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Utopia As a Perspective: Reading Historical Strata in Guy Tillim’S Documentary Photo Essay Jo’Burg Series
Utopia as a perspective: Reading historical strata in Guy Tillim’s documentary photo essay Jo’burg series Intern of Tokyo Metropolitan Museum of Photography Miki Kurisu Utopia as a perspective: Reading historical strata in Guy Tillim’s documentary photo essay Jo’burg series Miki Kurisu 1. Introduction This essay examines the Jo’burg series by Guy Tillim (1962-) which represents a post-apartheid cityscape between 2003 and 2007. Born in Johannesburg in 1962, Guy Tillim started his professional career in 1986 and joined Afrapix, a collective photo agency strongly engaged with the anti-apartheid movement in South Africa. He also worked for Reuters from 1986 to 1988 and then for Agence France Presse from 1993 to 1994. He has received numerous awards including Prix SCAM (2002), Higashikawa Overseas Photographer Award (2003), Daimler Chrysler Award for South African photography (2004) and Leica Oskar Barnack Award for his Jo’burg series. In addition, his works were ❖1 For Guy Tillim’s biography refer to ❖1 http://www.africansuccess.org/visuFiche. exhibited in both South Africa and Europe. The Jo’burg series highlights php?id=201&lang=en (Viewed on December 1st, 2013) Tillim’s critical approach to documentary photography in terms of subject matter, format and the portrayal of people. This series was chosen as an object of analysis out of other important works by equally significant South African photographers, such as Ernest Cole (1940-1990), Omar Badsha (1945-), David Goldblatt (1930-) and Santu Mofokeng (1956-) since the Jo’burg series enables us to follow the historical development of South African photography. -
Department of African Literature Masters Research Report
DEPARTMENT OF AFRICAN LITERATURE MASTERS RESEARCH REPORT Name: Simamkele Dlakavu Student Number: 475844 Asijiki: Black Women in the Economic Freedom Fighters, Owning Space, Building a Movement Supervisor: Dr Danai Mupotsa A thesis submitted in fulfilment of the partial requirements for the degree of Master of Arts at the University of the Witwatersrand. Department of African Literature March 2017 1 TABLE OF CONTENTS Declaration…………………………………………………………………………………………………………. 3 Acknowledgements………………………………………………………………………………………………4 Abbreviations……………………………………………………………………………………………………….5 List of Tables and List of Figures………………………………………………………………………….6 1. Introduction and Theoretical Framework ………………………………………………………7 1.1. The Rise of the Economic Freedom Fighters: Context……………………………………………………………..16 1.2. Rationale……………………………………………………..……………………………………………………………………….18 1.3. Research Objectives……………………………………………………………………………………………………………...21 1.4. Theoretical Framework…………………………………………………………………………………………………..........21 2. Literature Review…………………………………………………………………………………… ….26 2.1. Black Women in Politics: A Fight for Belonging……………………………………………………………………...26 2.2. Black Women’s Political Legacies in South Africa: A Sight for Erasure & (Re)memory……………..30 2.3. The Status of Women in South Africa: Contemporary Dynamics……………………………………………..31 3. EFF Gender Policy Practice…………………………………………………………………………..34 3.1. Economic Freedom Fighters: Evaluating its Articulated Gender Discourse……………………………...34 3.2. “No male will replace a female”: The Economic Freedom Fighter’s Commitment -
Eastern Cape Kwazulu-Natal Indian Ocean Mpumalanga Limpopo North West Free State Northern Cape 19 21 23 22 01 02 04 Atlantic
GAUTENG @NelsonMandela Nelson Mandela Centre of Memory of Centre Mandela Nelson 08 16 05 10 12 15 Chancellor Nelson Mandela House Square www.southafrica.net | www.nelsonmandela.org The Nelson Mandela Memory of Centre Foundation’s Mandela Nelson the and Mandela House Liliesleaf Constitution Foundation’s Centre Museum Hill Tourism African South between effort joint a is initiative This of Memory 09 17 Hector Pieterson Sharpeville Human Museum Rights Precinct 06 11 13 07 14 18 Nelson Mandela Vilakazi Street Kliptown Apartheid Alexandra Nelson Mandela Statue at the Open-Air Museum Museum Heritage Precinct Bridge Union Buildings 18 JULY 1918 - Born Rolihlahla Mandela at MARCH 21 - Sharpeville Massacre Establishes the Nelson Mandela Children’s Mvezo in the Transkei