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Freedaily Paper of the Hay Festival Lionel Shriver What We Talk About
Freedaily paper of the Hay Festival The HaylyTelegraph telegraph.co.uk/hayfestival • 25/05/13 Published by The Telegraph, the Hay Festival’s UK media partner. Printed on recycled paper Lionel Shriver What we talk about when we talk about food Inside GlamFest FreeSpeech StandUp this issue David Gritten Andrew Solomon Dara Ó Briain, Jo gets on the says embrace the Brand, Ed Byrne, Great Gatsby child you have, not Sandi Toksvig, Lee roller coaster the one you want Mack – and more! 2 The Hayly Telegraph SATURDAY, MAY 25, 2013 We need to shut up about size JQ@MNOJMT%@MI@RIJQ@GDN<GG about it. In retrospect, that very obliviousness must have helped to keep me slim. <=JPOA<O =PO)DJI@G0CMDQ@M So perhaps one solution to our present-day <MBP@NDO]NODH@R@NOJKK@? dietary woes is to restore a measure of casualness about daily sustenance. We think J=N@NNDIB<=JPOJPMR@DBCO about food too much. We impute far too much significance, sociologically, Growing up in America, I was a picky eater. psychologically and morally, to how much Lunch was a pain; I’d rather have kept people weigh. Worst of all, we impute too playing. During an athletic adolescence I ate much significance to how much we weigh whatever I liked, impervious to the calorie- ourselves. Unrelenting self-torture over counting anxieties of my classmates. At 17, I poundage is ruining countless people’s summered in Britain with a much heavier lives, and I don’t mean only those with eating girlfriend. After hitting multiple bakeries, disorders. -
Versailles: French TV Goes Global Brexit: Who Benefits? with K5 You Can
July/August 2016 Versailles: French TV goes global Brexit: Who benefits? With K5 you can The trusted cloud service helping you serve the digital age. 3384-RTS_Television_Advert_v01.indd 3 29/06/2016 13:52:47 Journal of The Royal Television Society July/August 2016 l Volume 53/7 From the CEO It’s not often that I Huw and Graeme for all their dedica- this month. Don’t miss Tara Conlan’s can say this but, com- tion and hard work. piece on the gender pay gap in TV or pared with what’s Our energetic digital editor, Tim Raymond Snoddy’s look at how Brexit happening in politics, Dickens, is off to work in a new sector. is likely to affect the broadcasting and the television sector Good luck and thank you for a mas- production sectors. Somehow, I’ve got looks relatively calm. sive contribution to the RTS. And a feeling that this won’t be the last At the RTS, however, congratulations to Tim’s successor, word on Brexit. there have been a few changes. Pippa Shawley, who started with us Advance bookings for September’s I am very pleased to welcome Lynn two years ago as one of our talented RTS London Conference are ahead of Barlow to the Board of Trustees as the digital interns. our expectations. To secure your place new English regions representative. It may be high summer, but RTS please go to our website. She is taking over from the wonderful Futures held a truly brilliant event in Finally, I’d like to take this opportu- Graeme Thompson. -
BBC Four Winter/Spring 2007
bbc_four_Autmun_2006.qxd:Layout 1 16/1/07 10:42 Page 1 Winter/Spring Highlights 2007 bbc.co.uk/bbcfour bbc_four_Autmun_2006.qxd:Layout 1 16/1/07 10:42 Page 3 The Edwardians – People Like Us? In just a few years at the start of the 20th century, Britain changed in unimaginable ways. From the first foray into aviation, to the invention of labour-saving devices for the home, to the rise of “the brand”, and the birth of not only “the High Street”, but also of the “commuter class”, mass consumerism and tabloid journalism, the Edwardians lived lives not too distant from our own. This new BBC Four season investigates, interrogates and celebrates the richness and excitement of this pioneering and world-changing time. 01 bbc_four_Autmun_2006.qxd:Layout 1 16/1/07 10:42 Page 5 The season includes some of the era’s best-known names, from literary giants such as George and Weedon Grossmith and Saki, to the doyenne of the music hall, Marie Lloyd. Along the way, it also uncovers lesser-known figures. It hears about trailblazers in the fields of social reform, journalism, photography, entrepreneurship and technical invention, uncovering what it really felt like to be Edwardian. Dramas The season launches with Andrew Davies’s brilliant, two-part adaptation of the classic comedy novel The Diary Of A In a compelling drama about the life of one of the biggest stars Nobody, starring Hugh Bonneville as the wonderfully of the time, Marie Lloyd – starring Jessie Wallace as Marie – pompous diarist Mr Charles Pooter – the Victor Meldrew of the season exposes the seedy underbelly of this peculiarly his day – Edwardian entertainment. -
Guardian-2May2018
