THE DIAPASON AN INTERNATIONAL MONTHLY DEVOTED TO THE ORGAN, THE HARPSICHORD AND CHURCH MUSIC

S.'xty·Filth }'ear, No. 1 - Whole No. 769 DI.. CEMIlEIl, 197~

A llnel is It Slraighllonvard and good-hu- of Abbe Pellegrin, No~b Jlollveaux sur 1IIUrcii popular fnllB . the wordi or which Ie c/umt de noels nrlCiens et chansons dcal with th~ birth nr Ghri,. in various con­ lJlirituels /JOUT torll Ie COUTS de I'amlee, U'llts. It is so nAmed 'rom the festival with (An extellsh'c book 514 pages long, it , which it is assod• .,:d.- had many editions, but it includes only tn a study of the noel, there arc two tunc names.) 5CP:lf'31c :lSPc(;15 10 be considcrctl: the From the end of the 16th century, RJt'. C r ElL ])L- ~ ( ) ]>~ I , . ~ ~ musical aspect am) the literary aspect, noel runes bc..ogan to be used polyphonic. M:my scholars say that it is the text ally, by Costeley, organist of Charles m l:r which dJaractcrizcs the noel. not the XI and Henry Hr. and hy DuCaurroy. hlusic. becausc the music has adopted so whose 1010 collection, Mes.langes, con· many (onns in the course of time. Fo)· lains polyphonic settings of noels. The IClwing this line of thought. Simone most famous example of stich use of Wallon has said thnt the term "noel" noels is Marc-Antoine CharpcUlier's rerers not to a lIlusical, but r.uJlcr tn a Melle de 1II;nuit, which makes usc of , literary genre, for from the musical such tunes as "Joseph est bien marie," "Or nous dites, Maric," "Vne jcune sl:lndpoilit. the noels m:iy sound like puccllc," and "Lcs bergcrs de Chastres." Gregorian chant, hyml1s, or chansons Of arias.- • Noels werc arranged for instruments Nc\'crthclcs.'ii, much dfort bas been as well, and in the last h:11f of the 17th century Marc.Antoine Charpentier set expended in an aUcl1lpt 10 find proper a number of noels (or four instrumenlal Qtl"goricl in which 10 discuss the mu­ paris and basso continuo. Michel-Rich. sical noeL EPlC) c1opb lic de fa Mluique ard de Lalande wrote a "Suite de noels • has provided the clearest means of dis­ en s}mphonie;" C ,·ll. Genais wrote a tinction: I) noels on tntles whose texts nocl suite for 7 instruments and basso have been adapled (rom pre existing continuo: E.-II. Chedvillc published a melodit:'S: 2) noels originally wrinen by collection of noels for 2 lUusctH.'S or known composers.··· hurdy·gurdies.- Rl',;onding the origin o[ noel tunes In the same era that instrulilental there seems 10 be no agreement among transcriptions or noels became wide­ scholars. It is possihle that some tunes spread, keyboard "ariations on these \\crc provided by liturgical hymns or noel tunes lx'gan to appear. The firsl tTopes. or uy the liturgical dramas of collcclion. by Nicolas Gigauh, appeared the Middle l\ges. J\nother source of in 1682. This was (ollowed by Niculas noel tUlles is ule \'ast body of drinking LeDegue in 1685; Nicolas Geoffroy. at songs ,mng at the b:lOCJuets that trntli. the end o( the I ilh century; Andre • tion31ly took place on Chrislm3s night. Raison and Pierre Daudrieu in 1714; tn Man)' noels undoubtedly came from Louis-Claude Daquin between 1730 and non-specific secular songs which were 1757: Jeall.Fran4J'ois Dandrieu in 1739; set to sacred poems (or \,ice \'ersa) • and Michel Corrette in 1753; Claude Balbas· 17t~ & 18t~ Centurie6 of course, man)' lUlles were simply ori­ Ire, 1760: Guillaume Lasccux. 1771-1772; ginally composed. J e a n .Jacques Ucauvarlet.Charpentier. It is impossible to identify lhe origins li73·1775; and Nicolas SCjan, 1819. By Eileen Morris Guenther of 01111 the tuncs, and the many sets of Durourcq·· states lhat a composer words to which the tunes have been known as Benaut wrote variations on Noel "anaIlOus were appealing for a Archbishop of Paris 10 play noels 011 :uJapted. In isolaling particular tunes, noels in the Jast part of the 18th cen­ number of reasons. They contained pas­ the urg-.m . further confusion results because often tmy, whtch evidently appeared in hil loral allusions (rural life. shepherds, Olbran IIlU"ic had undergone a great sc\'eral sets of words were sung to olle 9 LivTes de Pieces d'orgue (1772-1783). their insU'uuu.'Uls and their clouling. change from Ihe strictly liturgical music tune (and the tunc marne frequently is The only biographical information giv. ,"",ere in \'ague, :It least among the aris· espoused by Titelouze and his followers, based on the fint line of text). en is lhat he was organist and clavean tocraq'. in the 17th and 18th centurics). There was a general trend away from Wallon asserts that noels are trace· master at the royal abbey of Mont­ Allied to this is the element of tone writing based on the chant and using able from as carl}' as the 13th ccntury, mal tre; it has been impossible to locate painting: the church modes, toward compositions and that already then both catcgorit.'S of these books. From there 1M U,bleaus tll;at they . ffer us with more rhythmic and coloristic in· on the orga. : l./OUrdons and toft foundatioM music were in use (texts sung to pre. Allusions ha\'e been made to noel lerest. The newer style of writing, based existing melodies, as well as to origin. say the brishtneu 01 the nisIn of Chrislm:u; variations composed by Louis-Antoine the mixtures .... :se apin Ihe noues flf nature, on frank tunes and often ornamented ally composed tunes). In Ute 15th cen­ Darnel, but his only writing in thil The pleins jeu. e\'oque the , t;ln or the heavily, drew criticism from some COli. tury the first collections of noels ap· genre seems 10 be a theme statement cn:scent of the moon, when the flule, cro_ tcmpor.J.t'y listeners. The following is :& pnred (texts only) , and although IGth­ with one variation on "Je me 5uil morne, mUlelle, oboe, b.woon recall the in­ comment on Ihe slate of music in the century collections usua.lIy contained levc," included in Felix Raugel's collec· strument 01 the Ihephenl, thofC of the mu. churches in the fint part of the 18th only the text as well, one cxceplional tion, Les Alaitres /rcmcais de l'Orgue licians who make up the entoUr.:lle of the centuT)', made by a Gennan who had wise men i the olher lIops explain the feel­ volume in which the melodies were no­ aux XI' IID I, XI' llme et X FlIlme liedes, just vishcd Paris: illgs of Ihe other people, of the Virgin, of taled is the Fleur des Nalls (publishcd The midnisht nu.JI on Christmas Eve is volume 11. Saini Joseph 411d of the Ihephertl.t.· in Lyon in 1535) . Alulough taking thc form of much nmulmble, It takes its name, so they Jay. Virtuosity is always appealing to the (rom tile oLservance of miclnisht. betw('cn The vogue of the noel is also evi­ of the harpsichord-influenced keyboard lislener, and "tlle noel with variations denced by the writings of contempor· walains and Chrislmas Da.y. AU the churches music or the period (ditllogues, duos, demands a special tOllr de main . • , It's aries, Hellouin cilCs a passage from Pas­ and convenlS aft luJl of people, from nne diminutions, r«its, Lrios) 0 the spirit be~ all in having the spirit. . • and tbe end Dr the counlry 1ft Ihe other. The In!15ic quier's Recherches de la Fraflce, dating hind these \'ariations is improvisation. fingers."·' Thls is all capped by the performed in churchCl U not very devout, from 1560: The popular Christmas songs provided .Ince minuets :lind .11 sorts of IeCUlar JOnlrl It was tbe custom in my youth in passion ror coloristic "ariety of the man, a perfect vehicle ror the virtuoso impro. organ. aft played on the orpn, It .. a time n( I:unilirs to lay u ide ceremony and to lins much imprudence, footllhnell and Uap l ~ly.· lIods all evenins Ion!. These are 'piritauJ v;sateur_ Brown has quoted Mclville Noel \atiatiolls were heard at the The organ WlU tremendously poplliar ttln •• \"riltf:n in honor of Our Smith; Cotlcerl Sp;ri'u~J (in 1760, the audience Lord .•••• during the l:lSt half of the 17th century, A large number of anonymous collec­ ImplVYiuttoD on :l si\~n thfille, one of the there heard noels of Daquin and Bal­ highly developed Jkilb of organ~ts. especiaUr and to the end of the 18th cenlUry. bastre); at private concerts at Versailles tions of noels called "Bibles de Noels," thow: of Fl1lnce, which excites the admin­ "Crowds of music lovers followed the bepn to appear in the 17th century, tion and wonder 01 listeneR everywhere, has (LeBcgue), aud in churches. At Saint­ celebrated organists wberever Ihey but these "Biblcs" rarely contained mel· "resented ilscU from early times to the pres­ Merry an "audition annuel de noSls played,"'· As was ule custom of the \'aries J'orguc" took place. the ex­ odies. The 17th century produced a ent as a Illontancous and :lIlmust miraculous a times, many organists held the pOSitions act o( musical creation Laking place before pcnses of which were co\'ered by a spe­ number of excrllcnt composers of noel at SI!\'er.J.1 churches, simultaneously. The hlUes. however, such as Saboly, Lully. our very eyes .nd ean. In no form of cial roundalion. But the midnight mass French ot'pn music u this perh.aPl 10 tnae titular organist was usually given al1 ':1S' Campra. Guidron. and umbert. on Christmas E\'e was where Lhey were sistant (called either "survivancier" or u in the Noeb. TIle wrillen compositions lUost enthusiastically expected, by great In the 18th century melodics were which have come down to us ftveal the crowds of people_ At Saint·Paul where "reversioner") who acted as substitule borrowed (rom coutemporary yocal rep­ vivid U:n3£ination, the towerins dexterity And wbell the titular had duties elsewhere. ctloire, and were published for \'oice virtuosity or the placid .implicity, u the Daquin played, the influx of people was so great that it was necessary to "Survivancier" was aCLUally the second and basso continuo. While publications case ma, be, of the improvilatioN 01 the slep in the levels of seniority. Often a included lUany \'ery old tunes, their orpn~u upon these melodies. iU well as the establish un service d'ordre pou.r "entree \'ery }'oung person (frequently a. 5On, brilliant disllby 01 the rcIOUrces of the olF'n et la sorlie.· .. On Christmas E\'c, 1762 texts were often updated. An important . (Continued, page 4) collection published in 1722 was that which W:llt implicit.··· Claude Dalbastre \\'as forbidden by the

