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Whicl-I Band-Probably Sam; Cf
A VERY "KID" HOWARD SUMMARY Reel I--refcyped December 22, 1958 Interviewer: William Russell Also present: Howard's mother, Howard's daughter, parakeets Howard was born April 22, 1908, on Bourbon Street, now renamed Pauger Street. His motTier, Mary Eliza Howard, named him Avery, after his father w'ho di^d in 1944* She sang in church choir/ but not professionally. She says Kid used to beat drum on a box with sticks, when he was about twelve years old. When he was sixteen/ he was a drummer. They lived at 922 St. Philip Street When Kid was young. He has lived around tliere all of his life . Kid's father didn't play a regular instrument, but he used to play on^ a comb, "make-like a. trombone," and he used to dance. Howard's parents went to dances and Tiis mother remembers hearing Sam Morgan's band when she was young, and Manuel Perez and [John] Robichaux . The earliest band Kid remembers is Sam Morgan's. After Sam died, he joined the Morgan band/ witli Isaiah Morgan. He played second trumpet. Then he had his own band » The first instrument he.started on was drums . Before his first marriage, when he got his first drums/ he didn't know how to put them up. He had boughtfhem at Werlein's. He and his first wife had a time trying to put them together * Story about }iis first attempt at the drums (see S . B» Charters): Sam Morgan had the original Sam Morgan Band; Isaiah Morgan had l:J^^i', the Young Morgan Band. -
Newsletternewsletter March 2015
NEWSLETTERNEWSLETTER MARCH 2015 HOWARD ALDEN DIGITAL RELEASES NOT CURRENTLY AVAILABLE ON CD PCD-7053-DR PCD-7155-DR PCD-7025-DR BILL WATROUS BILL WATROUS DON FRIEDMAN CORONARY TROMBOSSA! ROARING BACK INTO JAZZ DANCING NEW YORK ACD-345-DR BCD-121-DR BCD-102-DR CASSANDRA WILSON ARMAND HUG & HIS JOHNNY WIGGS MOONGLOW NEW ORLEANS DIXIELANDERS PCD-7159-DR ACD-346-DR DANNY STILES & BILL WATROUS CLIFFF “UKELELE IKE” EDWARDS IN TANDEM INTO THE ’80s HOME ON THE RANGE AVAilable ON AMAZON, iTUNES, SPOTIFY... GHB JAZZ FOUNDATION 1206 Decatur Street New Orleans, LA 70116 phone: (504) 525-5000 fax: (504) 525-1776 email: [email protected] website: jazzology.com office manager: Lars Edegran assistant: Jamie Wight office hours: Mon-Fri 11am – 5pm entrance: 61 French Market Place newsletter editor: Paige VanVorst contributors: Jon Pult and Trevor Richards HOW TO ORDER Costs – U.S. and Foreign MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. Also you will be able to buy our products at a discounted price – CDs for $13.00, DVDs $24.95 and books $34.95. Membership continues as long as you order one selection per year. NON-MEMBERS For non-members our prices are – CDs $15.98, DVDs $29.95 and books $39.95. MAILING AND POSTAGE CHARGES DOMESTIC There is a flat rate of $3.00 regardless of the number of items ordered. -
'Slow Drag' Pavageau
NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S. -
New Orleans Jazz & Heritage Foundation
New Orleans' Welcome to Jazz country, where Maison Blanche our heartbeat is a down beat and salutes the the sounds of music fill the air . Welcome to Maison Blanche coun• New Orleans Jazz try, where you are the one who calls the tune and fashion is our and Heritage daily fare. Festival 70 maison blanche NEW ORLEANS Schedule WEDNESDAY - APRIL 22 8 p.m. Mississippi River Jazz Cruise on the Steamer President. Pete Fountain and his Orchestra; Clyde Kerr and his Orchestra THURSDAY - APRIL 23 12:00 Noon Eureka Brass Band 12:20 p.m. New Orleans Potpourri—Harry Souchon, M.C. Armand Hug, Raymond Burke, Sherwood Mangiapane, George Finola, Dick Johnson Last Straws 3:00 p.m. The Musical World of French Louisiana- Dick Allen and Revon Reed, M. C.'s Adam Landreneau, Cyprien Landreneau, Savy Augustine, Sady Courville, Jerry Deville, Bois Sec and sons, Ambrose Thibodaux. Clifton Chenier's Band The Creole Jazz Band with Dede Pierce, Homer Eugene, Cie Frazier, Albert Walters, Eddie Dawson, Cornbread Thomas. Creole Fiesta Association singers and dancers. At the same time outside in Beauregard Square—for the same $3 admission price— you'll have the opportunity to explore a variety of muical experiences, folklore exhibits, the art of New Orleans and the great food of South Louisiana. There will be four stages of music: Blues, Cajun, Gospel and Street. The following artists will appear throughout the Festival at various times on the stages: Blues Stage—Fird "Snooks" Eaglin, Clancy "Blues Boy" Lewis, Percy Randolph, Smilin Joe, Roosevelt Sykes, Willie B. Thomas, and others. -