Interview Noel Fielding: 'Everything Salvador Dalí did was funny' Stuart Jeffries The comedian stars as one of his heroes, goth-rocker Alice Cooper, in Sky’s latest Urban Myths romp – so why did he pitch to play its other lead character, the clown prince of surrealism? Wed 2 May 2018 12.17 BST oel Fielding was born, or so you’d think, to play Alice Cooper. The eyeliner, the dangling black locks, the camped-up goth vibe, the way the comedian and Bake Off host dresses more outlandishly than anyone in any room, with the possible N exception of Prue Leith. Cooper has long been one of Fielding’s heroes. His parents were fans and inducted their son into the rock musician’s oeuvre, perhaps even instilling into little Noel the subversive philosophy of Cooper’s School’s Out. “I love his music. He was a punk before punk.” The Adventures of Alice and Noel, from the Guardian’s Guide, 2012. Illustration: Noel Fielding And then one day, Cooper appeared as a guest on the pop quiz show Never Mind the Buzzcocks, on which Fielding was a team captain. Their relationship blossomed. “He invited me to his show and then I did a cartoon strip about him in the Guardian.” He also interviewed his hero for the paper. So when Fielding went to audition for a role in a new drama for Sky Arts’ Urban Myths series about the time the glam rocker met the venerable shock artist Salvador Dalí, Fielding was a shoo-in to play Cooper. But he had other ideas. -
Case Study on the United Kingdom and Brexit Juliane Itta & Nicole Katsioulis the Female Face of Right-Wing Populism and Ex
Triumph of The women? The Female Face of Right-wing Populism and Extremism 02 Case study on the United Kingdom and Brexit Juliane Itta & Nicole Katsioulis 01 Triumph of the women? The study series All over the world, right-wing populist parties continue to grow stronger, as has been the case for a number of years – a development that is male-dominated in most countries, with right-wing populists principally elected by men. However, a new generation of women is also active in right-wing populist parties and movements – forming the female face of right-wing populism, so to speak. At the same time, these parties are rapidly closing the gap when it comes to support from female voters – a new phenomenon, for it was long believed that women tend to be rather immune to right-wing political propositions. Which gender and family policies underpin this and which societal trends play a part? Is it possible that women are coming out triumphant here? That is a question that we already raised, admittedly playing devil’s advocate, in the first volume of the publication, published in 2018 by the Friedrich-Ebert-Stiftung Triumph of the women? The Female Face of the Far Right in Europe. We are now continuing this first volume with a series of detailed studies published at irregular intervals. This is partly in response to the enormous interest that this collection of research has aroused to date in the general public and in professional circles. As a foundation with roots in social democracy, from the outset one of our crucial concerns has been to monitor anti-democratic tendencies and developments, while also providing information about these, with a view to strengthening an open and democratic society thanks to these insights. -
[email protected] BOOKING LINE: 020 3258 3019 U
BOOKING LINE: 020 3258 3019 u PROGRAMME Magic Moments Showcoaches and Tours ISSUED Booking Line: 020 3258 3019 Nov 16th 2018 Website: www.magicmomentstours.co.uk E-Mail: [email protected] QUALITY TOURS WITH A PERSONAL TOUCH HOW TO BOOK YOUR MAGIC MOMENTS TOUR Simply call us on 020 3258 3019 and we’ll take all your details over the telephone. We will then send you a confirmation invoice through the post. Alternatively you can pay by cheque in which case, you can either forward us a cheque at the address below with your booking request (please check tour availability first). Or pay via credit / debit card at the time of booking to secure your seats. MAGIC MOMENTS SHOWCOACHES and TOURS 35 Newbury Gardens, Stoneleigh, Epsom, Surrey KT19 0NS Website: www.magicmomentstours.co.uk E-Mail: [email protected] BOOKING LINE: 020 3258 3019 u SHOWCOACH & DAY TOUR ROUTE NUMBERS ROUTE A ASHTEAD, High Street – EPSOM, Clocktower EWELL, Mongers Lane – EWELL Spring Street EXPRESS (In-between Stops may not be offered on this Route) ROUTE B ASHTEAD, High Street -THE WELLS, Spa Drive EPSOM, Clocktower - EWELL, Mongers Lane EWELL Spring Street ROUTE C ASHTEAD, High Street - EPSOM, Clocktower EWELL, Mongers Lane - EWELL Spring Street EWELL, Bradford Drive - EWELL, Ruxley Lane ROUTE D ASHTEAD, High Street - THE WELLS, Spa Drive EPSOM, Clocktower - EWELL, Mongers Lane EWELL Spring Street - EWELL, Bradford Drive EWELL, Ruxley Lane In addition we may also be able to offer the following pick up points if requested Please enquire at time -
