HJR 5009 CHAUNDON No Excuses CD

Total Page：16

File Type：pdf, Size：1020Kb

1. Watch out 2. Wake up 3. Role Player 4. No Excuses feat. Carlitta Durand 5. Strangers 6. Motion Picture feat. Erica Thompson 7. Nice Girl feat. Bishop 8. The Blacker The Berry feat. Erica Thompson 9. Looking Glass feat. Big Dho 10. Crazy 11. Open Your Eyes feat. Carlitta Durand 12. Yall Don’t Want it feat. Carlitta Durand 13. Home Sick feat. Darien Brockington 14. Farewell?? feat. Darien Brockington Hall Of Justus/Traffic Entertainment Group is proud to After being surrounded by like minded individuals he announce the release of No Excuses, the new album by has discovered his niche and came into his own to Chaundon on October 26th. No Excuses contains the develop a solid career. Chaundon has a solid under- hottest production in Hip Hop from G-Unit producer Ill ground following working previously with Little Mind, M-Phazes and D. K. The Punisher. The album also Brother, 9th Wonder and Sean Price and he will features vocals from Darien Brockington, Carlitta continue to expand his fan base with No Excuses. Durand, Bishop, Big Dho and Erica Thompson. No Excuses is the follow up to Chaundon’s debut album Carnage from February 2008. KEY SELLING POINTS: Chaundon’s presence on countless albums and • No Excuses includes production by mixtapes has built a strong foundation and a growing ILL Mind (50 Cent, Little Brother, following. The Bronx New York native makes music that Sean Price) and M-Phazes (Amerie, exudes power and originality which separates him from Pharoahe Monch) the pack, while maintaining potent lyricism, integrity, and • Top Soundscan Markets: his love for the Hip Hop culture. New York, Baltimore, Washington D.C., Chaundon became a member of the Justus League in Raleigh/Durham, Los Angeles, Boston 1999 while attending North Carolina Central University. ORDER CUT OFF DATE FOR THIS ITEM: OCT 5th Format: CD Cat. No: HJR 5009 Label: Hall of Justus Available: OCTOBER 26th Distributed in the USA by The Orchard, 23 E. 4th St, NY, NY 10003 • tel: 212-979-6410 • fax: 212-979-7372.

Copy Link

Recommended publications

The Cowl Island/Page 19 Vol
BACK PAGE: Focus on student health Deanna Cioppa '07 Men's hoops win Think twice before going tanning for spring Are you getting enough sleep? Experts say reviews Trinity over West Virginia, break ... and get a free Dermascan in Ray extra naps could save your heart Hear Repertory Theater's bring Friars back Cafeteria this coming week/Page 4 from the PC health center/Page 8 latest, A Delicate into the running for Balance/Page 15 NCAA bid Est. 1935 Sarah Amini '07 Men's and reminisces about women’s track win riding the RIPTA big at Big East 'round Rhose Championships The Cowl Island/Page 19 Vol. LXXI No. 18 www.TheCowl.com • Providence College • Providence, R.I. February 22, 2007 Protesters refuse to be silenced by Jennifer Jarvis ’07 News Editor s the mild weather cooled off at sunset yesterday, more than 100 students with red shirts and bal loons gathered at the front gates Aof Providence College, armed with signs saying “We will not stop fighting for an end to sexual assault,” and “Vaginas are not vulgar, rape is vulgar.” For the second year in a row, PC students protested the decision of Rev. Brian J. Shanley, O.P., president of Providence College, to ban the production of The Vagina Monologues on 'campus. Many who saw a similar protest one year ago are asking, is this deja vu? Perhaps, but the cast and crew of The Vagina Monologues and many other sup porters said they will not stop protesting just because the production was banned last year.