· Fridi-!i e I1ellouin. Lt Noel MlUi&tU FrtJlI· · Michel. Lesure and Fcderov, edi .• 01'. cil" -Norbert Dufourcq, LA. AIlUiqu. J'Or,,,, cau (Paris: Librairie A. Joanin, 19(6), p. 6. p, Z97. Frall~aut dt j.lttJlI Tittlo"ZII a jlllttJlI AlDill ·Prideric I1ellouin, 01'. cit" p. 37. The ··Simone Wallon, "Noel," MOG, Bd. 9 ··Norbett Dllfourcq, Lt Liurll d. "Or,,,,. (Pam: Librairie floury, 1949), p, 115. ori8inat is found in J. ,C. Nemeitz, Stjour d. ( 1960, col. 15+1. FrtJllcau (1589-1789), Vol. IV: LJ MUJiqlft " Ib,·d., p. 114. PaN (Leyde, 1727), pp. 224 and 232. •• ·Michcl, Lcsunl ;md Federov., edi., E.~ (Paris; EditioN A, &. J. Piard. 1972), p. 15~ . · · · Alichd Bftnet, Lts COfl;urlJ til FtlllI&, ··Charles E. Vopn, "Thc FRnd. Orsan d(l piJit J. I. MMliq'" III (Paris: Pmque1le. · · · Thom.31 K. Brown, "The Fftl\Cb Baroque 10lU I'tJrtti,. RI,;m" (Pari!, 1900; unah~TflI Sdmnl 01 the 17th lind 18th Ccncurie3," Ph.D. 1%1 ) , pp. 296-297. OrR'l" Tradition,'· ( I'h.D , ddscnation, Florida ~prinl , Ne"" Yftl'k; D;a Capo toms, 1970), p, d~rl.ation . Lnll.·enily IIf Michipn, 1949, ,I. • ···Pridiric Hdlouill, up , cit., II , 25. Siale U"i\'r-nit)" 19(7), p. 37, 18O • m. Using the Composer THE DIAPASON EstlJblished in 1909 "Everything (or the Ck"aning I..:Id)', NothinJ; [or the Composer."' That was the title or an artide wrillc:n by music aide Alan Rich in the Oct. 29 issue 01. An InierruJtioruJl Monthly Dt:vo~ed '0 ,lie Orgn" New York mag::llinc. In it, 1\lr. Rid. bmenlcd lhe Caet that cI~ning b.dirs in our ti,e Hdrpsid,ord "nd C/und, Mlisic ronent halts get paid a rt"gular salary or ,,'ag'C, whcr~5 composers frequently get nothing [rom the pcrfonlUmcn or their music. It iCems so oln'lous that one would Ihin" tha t the subject had no need of t'Xposilion at nil. And let, ('OlIIpO~" are DECEMBER. 1973 Editor the most abnsrd alUl ICUlI rewanled within our musiGlI world. Whhin the \to'orld FEATURES ROIERT SCHUNEMAN o( church music. it is c,'cn worse than lbat. I suppose lhat this is jWI one reason Composers of Freacb Noel VcnlaUoll. among man)' Ihal "mailllirram" composers (those who rccch'c payment for their ill tbe 171h & Iltb Cellturie.· lu';"... M._., work and who work willdn sc\'cral arras or the music world Dlher than in one by EUNa Morrill Guealber 1. 4..5 DOROTHY ROSER narrowly sclcctc.-d area) han: long disassociated thcmseh'l'S rrom religious cndea\'Cn. loaeph IODgell: A Brie' aemembraate br BolliA SmUh , All this has been brought to mind again lately, not onl}' through Mr. Rich's A•• illan' Edi'.r comtnellis ciled abon, hut also in other journals such as The Chornl Journal The Sehola Symposium. OIl "Compo.er WESLEY vas (the o££icial journal o( the American Choral Directo"'s AlSOdalion), Music Educa­ aad COlllJNtJaUoD ill Ibe ZOth , tor's Joumal (the orficial journal o[ tbe lUENC), and others. And it is high time Cealury" - A Reporl Contributing Edi,ors that we think ahout the subject, (or it is something that directly concerns us nil The Pedal Harp.lcbord by Larry Palm..r LARRY PALMER ,\ cornpcscr has (our a\"l:IIII("'5 o( recolII(lt'1I5(' ror his ,.."ork: direct commis..'iiou!'i, • Harp.;cll.nI roynlty or paY1llent (rom the 5.'1le o( a puh1i!'ihed work, royale)' or palll1ent for Se'nAlr·Two Roun Ia. MlaaeapoUa - the per(onllance right to his work, and salary 01' wages paid hhn as a composer A Report in n.'5idencc at a particular place. One might argue that commissions Ahould be by Dodd Arthur I.amberloa ,. VIOoa WEIER ch,aI Mu.ic ade'luate ror the com~r as they are, jwt thc same as an architect's fcc ill paid EDITORIAL 2 onl)' once as adcclua"! recoll1pense. It is not the ~unc. In the case o( a composer, HARPSICHORD NEWS I·g his work h not so tangihle and concrele in timc as is a building. Thus, a com­ Ptice.: mission (or a ,,'ork n( music seldom inn ,h"cs nt'ar ;U IIlIIch mnncy as the com· NUNC DIMtmS 12 1.".-$7..50 missilH' ror a dl!'iit;ll 011 a buiJdiuJt. t..,,"CU tholiGh each rna)' ..... e th e "'me amount COMMUHICAnOHS o[ time, drorl, and skill on the pari or Ihe cn-alor. xldom arc IIUlsiol commis­ Some aemara 10 Mr• •• naard tallate 2 yrs. - $13.00 .iOM adrquate for a romposer to RlO)ke a decent Ih"ing on them, and e,'en more - A aepl,. to h'- letter la the Sfn."e Copy - $'.00 Ho.emlMr lMue, pp. IZ·I:J I('ldom is the commission itsel( monetarily exprt.'Ssi\"C 01 the ,"alne o( Ihe piece by Dr. EdmDDd Shar 14·15 lock Nllmber - $1.75 produtrd. (mo,. ,ltan 2 yr•• old) As for roy.ahic:s and payments from puhlished work,. and pcrfonnancrs o( them, BOOK REVIEW Amold: Orqan Literature this also is probably the most abused area for the compoSer 10 dcal wilh. nlc by Klaus Xrcrlaen.tela 17 THE DfilPilSON technology of our age has produce,l a ,'erit.'1ble gain)" 01 CUp r in" machiut'S. Their APPOINTMENTS 4:\4 Soulll W"basll Ave ,,"e~ proUfet"ation and tl5C has made it easy (or anyone to 11k: tht,n illtplly. It must .1 Chicngo, Ill" 6O()05. Phalle (312) -4 27 ·3149. be pointed out that a COP)' produced from a duplicating mad.tnc usually costs CALENDAR 20·21 Secorul·c1a.u /Jostage /Hlid at far in exet.'S5 what the piece would COSt if it wcre bought from a publisher. 1\(ost fK=oplc who use dupliCDling machines iIItogally, however, use them at other peoplc'. ORGAN RECITAL PROGRAMS 22·25 Chicngo ~ Ill", mid al mldWolial expense. A Good example of this is the choir director who l;,cl;..'1 a budJ::et for the CLASSIFIED ADVERTISEMENTS 21·27 maW,,/; OJ/ice. purchase of new music, 50 he illnighs UpOIl a 10)"al d,oir member to do tile Issued mo,IIMy. copying on the duplicuing machine at the choir members oUice. In that way, it The Dinpmon OJ/ice 01 PuMicntion, cosh the dmrcll, the choir dinclor, and the choir membcr nnlfllng. The £inn at -43" South ,",'dbdsh Ave"ue~ which the choir nU..'1ub cr ,,'ork5 pays the hill (01' the dupliClting. and, since it All subscribcn are urJCd to IICIId C/licago, Ill. 6(N'"lOn . knnw. nothing about thc 3Ct taking place, it docs not ha,"c the responsibility [or dlangcs of addrc:55 promptly to the an illegal infraction 01 the rop}'r-ight 141"'5, In the whole: prOCC5..1. the cnmposcr orncr o[ The! Diapason. Chan~ ttlrns OUI to be the loser. His music leu performed. the church and the musicians llordilJe i,ems lor pubUuICion mud b. IK'lJdit from it, and the composer and the puhlisher get nothjnJt. It is momUy must reach us before the lOth of the month pr«Cding the datt 01 the receiuetl rlO~ later tlla" tile 10'" 01 lhe and Iq;ally wrong. 1o 'Ile first issue to be maiJcd to the new 1/1011111 as"sure iruer,;on in issue The same can be held for perfonnance rO}"allies. I\IOSI acth"e compostrs Mlong acIdreu. The Diap;uon annot pro­ lor tI,e next montll. For recilal pro· to one or the pcrlonning righls societies such as ASCAP, nMI or SESAC, Thc:sc grnms nlld advertising copy, tile dos­ socirtics exilt to protect thr pcrfonnancc righb of cmnposcn. nley act as licens­ vide dupliGite copies miSKd because o( a subscribers failure to notify. ing dale ;s the 5th. MnleT;"ls lor re- ing agenL'i for the ptrronnance of composer's works, amI they collect a fee for v iew .sllould reach tile office by ,lie h t. prrlomlancc o( thr ,,'orks SO that the romposer reaps 5(JlUe reward from his wnrl.. Legally, the (It'donning dghts societies hm"c strong recounc in thc secular con· cert " 'orJd where concerts for profit, rccording and broadcast inmh"e .ubstantinl .wns of money. They are gaining an e,"er bettel' relationship with educational institutiOnl, even though sudl institutions arc ·'nol.for.profit" ::Ind arc tllcrdore lqally exempt &am such Ict.'5. Hut thc church has alwa)"s been far oUl.!iide the THE SCHOU I'OSITION PAPER domain of a relationship with the composer thmu,;h his pcrlnnuinJ; righL~ sociely. It is a 1'c(I'(~shing sign to see that a posith"e statement on thrsc matters hili bern It J. indttd ironk that net")' church group who wanls 10 put 011 :1 contemporary made hy ,"arious reprc4ienlati\"CS 01 publishers, pel'fonning rights socielia, variolD play which is not l"et in the public domain lIIust al!lio pal" a pcrfomlance fcc murcll denominations, and at least one composer. The lIi ... tcl1lent produa:d by (01' the right to produce the work. Hut when it comes to music, the church is the Schob Musicae LicurgiClc (llice page 3) should be read carelully by every "empt (rom .uch an ohligation, and I CDnnot ever rcmembcl' 01 a church paying church musician. Whcn ) "OU arc Ihrough reading ii, read it again SC'\'rDI more a perrorn.ance fcc lor a piece or music except when it paid reDtal Ices to a times. It ill a tersely worded stateutenl, positi,'e in iu thrust, and "try pcnetnating publisher lor ICOrcs or parts. I hope that it is ob,"iow what the impliCltion~ arr in its implications. I bclic'le that the implications go far dttpcr 'han jUlt the hel'e, (or the compottt .hould have lOme meaJU of rcccivinl adequate recompense surface maU.rn (sud. as iII(.-p1 duplicating 01 copyrighted material), and that iUi Cor his work and the murch owes it to hinl morally for the use 01 his music. impliCltions ha"e a great dcal to do with the life and health of our composr:n and our "\'i'hole contrmpClr.ary mwiol world. J( "\'i'e really think about it 1tri0001y. I don't 5CC any ,,"'y in which wr can avoid the obvious conclusion tbat we ought to be doing mon and better in 0111' rclationships with con.posen. ,.. for the AGO, it would M helpful if the Guild could pro"ide iQme aids for jp mcmbtn THE AGO AND THE COMPOSER and [rirnds in the rorm or information regarding copyright laWlii (ooth the onr ,,"e" 'e got, and the one that is pending), pedorming I'igh15 iOCictirs and how thr y All thi. brinltS up another Clucstion, cspttiall)' ror nlt-milers of the AGO, lor it iI the Jal"lcst orpniz:uion for church mwiclans. Should not the AGO be actinly work (as well alii their usefulness and ath'antages), and some inrormation about im"oh"ed in seeking some son of help for the composcr? I canno l imagine an an· com~scn and their ,.."orks. And Ihe Guild should rontinue 10 do enl')'thlnc swer in Ihe nt"g'.lIh"e. 01 all Ihe ltIU!'iicians that an)' mllsiGlI orwmitalion onnot pos51b1e 10 further the health,' relationship brtwren mainstream [Omp05Cn and churdt musicianli. alrord to ignore, tllC~: compmCl" is chief among thcm. ,Verc it not for thr composer, the Iledonner would be bc~ft of a highly creath"e ","orld. E'"en musicologists and critics ,.."ould han little to pick apan in their work. There i~ no doubt thai such All o( this is to sa}' that the composer should be very much among us. When an organitatlon al Ihe AGO should be gra,"el}' concerned about the commissioning he isn't, we are the ones who are deprived 01 hilli creativity and expretllion. By of new ,..-0 ...... Iroln composen, about adequate .. ecompense from royalties from the lIiaIIIC token, as we gather composers into our world, we should not deprive publiShed works and pcrfonnallccs, and for encotll"aging communities and con. him 01 hi!'i due. II (he depradty of both can be eliminatcd, our churchQ and gn.ogatiolls to hire a composer in residence. More importantly, the officen o( tbe theil' mwic will be rar bttlcr off. For me, Ihat is an exciting thought - onr AGO owe thell' membership a gn-at deal of moral Icadcnhip on the question 01 ,,"orth ""orking forI cop)'i"g and perfonnance rights and their inlringements. So do the memben 01 - R.aben Schuneman the AGO in tum need to exercise such moral and ethical It.o::tdership within tht ronullunitict and institutions where thry work. The AGO is no different in this calC than other .imib"r organitations. The only di(fe~rKe bctwttn thtm lately is thai other organilations ha'"e I)«n exercising a greal deal n( cuncem (01' the matkr ,,'hefC.'3s the AGO has been largcly silent. The ,\COA is and has hem I,ud}ing the subject 01 pcrfonning rights and ropyrighu: for somc time now, and The .season ~ warmeIt greetings and best wishes tbq' arc acth"cly enga,;rd in a ampaign to abo lish inlringements of both. The PtIENC has b«n doing the same thing. Some 10Ct1 M"ENC chapltrs arc indred chartered to expel members who arc caught abusing Ihe copyright lawl, and whole chapters can get In troublr with the national org,mitation if Iherr is large scale for the New Year from all of us to all of you! infringement or the copyright law Irom within the chapter. Practiolly all 01 the musiGlI rmlemitics and org:milations ha,"c been im"olvcd in deep study 01 the prop05t'd new rop}"righl law which is now pending bdore Congress. It is right that they should be, [01' the new law will han an a(frcl on them all. AGO mcmbers included. Robert Schuneman Wesley Vas Fol' the AGO to be an ostrich on this most important mallcr illi to im·ite disaster. I Sincerely hope that the facl that a n-prcscntati\,e 01 the AGO did not Dorothy Roser Larry Palmer participatc In the symposium at the Cathedral o( SL John thc Divinc on Oct. 29 and 30 is 101' reasons other than that the AGO simply is unconcerned about the Victor Weber .ubjcc., and I hope I am right in my belief that tbe Guild has not adopted an ostrich positJon in relation to compolers and their righ ... , thw abdicating a moral and lqal Iradtnhip within the prof'asioo.