Fund and donates one third of his 1918 1960 MARCH 30 - A State of Emergency is imposed 1995 presidential salary to it 1925 - Attends primary school near Qunu and Mandela is among thousands detained (receives the name ‘Nelson’ from a teacher) 1999 - Steps down after one term as APRIL 8 - The ANC is banned president, establishes the Nelson Mandela 1930 - Entrusted to Thembu Regent Foundation as his post-presidential office Jongintaba Dalindyebo 1961 - Goes underground; Umkhonto weSizwe (MK) is formed 2003 - Donates his prison number 46664 Africa. South 1934 - Undergoes initiation. Attends to a campaign to highlight the HIV/AIDS LIMPOPO Clarkebury Boarding Institute in Engcobo 1962, JANUARY 11 - Leaves the country for epidemic across Mandela Nelson about military training and to garner -
Between States of Emergency
BETWEEN STATES OF EMERGENCY PHOTOGRAPH © PAUL VELASCO WE SALUTE THEM The apartheid regime responded to soaring opposition in the and to unban anti-apartheid organisations. mid-1980s by imposing on South Africa a series of States of The 1985 Emergency was imposed less than two years after the United Emergency – in effect martial law. Democratic Front was launched, drawing scores of organisations under Ultimately the Emergency regulations prohibited photographers and one huge umbrella. Intending to stifle opposition to apartheid, the journalists from even being present when police acted against Emergency was first declared in 36 magisterial districts and less than a protesters and other activists. Those who dared to expose the daily year later, extended to the entire country. nationwide brutality by security forces risked being jailed. Many Thousands of men, women and children were detained without trial, photographers, journalists and activists nevertheless felt duty-bound some for years. Activists were killed, tortured and made to disappear. to show the world just how the iron fist of apartheid dealt with The country was on a knife’s edge and while the state wanted to keep opposition. the world ignorant of its crimes against humanity, many dedicated The Nelson Mandela Foundation conceived this exhibition, Between journalists shone the spotlight on its actions. States of Emergency, to honour the photographers who took a stand On 28 August 1985, when thousands of activists embarked on a march against the atrocities of the apartheid regime. Their work contributed to the prison to demand Mandela’s release, the regime reacted swiftly to increased international pressure against the South African and brutally. -
Retrospecting the Collection Recontextualising Fragments of History and Memory Through the Alf Kumalo Museum Archive
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wits Institutional Repository on DSPACE Retrospecting the Collection Recontextualising fragments of history and memory through the Alf Kumalo Museum Archive Sanele Manqele 0612944k A dissertation in fulfilment of the Degree of Masters of Arts in Fine Arts (MAFA) at the University of Witwatersrand 2017 Supervisor: Rory Bester 2 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously, in its entirety or in part, submitted it at any university for a degree. _________________________ ___________________________ Signature Date 3 Acknowledgements I would like to begin by thanking the central subject of this dissertation, Alf Kumalo. While I am not unhappy with any of my previous affirmations towards Bab Alf and his work (and there were many), it only goes without saying that this project would not have been possible without him. This paper is dedicated to an incredible contributor of South African history, one of the most influential people in African photojournalism, but more importantly to a photographer who gave his life capturing some of the most influential scenes in South African history. Bab Alf was a man of dignity, grace and who carried himself with an insurmountable kindness. I know that I am incredibly blessed to have met and worked with him, and that even the smallest contribution I can make is something to ensure that he is never forgotten. You are dearly missed Bab Alf. I would also like to send a very special thanks to a very exceptional supervisor, Dr Rory Bester. -