Kristen Connolly Helps Move 'Zoo' Far Ahead
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad We’ve got you covered! June 23 - 29, 2017 waxahachietx.com U J A M J W C Q U W E V V A H 2 x 3" ad N A B W E A U R E U N I T E D Your Key E P R I D I C Z J Z A Z X C O To Buying Z J A T V E Z K A J O D W O K W K H Z P E S I S P I J A N X and Selling! 2 x 3.5" ad A C A U K U D T Y O W U P N Y W P M R L W O O R P N A K O J F O U Q J A S P J U C L U L A Co-star Kristen Connolly L B L A E D D O Z L C W P L T returns as the third L Y C K I O J A W A H T O Y I season of “Zoo” starts J A S R K T R B R T E P I Z O Thursday on CBS. O N B M I T C H P I G Y N O W A Y P W L A M J M O E S T P N H A N O Z I E A H N W L Y U J I Z U P U Y J K Z T L J A N E “Zoo” on CBS (Words in parentheses not in puzzle) Jackson (Oz) (James) Wolk Hybrids Place your classified Solution on page 13 Jamie (Campbell) (Kristen) Connolly (Human) Population ad in the Waxahachie Daily 2 x 3" ad Mitch (Morgan) (Billy) Burke Reunited Light, Midlothian1 xMirror 4" ad and Abraham (Kenyatta) (Nonso) Anozie Destruction Ellis County Trading Post! Word Search Dariela (Marzan) (Alyssa) Diaz (Tipping) Point Kristen Connolly helps Call (972) 937-3310 © Zap2it move ‘Zoo’ far ahead 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light Cardinals. -
MAKING CHANGE HAPPEN! 7 – 9 September Kettering
MAKING CHANGE HAPPEN! 7 – 9 September Kettering ConferenCe ISSUe Hosted by Sandi Toksvig CONTENTS 04 Message from Women’s equality Party Leader 05 Welcome from Women’s equality Party Co-founders 07 Timetable at a glance FOUR PLAY AT 08 & 46 Making change happen 10-11 About the Women’s equality Party 12 About party conference CONFERENCE 13 Map of Kettering 14 - 15 Your guide to conference 16 - 17 Four Steps to taking part in Party Business 18 Kettering Conference Centre floor plan 22 Day 1: What’s on the agenda 23 - 29 Day 2: What’s on the agenda 30 - 31 Day 3: What’s on the agenda 34 Visitor experience Sophie Willan e velyn Mok Sophie Duker Ada Campe 35 Food Stalls Sophie Willan makes nominated for Female Sophie Duker describes Ada Campe’s act blends bold, unapologetic work Comedian of the Year herself as a “sexy- comedy, magic, regret 36 - 37 Exhibitors that is raucously funny and Show of the Year at cerebral comedy and shouting. A devotee and completely original. the 2017 Swedish Stand- underdog” and is quickly of variety and caba- 38 - 40 Who’s who: Women’s equality Party team Her work is political to Up gala, evelyn mok is establishing herself as ret, she has performed the core, but it doesn’t the best thing to come one of the most exciting throughout the UK for feel like it. out of Sweden since… new acts on the circuit. years. 41 - 45 Who’s who: Conference speakers @sophiewillan iKeA? @sophiedukebox @AdaCampe @evelynMok WOMEN’S EQUALITY 7:30pm PARTY COMEDY NIGHT Saturday 8 September 2 womensequality.org.uk Conference ISSUe 2 3 Welcome to the Women’s Equality Party’s second-ever party conference and to Kettering, a town famous according to its Conservative MP Philip Hollobone “as the home of Weetabix breakfast cereal”. -
ADV-Brochure:Layout 1
Moving stories Go to www.geography.org.uk/adifferentview to find out more and for teaching ideas 3 Living Geography Geography in schools, colleges and other educational settings is concerned with perceptive and deep description of the real world. It seeks explanations about how the ‘Geography prepares young people world works and helps us think about with the knowledge, skills and alternative futures; it is ‘Living Geography’. understanding to make sense of their Whether it is organised by subject, themes or world and to face the challenges that topics, Living Geography brings contemporary will shape our societies and context and real world enquiry to the curriculum. environments at the local, Thus Living Geography is a strong ‘brand’ for school geography as a twenty-first century national and global scales.’ subject. Dr Rita Gardner, Director, RGS-IBG Living Geography: n is directly relevant to people’s lives and the ‘What is exciting about geography world of work today is that it is the first curriculum n is about change – recognises that the past helps explain the present, but is current and subject in the UK to take seriously the futures oriented need for critical and creative thinking n has a scale ‘zoom lens’, so that the local is about the future.’ always set in a global context David Hicks, n is ‘deeply observant’ – it looks beneath the Professor of Education surface to identify the mechanisms that change environments and societies n encourages a critical understanding of big Living Geography sounds ambitious. ideas like ‘sustainable development’, It is ambitious, and worth striving for. -
Can They Take Off, Bake Off?