2 THE DIAPASON point a I thc L~ige Conservatory. With the German invasion of Bclgium in The Schola Symposium on uComposer and Congregation 1914 ilnd the outbrcak o( the First World War Jongen, togcther with his family, immigrateal to England where he lived ahenlately in London and in the 20th Century" - A Report Dourncmouth. Hc (ormcd il Piano Quartet with Desire oc(auw (Violin), Lionel Tertis (Viola), 3.00 Emile Doe. "Composer and Congr~g::t.tion in the agr~ment within various rcligious de. Twentieth Century" was the title o( a hacrd (Cello) which appeared (requent~ nominations. The participants o( the Iy in London and the provinces, and two-day symposium held by the Schola s}'mposium werc the followiug: Olin:r also gave l113.n 1 o rga n recitals. l\Iusicae Liturgicac at the Cathedral o( Daniel and jamcs Roy, Jr. o( Broaal­ Returning to Belgium in January, St. John the Divine, New York City, can Music Incorporated (BMI) ; I'aul October 29 and SO. The symposium, 1919, he rcsumed his duties at the Con~ Marks and Martin Dookspan o( the scn-atory but relinquished them in Oc. which dealt wi1l1 the relationship o( the American Societ), o( Composers, Authors tober o( 1920 w hen he was olCered thc contemporary composer lO churchcs and and Publishers (ASCAP) ; Phillip \Vat· post as ProfeSl5or o( Counterpoint anu synagogues. focused particularly on the temberg o( the Music l)ublishcrs Asso· Fugue at the Brussels Consen-iltory. (urthennent of "mainstream" contcm· ciiltion; A. S. Cianchnino of Scsac, Iue.; Fivc )'ears later he was appointed Direc­ porary music within contcmporary COil' Stuart l)ope of Boosey and Hawkes, mu· gregations, and with the particular sic pubhshers; Edward Klammer o( tor. o( the Brussels ~on~n' at~ry, a post whICh he held untd Jus reUrement in WilyS in which conlcmporary composcrs Concordia Publishing House, music might work within congregational musi~ 19'9. pUblishers; the Rev. Fr. Joseph Cun· From 1919 to 1926 Joseph Jongen di. cal programs. ningham, Our Lady of Mercy ChUl'ch, rected the Conccrl Sptrituels o( Brussels The p:uticipants of thc sYluposiulJI New York Cily~ the Rev. john Gensel where he premiereal numerous new representt..... a Wille spt.'t:lrum ot those o( St. J'etcr's Lutheran Church, New works incJudmg Honeggcr's King David concerned with contemporary music: a York City; the Rc\'. jalllcs Crawlol'd of cOJuposer, reprcscntatl\'t.'S trom the nri· Central Yrcsbyleriiln Lhurch, New '-Urk. oscph . ~I:Uie . Alphonse . Nlrolas JongeD and Florent Schmitt's Pumme. (being Walloon, pronounced as in . The rrspect which JongclI enjo)'l!d ous perfonumg rights organizations, City; tJ.e Rev. Richart! R. Kirk of 'he J members of the musIC pubtlSfilllg held, Caull'tlral Cburdl of Sl. John the U.­ "'rench: ZlIaw·se{ lohohn'rhn) was born In Europe as a composer is evidenced on December 14th, 1873 in Liege, Del· by thc fact that at the time o( his aud pcrtonucrs and clergymen. AS a. re­ "inc, New York Cil); Dr. Alec \\I)'lon, gium. His entire musical schooling took uealh he was a mcmber of the Royal sull o( the d iscuSSluns iroUl urious dirc.'Ctor o( the SchOla Musicac Hturgl' place at the: Liege ConscnalOry where Academy of Belgium, a corresponding points o( View, a position paper un the cae; and composcl' H..Ichard l-clct.uno of he studied with J. Th. Radaux (fugue member of the lnstitut de Francc and :subject was dC\-CIOpcd by Utc group, llcrlr;.elcy, Galuonu3. Smcc the position and composition) • Sylvain Dupuis a Commander o( the tOrench Legion of anll it is hopell Ulat lIlls papc.r Will paper. spcal;.s well lur 1~1f, " IS pruned ha\'e a widespread lIisscl1linauun and Ilel'C III Its enuret). (harmony). Charles Dannccls (organ) Honor. He died at his home in Sarto and J. Ghymcrs (piano). Dy the time Lez-Spa, ncar Liege on july 13, 1953 he was 18 he scn"cd as monitor of the at the age o( 79. ~mposcr and ConlreJ,;ation in tbe Twentieth CenLUI)':A Symposium Held by thc counterpoint class. In 1893 the Royal His music, both harmonically and sty­ Sdlola l\lwlcae LlluIJ;u:ac at The CllJu.-dral (JlUrdl o( Sl. Jolut the lJivine J\cadcmy awarded him a prize of a listically. is far morc inspired illld im· October 29-9U, 1973. ' Ihou5and francs for the composition o( aginative than lliat of the enormous an~ his String Quartet. Op. 3. About this nonymous llIass o( fin de s;ecJe organ THE CO~ll)OSER time Jongen was appointed Organist composers. Like "ierne, Jongen was sig~ o( the Collegiate Church of Liege - nHicantly affected by Cesar Franck in Ezra Pound said, "The arlin is the antenna 01 (he mcc." Genuine art is the Saint Jacques - and made a name for his use o( polyphonic techniqurs and mOSt accurate reading anllable o( man's condition at a given place and Lime. }( that rc..'ading takes plaCC in 3. secular situatiun it will be recognll,cd as accurate himself through his improvisations. In like ~Iilrcel Dupre. J,ad an instinct for 1895 he won the Second Prix de Rome the special aural effccls obtained rom in that situation. 1t il takes place in a rd;gious situation it wid be recognized for his Canlata ClllUrI,oe. Two ycar.s the organ. Yct the illUuenee o( Debussy as accurate in that SltuatiOn. later he \\'as awarded the Belgian Grand is the most recogniS.:lble in Jongen's ~hl!re is. a nrt.'tl to rekmdle tbe bond bcl1\-crn Ihc congregation :lIId the artist I'rix dc Rome for his Caillatoa Coma/a work, for having moved out of his sha­ whidt dcdmt.'tl alter the death o[ j. S. Bilch ;n 17MJ, In the pilSl 5C\'Cr.a1 years a (as well as another prize ror the Trio. dow he has not passed OUt o( his pres­ signiticam conlan has been cstOIblisht."t.l bctWl'C11 (om posers and [ongrq;altons. Op. 10 for Violin, Cello antI Piano) . ence, In his use o( the whole·tone scale. Alore and more con!.rrq.... tioD.l are engaging cOfl1posc!n Co pro\'ide mWlC '0 t!urid. This prize enabled jongen to troavel unrcsoh'cd chords, ecclesiastical modC3, their liturgy, mainly through conUlUSSIOU!i. It u tbe dClilre o( the SCHOLA to for four years throughout Europe. He the mo\'cment o( chords independent o( I~Ululatc tillS and in so dOUig to enridl the 1\'onhippiJlg experience 01' conununt­ visited Berlm (where Richoard Strauss a tonal center and novel concepts o( ties and to cncournge composcn to pursue lheir art wiul expectation of adequate encouraged him). Munich, Leipzig, tone color anal (orm, he perfected a Cl'C01I1pell5C. History has shown that composers who \\'ol'k in ,-aried media o[ Ulwic ha,'c Dresden. Paris (where he WOlS bc(riclld~ style that combined rdinement and cd by Franck's disciples oat the Schola delicacy with subtle feeling for nuance madc a more !ignificlRt contribution to the music o( wonhlp than those who Cantorum: Vincent d'indy, Charles Bor­ and color. Sccking the mou elusive may ba,'c rc5trlClt.'tl thclILscl'-d to that a\'Cnue alone. In tbe hght ot the crltiC3.1 des, Ernest Chausson oand Gabriel moods and the 1U0st sensitive atmos· challenges facing org-.anized religion it is imperative that tbe iIlUItlUliltion o( Faure). Rome and \'arious other Italian phercs his music concerns itself lcss great art on reugious truths be ,ought vigorously. cities. During these atmees de pelerinage with emotion thall with lIIooal and e(­ The ad\'antages to congregations o( en!.... gillg composers, whether for a weekcnd he wrote his Symphonic, Op. 15 which (ect. workshop or lor a y~ in ~csidcnce :ue manifold; Le. new JIIusic for religious was produced at the Ysayc Concerts in O( 140 opus numbers only 11 of sdtools, "'~)fks f,?r senior ~Ioln, musical settings for new liturgics aud new hYUUI. Brussels, the Violin Concerto, Op. 17 them (20 separate pieces) arc ror organ twu:s, It 15 entirely ~ncen-able that il group o( congregations (dioccsc, district, and the Ccllo Concerto, Op. 18. Also solo; four are harmonium works ilnd presbytery, etc.) may Jointly sponsor luch a I,rogro.... hom this period was the Piano Quartet, one for harmonium and piano. Only RESPONSlHIUTY Op. 23. played at one of the concerts the J)relude and Fugue, Op. 121 (dat~ It. is har~y necessary. t~ poi.nt out Ulilt a piece o( mwic differs fronl sudl o( the Societe N;:lLionale in Paris in ing (rom 1941) was composed ilEter his tang!ble obJec~ as a pamlmg or SCUlpture in tilat once it is published it is SUI­ February o( 190!!. retiremcnt. The following is a list o( ecptlble o( beUlg ~~onnet1, recorded or reprodllc~ indisainlinalcJy witllout the Jongen returned to Belgium in 1902 Jongen's complete works (or organ iO· knowledge or pt:nRlSSIOn o[ tile composeT or copynght owner. The impcrson.aJ.hy and the following ycar was appointed 10, harmonium anal org:m with or~ 0( .a prinl~ mwiQl score may ~U5C people to. forget the Jabor and expertise Professor o( Hannony anu CountCJ' ~ dlcstra. - Rollin SluitJl which go Ulto ~e ~ of compOSition, matle pos.uble by )'can of int~rui,' e work and study. It 1S entirely proper to expect Umt the composer be rewardcc1 by ORGAN SOLO commissions, through the: purchase o( SCOrt':5 and paYlllent o( performance fees. Quatre l'icces, Op. 5 (1894.96) Muraillc· These arc standard pr.lcuces in the world o( concert IIlwic. O((ertoire I!, ill dealings wil~ ItIwiciaRS :whose chid ,'ocation lS composition, the congte. Communion gauon 5ho~d rccognllc the sen'lCe o( perfonning rights societies whose rolc i. I'astorale the. prote.c!lo~ o( the ~m~ser's perfonuing rights under existing copyright laws O((erloire (Gmud Choeur) w!tilc facihtatUlg the licenSing 0( such righlS to users. Ily so dOll1g, congregations Durand Will acknowledge the composer at one who exercises a minister comparable wit .. pr4> Quatre l)icccs, Op. 37 (1911) fessional leaden o( wonhip (clergy, dloinnastcrs and organists). Cantabile lmproviS3.tion caprice RECOMMENDATION l'riere A meeting o[ r~prcsentath'CI o( the American Society o( Composen \.uthOI1 Choral and Publishers, Broadcast Mwic Incorporated, Scsac Inc. Music Publisbe~rs A.Jso. Milrche Religicuse Procure GeneraJe- ciation of the U.s. Inc., lhe distinguished composer, Richard Fc1dano and clergy La'·gheno Op. 38 (1911) representing major denominations was hcld at the Cathedral o( S~ John lhc Prelude ElCgiaqlle Op. oJi (1915) Augcner Divinc in New York City on October 29 and 30, 1973. This mrctins readily I'ensee d'Automne reached a consensus tlutt an on.going ,tudy should be made o( this crucial m3.Uet Ch.nt de May Op. 53 (1917) Chester It was urged that. rongreg,)t~ons with .resources for the enrichment o( worship Menuet·Scheno ~ck th~ ~c:ms o[ Implementing a pOSSible coDlractual reliltionsltip with per(orm~ Sonata Eroica. Op, 94 (1950) Leduc l,!~ 5OCJeUcs... ~~y 5hou~ impress upon their colleagues e\'erywhere the rcsponsi~ Tocc:Ila. Op. 104 (1955) Lemoine bility o( obstnrng COP)Tlght lawl ilS they a(fect the nproduction o( mwic. The Petit Pr~lude (1935) Centre Bclge de Documentation unlaw(ul reproduction o( music dtprivcs romposcr and publishcr of incomc which Musicale iJ jwtly duc them, and ,-ioialcs their constitution:al righu. Two Pi""",. Op. lOS (1938) Oxford Uni\' ~rsity Press Scherzetlo Friere PrBude et Fug"e. Op. 121 (1941) Centre Beige &:c. HARMONIUM AND PIANO Hymne. Op. 78 (1924) Centre Beige &:c. HARMONIUM Trois Pieces (1908) Schou· ORGAN AND ORCHESTRA Prierc de M3.tin Hymn • • Op. 78 (1924) Centre BeIge &:c. Angelus (S-part string orchestra) Priere du Soir Symphonie Conccrtante. Op. 81 (1926) Cranz Cantabilc Alleluia. Op. 112 (1940) Centre Beige &:e. Marche Op. 38 (1911) Procure Generale- Pastorale CELLO AND ORGAN Offertoirc dur l'Alma Redemptoris, Senart Humoresque. Op. 92 (19!!O) Centre Bc1ge &:c, Op. S8 (1911) ·Out o( Print but a\'ililable in a reprint (rom Edition Le: Gnnd Orgue, 476 In Memoriam (Four Pieces) , Op. 65 (1911) Ledent.M.lay Marion Street, Brnold)'n, New York loo!!.

DECEMBER 1973 ·3 (Continued Irom IMge t) reputation and fortune. and was listed Apel 3nd Andre Pirro 3S to the con· Saint-Merry. a sister church of the Cath­ ncphew. cousin. or 5uK.lent of the tim­ anlong the organists or the (irst class for lents. The Livre is said 10 contain ten tdral or Nolre·Dame, was both a college br) would become a substitute. known tax purpoS<.'S_· He was also n.'spccted as Noel variations (most liL:ely the ear· and a parish church, and one of the a!l "commis." Arter having scn'cd in an expert on orbrans, amI sollie of the liest examples of snch "ariations for most important in the aristocratic quar­ Ihis capacity for 5 to 15 years. he could organs which he "judgcd" arc: Saint­ "c),board) on l.-aditional carol tuncs as ler or Marais. There his duties were he gh'en the title "sllr\,h'ancier" and as ChapcUc (1672), Saint-Honon~ (1677). "Challtons jc \'OUS en prie." "Les heavy, and he played O\'cr 400 services such would expect to become titular Saillt-Uenoit (1687). Giganlt was a bourgeois de Chastres," "Or nous dites a ),ear.1:I upon the resignation or death of the member oC the committee (along with Marie," "Nocl pour ramour de Maric_" Upon the death of Abb~ dt! la Barte titular organist.··· jean·Fran{ois Dandriell anti Claude In addition to thc noel \'ariations, there in 1678, LcBegue became one of the While many churches were proud 10 Rachel de MOlltalant) whid1 appointed arc ,'er5Cts on the chant Condilor alme fint of Ihe "quarterly" organists of the ha\'e their organist serve the Chapel Rameau organist of Madeleine·en·la­ siderurn (one at the beginning of each Chapel RO)'3L (Previous to this time, Rn)'al or the Cathedral or Notre Dame Cite!! in 1700_ (Although Rallleau was section) • and a number of short vcrselS, only one organist had suppJioo the (whcrt!: four o11f.1nists pla}'cd. ead. for the (irst choice or the committL"C. he was including sc\'eral on thc\scquence Milt;' Chapel Royal, but when a large number tlm~c months of the ),ear) , only a few unwilling to tclinquish his other posi­ ad virgin em «(or Annunciation) . There of excellent pcrronners auditioned for churches required that all olher posi· tions, and Antoine Dornel was named, also is an AllemtJfule in two versions. the position, the king chose four men, tions be relinquished. Few positions instead,) one with and one without ports de 110;%; e3ch of whom would lerve for three paid enough for a man to li\'e on that Cigault taught composition to the intended to give practical instruction months out or the year.) s3i:try alone, and it was thus often on ornamentation. famous opera composer. jean. Baptiste LeBegue was greatly in demand 31 financially imperath'e Ihat he hold se\'­ Lully. and since it is known that Gi­ Although thc one set of noel v3ria­ an organ consultant. and in this capa­ era) places. It seems that G00-9oo lines gault liked the trochaic rhythm lions that has been examincd docs not city he supervised the construction or was a "minimum annual income" in adhere strictly to this pattcrn. Ape! an organ from the choosing of the this era_ dcscribes Gigault's noels as following an builder to a (inal appraisal of the almost unchanging sequence: .. ~ 2; a 2: builder's work. Here is a partial list or NICOLAS GICAULT ~ 3; dialogue: a 3; a 3 dl.'SStlS; ;\ 4. 2 it is possible Ihal Lully OWI.OS his pref­ the churches which sought his advice: Ceurs."l,. He feds this s)'stematic varia· the Cathedrals of Bourges. Troyn, "Livre de lUftJiqllC'! dedit! Ii In 1-res erenCe for this figure to him.' tion technique leads only to dull and S"incte Vierge par Cigo,,'t. Orgarr;ste Gigault was also a \'iolisl; a "Gigault" Blois; the College Church of Saint­ pedantic writing, and Dufourcq agrees Quentin: the Churches of Saint-S~verin de S_ Nicolas-des-Champs d Paris, con­ is ruund under the list of instrumenta­ that Gigault was not the most gifted of lellnrll les ctUl/iques satrc'L, qu; se chant­ lisls who perfonned Lull}"s Alddiane (1670). Saint·Etienne-du-Mont. Saint­ composers. AltItough his prodigious Jean-en-Grl!ve (1671). Saint·S a v e u r eut en I'hDlmeur de .sOri dt:vi" tmlante· in 1658. and it is known tllat he played technique is evidenced in some of the ment, diversifier. de /Jlusieurs ma"ieres chamber music concerts of "c1a\'essin, (1676). Sain,·Louls·d.,.·lnvalides (1679) demanding passages in his variations. in Paris. ti 11, Ill. et 11' IHJrties, qui /JeutJtmt eslre theU1'IJC and \'ioIlL"S" with Carnier, Meli· he is indeed unimaginative in his usc 11 LeBegue also left his mark on F~nch Mue/ler. sur I'Orgue d sllr Ie Clavess;n: tOil, alld Ie Moine. Being both a string of figuration. and exc(.ocdingly dull in em"",e alUsi sllr I~ Lut/., les "iolles, player and kc)'board player. it is iuter­ music through the sludents he laught, the consistent use or dotted rhythms. among whom were Nicolas de Grigny, "iololu, Flules el Aulres InslnHuenls L"Sting to note thal Gigault reprcscnlrd Gigault W3S a religious man. and his and pos.sibly Fr.m(Ois d' Aginrourt, Ni­ (Ie Mwique_ • _ se '~lIdelit. " Paris eller. the harpsichordists in the struggle to noel \'ariations are written for the ~o· rAtlteur I"'!S de S. Nicolns-des-Clmmps," keep organists and harpsichordists from colas Geoffroy, Louis-Antoine Dornel, pie who, duriltg Ad\'cnt, sing beautiful and Gabriel Garnier, as well. (Sllnrlelled, tllis ;s; Livre de MltJ;que being enfralldliscd into la CorlJOraliolJ, songs "Sur 1a Naissance ravis.sante Du dedie n la Trc£ Saim:le l'ierge,) the trade union of violonists and dane­ dh'ID Fils de I'Etcmel."11 His religious King Louis XIV himself held Lc:­ The only example loc:llcd, "Laisscz ers.1l purposes an: carefully detailed ill tIle Beguc in high nteem. and he is said to pai5trc \'05 ReslCS," is included in The exact date of his death is un· dcdication of his Livre de lUwiqut: ha\'c enjoyed listening to him in the t.'Orr,:ut" Imrisien SOilS Ie r~g"e de LOIl;s known. but the estale inventory which d~d;i d la Tres Saincle Vierge: chapel at Versailles as well as in other XII'. edited hy Norhcrt Dufourcq. was customarily taken soon after death places. Thcre arc numerous contem­ (Frankfurt: Wilhelm Hanscn, 1956, pp. W;lS dated 7 October. 170i. I am lure. lovinr and holy mother oJ my porary attributes to his talent and ViT­ 21·29.) jean UoIlCils points out that his works S:r.vior. lhat the oflerinr I dare 10 make tuosity, in one of ""hid. (D;ctionnairt: SL'(.·m to ha\'e l>ccn mmplctcay forgoHen , 'OU of my works will not be unwdcome_ des Deaux-Arts, 175~). the lawyer La­ II is presu'"ed Ihat Nicola .. Gi£l'auh arrcr his death. He stalC$ that Sebastien TIK're may be lOme ,,~kne:sses lind defects; combe recalls the "ta.Sle and the deli­ 1 but it will ensure your love that their ob· was born in Paris' arollnd 1624-25 , His dc Brossard mentions his two publica· cacy of his playing which drew to Lc:­ tions withont any commentary. and the jcc:e it the glory of JOur Son, and the let­ Begue a great gathering of people..... rather Etienne Gigaull, wao; a citizen of vice of the church in .inging Hit prai.tcs 011 Paris and a low,mnking law enforce­ catalogue of LeClerc and iloi\'in· J\allard wlemn foli,,,,1s _ _ _ Recei\'e then, Queen The last cart oC his life was beset lIIent officer at Ch:ltelet, in Paris; his of the ),ears 1737 and li-t2 shows that of Heaven, those weak tokens oJ my Fei­ with difficu ties, at first financial (a mother was Michellc Caillet, who died although these music dealers were still tude; deilln 10 live to the IOn, I o(lcr you swindler disappeared with most of his 17 Fehruary, 16,10. ,\rter her death his selling the works or Titclouze and Lc· the power oJ (lIQSing tlle heart r.lthcr than life savings, among other things) and father marriefl Annc Vernicrc_ His fath· nl.oguc, the}' sold nothing of Gigault. the ear, of r'2uinS the souls of tile li.tlenen later ph)·sical. (He underwent a pain­ lowards you and your Son, and 01 lillins er died in 16-18, h~a\ ' ing his family in The historian Titon dn Tillct and ful gall bladder operation from which I'icrre·louis Daquin mention LeBCgue, tllcm with lonainl to lK'ar in Hcaven that poor financi:d condition. (In a docu· ineffable music ""hieh will be O\Ir eternal he recovered 5uccess(ully. three yean be· but nOl Gaganlt. ment dated 26 Octoher, H'..t8, his sons llappin~.l· fore his death.) He died on 6 JUly, refused to makc usc of their riRhts or Cig;mlt's first publishl.-u wort.. was 1702. four days after dJ"3wing up his inheritance, 1x.'Callsc it would ha\'e cost J.ivre de Mluique dblic ,i la Tres will. He was mourned not only ... a more than it would h,1\'e heen worth.~ SlI;,lCte "it!rge." Printed ill 1682. it was NICOLAS LeBtGUE great yinuow, but also as a humble. Although we ha\'e no inCunnalion re· first ad\'ertiscd in October of 1683 by pious. conscientious m3n. who had de­ garding his earh' musical training, Fetis Mercure Galant: "The Noel, whidl has voted his life to the acrvice of the 3sscrts that Gilmult wa5 the pupil of been laborcd over by 50 man}' compo. "-rroi.siemc Uvre d'Orglle de AI. Ie church. The following is taken from Titclollle'. Pirro' lIlentinm Pierre de la sers. is 1l0llctheiL'SS seen here with a n~gUt, OrgtlUil te till Roy ~ l de St. Mi· the epitaph found in Mercure gGiant of Rarre, Charles Racquet alld Jean Denis new and unique accompaniment of deric, contellalH ties grmldes Offertoires Octobet-. 1700; as pos.'iible teachen (saying that ir Ci· which C\'en the most erudite kcyboard­ et des E1ClmtiOlu: l~l ItHlS It:s Noi ls It: ~.J.ult was nnt tam;ht h)' them, he was ists might be eU\'ious."u Ciganlt had a /J"tJ Comlll$, dcs Sympl101Iies et les Her-e. llwaitins the: fUUrnclton 01 the Lonl, at Icast infiuenn'd by tht'm) , hill the \'cl1' dimcull time gcuing this book Cloclu:s qlle 1'011 pc lit jouer sur I'Orgue and the life 01 the WOIld to mlnC. th~h Ulan Pirro ra\ot5 most strongly is Eti­ pllhlishL'tI, (or he COlllt:lCIL-U with an et It! Cloved"." immortality, TepoJa the body of a .. honor­ :able man, Nicolu LeBirue, native of the enne Richard (orbrani51 at Saint· Jacques- ullrcliOlble publisher, Fralu;uis .'ierre de Noels varies; edited by Norbert Du· (ourcq. (I'aris: Editions musicales de city of Laon, durinr hit life orpniat at the 101 Boucherie, who died in IM9). Du­ janson, who did not fulfill his obliga· Chapel of the Kinl and of tbis church, which foureql suggcsis that he ",as tau~ht by tion until he was forced to do so by la Schola Canlurul1l et de la Procure he has served for lQure than .fO yean with as Pierre Richard (the rillher of Etienne court order. and then he printed onl)' generale de ulIIslque. 1952. Orgue et milch edification au dlteem; an intepity of Richard who was organist of Saint· a rL"" copies. o[ which three were found liturgic #16.) li£e known to an drew to bim as many ad­ Nicholas-tics-Champs and who died in in Gigault's estate after his death. lQirers for his virtue ~ for hu other merits 1652) • The othcr \'olume h)' Cigault is a Nicolas 1.eUCgue was, in the words of __ • Havins become beloved by the people. mOlHllnental accomplishment. The Livrt: Norbert lJuCourcq, "the most ramous the chaoo and the beauty of his art. the Gigault married Marie ,\ubert on delights of hit prince who more than once­ I May. W(i2. With his lIIarriage into de M,u;que pour I'Orgut:1t contains \'inuolO or the celltuf}' or Louis XIV:" LcDl.-gue was born in 1630 into a situ­ honond him by a panicular aUmtion, ~ Ihis wealthy famil)" Cig3Ull's fortunes more than 180 pieces, cmering all tllC liJiou$ in his conduct, riaorous and virilant changed. His ram ill' h:ul alwJ}'s been tH)l'S of organ music being written in pic laboring Camil)' of Laon_ His parcnLs in his dudes and alware leverc with himlelJ. \'ery poor (although it is known that I'rance at the end of the lith century were Amoine Lellcgue and his wifc, enemy of o"ention and IIpplause, he IOUrhl they did OWII an "espinete ;\ grand (J;.}'ries, fugucs. trios. recits, \Cuets 011 Marie LeNain. Le8egue probably re­ only dlrouSh his work Ihe Kingdom of God da\,ier"), hut now he possessed a num­ the M3ss). So that the scn'icc will not cch'cd his (jrst musical training as a and His Justice, in onlet that nothiDI be ber or musical instruments including be unduly prolonged by the music. CiA choir boy at lhe Cathedral or Laon. In lacking lor eternilY _ _ .- an organ or SC\'en stops. Ihree harpsi. lr.J.ult pro\'ides sc\'eral stopping points the city oC Laon, famous Cor its large chords (one or which had two manuals in thcse pieces_ HO\\'e, er, Ihese pieces number of cxcellent musicians, children LeBcgue is the author of two books and pedal), three spinelS. as well as ha\'c not been well receh"ed by aitics, who showed mllsical aptitude were giv­ of Pieces de Claved", the first pub­ sc"eral uringed instrulllelllS. The mar­ and Pirro sa),s of tJlcm: "The dryness en ICS$OIIS 011 an instrulllcnt. Dufourcq lished in Paris in 1677: the second. al­ riage produced fhe children, olle of and awL:wardnl.'SS of these ideas is not bclic\'es that it was Jacques Ulanchettc. though undated, is thought to have ap­ whom, joachim, became Cigallit's re­ redeemed in his works except \.I)' a cer· organist at Notre-Da.Ule in LaOIt. who peared around 1678, He also wrote \·ersioner (assistant organist who ex­ tain competence in finding daring and \\015 LeBeguc's first organ te3cher!' three Livres d' Orguel which date from pects to succeed Ihe litular organist exprcssi\-e harmouiL'S_ttli LeBCg-IIc's mothcr died in 1655, and 1676. 1678-79, and 1685. respectively. upon Ihe latter's death) at Saint-Nicho­ According to i'irro. the Livre tie Mu­ it is thoughl that this is the date when (The first two books appeared in three las-des-Champs in 1701. sique dedi~ d la Tres Saincte Vierge hc came to J'aris, probably under the editions each, the third in two.) He Gigault was named successor or Cilles seems to ha"e been written for 3 society encouragement or his uncle, Nicolas. also wrote a small aillount of dlOral Fouquet at the church Saint · Honofl~ 011 called "Honcstcs Curieux," a group of \\ Ito was a maker or musical instru­ music. most of which has been lost. 19 March. 1646. He ga"e up this post instrumentalists that pla)'(.-d at his resi­ ments there. During his early ),ears in The first Livre d'Orgue contains 75 in 1G52 to sncceed Pierre Richard as dcnce_ Ilirro also bclie"es that this book. "aris LcDcguc Illay well ha"c studicd Ycrscts in the eight church modes. These organist at Saint·Nidtolas·dcs-Champs, of noels is more enscmble lIlusic than with sume of the lUasters who were vcrsets use the forms which Lc:Bque is It is thought that he acccpted the JlO't ke)board lIIusic, but the indication tllal flourishing in that city. sud. as Etiennc one of the (irst organ composers to ex­ at Saint-Manin·dcs-Champs in 1009, fol· these pieces could be played on a nUIII' Richard. Fral1~is Roberday. CharlC$ ploit and which were to be wed lowing the death of Etienne Richard,' ber of instruments was a common one Racquet, or jacquC$ Champion de tI.roughout tIle 17th and 18th o:ntur· and in 1685 he added to his responsi. for books of keyboard lIIusic to carry Chambollnieres, ies: duo, trio, rkit, dialogue. basse de bilitics the Hospital of Saint-Esprit (al­ in this period. He comments on the LeBCgue quickly attained a fine repu­ trompctte, and related Corms." The so known as Saint-Esprit.cn-Grl:ve). composer's conception of the character tation. and as early as 1661 he was first book demands virtUOSity and in­ Gigault was a man of considerable of the music; "Gigault wants to pro­ teoncd a "fatneux organiste de Paris.'­ cludes Obligatory use of the pedal. rely on infonnation supplied by Willi duce edifying chamber music, while the It has been suggested that perhaps Ell· whidt may be tJle source for the story organists of the lBth century will see. elme Richard W3S inOuelltial in UtC (which Hough calls "the Legend of especially in the lloels. a jo)'ous type of proceedings whidl resulted in the ap­ the third hand') that the grand ef­ ·"Georges SeNi~res DO(5UItIll" in/JiI, ,ur LeB~gue lei orl""'"'' IrueDu JII _'(VIII d XVIIII church music and will makc it lively."" pointmcnt of LeBCglle to tllC church of fects produced by at tIle organ .ikks (Paris: Buruu d'editioa de 1a SchoIa Since a complcte edition of this book Saint-Merr), on 18 December, 1664, were possible only by surreptitiow use Caatorum (19'22} ), p. +t. it apparently una\'ailable today, we wiU (where he remained until his death). of a third "hand" belonging to one of