[Show full text]
Das Line-Up 2010 Ist Komplett
Medienmitteilung Orpund, 22. Juni 2010 ROYAL ARENA FESTIVAL ORPUND (BIEL) 20. – 21. AUGUST 2010 DAS LINE-UP 2010 IST KOMPLETT Nebst den bereits bekannten Acts um US-Superstar Ludacris vervollständigen die nimmermüden Evidence & Alchemist (USA) und die britischen Experimental-Rapper Foreign Beggars das diesjährige Line-Up des Royal Arena Festivals in Orpund bei Biel. Zahlreiche Schweizer Gruppen, die Arena Graffiti Gallery und das Royal B-Boy Battle sorgen für das Sahnehäubchen. LUDACRIS ist DAS Highlight des diesjährigen Jubiläum-Festivals! Rapper, Schauspieler und Entertainer; kaum einer ist so vielseitig und erfolgreich wie Ludacris. Mit dem Aufstieg des Dirty South-Raps erkannte Chris Bridges aka Ludacris seine Chance und setzte sich an die Spitze dieser Bewegung. Der Vorzeige-Entertainer wird am Royal Arena Festival sein neues Album „Battle of Sexes“ vorstellen und ist ein würdiger Abschluss des Festivals 2010. Auch die Auftritte von REFLECTION ETERNAL (Talib Kweli & Hi-Tek), die ihr neues Album „Revolutions per Minute“ im Gepäck haben und SIDO (mit Liveband) gehören zu den meisterwarteten Höhepunkten. Hits wie „Strangers (Paranoid)“, „Midnight Hour“, „Mein Block“, „Schlechtes Vorbild“, „Strassenjunge“ oder „Der Himmel soll warten“ werden das Römerareal zum Erzittern bringen. Dem Auftritt der BOOT CAMP CLIK wird schon heftig entgegen gefiebert. Kein Wunder gehören die Jungs aus Brooklyn trotz Underground-Status doch zu den beliebtesten Live- Acts der Schweiz. Boot Camp wurde 1992 in Brooklyn gegründet und transportiert seither ehrlichen Eastcoast-Rap in die ganze Welt. MASTA ACE & EDO G, CHALI 2NA & BREAKESTRA, PROP DYLAN, EVIDENCE & ALCHEMIST, FREEWAY & JAKE ONE, FOREIGN BEGGARS, SNOWGOONS FEAT. SABAC RED und LORD LHUS vervollständigen das brillant besetzte internationale Line-Up, wobei es auch einiges Neues zu entdecken gibt! Natürlich ist auch die Schweizer Rap-Szene vertreten: GREIS, SAMURAI, RED GEE & KALMOO (TNN), IVORY MC, LA DIXION, ZEDE, MXX, 9MM, DACHS, LO & LEDUC.
[Show full text]
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G.
[Show full text]
May 3Rd 2010
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 5-3-2010 May 3rd 2010 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "May 3rd 2010" (2010). Coyote Chronicle (1984-). 21. https://scholarworks.lib.csusb.edu/coyote-chronicle/21 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE INDEPENDENT STUDENT VOICE Vol. XLIII, No. 19 CoyoteOF CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO FOR 43 YEARS ChronicleMonday, May 3, 2010 www.coyotechronicle.com PEOPLE PICK PLEMONS CSUSB chooses first female ASI president in 10 years By MARYRONE SHELL Staff Writer he odds may have been stacked years,” said senior Cristian Babb. Plemons against her but it’s a win nonethe- works in scheduling at the Santos Manuel Stu- less for junior Justine Plemons as dent Union (SMSU). Tthe newly appointed Associated “[Fukazawa] was good with the administra- Students Incorporated (ASI) President. tion and business aspect of how ASI is run,” said Students demonstrated their desire for a new Plemons of her competition. direction under her leadership by voting for her “I originally wanted to do VP of Finance, last April 28 and 29. and after a lot of consideration and talking I re- “None of it has sunk in yet, I’m still on alized that ASI needed a different voice and cloud nine,” Plemons said after the results were opinion, so that’s why I decided to run for pres- announced.
[Show full text]
2007'S Best Albums in Review
KTRU 91.7 FM SPRING 2008 Houston’s Local Artists: 2007’s Best Albums in Review People often say that there isn’t much good music in Linus Pauling Quartet Bring Back The Guns Houston. They are wrong, and getting wronger by the All Things Are Light Dry Futures minute: 2007 was one of the best years for Houston music Camera Obscura Feow! in recent memory. In no particular order, KTRU runs Linus Pauling Quartet reminds us After changing names and winning down 10 of the year’s most notable releases in this quick that barbarians, aliens, malt liquor, 24- three Houston Press Music Awards guide to a banner year in a burgeoning music scene. hour Mexican food, and motorcycles (Best New Act ‘00, Best Indie Rock all lie at the foundation of rock and roll’s ‘03, Best Indie Rock ‘05), Bring Back Jana Hunter hallowed temple. Don’t call it tongue-in-cheek—every the Guns have finally released a full album, and it was There’s No Home track is backed with dead-serious Jimmy Page-grade easily worth the wait. Their guitar-driven sound is Gnomonsong Marshall-stack ass-kicking. Veterans of Houston’s psych heavy but still quick on its feet, framed by constantly Erstwhile Houstonian Jana Hunter, heyday LP4 mix hard rock imagery with utter electrified shifting time signatures, punctuated with guitar hooks an Arlington native who recently mi- competence, the way unpretentious rock was meant to be. that never end like you’d expect. Vocals are strained, grated to Baltimore, is a key player in overdriven.
