Se Estrena Este Miércoles Canción Multi-Viral De Julian Assange Y Calle (+Video)13

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Se Estrena Este Miércoles Canción Multi-Viral De Julian Assange Y Calle (+Video)13

Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown Calle 13 y Assange le cantan a la manipulación mediática. Autor: EFE Publicado: 21/09/2017 | 05:11 pm Se estrena este miércoles canción Multi-viral de Julian Assange y Calle (+Video)13 El grupo puertorriqueño Calle 13 compuso una canción en colaboración con el fundador de WikiLeaks, Julian Assange, que trata sobre la manipulación informativa de los medios de comunicación. El tema musical será estrenado este miércoles Publicado: Miércoles 13 noviembre 2013 | 10:09:34 am. Publicado por: Telesur El vocalista de Calle 13, René Pérez junto al director de WikiLeaks, Julian Assange son los intérpretes de la canción Multi-viral, tema que se estrena este miércoles para denunciar el mal periodismo y la manipulación de los medios, destaca Telesur. En la red social Twitter ya había sido colgado un vídeo de adelanto donde se puede ver a Assange y Pérez reunidos en la embajada ecuatoriana en Londres (Inglaterra), donde el fundador de Wikileaks está asilado desde agosto de 2012. Pérez, conocido como Residente, explicó que tomarían las voces de sus seguidores en Twitter, «sus ideas y vamos a manipular esas ideas y construir la canción. Vamos a hablar contra el mal periodismo». La canción interpretada por este dúo ha causado gran expectativa debido a la presencia de Assange en el tema musical. En ese encuentro del pasado 13 de junio en la embajada de Ecuador en Londres, Residente escribió en su cuenta de Twitter «estamos escribiendo todas sus ideas para luego nosotros manipularlas al igual que los medios nos hacen a nosotros», con lo cual respondía las interrogantes de los seguidores sobre su reunión. Además de Assange y René, en el tema participan Tom Morello, guitarrista de la banda estadounidense Rage Against the Machine y la cantante israelí Kamilya Jubran por sus temáticas reivindicativas. El gobierno de Ecuador otorgó asilo político a Julian Assange el 16 de agosto de 2012. El ciberactivista publicó en el portal de WikiLeaks cientos de documentos clasificados del Gobierno estadounidense en 2010. ? http://www.juventudrebelde.cu/index.php/cultura/2013-11-13/se-estrena-este-miercoles-cancion-multi-viral-de- julian-assange-y-calle-video-13 Juventud Rebelde | Diario de la juventud cubana Copyright © 2017 Juventud Rebelde.