THE DIAPASON his studen". This book also contained script) , and a Livre d'orgut is olten at· iug 15 nOl'ls a\'Cr:tge 2·3 variations each, II The: £Jiliflu Mw,itlllll tie la SdoiG a table of omamen" as well as sugges­ tributed to him (prob3bly dating hom although the IHlI1lbcr of variations Co"'o",,,, editKua includes !I nocb, fi~'e: 01 tions for registration, and LenCgue is 16iO-1675) _ ranges from one 10 eight. MO!it of t1le which were orisinally round in ;:an unsiped one of the first organ composers o[ the Documents thought to pertain to Ni­ variations use figur:ttiolls or change of book and auributed to Le:B~lUe by Alexandre French Raroque school to IIlciude such colas Geoffroy, "Organine du Temple Guitmant and Andre Pirro, Norbert Dulourcq a homophonic texture as a means of vari­ And Willi Apel have strons rcterwtions about infonnatton III an organ book." Paris," are the capitation documents of ation, but fOllr make m::arked usc of this attribution. The second book is for "those who 1695 (where he was registered to pay imitation, including one ("Laissez pat­ ,. Ronald A. Hough, op. cit., p. as. ha\'c only moderate ability." It consists a tax as a musician of the second class) ; tre \'os n~tes") in which the initial ~ Andre PifTO, "L'Art des Orpnb u," in of verscts for the Mass and eight iUa: ' Nicolas Lcnegue's will of 1702 in which variation is marked "fugue sur Ie su­ E.,,/ppU;e Je la MUliqut " Ditl;p""o;re tlw ra;/kaO. and thesc pieces can be per­ 110 Ih'res are left to a Geoffro)': nnd a jet." C" fuHvp,oir" pt. 2, vol. 2, p. 1338. fonlled without we of the ped;al. lease dating from 1707 which mentions The noels show Raison's skills as a 11 Ronald A, Houth, "I'. til., p. 89. 3 Nicolas Georfroy. Roche believes th3t colorist to great ad,'antagc. That he is • Norbert DurDUrat, L. MlIliqW' tI'Or,w, It is with LeBegue's third Livre that F,." c ou~ tI, J"'.JI Ti"'tlwu 0 ''''an AIm. we arc primarily concerned, for it con­ it is the airs of Nicolas (rather than concerned with an organist's careful use (Paris: Librairie Floury, 1M!!), p. 70. his father) which are included in the tains variations on nine noels, ten orfer· of al! the resources offered by the or­ W Noels pOllr I'"r,ue tie NicotGJ Ge"l/roy, tolres, four 5infonia5, eight elevations, Ballard Rt:eueils d'a;res ser;tux t:t d: gan IS shown by the detailed registra­ "',allil,t' tie S" Marie Te",ple • Pam, fill and a dlaracter piece, "Lcs Cloches,''' hoir< (1709-1713)_ tion notations gh'cn at the beginning XI'JI- S., cd. by Jean Vcr HAMell and M. A. (The 9 noels, Ule sinfonias and "Les of the book. Pirro has 53id: "Like most Guerville (Paris: Procure du Clerge Musique ANDRt RAISON French organislJ: of the time, Andre Sac~e, n.d.) Cloclu."," mOlY ha\'e been played on a N l.fartine Roeh, "Un livre de Clavecin portatif organ as entertainment at Ver­ Second Livre d'Orgut sur lu accla ­ Raison writcs aoo,'c all to show t1mt he neglected none of Ihe means that the Francois de b lin du xvn- Siecle," sailles, ::md Hough supports this conten­ mations dt 14 pa;x tant dtsiree. Qr'i "RaitH"''''' IlIr t. AfwJiqwe I,."t.;" doui­ tion with Ihe observation that none of commtnce par rAntiel/nt Da pacem Do­ builders of instrumellts had im3gincd qlle VII (1967), pp. 39-67. which would vary the sallmJ o[ the or· them includes a pedal part.) · minei a~c une Fugllt slIr Ie meme su- a Francois JOKph Felis, "Raison, Andri," gans and make it plcasanl."" Bio"oplti, ...i"uItUe VlI, 166. This .up­ Although LcBCgue is often aedited jtl . .. Ensuille un Prelude. t:t Wit 01· lerte . .. Vue overture. .. Avec les dtsjrs (To ht coulirllled) potition is hiShly quc:ttio,uble, for ahhoush wiUI originating the keyboard variation uncertain, Raison's date nr birth is thousht on noels, his was actually the second d'une Imlgue vie au Roy: Et unt Aile· to ha\'e been around 1650; Titcloule died in .sct of these to appear. The first collec­ ",mule. L'.A.utcllr adjotlte pJ,w'eurs 1633. tion was that of Nicolas Gigault in Nods Propres pour ties Recils, tt 01- • Michel Brc:nct, "La Librairie Musicale Itrtes au natural, et transpose, arJt:c NOTES en France de 1653 1790 StJmm,tbiJ"tI, tier 1685, and there is question as to wheth­ a 1 plusjeurl vnr;at;o,u dans It gotlt du I"'entaljo,,olefl Afwlil""IIlthlt, VIII (too7), er the Gigault variations may have 1 Fetis giv~ the "lace of his birth as Clayo­ 416 and 425. scn'cd 3S models. lcomps, tant pc>ur l'orgue, que pour Ie Clmfedtr. Le 10llt compose par Mr. Rai· en-Brie, bul :u:cording to Jl'an Bonrils in :n And~ Pirro, "Une orpni'le au XVIII­ "Gigault, Nicolas," round in Die Mauik ill Len~'lJe'5 variations ::are in a beauti· son Organislt de l'Abayt de Stt. Ctne­ Siti:le," r.. R,vue MlI,iellle, 111 (1903), p. GtI,"i,"" U"ti G"ellre/lrt (hereaher abbrevi­ 5S7. Cully simple melodic style. After an ini­ t:l vinJei Et du grand Coul/enl College ated AlGG) this lown c.anQOl be identiried to­ - Jean Bonlib. "Raison, Andrf," AfGG tial hanuonized statement of the tune, gtuunl tits n. R. Pe,·ts jacobins de lightly figured variations on the melody "y- lkl. X ( 1962), col. 1879. Sai", jacquts. I Pierre Uo.ruouin hu located a document Wfhe: full title is CiJl'l Mtlles Swl/"-"'es (ol1ow, with a change in rcgistr:ttion (or Second LilJre d'Orguc. edited by Gas­ lisned by Gigault'. p.arc:nb on 20 May, 1626 Pow, Toau It I Toft, tie l'E,liI. ow awifl:' each variation. The number of varia­ which includes the st:Uemc:nt: "n'ayant it. cc .\Io,,,i,iea'l pour ceW% qui ft'O'" /ltu besoift tions on a given noel tune Dnges (rom ton Litaize and Jean Bonms. (Parb: jour aucun enfant de: leur manage." Han:louin tI. jf,u" a/,Jec du Eftt,.,io,,, 'ow'es par'iew­ none (Le., the theme statement only is Editions musicales de la Schola Can· believes that Gigault wa. born al 'he end or liJ,es, Eftsuit, deJ Benetlidu,: iiI wn, Ol/er'e given) 10 four, with five o( the nine torum et de la Procure Generale de that yt:'ar. "Noles et Documents," Revue tI, III ac';on tI, G,.ce pOllr l'hewrew, ConvaJ­ .sc1J: having only one variation each. His Musique, 1963. L'Organiste Liturgique MUlitololi, XXXIX (july, 19S7) , 7S. tJtuu rlu Roy '11 16117. Lnqw,tte It /I'u' flussi #39-40 .nd #43-44_) I Andre Pirro, "Un organiste au XVII. Sie­ lovtlter ,ur L, Clav,d", . . Compose par intere~t in the coloristic resources of ele, Nicolas Gipuh," LA Rrt.·w, A(wlkaJe, vol. Andri Rai50n, Organilu de: b Royalle Abbaye: the organ is part of the charm of his III #7 (July, 19(0), p. 304. de Saincte Genevieve, du Moot de P:lfis_ variations. (In his prer3cc to his 1676 Very lillie is known about the life of 'FBJKois Jost"" Fetil, "Gis;wh, NicolAS." .. Ronahl AUeo 1fPtlSh. Tit, 0,,0,. H'fI,b Uuu, LcB~ne states that his composi­ t\ndre Raison, and even his dates arc BiolrllpAie lI"iverull, del ",IIIi,i"'l " BibJiD,­ 01 N. £eBt,u (Ph.D. dwtrtation, Uaivc::nity tions arc designed to show "the man­ only approximate. It is thought that he r.plli, GinenJe tI, t. Mllliqlle, IV ,ol. of Illinois, (1969). p. 47. ner of playing the organ on all stops was born in 1650 and died about 1716, • Andre Pirro, 0;. tit., p, 306. U The complete title it Seco"d Lier. in Paris. From information found in • L'Ortue pari.Jien SOlIS It ref'" tI, Lou" d'Orlw, Ivr I" au/a",.,ions .I, I. "0;% I.", and particularly on those which are in XIV, edited by Norbert Durourcq (Franltrurt: little usc in the provinces:'" It was his the dedication of his first Livre d'OrgllL tleslr/'. Qlli romm,,,ee p., l'A",i~n'lI~ Da Wilhelm Hansen, 19SG), prdace:, pou,n Donu'"t, avt'c u"e FUlue: Iwr It mtme goal to demonstrate registration practice it seems that he spent the early years of ., Andre Pirro, "/1, ri,., adds: "Bien qu'iI ne his life in a seminary at Nanterrc. AI. Ivj" . .. E"swju" u" Puliltle, dune O/ltr't in Paris ::at the time, and he warns that parawe dan. Ics comptes de: Saint-Martin qu'en .. _ U"t ot'u'ure . .• .til'" In tI,J;rl tI'w", though Raison docs not give thc name certain pieces will be usel~ to organ­ 1674, Gigault put enln:r 11011 .ervice de I'abbaye '''','W" de aw Ruy; Bt un, .... "'malJtle. L'Aw­ ists whose instruments lack the neces­ of his te::acltcr, Fetis belie\'es that he W3." des 1669." 'ur atljou" plauieurs No"l r'o/lrn p"wr ties sary stops.) taught by Jehan Titelouze.Zl • Andre Pirro, "Un organiJle au XVII- .~_ Rai'l, d D/lutes .11 .ohlf,f, d '"'tupal;, dc, Nicolas Gigault," La R,litl, MlISkal" vol. a t'U "'III,i,II's t".ri.,jns tiOfU III lOll' J. Hough makes tJlis appraisal of his Raison was concurrently organist at III #13 (I October, I!JOJ ), p. 5.\4. the church of the Jacobins in the Rue '''''Ill, lanl ;Ollr l'a"lIIe, q." #HIlllr I. music: "No other composer of the I Jean Bnnlil., "Gi«;:auh, Nicolu," !tfGG. Clo&:eein. Le 'Oil' eOl1l"",J #HIr Mr. R.w,. French organ school wrote music for Saint-Jacques and of Sainte-Genevieve­ Rd. V (1956 ), Col. 107. D,.a"is'e tI, l'Ab"ye RO}'dIlt: tI, S" Geue­ so Jnany purposes - suites in the church du-Mont in Pari~, Although it is com· II Andre Pirro, (II' . dl., I'p . 551-552. d t:"', E, till t,a"tI C"wo,," d ColU" ,e""aI modes, a Mass, settings (or the Magn;/i­ monly thought that he accepted both U For more: inrormation on Ihis topic. con_ ties R.R. Ptrn Jacobi", tI, Sai,., Jatques. cat. a series of orrertories and elevations, positions at about the same time (1687), sult the :article by N(I~" Durollrcq and Mar­ t1 Andn Jlino. .. L' Arl dtt OrpnlslCl," and entertainment music consisting of information gh'en by Michel Brenet­ celle Benoil, "Une: "ieille: querelle: Orwanistes £""'c/opltlit rle la Mu,ique d Dielionair, d", lists Raison as "organiste de l'abbaye de et Violonisto, Luthien et Facteufl d'Ol'!l'\lCl a Con"rVll'oire, II, 1342. noels, simphonies, and programmatic Paris, la la fin du XVU- si~c1e , " L'Orlu. 83 pieccs:'Il Dufourat offen this assess­ Ste. Genevieve du Mont" for his "privi­ (April-September, I!lS7 ). 41 .... 7. ment of Lenegue's place in history; lege" application in 1688, and as "or. U The complete title: is siven in PifTO, "/J. ganisle de J'Abbaye de Sainle Genevi~ve cil. Hil "'-or1 nnecb the aspnlioM 01 an epoch, dn Mont et du grant.l couvent et college U Jean Bonfib. 0'. ei,. 1& in the e:lloru of rc:newal eHected by the: orpn­ des Jacohins rue St. Jacqucs" on his The: comple:te title: • found Guitmanl, £ilun Morris Cucntllu Ulas gradu­ isu 01 the: Gra"tI siid,. WitllOUt ahr.&,.. mak_ 1714 application. Discounting the possi­ Ardi"" lies At.i"" tie for,we IV. 13 Andre Pino, "L'Art des Orpnislcs, B"­ died "lI'itll Hig/ltst D;Sliriction" Irom inK the distinction between .ecular and litur­ bility of a simple omission on the car. lIle U,,;versily 01 Kamas will. a D.A. sical mu.ic, he impen:eptibly orie:nts hil11lelf eyelopUi, tie JtJ AtuJiqu, d Dielio.Jlaire tlu lier document, it seems likely that he Co"sertJ4toi", II, 1339, in Enl{lisll amI a D.M. in organ. She toward the concert orpn and therc: leads, in had not yct accepted the position at his retinue, the French school. The: nulft had 1. Andre PifTO, "Un ollr.'niste au XVII­ ftuditd orgall with Ric/lard Gayhart alld liule lenius, but p-eat competence and tal­ the Jacobins Church, and examination Sit:cle, Nicolas Gip.ult," LA R,vu, MuticoJ" James l\fotst:r. While al KU slit was ent." of the titles of his two L;vres leads us vol. 111#13 (I October, 1933) 551. tlected 10 Pili Rella Kappn.. Pi Kappa to the same conclusion. 11 Willi Apel, Guehi,h'e tlcr Or,d- U"tI Klo­ I.ambda (Naliorrnl MI/sic Honorary So­ bis tiennruiA: 1700 (Kauel Barc:nrc:iter.VeriaK, ciety) , (Hid Morlar Board (Honor $0- NICOLAS GEOFFROY Raison held the post as organist at 1967), p. 709. both of these churches until his death, ciet)' lor Senior 1I'0mtn) . Mrs. Cutn­ No infonnation on original, per Ie. U Andre Pino, op. til" p. 550 Ihe dale of which is in question. Andre F"ntlt Ptul 'her was also n meml,tr 01 Alplla Phi Noels POUT rorgut de Nicolas Gto/­ .. Harvey Gr.Ke:. OrIS" !tfllSie, Pinal'! rcasons that since Antoine Dor­ r N~ jororil)' and Sigma A IplICI Iota /raternit1 Ii anti p"It", Yo," : H. W. Gf3J, Ncwd&o, Iroy, organ ute de Sle Marit Temple nel, Raison's succeS50r at Ste. Genevieve, 191!1), p. 23. lor womtrr in music. Paris. lin XVII' S., edited by Jean Vcr left Iris former position at S3int·Marie­ • Norbert Dufourcq and Eric Schmidt, edt., Mrs, Guenther rtaivtd a lIlrt:f:.ytar HaS5Clt and M. A. Guervillc (P3ris: Pro­ Madelcine in 1719, this must be the us ptus btlt" po,,, tin ArcAiuI tiel ",.j'tt, NDEA Title IY graduate 'ellowsl,ip cure du Clerg~ Musique Saa~, n.d.) date of Raison's death. tI, 1'"r,II', III (Gene\'e: Edilion He:nn) , Irom tile Catholic Un;vtrsity 01 Amtrl­ prelace. ca ira 19iO, as well as n Kappa CI,aptt:T The only information ",'e have con­ Raison was the teacher of Louis-Nico­ Sl Norbert Duroun:q, l.tJ Vi, Musical. ,,, Scholarship awardtd by A Iplla Phi so­ las Clcrambault, whose Premitr Litlte Fr."" 1111 SiJcl, tI, Low" XIY: NicMU cerning Nicolas Geoffroy, composer of rority. TI.e tlles;1 lor ht:r M.A. in lUu· Noels pour l'orgue, is that he was "or­ d'Orgllt (1710) is dedicated 10 him. £em,w, (Paris: A. et J. Pkard et Cie., 195.f), 26-27. sicology was dirtc:ted hy Dr. Ruth ganiste de SIC Marie du Temple ;\ paris, The Collowing is Clerambault's dedica­ Steiner. Htr D.M.A. in organ, wit/I pri­ lion: II Jean Bonfilt. "L:1U!l'Ua, Nicolas," MGG, fin XVJI' 5:" Bd. 8 (1900),