[Show full text]
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO
[Show full text]
Smifnwessun Jeru 17.12.11 DRESDEN Pressetext
krasscore concerts presents SMIF N WESSUN & JERU THA DAMAJA „90ies Rap X-Mas Special pt.2“ date: Sa. 17.12.2011 venue: Scheune Alaunstr. 36/40 01099 Dresden acts: Smif N Wessun (Brooklyn / NYC) Jeru tha Damaja (Brooklyn / NYC) special: AFTER-SHOW-PARTY mit DJ Access (New DEF / Dresden) Einlass: 21:00 Beginn: 22:00 Eintritt: 18 € im VVK (incl. After-Show-Party!) ohne Gebühren: in allen Harlem Stores, Supreme, Titus und Späti (Striesen) zzgl. VVK-Geb.: VVK bundesweit an allen VVK-Stellen, online unter www.krasscore.com/tickets und in Dresden z.B. bei Dresden Ticket, KoKa Florentinum & Schillergalerie allen SZ-Treffpunkten (Altmarktgalerie, Elbe Park, Karstadt, Seidnitz Center) & Sax-Ticket www.krasscore.com Seit 2001 kümmert sich die Crew von krasscore concerts um die Belange der Rap-Fans in Dresden & Umgebung. Seit letztem Jahr ist es nun fast schon Tradition, dass sich alle Ami-Rap Fans am letzten Samstag vor Weihnachten auf ein Highlight in dieser Sparte freuen können. Denn am 17.12. werden nach Group Home, Dilated Peoples, Lootpack, Black Milk, Sean Price, Brand Nubian, Camp Lo, Das EFX, Masta Ace und vielen anderen amerikanischen Rap- Größen endlich auch SMIF N WESSUN die Bühne der Scheune rocken - und das zum ersten Mal überhaupt in Dresden! Um die Sache richtig abzurunden, konnte der ebenfalls aus Brooklyn stammende JERU THA DAMAJA gewonnen werden, der nach über neun Jahren Pause Dresden erneut beehren wird. Und da Weihnachten nun mal die Zeit der Geschenke ist, möchte sich das Team von krasscore bei allen Gästen für die teilweise jahrelange Treue bedanken, weshalb die Karten für das X-mas-HipHop-Spektakel im Supreme & den Harlem Stores lediglich 18 Euro kosten.
[Show full text]
DANNY WATTS Black Boy Meets World
DANNY WATTS Black Boy Meets World LP COMING SOON KEY SELLING POINTS • Entirely produced by Jonwayne • Guest contributions and features include Ray Wright of Warm Brew, DIBIA$E, Leaving Records’ Kiefer, Dr. Octagon collaborator Juan Alderete de la Pena, Zeroh, and many others • The release of Black Boy Meets World will coincide with the Jonwyne’s Rap Album Two US Tour, beginning in October and running for an extended stretch of over 40 dates from coast to coast DESCRIPTION ARTIST: Danny Watts This fall, Danny Watts will release his debut album Black Boy Meets World TITLE: Black Boy Meets World on Jonwayne’s imprint Authors Recording Company. Beats were supplied CATALOG: cd-ARC003 in full by Jonwayne, creating the environments that mesh to Danny Watts’ LABEL: Authors Recording Company introspective lyricism and soulful cadences on the mic. The Houston based GENRE: Hip-Hop/Rap rapper has created a body of work that details his life experiences with an BARCODE: 669158533466 honest and uncompromising lens, jumping out of the Authors Recording FORMAT: CD Company gates as the first release after the critically acclaimed Rap Album HOME MARKET: Texas / Los Angeles Two. Before the release of Black Boy Meets World, Danny Watts is offering RELEASE: 10/6/2017 up the album’s lead single “Young & Reckless” feat. Aye Mitch! today. LIST PRICE: $11.98 / AK Danny Watts and Jonwayne recently captured Black Boy Meets World TRACKLISTING (Click Tracks In Blue To Preview Audio) in the span of only a week, recording the 11-track LP at the Los Angeles recording facility Cosmic Zoo.