Andrew Morgan [Tenor Sax and Clarinet]; [Isaiahj "Young
< AVERY "KID" HOWARD 1 Reel I [of 4]--Digest-- Retype May 22, 1961 Also present: Anders Dyrup, Richard B. Alien. Kid Howard was born April 11, 1908 [in New Orleans] on (he thinks) Bourbon (now Pauger) Street near St. Claude. He lived in Phoenix, Louisiana from about age 5 until about age 12. He remem- bers little of the music he heard when living in Phoenix; there were only guitar players/ who played [and sang?] the blues. KH attended (a Baptist) church/ where the choir, unaccompanied by instruments, sang standard hymns (i.e./ "Nearer My God To Thee" and "What A Friend We Have In Jesus"). Upon his return to New Orleans, he got a porter's job in a curio store on Canal Street, * next to Werlein's [music store-]; he became interested in music then [about age 12] / and began playing drums when he was 14. KH heard bands on the street playing to advertise some occasio n [dance/ prize fight, etc,]. Answering a question about bands in stores/ KHsays Manuel Perez and others played at various clothing stores on [South] Rampart; Sam Morgan played at Maison Blanche/ both inside and on a truck. With Morgan during that time were: Jim "Big Jim" Robinson [trombone] ; Sidney "Little Jim" Brown [bass]; Johnny Dave, [banjo]; Alfred Williams [drums]; Earl Fouche' [alto sax]; Andrew Morgan [tenor sax and clarinet]; [isaiahj "Young Moicgan/ 2nd trumpet* KHtook his first [trumpet] lesson from Chris Kelly. He began playing drums just by talking about it, saying that he could play AVERY "KID" HOWARD 2 Reel I [of 4]-Digest-Retype May 22, 1961 drums; one night, at a dance where Isaiah Morgan's band (with Jim Robinson) was playing, the band needed a drummer; when KH walked in, he was forced to play. -
A Feminist Perspective on New Orleans Jazzwomen
A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1 -
Mss 520 the William Russell Photographic Collection 1899-1992 Ca
Mss 520 The William Russell Photographic Collection 1899-1992 Ca. 6200 items Scope and Content Note: The William Russell Photographic Collection spans almost a century of jazz history, from Buddy Bolden’s band to the George Lewis Trio to the New Orleans Ragtime Orchestra. It is also a valuable resource in other areas of New Orleans cultural history. It includes photographs, both ones Russell took and those taken by others. Russell was interested in a complete documentation of jazz and the world it grew out of. He collected early photographs of some of the first performers of what became jazz, such as Emile Lacoume’s Spasm Band, and took photographs (or asked others to do so) of performers he met between 1939 and his death in 1992. These photographs show the musicians performing at Preservation Hall or in concert, marching in parades or jazz funerals, and at home with family and pets. He was also interested in jazz landmarks, and kept lists of places he wanted to photograph, the dance halls, nightclubs and other venues where jazz was first performed, the homes of early jazz musicians such as Buddy Bolden, and other places associated with the musicians, such as the site of New Orleans University, an African-American school which Bunk Johnson claimed as his alma mater. He took his own photographs of these places, and lent the lists to visiting jazz fans, who gave him copies of the photographs they took. Many of these locations, particularly those in Storyville, have since been torn down or altered. After Economy Hall was badly damaged in hurricane Betsy and San Jacinto Hall in a fire, Russell went back and photographed the ruins. -