DeCEMBER 1973 5 FESTIVAL OF MUSIC, WORSHIP, ARTS AT WITTENBERG U.

Plans are in the final stages for an ;nter-LUlhernn Fcsti\'al of Worship Mu· sic and Ihe Arl5 to be held at 'Vilten­ berg Unh'ersity. Springfield, Ohio on February 15·17, 19i4. The program will include lectures, drama. music display, art exhibits. workshops :lnd concerts. • Dcmonstrntions will be given on the dignified and e£fccth'e rIse of multi­ media in worship. The Schulmerich Carillons, Inc. will conduct workshops on the usc o( handbeUs. Special sessions geared to the youth o( the church will feature folk music :md thc usc o[ jau instruments in worship. Daniel Moe, Harold TeITY. jan Bend­ er, Richard Butts, Paul Hanson, Ronald Kenreich, Elmer Blackmer, L. David Miller amI Paul Manz will lead sessions on adult and children's choirs, the usc Raberfa Gary has been added fa the o[ Orff and orchestnl instruments in raster of organists represented by Artist R.­ w~rship,. ~>rg:ln lechniqu.cs and reper­ cilals. A nalive of Ohio, Dr. Gary I. 0550- tOire. wrllmg and arranging music, and tia'e prof~uor of argon and h~ad of Iha other related topics. New services will hyboard divilion at the Col~eo • .ca""uva· Ruffatti Installs 2 Organs at Baylor be inlroduced, new music and art Corms tory a' Music of the Uni.,.,lity of CiMln. presented. :lnd new concepts in church noti. Dr. Gary halds the performer'. cerlifi· cote and the DMA deg,ee from the Eastman Nanrd 2~' 61 pipes architecture considered. The Festival Fratelli Ruffatti, pipc organ builders School of Music, and the Musa and MM of P3du3, Italy. have recently installed Bloclr.nale 2' 61 "ipes will provide basic aids [or all aspects d~gr~es from 'he College-Conservatory In two new instrument, at naylor Univer­ Tierce I ~ ' 61 pipcs o[ congregational worship. SilRate I' 61 pipes Paul Maltz will lead a "Creat Festival Cincinnati. She has studied with Olga Conus, sity. 'Vaco. Texas. One is ::1 large 3- Wayne Fisher, David Craighead, Arthur manual clcctropncumatic instrument, Scharr IV %' 244 pipes of Hymns." The Wittenberg Collegium Dubian Hi' 61 pipes Poister and Bernard Lagac•• Befare joining the other is a &m311 mechanical action Musicum directed by William Walters Cromome 8' 61 rl,~ will sing a cantata by DOlCh, and tllC the faculty al Cincinnati, she taught at Capi_ organ. Trompelte de Fete 8' 61 pipes tal University, Columbus, Ohio. Or. Gary The larger of the two organs, the Tremulant Concordia Seminary Chorus o[ St. Louis, Mo. will sing in conCert under the di­ has r~cently been made a member of Ih. Higgenbotham Memorial Organ, is lo­ I'EDAL rection of Mark Bansert. On Sunday staff 01 the Choate Organ and Harpsichord cated in Roxy Cro\'c Concert Hall. In­ FJllte Acoustique 32' Seminars in Wallingford, Connecticut, and stalled In spacious chambers at the rear Principal 16' 32 pipes morning, the Wittenberg Chapcl Choir Subbass 16' 32 pipes under the direction of Frederick jack­ she has been a regular lecturer and per_ of the St3gC. it comprises 57 stops and former In the Annual Augsburg Churc:h Mu­ 61 ranks. The spcci£ic;uion was drawn Quintaton 16' (Great) isch will lead :J. Festival Servicc assisted Rohr Dourupn 16' (Swell) by the Wittenberg Drass Ensemble, sic Clinics. up by Robert Markham and Joyce Jones Octave 8' 32 ripes of the naylor organ faculty and Herbert Richard Chenoweth, conductor. Daniel Boumpn 8' 12 pipes Moe, composer o[ the musical 5Cuing, Colvin of the Baylor theory department Gcmshom 8' (Choir) Harrison and Harrison in consult'lIian with Daniel Sternberg. Choralb:ua of' 32 pipes will lead a. workshop prior 10 the ser· dean of the School of Music, and rep­ Nachthom of' 12 ptpes vice. The world premiere o[ a composi­ Build for Lake Forest uscnt3tivcs of the Rurratli (inn. The Milliure VI 2~' 192: pipes tion by Jan Bentler. commissioned Cor console of cbon)' with po1isllctl rosewood Canln: Bombarde 32' 12 pipes this occasion, will be he:J.rtJ 01150 at this A new .!·manual organ in the Church jambs is mounted on a mm'cabtc base Bombarde 16' 32 pipt::ll .sen·ice. of the Holy Spirit. La&;,e Forest, IJI., was BaSSlln 16' (Swell) dedicated in MOl),. 1972. The new hutru­ and can be stored within the organ Dubian IG' (Choir) Mnsic exhibits will be displayed by chamber at the rear o( the stage. Augsuurg. Chantry. Concordia Publish­ ment was given to the parish by the Trompelle 8' 12 plpa family and friends o[ tlle late Cenerol Claimn of' 12 pipet ing House and fortress Press. The 16th GREAT Cromorne 'I' (Choir) Annual Art (or Religion Exhibit" by RObe.rt E. Wood. Buill by Harrison and Quintaton 16' 61 pipes contemporary Indiana artists will be Harnson of Durham, England, tJle in­ Prinripal 8' 61 ripes The nelV 2-m:mual trocker organ shown. The first performance of the strument is designed 10 play the litera­ Bourdnn 8' 61 ripes Is religious drama, TI/(! Savior fit tIlt! Gate. ture of all periods. Visually, the Creat P~lant 4' 61 ripe! located in the Choir Room o( Waco Flute I1armoniquc 4' 61 pipes Hall. The original concept of this in­ trnnslatoo from thc German by Dr. john and Swell divisions arc located on the Sesqullhcr.t. 11 2%' 122 pipes strument was th3t o( a small recital and Rilling, will be performed by the Wit­ ~\'~st wall ?f the north transept; the Pos­ DOllblelle 2' 61 pipes practicc organ o( totally mechanical ac­ tenberg Drama Department. The per­ Illve, ChOir, and m05t o[ thc Pedal di­ Nineleenlll IYt' 61 pipes tion to provide the stuuents with ex­ sonal bible of J. S. Bach will be on visions are on the cast wall o( the same Fournill're IV I' 244 pipes perience on both electropncumatic and display. transept, willi the console at the west Zimhe1 lit v,' 183 pipes tracker action organs. The room in To conclude the Festival, an all-Bach juncture of the transepl with the nave. Tramllel'e 8' 61 pipes The organ consists of 40 stops :lnd 47 which it is loc.:lled SCOits approximately organ recital will be presenled by Fred· Chimes (prepared) IOmks playable (rom a .!I-manual and Tnl'tUbnt tOO people. The organ is enClsed in erick O. Grimes III. organisl.choirmas­ oak, and the windchests are of A[rican pedal console. The music:.l leadership SWELL Icr of the Lutheran Church of Ihe Holy mahogany with walnut slides. The in­ Trinity in New York City. Mr. Grimes of the church is under the dirtction o[ Rohr Bourdon 16' 12 pipes Vincent Allison. choirmastcr, and Allan Vwla da Gamba 8' 61 pipes strument consists o[ three divisions of will also lead a workshop on "The Use 17 ranks and I.! stops. MocIJer. organist. The dedication recital Viola Cdesle 8' 61 pipes of Bach Canutas in 'Vorship." was pl:lyed by Paul Callaway. Rohrflute B' 61 pfpes Further inform.Hion may be obtained Flute Ceksle n 8' 110 pipes GREAT by writing: Festival o[ Worship. Music GREAT (UnencJmed) Principal 4' iii pipell SpitJ:nale 8' 61 pipa and the Arts, Wiuenberg School of Open DiapaJOn 8' 61 pipa Principal of' 61 pipes Flaulo Veneziano 4' 61 pipet Music. Wittenberg UnivC1sity, Spring­ Stopped Diapason 8' 61 pipes Delavin 2' 61 plpa WaSdfiOle 2' 61 pipes Octave -I' (il pipa field, Ohio 45501. Laripl Ws' 61 pipes Muture IV 1!1:t' 244 pipes Ollen FJut~ of' 61 pipa Plein Jcu V 2' 3'l\ pipes Krummhom 8' 61 pipa Fifteenth 2' 61 pipes Dasstln IIi' 12 pipes POSITIV Mi::.:lure IV lYt' 2+1 pipes Oedaekt 8' 61 pipca DEPAUL U. CHORAL Trompclle 8' 61 pipd SWELL (Enclosed) H:l1Itbois 8' (jI pipes Flauto Vencziano 4' 61 pipdl SCHOLARSHIP COMPETITION Violin Diapason 8' 61 pipes Clairon 4' 61 r'lipes Sesquialtera II 2~' 98 pipes Principal 2' 61 pipes Gedackt 8' 61 pipcs CHOIR (Enclosed) A competition [or the Father O'Mal­ Gemshom 8' 61 pipes Nineteenth lYt' 61 pipes Viole 8' 61 pipCII Genuhom Celeste 8' 61 pipes PEDAL !ey Paulist Choir Graduate Scholarship Viole Celeste 8' 61 pipes SpiUnUle of' 61 pipcs 1Iob G~deckl 8' 61 pipes Subbau 16' 32 pipes m the Art of Choral Training will be Principalino 4' 61 pipes newhom 8' 32 pipes held again this year by DePaul Uni· Flageolet 2' 61 pipes Koppetniile 4' 61 pipes Nachthom 4' 32 pipa Mixture IV 2~' 2+1 pipes versity School of Music, Chicago. Illi· Conlra Fasotto 16' 61 pipes nois. Established by friends and ad· Comopcan 8' 61 pipes mirers of the famed director o[ ChiCl­ Clarion of' 61 pipes go's Paulist Choir, this annual full­ Tremubnt tuition scholarship o[ $2000 has as its POSITIVE (Unendoscd) New Reuter Organ to Somerset, Ky. Church objective the selection and development Gcdad;t 8' 61 pipes of a graduate student wtih a major in PrincipaJ of' 61 pipes The Fint D3ptist Church o[ Somer­ Koppelmte 4' 61 pipes choral conducting. Conteslants must be Naurd 2~' 61 pipes SpitzI1i5le 2' 61 pipes qualified for acceptance as graduate Gemahom 2' (il pipes ~t, Kentucky has installed a new Reu­ ter organ, replacing a pre-World 'Var Mi.lture III 183 pipes students in tlle School o[ Music. TIeIU 1%' 61 pipes Contestants will be requestcd to sub· TfUlDpet (en chamade) 8' 61 pipes II organ, as part o( a large renovation SWELL project in the church. The new oq;an mil transcripts o[ undergr.aduate studin (Endoo

