combining the traditions of Burkina Faso with the world of DJ/club/dance electronica. In so doing, we build bridges between African and Western cultures, especially in the domains of pop/youth culture and experimental music. Burkina Electric's debut CD, Paspanga, was recently released for the Burkinabè market. By using elements of Burkinabè traditional music, including rhythms not usually heard in contemporary urban music, plus rhythms of our own creation, we aim to enlarge the vocabulary of “grooves” in the club/dance landscape; the dancers help audiences interpret these unusual rhythmic patterns. Sonorities and structural models of West African music are transferred to electronics and reassembled and processed in various ways. Rather than superimposing drum programming on top of an African traditional structures, we compose music that aims to organically confront and combine Africa and Occident, and tradition and experiment, while maintaining the particular sensibilities of both worlds. -
TIRESIAN SYMMETRY (Cuneiform Rune 346) Format: CD
Bio information: JASON ROBINSON Title: TIRESIAN SYMMETRY (Cuneiform Rune 346) Format: CD Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ / AVANT-JAZZ Saxophonist/Composer Jason Robinson Takes a Mythic Journey with New Album: Tiresian Symmetry featuring Robinson with All-Star Band: George Schuller, Ches Smith, Marty Ehrlich, Liberty Ellman, Drew Gress, Marcus Rojas, Bill Lowe, JD Parran A ubiquitous and often pivotal figure in the stories and myths of ancient Greece, the blind prophet Tiresias was blessed and cursed by the gods, experiencing life as both a man and a woman while living for hundreds of years. In saxophonist/composer Jason Robinson’s polydirectional masterpiece Tiresian Symmetry, he doesn’t seek to tell the soothsayer’s story. Rather for his seventh album as a leader, he’s gathered an extraordinary cast of improvisers to investigate the nature of narrative itself in a jazz context. The music’s richly suggestive harmonic and metrical relationships elicit a wide array of responses, but ultimately listeners find their own sense of order and meaning amidst the sumptuous sounds. For Robinson, a capaciously inventive artist who has flourished in a boggling array of settings, from solo excursions with electronics and free jazz quartets to roots reggae ensembles and multimedia collectives, Tiresian Symmetry represents his most expansive project yet. “I was attracted to the myth of the soothsayer, who tells the future even when it’s not welcome information,” Robinson says. “But on a more technical level I was intrigued by the numerical relationships. -
Drummerissue
APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step. -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
View the 2012 Program
→ JAN "#$FEB %, &'"& INTERNATIONAL PERFORMING ARTS FESTIVAL THEATRE ( DANCE ( MULTIMEDIA ( MUSIC Proud media sponsor for 2012 PuSh International Performing Arts Festival Vancouver's leading arts source. STAY CONNECTED AT STRAIGHT.COM & CURATORIAL MESSAGE » Thank the cultural gods, then, for the PuSh International Performing Arts Festival, a beacon of avant-garde light in the dead of winter « The Globe and Mail D STORIES. WE ALL HAVE THEM TO TELL...AND WE ALL PuSh audiences will be thrilled with the return of TABLE OF CONTENTS SHARE THEM WITH THOSE AROUND US. Our stories can two Festival favourites. Argentinean born writer/ reveal a personal triumph, gut-wrenching decision, director Mariano Pensotti, who last year brought to !" misadventure, passionate love entanglement, loss of life the streets of Gastown with La Marea, brings his !