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Calle 13 Calle 13 Album Download Calle 13 Calle 13 Album Download
calle 13 calle 13 album download Calle 13 calle 13 album download. Artist: Calle 13 Album: Multi Viral Released: 2014 Style: Hip Hop. Format: MP3 320Kbps / FLAC. Tracklist: 01 – Eduardo Galeano 02 – Respira El Momento 03 – Un Buen Dia Para Morir 04 – El Aguante 05 – Ojos Color Sol 06 – Multi_Viral 07 – Cuando Los Pies Besan El Piso 08 – Adentro 09 – Interludio – John Leguizamo 10 – Los Idiotas 11 – Fuera De La Atmosfera Del Craneo 12 – Perseguidos 13 – Gato Que Avanza Perro Que Ladra 14 – Me Vieron Cruzar 15 – Asi De Grande Son Las Ideas. Calle 13. The debut release of Calle 13 in late 2005 offered a refreshing alternative to the mass of reggaeton concurrently overrunning popular Latin music. Comprised of vocalist Residente (born René Pérez) and producer Visitante (Eduardo Cabra), the duo isn't a standard reggaeton act. Make no mistake, though. To a degree their music is reggaeton -- that unmistakable rhythm is front and center, and Residente does rap over the beats as you might expect -- but there's much more to it than that. For one, the beats of Visitante are inventive, incorporating aspects of hip-hop and characteristics of electronica, and are a world apart from the industry-standard trademark of Luny Tunes and that production team's assembly line of bandwagon-jumping imitators. Secondly, the raps of Residente eschew reggaeton clichés, showcasing a healthy sense of humor and an almost clownish approach to sarcasm (à la Eminem) -- again, a world apart from the kingly bravado of most reggaeton vocalists, and the obligatory glimmers of misogyny and violence that accompany such streetwise swaggering.
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El Rap De Calle 13: El Discurso Político En Su Música Artículo Académico
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Best of 2014 Listener Poll Nominees
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1) SIIS Latinoamerica
Say it in Song! DILO CON UNA CANCIÓN Versión estudiante Creado por: Dra. María Celeste Delgado-Librero [email protected] ÚLTIMA REVISIÓN: NOVIEMBRE 2016 Géneros musicales: Ecléctico: jazz, rock, Calle 13: “Latinoamérica” de Entren los rap, ska, electrónica, que quieran (2010) folk, canción protesta, salsa, etc. ÍNDICE CONTEXTO CULTURAL: Calle 13 2-3 VOCABULARIO 4 CRÉDITOS Y REFERENCIAS 5 Localización de Puerto Rico en el Caribe TEMAS LINGÜÍSTICOS La bandera de Puerto Rico Residente en 2009 • Los relativos: que, lo que, el/la que. • Gerundios y participios. Puerto Rico fue colonia de España hasta 1898, • Portugués. cuando la cedió a EEUU junto con Cuba y Filipinas. En la actualidad es un estado libre asociado de los EEUU. María Celeste Delgado-Librero | ***** | [email protected] CONTEXTO CULTURAL PÁGINA 2 Julian Assange en la embajada de Ecuador en el Reino Unido Visitante DATOS BIOGRÁFICOS Calle 13 son un grupo puertorriqueño MÚSICA integrado por René Pérez Joglar (alias La música de Residente y Visitante en sus Residente, compositor, cantante y comienzos tenía una gran inﬂuencia del productor), Eduardo Cabra Martínez reggaetón, pero evolucionó combinando Calle 13 (alias Visitante, director musical, elementos de géneros como el jazz, el compositor, arreglista (arranger), pianista y rock, el rap o el ska con la electrónica y guitarrista, hermanastro de René) e Ileana con sonidos de distintas tradiciones Cabra Joglar (alias PG-13, cantante, latinoamericanas (canción de autor y “La educación es media hermana de René y Eduardo). folclórica, bossa nova, merengue, cumbia, candombe, salsa,…). Las letras de sus nuestra nueva René y Eduardo nacieron en San Juan de canciones tratan con frecuencia temas revolución, no es el Puerto Rico en 1978 y sus destinos se sociales y políticos, usando a veces un fusil [riﬂe].
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Investigación y Desarrollo ISSN: 0121-3261 ISSN: 2011-7574 Fundación Universidad del Norte Hernández Prieto, Carmen Esther CALLE 13 Y SU DISCURSO SOCIAL* Investigación y Desarrollo, vol. 26, núm. 2, 2018, Julio-Diciembre, pp. 60-83 Fundación Universidad del Norte DOI: https://doi.org/10.14482/lNDES.26.2.78o.03 Disponible en: https://www.redalyc.org/articulo.oa?id=26859570003 Cómo citar el artículo Número completo Sistema de Información Científica Redalyc Más información del artículo Red de Revistas Científicas de América Latina y el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto HTTP://DX.DOI.ORG/10.14482/INDES.26.2.780.03 CALLE 13 Y SU DISCURSO SOCIAL1 Calle 13 and their social discourse reflexion articles Carmen Esther Hernández Prieto Pontificia Universidad Javeriana, Colombia artículos de reflexión artículos 1 Este artículo de reflexión se inició durante el estudio de la Maestría en Litera- tura en Cátedra de literatura latinoamericana contemporánea: la práctica lite- raria en la globalización, con apoyo y guía de la docente Lina Ximena Aguirre, y posteriormente adecuado para su actualización. Carmen Esther Hernández Prieto Magistra en Literatura de la Pontificia Universidad Javeriana. Docente de la Secretaría de Educación del Distrito −SED− (Bogotá, D.C.). [email protected] investigación & desarrollo vol. 26, n° 2 (2018) - issn 2011-7574 (on line) 60 Resumen Calle 13 era una banda puertorriqueña que a lo largo de su tra- yectoria musical produjo diferentes canciones que abren los ojos a la realidad por su discurso social y temas controversiales.
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UCLA Electronic Theses and Dissertations
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THE TUFTS DAILY Est
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Washington University Journal of Law & Policy Volume 46 Emerging Ideas in Law 2015 Calle 13: Reggaeton, Politics, and Protest Melinda S. Molina Capital University Law School Follow this and additional works at: https://openscholarship.wustl.edu/law_journal_law_policy Part of the Civil Rights and Discrimination Commons, Ethnomusicology Commons, Fourteenth Amendment Commons, and the Other Music Commons Recommended Citation Melinda S. Molina, Calle 13: Reggaeton, Politics, and Protest, 46 WASH. U. J. L. & POL’Y 117 (2015), https://openscholarship.wustl.edu/law_journal_law_policy/vol46/iss1/9 This Article is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Journal of Law & Policy by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Calle 13: Reggaeton, Politics, and Protest Melinda Sommers Molina I. INTRODUCTION Music is one of the most ubiquitous forms of expression available to both the elite and the poor and powerless. The judiciary, advocates, and legal academy use music to advance legal arguments,1 elucidate a legal concept or theory,2 or build a “narrative framework or a theory of case.”3 Many scholars have addressed the ways in which music is Assistant Professor, Capital University Law School. This Article was improved by comments received from attendees at presentations at Capital University Law School, Midwest People of Color Legal Scholarship Conference, University of Akron Law School, and University of Pittsburgh Law School. I owe special thanks to Janet Nùñez for her invaluable assistance with the translations.
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