M************************************************W*************** Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 344 578 IR 015 527 AUTHOR Prinsloo, Jeanne, Ed.; Criticos, Costes, Ed. TITLE Media Matters in South Africa. Selected Papers Presented at the Conference on Developing Media Education in the 1990s (Durban, South Africa, September 11-13, 1990). INSTITUTION Natal Univ., Durban (South Africa). Media Resource Centre. REPORT NO ISBN-0-86980-802-8 PUB DATE 91 NOTE 296p. PUB TYPE Collected Works - Conference Proceedings (021) EDRS PRICE MF01/PC12 Plus Postage. DESCRIPTORS Educational Television; Elementary Secondary Education; Film Study; Foreign Countries; Higher Education; Instructional Films; *Instructional Materials; Mass Media Role; Media Research; *Media Selection; Teacher Education; Visual Literacy IDENTIFIERS *Media Education; *South Africa ABSTRACT This report contains a selection of contributed papers and presentations from a conference attended by 270 educators and media workers committed to formulate a vision for media education in South Africa. Pointing out that media education has been variously described in South Africa as visual literacy, mass media studies, teleliteracy, and film studies, or as dealing with educational technology or educational media, the introduction cites a definition of media education as an exploration of contemporary culture alongside more traditional literary texts. It is noted that this definition raises issues for education as a whole, for traditional language study, for media, for communication, and for u0erstanding the world. The 37 selected papers in this collection are presented in seven categories: (1) Why Media Education? (keynote paper by Bob Ferguson); (2) Matters Educational (10 papers on media education and visual literacy); (3) Working Out How Media Works (4 papers on film studies, film technology, and theory); (4) Creating New Possibilities for Media Awareness (9 papers on film and television and 4 on print media);(5) Training and Empowering (2 papers focusing on teachers and 4 focusing on training producers); (6) Media Developing Media Awareness (2 papers); and (7) Afterthoughts (I paper). -
Women Have Final Word As Parliament Closes Women's Month Vision
Monthly magazine of the Parliament of the Republic of South Africa Vol. 15 ISSUE 7 2015 Women have final word as Parliament closes Women's month Vision An activist and responsive people’s Parliament that improves the quality of life of South Africans and ensures enduring equality in our society. Mission Parliament aims to provide a service to the people of South Africa by providing the following: • A vibrant people’s Assembly that intervenes and transforms society and addresses the development challenges of our people; • Effective oversight over the Executive by strengthening its scrutiny of actions against the needs of South Africans; Provinces of Council National of • Participation of South Africans in the decision-making of National Assembly National of processes that affect their lives; • A healthy relationship between the three arms of the Black Rod Mace Mace State, that promotes efficient co-operative governance between the spheres of government, and ensures appropriate links with our region and the world; and • An innovative, transformative, effective and efficient parliamentary service and administration that enables Members of Parliament to fulfil their constitutional responsibilities. Strategic Objectives 1. Strengthening oversight and accountability 2. Enhancing public involvement 3. Deepening engagement in international fora 4. Strengthening co-operative government 5. Strengthening legislative capacity contents Message froM the NatiONal COuNCil Of ProviNCeS 5 Bills 6 HigHligHts froM the Committeetracking rooms 7 Bill tRaCkeR -
Retrospecting the Collection Recontextualising Fragments of History and Memory Through the Alf Kumalo Museum Archive