# 1 a loved one, an injustice, relocation, or a milestone latest extravaganza El pasado es un animal grotesco. event. It's the stories of our domestic and public Tokyo's Toshiki Okada (Five Days in March, 2009) $! 4 memory that can bring clarity to our reality. returns with another insightful and wry take on $$ 8 contemporary life with Hot Pepper, Air Conditioner, $% The last two years have held watershed moments and the Farewell Speech. $& for Vancouver. Having celebrated the 2010 Winter $' Olympics and the city’s 125th Anniversary in This year, PuSh shines a special spotlight on $( ; ; consecutive years, Vancouver's visibility and cultural contemporary Aboriginal performing arts. Highlights influence has exploded and made international are the hip hop performance collective Beat Nation $) headlines. Like any cosmopolitan city, Vancouver has Live, Toronto’s Native Earth Performing Arts with $* < on offer a remarkable cultural richness. -
Afrika Tage Wien 2018 14. Afrika Festival 10.08. – 27.08.2018 – Das Programm –
Afrika Tage, 14. Afrika Festival Wien 2018 _______________________________________________________________________ Afrika Tage Wien 2018 14. Afrika Festival 10.08. – 27.08.2018 – Das Programm – Die Afrika Tage Wien finden vom 10.08. bis 27.08.2018 in Wien auf der Donauinsel, Floridsdorfer Brücke statt: Montag - Freitag: 14:00 – 24:00 Uhr; Samstags, Sonntags und Feiertage: 11:00 – 24:00 Uhr. Neben einem umfangreichen Rahmenprogramm mit vielen Aktionen und einem Kinderprogramm gibt es auch 2018 wieder viel Live-Musik. Afrika Tage, 14. Afrika Festival Wien 2018 _______________________________________________________________________ Freitag, 10.08.2018 18:00 Uhr Desert Mountain Tribe 20:30 Uhr Jahcoustix Samstag, 11.08.2018 Mittwoch, 22.08.2018 18:00 Uhr Ronald Reggae 18.00 Uhr Rootz Radicals 20:30 Uhr Idan K 20.30 Uhr Ky-mani MARLEY Sonntag, 12.08.2018 Donnerstag, 23.08.2018 18:00 Uhr Abdou Day 18:00 Uhr Dactah Chando 20:30 Uhr Jamaram 20:30 Uhr Albarosie & Shengen Clan Montag, 13.08.2018 (Eintritt frei) Freitag, 24.08.2018 18:00 Uhr Jayasri 18:00 Uhr Kalan 20:30 Uhr Tschebberwooky 20:30 Uhr Sona Jobarteh Dienstag, 14.08.2018 Samstag, 25.08.2018 18:00 Uhr Marcus Moh & One World 18:00 Uhr Jobarteh Kunda 20:30 Uhr Samory - I 20:30 Uhr Manu Dibango Mittwoch, 15.08.2018 Sonntag, 26.08.2018 18:00 Uhr Stanley Rubyn 18:00 Uhr Adam Project 20:30 Uhr Inner Circle 20:30 Uhr Freshlyground Donnerstag, 16.08.2018 Montag, 27.08.2018 (Eintritt frei) 18:00 Uhr Claudia Masika 18:00 Uhr Jenny Bell 20:30 Uhr Hoodna Afrobeat Orchestra 20:30 Uhr Trancitiv Freitag, 17.08.2018 18:00 Uhr Yossi Fine & Ben Aylon 20.30 Uhr Bombino Samstag, 18.08.2018 18:00 Uhr IYASA – Africa alive 20:30 Uhr Gili Yalo Sonntag, 19.08.2018 16:00 Uhr African Royal Ballet Djiby Kouyate 18:00 Uhr Petaw Band 20:30 Uhr Quarter to Africa Montag, 20.08.2018 (Eintritt frei) 18:00 Uhr Souldja 20:30 Uhr Elvis Zuma & Sky Peace Band Dienstag, 21.08.2018 18:00 Uhr Superjam 20.30 Uhr Cloud Tissa & House of Riddim Afrika Tage, 14. -
It Was Sometime in 1974 That a Number of Composition Students Were