6 THE DIAPASON CUYLER, ALBRIGHT HONORED AT U. OF MICHIGAN

Louise Cu}ler and William Albright, stated that "With similar distinction both memhers of the School or Music she has compelled. the enthusiastic ap. facullY ;n. ,ht· Unh'crsil)' of Michigan. pr:wsc of generations of students who werc honorc:d fOl' distinguished scrvice 1101\·1.' hCliefited rrom her skillful class­ to the Unin:lsity u[ Michig:1II h)' presi \\Od.. Aud her wllcagues know well dCllt Robben W . Fh.' lIIillK at the !llItlu:!1 thilt the stature ur her depal'lllletll, ami faculty·staff con\'Ocatinn on Oct, I at indeed, that or the entin! discipline at Ann Arbor. this university, has been enhanced and Louise Cuyler, proh.'S.'tOr and past accordl'd national recognition through chainn:m of the mmic history and mil­ her erforts." sicolog)' department, rccci\'ed UIC Di5- tingllished I:aculty Achie\'cmcllt Award Prnfl.'Ssor ,\lbdglll'S citation noted ami a SI,OOO stipend. Willialll Albright, humorously that "Ha\'ing earned a trin­ assistant proressor or composition and ity of dcgree~ at our mm School or associate director of the electronic mu­ Music, one would have imagined IJro- sic studio was presented the Disting­ fessor Alhright 10 ha\'e been a teacher uished Scnicc An-anJ :lmI a sum of with SOUle respect ror the Inanncr in $750. which he had hccn taught. Hmrc\'er, l'rofessor Cuyler's citation pointcd his rormer mentors - tlOW colleagues - ftifPTt 'J .~_ out hcr "international reputation for - note a refreshing lack of adherence ~ -;---, her studied inquiries and distinguished in this amazingly popular teacher of dissertations and wfhings." It also music compusition." Rene Saorgin, profeslOr of organ at the National Conservatory of Nice and tilulor

t ., I.... ·1 orDanist of the Church of St. Jean.Bop'iste _-:." ~ -- .. - ORGAN RECITAL SERIES HELD AGAIN IN FLORENCE in Nice, will arrive in 'he United States early in February for his first North Amlri­ can concert tour. Barn in 192B in Cannes, For the sixth year, the Christian Com· nwv 718, Trio Sonata 1'1, llWV 718, France, Mr. Saorgin began his musical stud­ O'Fallon, TIL Church mittee of 1:lorence, Italy, has sponsored Prellulc awl Fllglle in A millOr, UWV iea at the Nice Conservatory. He continued Gets Bcrghaus Organ a series of concerts on the vadou5 or· 5,13, Bach; l'ricre, Franck; Introtillclion his .tudies at the Pa,is Conservatory with gans of }')ofCnce in the autumn tourin anti Passacaglia in D ",illcr, Reger. Lilaire, Maurice Durufli and Noel Gallon. The O'F:lllon United Church of season in collaboration with the Tour· Johnnye Egnot (Chicago. Ill,) , Cat­ and at Ihe Sienna Academy with Fernando Christ, O'Fallon, tIIinois, recently dedi­ ism Agency of Flotcnce. These immense· tcdralc di S, Maria del I:jorc, Sept. 27: Germani. The only candidate sent to r.pre­ cated a new 2-m:mual organ buill by ly popular concerts obSCf\'ed this year Prelude arid Fuglle iu E minor, DWV sent France at the Concours International the Bcrghaus Organ Co., Heilwood. Illi­ ule centenary of the birth or Max Rt-ger 5-18, ller=.licll tut midi verltJu!;e", B'VV d 'Orgue in Ghent in 1958, he was the win_ nois. The action is entirely mechanical. by including at least one work of the ii2, Uach; f',wtasia on .. Wie scllon ner of the first prize (Premier Grand Prix The casework is constructed of white composer on each program. As in past leuclll W IJ tlcr MorgerlSteNl." Reger; Int.rnational J. S. Bach). He was director oak with larger panels of oak plywood years, the list or artists was interna­ Les Cor}ls Claricllx (complete). MI'S' of the Conservatory of Music or Ajaccia. [ramcll in solid trim. The Choir divi- tional. I,ll or the programs are listed siaen. Conica, and is pr.,ident.founder of the 51011 is cxprC55ive and cmplo)'S glass in the foJJowing, Jean-Jacqul'S Cnmenwald (I' a r i s. Association of Friend, of the O,gan 01 shades permitting unrestricted ,'isibility Edith Ho (Baltimore, MD), ChieS3 Frallce), B:lsilica de S, Croce, act. ·1 : Nice and the Cote d'As:ur. He is alia a of the pipework since the choir and or· di Ogni5santi, Sept. 6: Parlita all "Sei Grarld jeu, dn Mage; R Jcit tie tiercc cn charter member of Ihe Academy of Organ gan arc located ill the front of the gegrUs..set Jesu gi'ilig," nwv 768, Aile;', taille. Grand Dialogllc. Marchand; Noifl at Saint.Maximin. professor of organ 01 the church behind the communion table. Gott in der HoI, sei £IIr, UW\, 662, in G, Daquin; Corlcerto Trio, nwv 597, International Summer Academy for Organ­ The choir sits to eirhcl' side aud behind Prelude and Fugue in C, UWV 517. Preludc and Fuguc ill C, UWV, 546, ills, Haarlem, Holland, and a member of the lunsolc which is detached U.fce Bach; Clloral in A minor, J:ranck; In­ Uach; FanttIJia all "£;11 teste Burg," the High Com minion on Historic Monumenll (eel from the ofJ,.-:ln C41SC. The pipcwork troduction aud Passacaglia iFf F minor, Rt'ger; Improvisation 011 a submillcd with the Ministry of Cultural Affair. in is gently Yoiced on 58 I1l1n wind pres· Opus 6!, Reger. theme. France. Mr. Saorgin hal recorded eltlerlliy.ly sure. Principal pipes are of 75 ' 0 lin Heidr"n Decker (Vienna, Austria), Alessandro E.'iposito (I:'orcncc, Italy) , on the Harmonia Mundi, Vox, and Turn, with moderate cut·ups and toes fully Chiesa di OgniSsallti, Sept. 13: Prdude Basilica de S. Cl'Oce, Oct, 11: Variations about labels, 01 well 01 for the French and open. Flute "oices are of 50% tin and arid Fugue in £ mirwr. Bruhns; Varia­ on "Vatcr Im.ser" rrom Sonala VI, Men­ Belgian broadcasting networks. He hal en­ the toes are semi-open. The Krumm· lions on "Est-ce Mars," Ecllo ad mnn· delssohn; six ChOTa Ie Prcilules froUl joyed on active career as soloist in France, horn and Fagoll ::md all Principal work unle duplex lortis d lerle, Scheidt; Wa­ Opus 122. Brahms; Choral in E m;'lar, Germany, Switzerland, Itoly, Belgium and were made by lhe Giesecke firm of cllet (Jul, BWV 645, Prelmle ami Fugue Frana.; Fantasia on "SImI micll "ic!H Holland. His tour will include 12 recitals Catlingcn, Gennany; Hclmut Hempel in D minor, BW\, 538, nach; Toccata i" df!i"~'1 Zorn ..• Regel". and three mosier c1ane. frOM Feb,lIa'Y J of Cleveland. Ohio made much of the I,otlce.se, Parlita OIl "Frtm dicll, du Hi",­ D. Luigi Sessa (Horencc, hal},), Cal­ through February 26. other pipework. Carroll Hanson worked melskonigen/' Kropfreitcr; Fantasia on tellrale di S, Maria del Fiore, Oct 18: with the builder in scaling the organ, "JJ1achet au/," Reger. Toccata a,ul Fuguc in D minor, Opus 'Vayne Tjaden dl.'Signed the ClSC, and Roberto Pichini (lo'Jorence, Italy). 69, Herr wie du wills', Gloria in excel­ Frederick Lake assisled with du: lonal Chiesa deU' Autostrada del Sole, Sept. sis. II'dluUlcIltC1l, Farl/tlsia ell "Aile finishing. Mn. Charles Claxton. organist 20: NUll homm der lIr:ifie" Hei/awl, Mellscheu m;issell lterben," Rl.'ger; of the dturch. played the dedication re­ UW\, Gil, Christ lag in Toc1csbonde", Cra"de Pi~ce Sympholl;qlle, Fmllck, GEIRINGER FEATURED LECTURER cital. Consultants ror the church were AT RIVER FOREST WORKSHOP Dr. Glenn H. Frciner and the Rev. Walter n. Krebs. The Rev. Walter IJ. EVERGREEN CONFERENCE Karl Ccirjnger, noted aUlhority on Gerth is pastor of the church. The man­ the life and music or J, S. Bach, was the u;1I key compass is 56 notes, the pedal NAMES NEW OFFICERS featured lecturer for the Ninth Annual .:J2 notl.'S. Lectures in Church Music at Concordia Teachers Colll'ge, Ri\er Forest. minois, IIAUI'l'WEkK The E,'crgn.. 'C11 Cotlfercnce. E,'crl,Ffeell, NO\'l.'mlJcr 4 through Nov. G, H is suu. Rohrtledackt 8' Colorado, in action taken recently by ject was .. rhe Church Canlala of J, S, J1rindpal 4' the hoard or trustees, has namell Han}, Bach," and his lecture included a gen­ N;uat 2%' J. Tomlinson. or Palm Springs, Califor­ eral analysis or the style and lIlanner Waldnate 2' uia, to the newly·created position or Ten: IY,' of expression which Uach used in the Mixlur III l ~ ' chairm:m or the board and chancellor, cantatas. Three cantatas, olle eadl rrom TRmulanl aud l.ester Groom, of Seattle. Washing­ the carl)" middle and late periods or CIIORWERK lon, 10 the post of president. H:ICh's compositions, were used to illus­ CCllullorn 0' The reorganilation, which comcs at trate the lecture, and the Kapcllc or Cclole (TO) 8' the obscr\,:lIlcc or the 50th anniversary Concordia College dil'Cctcd by Thomas Ccdackt 8' of the organization of the Confercnce CiI..'Schen sang exampk"S of various pieces KoppclnBle 4' [ur the audience. The final can lata used I'rillzillal 2' hoard, dh'ides the increaSing list or re· as iIlu$tration, Cantata XI (Praise Cud QuintflBlc I ~ ' sponsibilities and duties which ronnerly Zimbd III V,' rested upon one person, and at the same iu all His SjJlt!udor) was pcrfonned by Krummllom 0' lime Illaces working rl'Sponsibilitk'S the Kapclle. soloists. and instrumenta­ PED,\LWERK upon cach member or Ihe ooard. lists in a V(.'Spcr scn-ice on Nov. a at Slibbau 16' Barbara Harbach·George ha, been added Grace Lutheran Church, Rh'er Forest. Oflenbass 8' to the lid of American concert organists Mr. Tomlinson has scn'«I the Con­ T his was one oC a monthly series of rerence in \ arions capacities ror m'cr Cboralbass 4' represenled by Arts Image, ltd. of Newark. scn'ices which include a cantata by S. .. decade, ami has been preSident since J. NWlthom 2' She Is a magna cum lauda graduate with llach sponsored by Grace Church and Fason 16' dauble organ/piano maior from Penn Stale 196i. Mr. Groom has been on the E\'er­ Concordia Teachers College. bFfeen music facnlt)· for the past nine Uniyerslty, and .he holda a mas'er', degr.e Also included ;n this year's prOl,'fam MARY GRENIER. SKALICKY recenUy "" rears. turned from Czechoslovakia where ahe a(tend-o in moste: from Yale Uniyersity where she was :111 e\'cning concert at Grace Church cd the Filtb International Master Coune and won scholafShips for eltcellence in organ The E\crgrcell Confcrencc, which in· on Nm'. ·1 which reatu~d the Senior Competition in Olllan .ponsorcd by the Acad­ performance for two consecutiYe years. Miss chll.Jes \'adOU5 summer schools and re­ Choir and instrumental enscmble of emy of Art, l'r:lgue, Qnd taught by Jln Rein­ Harbach-Gearge has studied in Germany treats for clergy, laymen :111(1 church Grace Church under the direction o( berger, Sbe w;u une of five participants with H.lmut Walcha, and she passed Ih. musicians, was founded hy Canon " 'in. "aul Doumall performing works by chosen to playa concert :It historic St. JOIcob'a rigoroua Conliert Examination at the Frank­ fred Douglas out or retreals and schools Sch(ilz, Purcell, Howells, and Vaughan Church. Prague. Mn. Skalicky d chairman furt Mudc Conservatory. She ia currently conducted for the Episcopal Church in 01 lite Ilcp.1rlmcnt of fine arts at I10wanl Willi:ulls, and a )lach harpsichord con. County Colkge, Oi, Spnng, Ta.u. nearing campletian of the DMA degree a' E,'crgrcen during the carly rcal's oC this 4:(.'1 to with l':alalie Jenne as the soloist. Yale University. Miss Harbach-George l.c­ century. Its school or church TUusic has , 'ariolls workshops were Jed lly the rol­ SAMUEL JOliN SWARTZ w;u the .ubject tures on the music faculty at Alfred Un!y.r· through the years included the leading lowing: Carl Schalk ("Easy Cantatas ror of a spccial haU-hour color tde\'ision program sify in New York state, and .he is argani" Episcopal lUusiciam on its faculty, in­ the l"lfish Choir I"). ViclOr Hildner o\'cr KQED-TV, San Francisco, in carty N~ and choir director at the Church of the cluding Lco Sowerby, D;nid McK. Wil­ (Eas)' Cantatas [or the I'urish CllOir II), vember. lie IJCrfonllcd workl by Badl, Brahms, Ascenlion in Rochester, New York. She also liams, "I homas M:ttthews and lIIallY "aul UOllman (" Cantatas and Concerted Anton Heiller. Max Reger, and :I work of teaches music: at the Barley School of Music others, It is thought 10 ha\'e hl'Cli the Music ror the Solo Voice ''), and Hcrbert hit own to hunor llie Gennania Society of rirst church lIlusic workshop in this San Jose, Cali(omia, sponson of the prOJn.m, in nearby Fairport. Barbaro Harbac.h-Gearue Gotsch (" }'roblellls of the Continuo T.::apin(l{ (or tlte prOlram was dom: in the is married to Thoma. F. George, an auislant COUlltt'}', and has been recemly rccog­ lilarer"). Choral reading sessions were KQED-TV studios on .::a 1:a l15 e electronic in- profeSSGr of chemistry ot the Uniyenity of uilL'ti as significant by the Episcopal led by Erich llredehoeh aud Arthur • trument. Rochester. joint commission on church music. Halbardier .