Retrospecting the Collection Recontextualising fragments of history and memory through the Alf Kumalo Museum Archive Sanele Manqele 0612944k A dissertation in fulfilment of the Degree of Masters of Arts in Fine Arts (MAFA) at the University of Witwatersrand 2017 Supervisor: Rory Bester 2 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously, in its entirety or in part, submitted it at any university for a degree. _________________________ ___________________________ Signature Date 3 Acknowledgements I would like to begin by thanking the central subject of this dissertation, Alf Kumalo. While I am not unhappy with any of my previous affirmations towards Bab Alf and his work (and there were many), it only goes without saying that this project would not have been possible without him. This paper is dedicated to an incredible contributor of South African history, one of the most influential people in African photojournalism, but more importantly to a photographer who gave his life capturing some of the most influential scenes in South African history. Bab Alf was a man of dignity, grace and who carried himself with an insurmountable kindness. I know that I am incredibly blessed to have met and worked with him, and that even the smallest contribution I can make is something to ensure that he is never forgotten. You are dearly missed Bab Alf. I would also like to send a very special thanks to a very exceptional supervisor, Dr Rory Bester. It has only been a pleasure to have been guided through this process by you. -
Legendary DRUM Photogra- Pher Jürgen Schadeberg, Who Now Lives in Spain, Talks to Us About His Memories of Madiba and Taking Ic
News THROUGH HIS LENS Legendary DRUM photogra- pher Jürgen Schadeberg, who now lives in Spain, talks to us about his memories of Madiba and taking iconic anti-apartheid photographs – a major part of the magazine’s legacy BY S’THEMBISO HLONGWANE PICTURES: ALEXANDER SNELLING CLAUDIA SCHADEBERG DRIVE through vast groves of infection and we wander down Jürgen’s fragrant olive and orange trees that memory lane of Madiba moments. seem to stretch to the horizon of “Whenever we met after he was released this beautiful part of Spain’s west from prison he would say to me, ‘How coast. I’d flown to the coastal city are you? Haven’t you retired yet?’ of Valencia and driven into the “Whenever Claudia and I went to Iinterior to the tiny village of Barx where Madiba for lunch he always asked me DRUM’s iconic former photographer why I wanted to visit an old man when Jürgen Schadeberg, who exposed the I probably had other more important iniquities of the apartheid regime through things to do.” the lens of his camera, lives with his wife Jürgen and Claudia smile at each Claudia. The searing 37 degree heat is a other. “Another memorable time was sharp contrast to the icy Joburg winter I’d when Claudia and I were invited to left behind 12 hours previously. Madiba’s Soweto house for a New Year’s I park the car on the steep driveway Eve party in 1991, his first since his of their comfortable two-storey villa, release,” Jürgen continues. which nestles among the foothills of an “We arrived early and sat on the imposing mountain range, and Jürgen terrace with Madiba chatting about the (82) comes out to welcome me. -
Limpopo Leader
NUMBER 3 LIMPOPOLIMPOPOAUTUMN 2005 IeaderIeaderDISPATCHES FROM THE UNIVERSITY OF LIMPOPO THETHE UNIN/MEDUNSAUNIN/MEDUNSA MERGERMERGER AllAll thethe factsfacts andand opinionsopinions surroundingsurrounding thethe developmentdevelopment ofof aa fullfull medicalmedical schoolschool forfor LimpopoLimpopo provinceprovince THETHE DRAMADRAMA OFOF BEINGBEING ALIVEALIVE ININ AFRICAAFRICA WhatWhat aa differencedifference aa playwright-in-residenceplaywright-in-residence makesmakes toto thethe performingperforming artsarts atat TurfloopTurfloop MEET THE MERGER VIPs PROFESSOR TEBOGO MOKGORO UNIVERSITY OF LIMPOPO INTERIM COUNCIL CHAIRMAN ‘The merger represents the government’s intention to reverse the effects and ravages of apartheid and to ensure that our institutions of higher learning are repositioned to deliver on the strategic objectives of South African society – and to play a role in the reconstruction of Africa in terms of the principles and objectives of NEPAD. Indeed, we should all be persuaded to see the merger as responding to the drive to create a better South Africa, a better Africa, and a better world.’ See page 12 PROFESSOR MAHLO MOKGALONG UNIVERSITY OF LIMPOPO INTERIM VICE-CHANCELLOR ‘Those involved in the merger will be able to look back with pride on the pioneering role they have played in the establishment of the University of Limpopo. Its genesis is our joint contribution towards the transformation of tertiary education in South Africa. I am keenly aware of the anxieties and uncertainties that may be prevalent among some of our stakeholders. I will ensure that all concerned are kept up to date with regard to the processes and challenges still facing the new institution.’ See page 14 PROFESSOR PETER FRANKS INTERIM CAMPUS PRINCIPAL AT TURFLOOP ‘The University of Limpopo is in a unique position to observe the process of urbanisation, and also the subtler and more complex processes of the move from tribality to so-called modernity. -