[Show full text]
LITTLE BROTHER the Listening
LITTLE BROTHER The Listening KEY SELLING POINTS • White vinyl reissue • Includes bonus 7” DESCRIPTION ARTIST: Little Brother “In Little Brother’s music, the North Carolina group makes a specific TITLE: The Listening point to highlight the more refined aspects of mid-’90s hip-hop. CATALOG: l-ABB1038 Basing its 2002 sound upon the foundation previously established LABEL: ABB Records by the likes of Pete Rock, A Tribe Called Quest, Jay Dee, and Black GENRE: Hip-Hop/Rap Star, Little Brother makes somewhat of a political statement by BARCODE: N/A ABB1038 applying such standards to this modern age. The Listening does FORMAT: 2XLP + 7” an exceptional job of proving that soulful meditations have indeed RELEASE: 7/14/2017 retained their traditional relevancy within the contemporary realms LIST PRICE: $22.98 / CS of rap. 9th Wonder’s production leads the charge with distinct drum kicks pacing larger-than-life melodic samples, which are often TRACKLISTING enhanced with sultry female voice-overs. Meanwhile, Phonte and 1. Morning Big Pooh dig even deeper within the hip-hop vaults as they draw 2. For You upon classic routines by the likes of Rakim, Slick Rick, and Audio 2 3. Speed for their lyrical inspiration. 4. Whatever You Say 5. Make Me Hot Whether engaged in storytelling, braggadocio, or simple 6. The Yo-Yo reassurance, the rhyming duo complements 9th Wonder’s varying 7. Shorty on the Lookout 8. Love Joint Revisited shades of mood music with a consistent degree of skill and sincerity. 9. So Fabulous The album both starts and finishes strongly, with “For You,” “Speed,” 10.
[Show full text]
Neuhoff, Laura-Brynn.Pdf (929Kb)
“THE BIGGEST COLORED SHOW ON EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Laura-Brynn Neuhoff Washington, D.C. April 26, 2017 “THE BIGGEST COLORED SHOW ONE EARTH”: HOW MINSTRELSY HAS DEFINED PERFORMANCES OF AFRICAN AMERICAN IDENTITY FROM 19TH CENTURY THEATER TO HIP HOP Laura-Brynn Neuhoff Thesis Adviser: Marcia Chatelain, Ph.D. ABSTRACT This senior thesis seeks to answer the following question: how and why is the word “minstrel” and associated images still used in American rap and hip hop performances? The question was sparked by the title of a 2005 rap album by the group Little Brother: The Minstrel Show. The record is packaged as a television variety show, complete with characters, skits, and references to blackface. This album premiered in the heat of the Minstrel Show Debate when questions of authenticity and representation in rap and hip hop engaged community members. My research is first historical: I analyze images of minstrelsy and reviews of minstrel shows from the 1840s into the twentieth century to understand how the racist images persisted and to unpack the ambiguity of the legacy of black blackface performers. I then analyze the rap scene from the late 2000-2005, when the genre most poignantly faced the identity crisis spurred by those referred to as “minstrel” performers. Having conducted interviews with the two lyricists of Little Brother: Rapper Big Pooh and Phonte, I primarily use Little Brother as my center of research, analyzing their production in conjunction with their spatial position in the hip hop community.
[Show full text]
There's No Shortcut to Longevity: a Study of the Different Levels of Hip
Running head: There’s No Shortcut to Longevity 1 This thesis has been approved by The Honors Tutorial College and the College of Business at Ohio University __________________________ Dr. Akil Houston Associate Professor, African American Studies Thesis Adviser ___________________________ Dr. Raymond Frost Director of Studies, Business Administration ___________________________ Cary Roberts Frith Interim Dean, Honors Tutorial College There’s No Shortcut to Longevity 2 THERE’S NO SHORTCUT TO LONGEVITY: A STUDY OF THE DIFFERENT LEVELS OF HIP-HOP SUCCESS AND THE MARKETING DECISIONS BEHIND THEM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Business Administration ______________________________________ by Jacob Wernick April 2019 There’s No Shortcut to Longevity 3 Table of Contents List of Tables and Figures……………………………………………………………………….4 Abstract…………………………………………………………………………………………...5 Introduction…………………………………………………………………………………..6-11 Parameters of Study……………………………………………………………..6 Limitations of Study…………………………………………………………...6-7 Preface…………………………………………………………………………7-11 Literary Review……………………………………………………………………………..12-32 Methodology………………………………………………………………………………....33-55 Jay-Z Case Study……………………………………………………………..34-41 Kendrick Lamar Case Study………………………………………………...41-44 Soulja Boy Case Study………………………………………………………..45-47 Rapsody Case Study………………………………………………………….47-48
[Show full text]
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
[Show full text]