It was sometime in 1974 that a number of composition students were sitting at a table in the cafeteria of the New England Conservatory discussing the various musical issues of the day when Donald Martino, one of our Faculty Fearless Leaders, turned to Anthony Coleman and said “You know, Anthony, you are a truly literate musician.” Over the years, this condition has only intensified. I remember this quote now, in 2007, not only because it was true at the time, but also because after listening to the music on this CD I am deeply impressed that Anthony is able to draw from so many varied, disparate, and even contradictory sources, and still emerge with such a singular and consistent voice. It takes a truly literate and sophisticated mind to perceive the common threads of many languages and to sense their underlying unity. Listening to any of the five works on this CD is to enter into a particular world, highly specific in material but nearly hallucinatory in formal development. The music starts, becomes linear, suspends, goes vertical, goes backward, goes forward, produces vague memories, and ends. What happened? Something. Anthony was born in New York City in 1955 and is a pure product of that city’s musical energy. In high school he obsessed over Duke Ellington (a not-so-common thing for a high school kid in the late sixties and early seventies), hearing the band live for the first time on his fourteenth birthday. He subsequently got to know Ellington and the band personally, hanging out with them at gigs, and attending a workshop that they gave at the University of Wisconsin in the summer of 1972. -
A Look Back at the Best of 2006
NEW YORK Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com MUSICIANS RECORD LABELS CLUBS/VENUES ANDREW HILL LEO RECORDS BIRDLAND (Midtown) GEORGE LEWIS MOSAIC RECORDS DIZZY’S CLUB (Upper West Side) JOE LOVANO PSI RECORDS JAZZ STANDARD (Murray Hill/Gramercy) EVAN PARKER SMALLS RECORDS MERKIN HALL (Upper West Side) JOHN ZORN TZADIK RECORDS THE STONE (Alphabet City) PERFORMANCES OMER AVITAL GROUP SCOTT ROBINSON/ J. GRANELLI/DAVID TRONZO/PETER EPSTEIN AFROLATIN JAZZ ORCHESTRA Joel Frahm, Avishai Cohen, Jason Lindner, Eric McPherson JULIAN THAYER/ Bowery Poetry Club, January 10th Rose Hall, April 21st Fat Cat, January 14th KLAUS SUONSAARI Rubin Museum of Art, March 31st RENKU +2 CEDAR WALTON/KENNY BARRON/ FRANÇOIS MOUTIN QUARTET Michael Attias, John Hebert, Satoshi Takeishi, MULGREW MILLER Joel Frahm, Jim Ridl, Ari Hoenig MARC COPLAND/ Russ Lossing, Tony Malaby John Hicks Memorial, Sweet Rhythm, June 3rd 55 Bar, February 2nd GARY PEACOCK/ Barbès, January 23rd PAUL MOTIAN ORNETTE COLEMAN QUARTET LIONEL LOUEKE’S GILFEMA Birdland, June 9th PURE EVIL BASS QUARTET Greg Cohen, Denardo Coleman, Tony Falanga Massimo Biolcati, Ferenc Nemeth Pierre Yves Martel, Miles Perkins, Zack Lober, Josh Paris Carnegie Hall (JVC Jazz Festival), June 16th Jazz Gallery, April 14th PAUL RUTHERFORD TRIO Outpost, March 15th Torsten Müller, Dylan van der Schyff ROY HAYNES QUARTET ALLAN HOLDSWORTH Vision Festival, June 15th GRACHAN MONCUR III SEPTET Jaleel Shaw, Martin Bejerano, David Wong Jimmy Johnson, Chad Wackerman Billy Harper, Michael Blake, John Hicks, Noriko Kamo, Dizzy’s Club, August 27th Iridium, May 18th DAVID S. WARE QUARTET Calvin Hill, Richard Pearson Matthew Shipp, William Parker, Guillermo E. -
The New York City Jazz Record
BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 THE NEW YORK CITY JAZZ RECORD BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 BEST OF 2018 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR IDRIS ACKAMOOR & THE PYRAMIDS— NELS CLINE TRIO PETER EVANS/AMBROSE AKINMUSIRE An Angel Fell (Strut) Chris Lightcap, Tom Rainey January 16th, The Stone UNEARTHED GEMS BOXED SETS TRIBUTES SYLVIE COURVOISIER TRIO—D’Agala (Intakt) January 3rd, Bar Lunàtico JOHN COLTRANE— ART ENSEMBLE OF CHICAGO— FRANK KIMBROUGH—Monk’s Dreams: The Complete DON MENZA QUARTET Both Directions At Once: The Lost Album (Impulse-Verve) And Associated Ensembles (ECM) Compositions of Thelonious Sphere Monk (Sunnyside) DAVE HOLLAND—Uncharted Territories (Dare2) JAMES BRANDON LEWIS UNRULY NOTES Frank Kimbrough, Ed Howard, Bernd Reiter LEE KONITZ/DAN TEPFER—Decade (Impulse) Jaimie Branch, Anthony Pirog, Luke Stewart, Warren Trae Crudup January 20th, Jazz at Kitano JOHNNY MBIZO DYANI—African Bass (Solo Concert: FRANK KIMBROUGH—Monk’s Dreams: The Complete GREGORY LEWIS—Organ Monk Blue (s/r) Willisau Jazz Festival 1978) (Sing a Song Fighter) Compositions of Thelonious Sphere Monk (Sunnyside) MICHAEL LEONHART ORCHESTRA— January 12th, Winter Jazzfest, Zinc Bar DAVE LIEBMAN/JOHN STOWELL— The Painted Lady Suite (Sunnyside) JOHN ABERCROMBIE “TIMELESS, A TRIBUTE” THELONIOUS MONK—Mønk (Gearbox) DON RENDELL/IAN CARR QUINTET— Petite Fleur: The Music of Sidney Bechet (Origin) KRIS DAVIS/CRAIG TABORN Joey Baron, Randy Brecker, -
The Touré-Raichel Collective TITLE: the Tel Aviv Session FILE UNDER: Africa/World CAT
PRESENTS WITH THE IDAN RAICHEL VIEUX FARKA TOURÉ TOURÉ-RAICHEL YOSSI FINE COLLECTIVE SOULEYMANE KANE THE TEL AVIV SESSION 01 Azawade 8:12 02 Bamba 5:59 03 Experience 6:21 04 Alkataou 5:03 05 Hawa 7:00 06 Kfar (feat. Yankale Segal) 4:26 07 Touré (feat. Frédéric Yonnet) 4:06 08 Le Niger 7:59 09 Ai Houde Bakoi 2:47 10 Ane Nahatka (feat. Cabra Casay) 3:38 11 Alem (feat. Mark Eliyahu) 8:15 CLICK HERE TO LISTEN ARTIST: The Touré-Raichel Collective TITLE: The Tel Aviv Session FILE UNDER: Africa/World CAT. NO.: CMB-CD-22 Vieux Farka Touré (Mali) and Idan Raichel (Israel), virtuosic superstars from very different backgrounds, join together to create masterworks of collaboration and improvisation. After a chance meeting in an airport in Europe, Idan and Vieux forged a deep friendship that led to an impromptu get together at a small studio in Tel Aviv in November 2010. The resulting recording session - acoustic, spontaneous, entirely improvised, and stunningly beautiful - could only be described as magic, and The Touré-Raichel Collective was born. On the album The Tel Aviv Session, Idan and Vieux have captured an inspired musical moment that will bring to mind classic albums such as Talking Timbuktu by Ali Farka Touré with Ry Cooder, Keith Jarrett’s The Köln Concert or Vincent Segal and Ballake Sissoko’s acclaimed Chamber Music. ................................................................................................................................................................ www.cumbancha.com www.toureraichel.com THE STORY BEHIND THE TOURÉ-RAICHEL COLLECTIVE Israeli superstar Idan Raichel and Malian guitar virtuoso Vieux Farka Touré ing rock groove. Idan’s virtuosity as a pianist is often shrouded in the first met at an airport in Germany in 2008 while both were on tour.