Third Annual New Orleans Jazz & Heritage Festival
lOLMES HOLMES ORIGINAL STORE 1842 As traditional as New Orleans jazz, Creole cooking or southern hospitality, D. H. Holmes has been part of the beat of New Orleans since 1842. We're New Orleans' own honne-owned department store, right on the edge of the French Quarter. While in New Orleans we invite you to join an old tradition in New Orleans . arrange to meet your friends "under the clock" at Holmes ... to shop ... or to lunch or dine in our famous Creole restau• rant. In our record department you'll find one of the finest selections of true New Orleans Dixieland music on records. Holmes, itself proud to be a New Orleans tradition, salutes the Jazz and Heritage Festival and welcomes its international supporters to the birthplace of Jazz. Third Annual New Orleans Jazz & Heritage Festival HONORARY PRESIDENT MARDI-GRAS INDIAN CO-ORDINATOR Mayor Moon Landrieu Emile Dollis OFFICERS SECRETARIES Arthur Q. Davis, President Virginia Broussard, Suzanne Broussard Lester E. Kabacoff, Vice-Pres. Winston Lill, Vice-Pres. EVENING SECURITY Clarence J. Jupiter, Vice-Pres., Treasurer Jules Ursin Roy Bartlett 11, Secretary BOARD OF DIRECTORS THE HERITAGE FAIR Archie A. Casbarian, Dr. Frederick Hall, William V. Music Director - Quint Davis Madden, Larry McKinley, George Rhode 111, Charles B. Rousseve, Harry V. Souchon PROGRAM DIRECTOR Karen Helms - Book-keeper Allison Miner PRODUCER PERSONNEL George Wein Mark Duffy ASST. PRODUCER DESIGN Dino Santangelo - Curtis & Davis Architects; AO Davis, Bob Nunez DIRECTOR ' ' CONSTRUCTION Quint Davis Foster Awning; -
For the [National] Geographic Magazine, Titled "Old Man River", Interview with Father Al Lewis P» 2 Reel I Feb
Interview with Father Al Lewis Also present: Lars Edegran, Hans Reel I Lychou, Richard B. Alien Feb. 21, 1972 Digest: Marie L. Spencer Check; RBA Father Al states that his full name is Alfred Longfellow Lewis. ^ <T Today he is known as "Father Al", He was born in Terrebonne Parish/ Houma, Louisiana, August 9thj 1903 which date he says he "has just about got straight now," 12:21 FA^came to New Orleans when he was nine months old, living at St. MaryLStreetJ and Prytania [Street]. His family moved several times: to 4424 Clara [Street]^ then to 4530 S. Robertson [Street], While living there, FA,i attended Jessica Ennis's private school, 12:29 located at 2622 Jena Street. FA'jattended New Orleans University, 5318 St. Charles Street for more schooling, leaving there in the 10th grade- Later in Chicago FAliwent to [Al C. Boyd or Alcide Boyd?] school for refresher courses/ staying there about two and one half years. 12:34 Later, after moving back to New Orleans, FAl, worked in a variety of jobs- He made a few scenes for Paramount [Pictures] in Cata- A / / y houla Lake District, twenty-two miles from St, Martinsvxlle. [cf. f nt mapsl* He also played music on a steamer [under?] H.V- Cooley [Captain?], making the run from New Orleans to Camden/ Arkansas on the [steamer?] buachita. TTne band members with FA\.were; Alien -*<f" Gardette [tp?], [Wilbert] Tillman, s, and Benny Alien (p) . Martin Cole played [saxophone?] with them awhile as did [Willie E.] Humphrey (Willie J. Humphrey's daddy). -
Danny Barker