Table of Content
Table of Content 1. Resolutions on Organisational Development 2. Resolutions on Economic Transformation for Economic Freedom in our Lifetime 3. Resolutions on Local Government and Local Government Elections 4. Resolutions of the First National People’s Assembly on Social Development 5. Resolutions of the First National People’s Assembly on Health and Education 6. Resolutions of Justices and Correctional Services 7. Resolutions of the First National People’s Assembly on Media and Battle of Ideas 8. Resolutions of the First National People’s Assembly on Land and Agrarian Resolutions 9. Resolutions of the First National People’s Assembly Fundraising 10. Resolutions of the First National People’s Assembly on International Relations and Solidarity 11. EFF Constitution as amended and adopted by the 1st National People’s Assembly 12. Declaration of the First National People’s Assembly 13. 1st NPA Closing Remarks by the President CIC Julius Sello Malema Page 1 of 64 Economic Freedom Fighters 1ST National People’s Assembly Resolutions: People’s Power for Economic Freedom 1. EFF Elected National Leadership_____ First National Assembly Elected Leadership Top Six Officials Deputy President: President and Commander in Chief: Floyd Nyiko Shivambu Julius Sello Malema Secretary General: Deputy Secretary: Godrich Ahmed Gardee Hlengiwe Hlophe-Maxon Treasurer: Magdeline Moonsammy National Chairperson: Dali Mpofu Page 2 of 64 Economic Freedom Fighters 1ST National People’s Assembly Resolutions: People’s Power for Economic Freedom Elected additional CCT members ADDITIONAL MEMBERS INCLUDING TOP SIX (FULL COMPLIMET CCT) 1. President and Commander in Chief : 20. Leighn-Ann Mathys Julius Sello Malema 21. Dumisani Ngcongwane 2. Deputy President: Floyd Nyiko 22. -
Portrait and Documentary Photography in Post-Apartheid South Africa: (Hi)Stories of Past and Present
Portrait and documentary photography in post-apartheid South Africa: (hi)stories of past and present Paula Alexandra Horta Thesis submitted for the degree of PhD in Cultural Studies at the University of London Centre for Cultural Studies, Goldsmiths College Supervision: Dr. Jennifer Bajorek 2011 Declaration This thesis is the result of work carried out by me, and has been written by me. Where other sources of information have been used, they have been acknowledged. Signed: ……………………………………………………… Date: ………………………………………………………… 2 Abstract This thesis will explore how South African portrait and documentary photography produced between 1994 and 2004 has contributed to a wider understanding of the country‘s painful past and, for some, hopeful, for others, bleak present. In particular, it will examine two South African photographic works which are paradigmatic of the political and social changes that marked the first decade after the fall of apartheid, focusing on the empowerment of both photographers and subjects. The first, Jillian Edelstein‘s (2001) Truth & Lies: Stories from the Truth and Reconciliation Commission in South Africa, captures the faces and records the stories of perpetrators and victims who gave their testimonies to the Truth and Reconciliation Commission in South Africa from 1996 to 2000. The second, Adam Broomberg and Oliver Chanarin‘s (2004a) Mr. Mkhize‟s Portrait & Other Stories from the New South Africa, documents the changed/ unchanged realities of a democratic country ten years after apartheid. The work of these photographers is showcased for its specificity, historicity and uniqueness. In both works the images are charged with emotion. Viewed on their own — uncaptioned — the photographs have the capacity to unsettle the viewer, but in both cases a compelling intermeshing of image and text heightens their resonance and enables further possibilities for interpretation.