DECEMBER 1973 7 The Pedal Harpsichord

by Larry Palmer

practice cI:l\ idlord in thc Heyer Instru· remains just a practice instrumenl. For missed it: Fr.lIlk Hubbard has talked IJIcnl. COIlc.'Clioll ill Leipzig has two some players, o( course, the necessity of a pedal harl"ichord ill kit fonnl r la\'illumls piled on top of each other to tune enm morc choirs o[ strings In an inter\ iew in rile Harpsicl,ord and a third instrument, with 16' and takes away some of the joy in ha\'lng (Volumc V, no. I) for February 1972, tr stops, fur the pedal. It was built by such a complete instrument; Mr. Biggs' hc mentioned a pedal kit as a "post· Juhann Gerstcnhcrg in li60. Challis, with its sturdy metal construc· grOlduate" COIU'SC (or the many builden The (,ft" lunted i!l\eIH0t)· of Bach's tion needs tuning less (requently than of his Frcnch double harpsichord kiL possessions in I inO mentions 5t:\'eral do harpsichnrds of 1U00C traditional lIubb:ud's pedal harpsidlord will have d;l\icelllhali. three or them "with construction. a Oat pedOllboard (ill the European pcd:IIs." It is IIOt dear whedu:r thHC The literature designaled for pedal style) and the specification will con· wuuld ha\'e ht.~n harpsichords or cla\-i· harpsichonl is not large: it consists, to SiSl of 2d', Ix4'. ,,'or more information churds, hut thc c:1~r inslnuncllt with a bcucr tone. The manual Zuckennann harpsichord at the produced b}' the added pedal In the Hcrilage Society. illlK"r ar1':ln!lemenls 01 the cate were rein­ Purcell Room on September 28Ul. His f.. reed by a Illod dcal of iron, and iron CllrtJlllotic Jo'tWl6S)' tHid FIIglle (Philips Bigg's comments, part of a most en· program: 20 sonatas b)' Domenico Scar­ 5£TC\\, wcrc tl.3rlicularJy noticeable in the AOO36L) , and her recording of KlHul joyable and extensive interview with an latti - to wit, K. 419, 2!9. 84, 105,421, redal 1I.lard ca$C chieHy taward the tail der Fuge; thL'SC recordings. long Ollt o( IIftist who dcscrves ollr th:llIks and re­ 54: K. 27, 87, 394, 395, 314, 146. After where dlc .triugs imlMlSc the le»t .trea. print. arc scheduled for re-release \'cry spect for his crusading work. on behal£ 11li, )'cdal was stnlllR 2xS', not ovcnpun. the inten'al, K. 132. 133, 460, 461, 426, of the mechanical·action ofbrall :lnd m:lt­ ;11111 hIG'. 0\'('"1"111. There was • door in 50011. 427 , 2i4. 535. Organist.harpsichordist Ant h 0 n y teTS of historical authenticity in play­ Ihe lid wbich cIIIIM bc opened to increasc Newman plays a pedOlI harpsichord by ing, is, pcrll3.pS, justified; howc\'cr, ollr lin: (tine. Hnl" caws ....·crc nicely veneered. Eric HeTl. of UOSIOII : hc is pictured at VIRCINIA PLE,\SANTS, ollr London sins of omission were in 110 way intend· Intert..,t in keyboard instruments with this instrument in Zuckermann's correspondent, reports that Valenti is cd to "co\'er.up" the fact that the p<.'t.Ial lM.'dats did not d ie out wilh the waning Tile scheduled for fh'c (U1ISt.'Cutive e\'enings harpsichord exists alld did exin in the of thc harpsichord. An instrument from Mmlcrn lInrPJichord. in Carnegie HOlU, New York , sometime 181..h century. Rather, it has alwa)'s li86 h)' the AIs.'lti:m Joachim SW:lnen The playinG of organ music on the soon - with 25 Scarlatti SOrlatas per seemed to us that the maller of the h:!:1i a pedal action with a h:lmmer pedOlI harpsichord is oftcn interesting e\·ening. We wonder who will be thc pedal harpsichord was a completely ob· lII('chanism which act,,'ates strings and illstmcth·e. The "ery clarity o( first to pia)' all thc 5c-.ulalti Sonatas ill vious one: it existed as a pr:lctice ill5tru· stfllng on thc outsidc of thc lower case thc harpsichord, the necessity ror abso· a telephone booth? ment for org-oluists who could lIot go to of a harpsichord; the instrument was lute precision (just try to get three strings to pluck absolutely at once in il heated church and switch Oil an elec­ restored b)' Tomasini in 1885, however, tric blower to provide winding for an and it is di((icuit to ascertain what is a trio souata!) makcs the instrument (Iuite a challenge for most o( us. This ARTHUR LAWRENCE and BRUCE organ! originOlI. GUSTA ...SON played a program or mu· Historically the addition of pull·down Thc pedal piano was also £airly challcnge is met 1II0St musically and artistit."3I1)' hy Lionel Ilogg in his re· sic ror org;an and harpsichord for the pt'ti:l:ls to a mantlal harpsichord is all popular: MOlart, wanting to extend the 5t, Jnst!ph Valley Chapter of thc Amcri· extremely old practice! The carliest sur­ nll1gc of his Walter piano, ordered a cordlllg of Buxtehude orgall works at his Witlma)er p<.'t.Ial harpsichoru can GUIld of OrgiU1ists on September \'iving Italian harpsichonl, built by fmtcpianf) pcdal :llld playcd it in 23rd. Thc concert look placc in thc (Musical Hcritage Societ)· l\IHS 1665). Jerome uf Uulogna in 1521 and now cnnc~ rts, particularly ror his Fantasias. Regina Chapel. St . Mal'l's College. No· Rngg. the eminent Swiss organist, was housed in the Victoria and Albert Mu­ r\ pcdal piano in Empire style is pre· tre Dame, Indiana. The program! Cou· just iu the United Stales to play organ seum in London, has holes in the under· sen'cd in Schloss Welldor( in Lower certo irl A minor. Kl1..'h~; ll(Jllo del Grall' wuccns; he told us that this fC('ording, side o( the case to indicate that it /\ustria; huilt by Joseph Brodmann duea, Sweclinck (organ solo); Les 0,,· lum' ahuut 12 ),ears old, "'OlS the result had 15 pedals connected to the lowest ahout 1815, it has an "organ·style" deJ, Francois Coupcrin (harpsichord of his dissatisFaction with some re­ 15 notes by "trackcrs" made o( gut. pedal beneath thc kcyboard. Robert solo); Altude tie Choi~;, MllSete de cording el1gilU.'erS who had come 10 Frank Hubbard (in his Three Centur­ Schumann composed his Six Fugues on Tavenl;. Coupcrin: COfuerto in G Mrl­ his home for qUite another project. ies of Ilarp$ichord Making, Cambridge, IIACH for thc pedal piano as well as the jor, Soler. The instruments employed Siltce the), were there and hc would 10(5) lists six mOI'l! carl)' h:tlian instru· Studies and .'ilr~tc"~s, opus 56 and 58, wt.-re William Dowd's opus 202 "'rend, nul apprmc their miking tcthnique, mcnls which show e\'idencc of pull· in 18-15. double harpsichord anti a 1006 Stein· the), askL'd hilll 10 "pia)' sollletlling" dowlI pedals, Olnd it is likely that the IL is probable that onc's altitude to· meyer Positi\'. addition of fOOL pedals 10 existing in­ (or ulelll, which he did - Buxtehudc's ward a pedal harpsichord is detenoined Mr. uwrence was harpsidlOrdist for SlI'lllllcnts was quite common. Indeed, largel,. by one's orientation before Pre/"dt'J ami Fugues in if miTIor, G ",iI/or, F'shar/J miPlor, Prelude Fugue thc flutc recitOlI or Ste\'c Haaser at St, wc ha\'c seen a contemporary Dowd turning to the harpsichord: organists Mary's College on September 27th. Thcy Ilalianate instrumcnt with added pcdals find it fascinating; pianists, less·so. anti ChacolIJle in C, Passacaglia in D played Sotlate i" C Major, opus 13, num· - an addition made by Oln organist m;I/or, and Cit/COria ;PI E miPior. The Among prescnt.day artists, E. Power ber I, Vi\'3ldi; and SOllate ;n II .Minor, (riend or ollrs to (acilitate practice. The Higgs has been the most vOCilI in his pcrformances ha\'c just sudl Olll impro· RWV 1030, J. s. nacho existencc of such pedals helps to ex· championing of the pedal harpsichord. \·is.'ltor), character filled with lovely plain [lIrther (along with short octa\cs) Indeed, TilE DtAPASON published his omamenlatiou; the listcner hcars thcse the Ik!rfonllallce of some seemingly· un· article Tile Cau lor tile Pedal HarpJi­ familiar works eXflft.'SSCtl ill unfamiliar The Houston Harpsichord Societ)' pla)'ablc nott.'S in the wor~s of oompos· chord, Or, if N av Look a' tile Bach tones which arc truly dclight(ul. sponsored ROBERT JONES in concert crs like Frescobaldi and Michelangelo Trio SoualaJ in NO\'ember of 1967 (the H all o( this exposure to thc pedal at Rice Unh'crsity on October HUl. The Rossi. and helps to indicate why works second monlh of existence for the harpsichord makes one anxious to own program: Biblical SOllala I, Kuhnau; or the genre of Frescobaldi's Tocca te, harpsichord column in our journall) Olle, it should nOl bc too difficult to l.es Folies FratlcoiJes, Couperin; thc c\en those with pedal I)()ints, could be ThiS articlc, occasioned by Mr. Bigg's obtain one. The only problem may be world premicre o( Tile Cl)'Jtal Cave. pultlished (or OI'gan or harpsichord. reconHng of the six trio sonaW on his thc expensc. Se\'eral o[ the established Sorwta ;n TI,ru Mcroemeul! lor Harpsi· J'he pedal harpsichord seellls to hOl\'e Challis pedal instrument, has been builders build pedal instruments (as chord, Michael Honil. Mr. Jones was bt.'C1I particularly popular In 18th·cen· largely reprinted in Tile HarpJicilord, ha\'c heen mentiuncd by name through­ joined by JUDITH LINDER and mem­ tllry GellllOlnr. whcre, agaitl, it sen-cd Volume Ill. no. 3, (or fall, 1970. 1\lr. (Jut this column). The cost, however. bers of the Houston Civic Symphony, IJI·jlllaril)' as a practice instrument ror Hi1m" favorite point is lhat his pt:d:tl "ill be lIearl)' that o( the main instru­ Robert Lindcr, conductor, for the Badl organists. Cla\ ichords were also prized ha-rpsichord is a complete instrument, ment which goes abo\'c thc pedal. In4 Concerto iI/ C millur lor Two Harpsi· as practice illstrlltllt'uts. A "two·manu,,}"' while a practice organ or snch " size tercstiug news ror those who may ha\'e chonk