TV rights Can they take off, Bake Off? Channel 4 may have outbid the BBC to win the world’s best-loved baking show, but what’s to stop the corporation from cooking up a similar format, asks Alex Woolgar Is the most important intellectual property issue in the UK trademark: it is quite descriptive, so Love would need to demonstrate this year Brexit? Infringement of second medical use patents? significant acquired distinctiveness). Blocking injunctions? For some people, no – it is, instead, an What about the layout of the Bake Off marquee? Could the tent itself amateur TV cookery contest called Great British Bake Off (GBBO). be shoehorned into a recognised category of work, such as sculpture? On 13 September, it was widely reported that the BBC would lose the Almost certainly not – the law understands sculptures to be made by an rights to its most popular show (the 2015 final was watched by 15.1m artist’s hand. (The tent might, however, qualify for UK or EU unregistered viewers). The production company and rights owner, Love Productions, design protection, although it is questionable whether the court would accepted an offer from Channel 4 of £25m per year for the next three interpret the design to afford much breadth of protection). years; a deal worth, reportedly, £30m more than the BBC’s best offer. But someone may have sketched the layout of the tent prior to But what has Channel 4 actually bought? Presenters Mel Giedroyc building. This sketch would be an artistic work. If the layout of the three- and Sue Perkins, and judge Mary Berry, national treasures all, have all dimensional tent is copied, this will be deemed (indirect) copying of the resisted the temptation of Channel 4’s “dough” and reaffirmed their underlying design drawing. -
SANDI TOKSVIG OBE Sandi Toksvig OBE
SANDI TOKSVIG OBE Sandi Toksvig OBE, was born in Copenhagen, Denmark and brought up around the world in Europe, Africa and the United States. She began her comedy career at Girton College, Cambridge where she wrote and performed in the first all-woman Footlights show as well as achieving a first class degree. Sandi is well known to UK audiences as a broadcaster having begun her career in children’s television playing Ethel in the long running Saturday morning show Number 73. Since then her television career has included celebrated series such as Call My Bluff and Whose Line Is It Anyway? She was also host of Antiques Master for BBC2 and 1001 Things You Should Know for Channel 4. In 2016, Sandi took over from Stephen Fry as host of BBC2's hugely popular quiz show QI, and in 2014 she also replaced William G. Stewart as the host of 15 to 1 which made its comeback after 11 years. In 2017 she and Noel Fielding became the new co-hosts of The Great British Bake Off in it's move to Channel 4. For a decade Sandi was a familiar voice to BBC Radio 4 listeners as the chair of The News Quiz which led to her induction into the Radio Hall of Fame. Sandi is passionate about live performance. She performed at the very first night of The Comedy Store in London and for many years was a member of The Comedy Store Players, an improvisational comedy team. Sandi conceived Playhouse Live for Sky Arts, producing specially commissioned live drama for television. -
Annex to the BBC Annual Report and Accounts 2016/17
Annual Report and Accounts 2016/17 Annex to the BBC Annual Report and Accounts 2016/17 Annex to the BBC Annual Report and Accounts 2016/17 Presented to Parliament by the Secretary of State for Culture, Media and Sport by command of Her Majesty © BBC Copyright 2017 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/annualreport BBC Pay Disclosures July 2017 Report from the BBC Remuneration Committee of people paid more than £150,000 of licence fee revenue in the financial year 2016/17 1 Senior Executives Since 2009, we have disclosed salaries, expenses, gifts and hospitality for all senior managers in the BBC, who have a full time equivalent salary of £150,000 or more or who sit on a major divisional board. Under the terms of our new Charter, we are now required to publish an annual report for each financial year from the Remuneration Committee with the names of all senior executives of the BBC paid more than £150,000 from licence fee revenue in a financial year. These are set out in this document in bands of £50,000.