NEWSLETTER JAN-2016 ologyology Danny Barker G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS DIGITAL RELEASES AVAILABLE EXCLUSIVELY THROUGH: BCD-538-DR BCD-540-DR JCD-402-DR JCD-403-DR PETE FOUNTAIN TOPSY CHAPMAN JIM CULLUM’S JIM CULLUM’S 1955-1957 The Best Of HAPPY JAZZ HAPPY JAZZ Listen Some More Happy Landing! PCD-7160-DR PCD-7162-DR PCD-7012-DR PCD-7021/23-DR BILL WATROUS BROOKS KERR - ROLAND HANNA SADIK HAKIM Watrous In PAUL QUINICHETTE Time For A Pearl For Errol / Hollywood Prevue The Dancers A Prayer For Liliane [2-LP Set] PCD-7164-DR PCD-7159-DR CCD-175-DR ACD-350-DR BUTCH MILES DANNY STILES FRANKIE CARLE REBECCA KILGORE Swings Some w BILL WATROUS Ivory Stride w Hal Smith’s Standards In Tandem 1946-1947 California Swing Cats Into the 80s ft. Tim Laughlin GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Jamie Wight Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Ben Jaffe, Layout & Design: David Stocker David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB JAZZ FOUNDATION. You will then receive your membership card by return mail or with your order. As a member of the Collector’s Club you will regularly receive our Jazzology Newsletter. -
Newsletter 2015
1 It’s been another exciting year here at Upbeat – Upbeat Jazz sales are still increasing – we’re so glad you like our releases – and sales of the American jazz label Jazz Crusade are also increasing,Newsletter and so we now2015 have embarked on a round of redesigns and reprints on many of the titles. You will find a feature page of new releases and redesigns on the back cover of 2018 this Newsletter. We have lots of new releases and special offers across the labels which we are sure you will enjoy! Here’s to 2018 – keep jazzin’! Liz Biddle NEW! NEW ORLEANS – Original Soundtrack and Out-takes from the 1947 Cult Movie featuring Louis Armstrong, Billie Holiday, Kid Ory, Barney Bigard, Mutt Carey and Zutty Singleton URCD276 1 CD £12.99 A much anticipated re-release of a long out of print title. It was a fabulous idea which in true Hollywood fashion ended up a fiasco! However, there remains the music which, unlike the film, is just plain wonderful! The list of artists here is an A-Z of jazz royalty and there are 29 great tracks for you to enjoy. So close your eyes and be transported back to 1947 and the birth of jazz in New Orleans! NEW! NEW! NEW! NEW! THE ORIGINAL CRANE RIVER SAMMY RIMINGTON – A LOUIS ARMSTRONG & HIS ALL KEN COLYER – Colyer at JAZZ BAND with KEN COLYER: Snapshot of his American STARS – Live in Vancouver 1951 Wimbledon Reunited URCD272 1 CD £12.99 Recordings 1995-1999 URCD277 1 CD £12.99 URCD275 1 CD £12.99 URCD274 1 CD £12.99 The Crane River Jazz Band is one of the Featuring Jack Teagarden and Earl Ken Colyer includes several numbers most revered jazz bands of the 20th This selection of recordings by Hines, this CD pre dates the two Jack he had used over the years but Century. -
The Jazzarchivist
THE JAZZ ARCHIVIST A newsletter of the William Ransom Hogan Jazz Archive Volume XXIX, 2016 Contributors: Jerry Brock, Wayne D. Shirley, Charles Suhor, Dr. Michael White THE JAZZ ARCHIVIST Volume XXIX, 2016 In This Issue: © Tulane University Libraries, 2016. Permission to reproduce in whole and 2 “Don Suhor - From Dixieland to in part must be obtained in writing Bopsieland” from Tulane University Libraries. by Charles Suhor ISSN 1085-8415 16 “Dr. Michael White: My Years among the Elders (1980-1995)” Cover: A seldom seen photo of the King by Michael G. White Oliver Band, reportedly taken at the “Entertainer Club” in Oakland, California, perhaps at a Christmas banquet, 39 “In the Archive” presumably in 1921. This cropped version affords a good, close look at the musicians. 42 “Bessie Smith: Three Puzzles, Two with Standing from left to right: unknown, King Oliver, Honore Dutrey, Ed Garland, Answers” Johnny Dodds, Lil Hardin, and Baby by Wayne D. Shirley Dodds. One might wonder if Kid Ory, who apparently helped open the door for this great band’s West Coast appearances, 50 “Chula Bungo! The Seminoles in New was about to pop out from behind Baby Orleans!” Dodds’s head. We recently excavated by Jerry Brock this artifact from a backlog of materials in the collection of Orin Blackstone, the New Orleans-based jazz discographer 65 “Curator’s Commentary” and publisher of Jazzfinder and Playback by Bruce Boyd Raeburn magazines. It was originally obtained from West Coast saxophonist Paul Howard by jazzologist Irving Jacobs, who wrote an article on Howard for the July 1949 issue of Playback.