8 THE DIAPASON FRANK. NOVAK was harpsichordist concerto mO\'elUcnlS with tlle orchestra 41h INTERNATIONAL HARPSICHORD for the nute and harpsidl0rd program conducted hy Lcomard Slatkin. ~Ir. COMPETITION IN 8RUGES at Holy Trinity LUlher:m Church, Buf. Wood played the first mo\'ement 01 falo, on October 14th. Playing a Sperr· Francis Poulenc's Concerl Cllampetre. hake harpsichord, Mr. Novak and flu· The fourth intematfonal harpsichord tist John Burgess presented Sonata, week will take place in Brugcs, Belgium Leonardo Vinci; So"a'a in C minor, ISOLDE AHLGRIMM reporu that from July 27th through August ard, Telemann; and 50'1010 in B mj"or, Phillips Phonographic Indwtries plans 1974. The prestigious competition is S. Bach. a reissue of her complete Bach cycle open to harpsichordists of all nations J. recordings, made about 20 yean ago born after the 31st of December 1941. on her Ammer harpsichord. Mme. Ahl· Competitors may enter the soloists' com· FRED TULAN scored 2·. tape cues grimm is now the proud owner of a petition or Uaat for basso continuo of electronically altered Neupert harpsi· French double harpsichord by England's playing, The jury this year will consist chord, Hammond COllconie harrsichonl master·builder David Rubio. of Hedwig Bilgram (Gennany), Chris· stop, and St. Mary's Cathedra Organ tiane Jaccouet (Swillerland) , Alan Cur. (San Francisco) sounds for his music tis (USA), Kenneth Gilbert (Canada), during the Broadway chiller Cllild's DANIEL PINKHAM's Lessons for Gustav Leonhardt (Holland), Colin Playas pedonned at San Joaquin Delta Harpsichord, reviewed in THE DIArASON Tilney (Great Britain), and, as dlair. College, Stockton, California. The Lapes for April 1973 has been published by man, Prof. Dr. J. Robijns. were played through a $6000 quadra· C. F. Peters Corporation (number The required works for tJle fint phonic sound system installed for the 66425) . round of the competition are: Pre/lldl! run of the play. The Ruffati organ mu· arid Fuglte in F Major (WTC, II), J. S. sic was ta~d straight, whUe both harp· ANTHONY NEWMAN played a Bach; Sonala in if (Presto), K, 24, Do· sichord tapes were processed through harpsichord recital at the University of menico Scarlatti; and a piece of the frequency alternators and filters which Texas, Austin, on OClOtK.T 26th. His candidate's own choice. written between The ae,ghaus Organ Company of &.11. traruformed them into acid ell..-'Ctronic program: 12 preludes and fugues, WTC, 1550 and IBOO, and lasting not more woodl Illinois has built a 3-stop partable \'ariations on PtHige l.i,lgua. I, J. S. Dacia; Ordre 8, Frallcois Couper· than .sc\·en minutc.'S. For the sc:cond argon for fori L. Miller of Radlparl, "'aUG­ ill; "Cllromatic" Fantasy a,ld Fugue alld round: Toccata 2. "'robergcr; f'an'atioru ehuM"s. Th. manucd campau is .. 9 nole. The Norfolk (Virginia) Chamber "lIaUa,," COllct:r'o, J. S. Bach. on "Jh voer 01 over Rllijn," "Swl..'1!liuck; haM f to f" '. A .Imple mechanical oc;tla" Consort began iu fifth SL-ason with a Suite Number Oue i,. If, Handel; Con· i. employed, and the voking i. gll"tI. an program entitled GAMBA! On October linuum~ Ligcu; three pieces from Ordre "0 mill. wind p'lI.. ure. Th. bellows and 14 at the Ch'1'sh:r Museum Auditorium, DAVID l'LESNICAR premiered his 24, Francois Couperin - Let f'ie"x blower are Iocat.d in the lower .eparobl. guest artist Anne Harter Jones per· Seven Cano,1S in a recital at the South Seigneurt, Les Jelmes SeigneurJ, L'A.",· half of th. oak co.. , and the upper section ronned this program with consort memo Side Branch. Cleveland Music School phibie. contains th. keyboard, chest and pipe•• The bers, directed by Allen Sharrer: P;euJ Seulement on November 27th. Director For the final round the required upper sed ian can be eosUy lifted off the de Clavecin en Concert, III, Rameau; Plcsnicar also programmed Lachrymal! pieces are the Six· part Ricercare froan bose and transport.d intad. Hinged doors Sonala in D Major, Handel; Cantata, Pavlln, Dowland; Galliard: Can sl.e ex· The Mluical 0ller;ng, J. S. Bach; and prated the pipework and ouilt in dl,ectlng "Jubilate, Dorni'lo," Buxtehude; Canto· ewe1, William Randall from Titdale's Concerto in D Major by J. S. Bach. the sound. The stoplist comprlHls a Gedacltt ta 76, "Die Himmel enaelllen die El,re J'irginlll Boolt; Sonatas K. 10, 105, 247, For (urUler infonnation and applica' a', a RohrflOte "', and CI Prln:r.ipal 2', Golles," J. S. Bach; Suile in D Major 448, Domenico Scarlatti. tion blanks, write to the Secretariat of lor Viola do Gamba and Strings, Telc· the Flanders Fcstll'al, C. Mansionstraat mann. 30, D 8000 Druege, Belgium. Deadline MARTHA FOLTS praented "An Evenins for applications is the 1st of May, 1974. THE " ORGANA EUROI'AE" CALENDAH. ",ilh Louis XIV" at the United Church or is once asain available lor 197~ from Concerli ROSS 'VOOD, junior harpsichord Christ, Ames, Iowa on Oct. 21. The prorram, Spirituels, B.P 16, F 88100 Saint·Die, France major at Southern l\.lethodist Unh'cr· which w;"s done entirely in historic coltumes PENNSYLVANIA STATE UNIVERSlTY at the price of $S.20 for each calendar, plus sity, Dallas, played his new Richard with various peupte actinl as the court of department of music hal n:ce.iyed a cl:!.vichord postale. The calendar contain. 10'" x ... '" color Louis, and with thlE room t'ntin:ly in candle-­ constructed and donated by Josef Van der pholosraphs talten by Dr. Pierre·Loui. Robert Kingston French double harpsichoni for liSht, included oflan music by Raison, Cleram· KaT, fttircd auoci.te prufeltor of arciutec:tuf'lC of various EUl'O(JIEan orBan,. This year, the the first time in public at SMU's Car,:,th bault. de Grilny and Marchand, and harpsi. at the univenil)" Vag der Kar built the in· otHaRl le21ured include St. Mary thlE Grut in Auditorium on October 18th. Durmg chord mUlic by Fr.ancoiJ Couperin 2nd d'Anl' slrument in euct duplication 01' a clavichord Cambridle; En!bnd, I'cplin in Poland; Inns­ the Dallas Symphony Orch~tra.· s wed:,· lebert. TIl!: program was JilCllUOft'd by the de· in the collection of the MIEI~ilan M~m hnKk, Awtriao i Naumburs, Ottobeun:n and in·residence at SMU 5Cveral uudenu partmenl 01 mUlic 01 Iowa Siale Univenity, of Art in NIEW York City wbik hIE wal Itudy. othen in Germany; and Chartrn, I.e Mao., were given ahe opportunity to pe.rronn wht'n: Ms. FoilS is a I.cully member. ins :udutruure )OII1e )'Can a l O. la Flr cl.e, and lot Fertc·8t'r~nrd in Fromce.

SCOTT JOPLIN E. Power Biggs "E. Power Biggs plays Scott Joplin on the Pedal Harpsichord" Ten famous Rags, including liMa· pie Leaf," "Pine Apple," "The Strenuous Life" etc. on Columbia Records E.I'OWER BIGGS

JOSEF RHEINBERGER The two magnificent Concertos THE for Organ and Orchestra. UJ/.IIMRIA From Rags Columbia Symphony Orchestra SDll'Ho.\ I Maurice Peress, Conductor I/,K 1I/ct· I·lillf~\:\·. CO,1>/. "Croll to Rheinberger "'ClUOES7'BONUSIXSC ...... ~TUTMEM'I Of THEORQANCOIIICUITtJ- M 32297 and Bach again! E. Power Biggs Plays Bach in the TIiomaskirche JOHANN SEBASTIAN BACH "E. Power Biggs plays Bach in th~ Thomasklrche" The historic first recordin~ in Why not all three Bach's own church. (LeipZig C major, Passacaglia, 0 minor, G malor) for Christmas?

KM 30648

DECEMBER 1973 9 playing nlhcr than to his prcludes amI postlmll:s. Seventy -Two Hours in Mimeapolis Ruhert Noehrcn spent his two hours nn a wide \:1riet)' of tupic.o;: rcgistration, by Dodd Arthur Lamberton tempo, organ. building, 3t'Slhetics, Chris· ti:Ulity. III rctrospect. what was said in Central LUlher:lII Church, lhe J.ulh· ••11 . \\' )IOII'S UI~ ; IIl ' Hllh' c~alllph: !!I i n· 111;)( two hours could ha\'e Dilly been cr:m "cuhedral" of the Uppe r Midwest. dlllll.'tI c\cr)'thillg (rum his own set of ~aitl by nile man. The wurld reknowlled ';itc of the 'i3 Conference 011 Worship, thuralc preludes (the player arpc.'ggi. altin, Ihe teachcr, the craftsman Rob­ Central each year sponsors an organ :ttes olle of a lIumber of diatonic pitch ert ~ oehrell shared his s01l1 with us - s)mposiulU which rh'als .J\.C.O. Region· ~15 'lgainst tJ1C chorale tUIlC) to the Ihe jUp!l and the frustrations of his life als in scope and quality. "pure .sound" of ligcti (J'OJUl1litlll) . in music. • Walker Art Center and lhe T)'rollc I"\orhclt l.in'-c (Ilitnf) . and Antoine His recital, too, was "cry pcDOnal. Guthrie Theater. mulcT one roof a Tisnc (L"",jlll.''s(cucc.s) . In the organ 0111)' he would choose Bach, Mt..'Ssiacn. cultllt;:!i mecca for the Twin Cities. Oli· Ol1UJ-t:tpc calegury, :l wide variet)" of Gerald :\'car. Reger, Knl"g-Elcrt, ami \'iet Messiaen, Y,'unne Loriod. and the suuntl~ was offercd. Richard Felci:mo's Lisn (in tlmt order) and then repeat St, l'aul Chamber Orchcslm ... two I Milke M)' Soul Frol/l All tile Elemt:"/s the )\car for an encore. Yet, it was a concerts in two nights. of thc U"itlcrsc brought the most f3vor­ baJ;)lIccd and satisfying program, which .. Ide audience re3ction with its e\'oca­ e~plored the capabilities of that mag· Organ music, piano music. dlamber th'c tape soumis ( lloise of a cit)' street, n ificent instrumcnt, one of the finest lIIusic, cr.lIumcd inlo three unforgct­ slirf pounding Ull un a shore) . Casal ants of the Lawrence l'hc1ps era. table days. I thiuk a topical ltt..";lUnent ,\ll'C \\'yton. looking ever·so·British The yearly success of the symposium of e\'cnls is c;)sier to follow, so read onl in a whitc shirt and COllsenalhc suit. is :Iltrihulable to I:rederic and Joyce Hilary, who ha\c combined 10 lead the Robert Noehren music at Central for o\'cr 20 YC3ts. Since its inccption, the symposium has grown advertised as "Minnesota's other great frolll 75 registranls to a capacity crowd orchcstru" (the first, of course, being o( nearly 150. O\ct I!)OO heard ROUen the Minnesota Orchestra) h~ made ~ochrl'n's redial. which was open to tremcndous progress, both artistically the public. and professionally. since Dennis Russell II\' FORTUNATE COINCIDENCE, Da\'ies became its music director a year :Messiaen and his wire. the pianist ago. Yvonne Loriod, were in Minneapolis Following sensitive readings of "0 for two conccrts on thc same Sunday Sacrum Convivium" and two portiOIU aud ~(onday c\'enings. Thanks to the of Cinq ReclltlnU by the Dale Warland l-liJar}'s' pre-planning, tld.:ets were Singers, Mme. Loriod and the Orches· made a,'ailable to symposium partici· tra's woodwind players amI percussion. pants. ists combincd undcr Davis's baton, in SUllday's event in the T}rollc Guiluic an electrirying Oisenux Exotiques, which Thealer, was a solo and duo-piano rc· carncd a mighty o\'ation from the stand· cit"). MUle Loriod opellt't.! with threc iug·room-only audience. cxcellJlS from Mt."S5iacn 's 11;'lg1 R~gnrd$ I\nd as if that was not cnough beauty J ilT VEII/n", lenIS, NoN, ttremierc Com· £or one e,'cning. tlle program closed munioll de la Viergc, :Iud L'uprit de with Quatuor pour In Fi,. du Temps. Joie. In the first two ItIO'"elllents, one One can feel. in the anguished cello is reminded by the singularly rich sollor· soliloquy, the misery Messiaen must ilk'S th:lt rhythm is ollly one aspect o{ ha\-e relt when he penned QIIGtuor in a Messiaell's di~lincth" e style. i':azi prison camp. A period of respcct­ On I'isioll de L'Amell, the composer (ul silcnce followed the final sonority,

Competition finalilts: (I. to r.) Richard Ericho", Joanne Vollendorf, Marth Db. Ric.k Morsan (winner', and Frederic Hilary, minilte, of mUlic at Central Lutheran. Monda)' and TUt.'Sf.lay, Oclobcr 22·23. immediately "infonnalized" by shedding marked dual tcmh annh ersaries of tlle his CO'lt and plunging into the fi n l ChiS, Ccntral Luthcran Organ Symposium ter of f/oJumiM . LOllg forearms, big and the chun:h's lOS-rank Casa\ant or· ft.'Ct , and tough cuticles (for the glis- gan. In past years, names such a~ Alain, sandi in William Allbright's Md isma) Heiller. and Durllne, lliggs, Heischer, Sl'em 10 be to the m ntelllpor;)ry o rgan- and Glasgow 11I\\'e built tlle symposiulIl's ist what nimble fingcrs arc to the pia, reputation. This year, a student COIl- nist. His eycs c\'er twinkling, Wylon It.'SI. and two days of lectures dimascd projected through the cacophony a per- in a recital 011 Tuesd:l)' c\elling by the sonal warmth which augmentcd his ob- symposiulU's "hcadlincr," Robert Noeh- \'ious k1loY'I~dgc of thc subject matter. ren from lhe Unh'ersity of Mi.chibran, Ita 111 Manz, dir«lor of music al who dcdicau.'1..I the org;)11 tCIl years ago. Monnt Olive Lutheran Church in Min· The student conlest, Ilch.l lhe after- neapolis and chail1nan of the Fine Arts noon before the symposium began, in- Division at COJJcordia College, St. Itaul, eluded ninc pal"licipallts froUl fh'e area ~howcd how he :lchicvcs "Excitement in colleges. Judges Alec "'ytOIl, of the Hymn Playing." A giallt in thc field of Cathedral of St. John the Oil'ine in service·playing, he lonchcd on the au- Ncw York Cil)', Charlcs Echols of St. Ihellticity of our prc.scnt-day hymns Alec Wyton d.manllratel "Contemporary O,san R.. cl\ucn _" Cloud Stale Collt.'ge. ami Da"id fienen (current hymnals have too often ob- of Gustavus Adolphus College chose scured testual ;)CCenlS and musical now joilled h is wife at a second piano. En- a fter which the audience Tose as one willller R icl Morgan. a studcnt of Carl by eliminating hcmiolas and adding ex- scmble problems detrnctcd from thc pcrson to pay nibute to tJle performers Staplin al Drake Unh'crsity, tra barlincs and rcsts). phrasing, ani- O\erall c:£fect of tJlC work, but Messiaen and composeT. The two days of the symposiullI went eulation, and e\'cn when to play JC£t no doubt th;)t he is a capable pian. Special thanks arc due the Walker by quickly. Each of the thrt'C lecturers "Amcns." His delivcry was punctuatcd ist. ,\rt Centcr and the St_ ]'aul Chamber \\crc gh'cn two ol1e -hour sctSiolls. Alcc hy numerous personal anccdotcs and at- The '''alkcr ,\rt CClilcr l\uditorium Ordlcstra for bringing Mcssi::lcn to Min­ W}tons' lecturc·dcmollstrations on "COil- lhe ·console examplcs of his principles was lhe scene on Munda)' c\ ening ;)5 neapolis, ;lIld 10 Central LutJleran temporary Organ Resources" wcre shock- :It work. He stresscd a point that church four more works of Messi:len wcre pre. Church. for prOViding a first-rale con­ ing to some participants, amusing to llIusicians too often forgct: the organist sented on the 51. Paul Cham her Orch· cla\'c for the organists of the Upper others. but certainly mind·expanding to should gh"e his first fmits 10 his service estra's "l'erSpeCli\-e Series: ' This group, Midwcst. ~~~~~~~~~------~------

REUTER ORGAN COMPANY BOX 486AN, LAWRENCE; (9131 843·2622

10 THE DIAPASON Q unique ecumenical graduate music school ~~

~~~. '"

We have applied to the Board of Regents, State music, as a performer, composer or scholar. In addition University of New York for our educational charter. to the degree course, we will also provide numerous When approved, we will offer a two year graduate short courses and workshops. program leading to an M.S.M. Classes are small - we intend to keep them that way - If you have a degree or equivalent experience, Schola so if you're interested, act promptly. Write for full may be just the place for you to find yourself in sacred details of our curriculum.

Sr. Mary Gerald Carroll Not only impressive names in the OUI field of sacred music, they're great John Corigliano, Jr. teachers, too. You may be a recent Msgr. Richard Curtin faculty graduate or someone who's been in Robert De Cormier the field of sacred music for years .•. if you are looking for an adult program Vernon De Tar that will help focus your talents to Eugenia Earle future' needs, Schola can help. Richard French Schola will be the first ecumenical Pastor John Gensel post-graduate school for performing musicians. The curriculum will be a lain Hamilton combination of classroom ledures, Calvin Hampton tutorials, rehearsals and performances­ stressing the student's individual skills Gerre Hancock and technical competence. Students William Hays will attend the finest musical performances, both secular and Margaret Hillis religious, throughout metropolitan Abraham Kaplan New York. Larry King James Litton Affil iated Institutions.

Maureen Morgan Cathedral Church of 51. John the DIVine Jewish Theological Semenary College of New Rochelle St. Vladimir's Orthodox Seminary Cherry Rhodes Concordia College Union Theological Seminary John Rose General Theological Seminary Hebrew Union College Hugh Ross TheR! Rev lIor~("W R.Don{'g~n. Th"Rev Mlgl RkhudB.Cullin. Prof [rc\\'rrn.. , . AII!(:Wylon. PoIl"c,.lIKclby. Ralph Schultz Chl1rmoln, BOolrd 01 Tlu~ll"ei Vice Ch');roun Ph D. vl(c·Ch~"m.n Director Coordin.llor The Rt. Rev. Alexander Schmemann Denis Stevens r---~::::;:::;7c:---l 1047 Amsterdam Avenue, New York, New York 10025 Frederick Swann I I The Rev. Thomas Talley I Please send me addItional informatIon and application • forms for: I John Weaver D Two·year graduate program (Fall 1974) I o Short courses and workshops Eric Werner I Richard Westenburg I I Arthur Wolfson I N.mc I Alec Wyton I I I Address I

I City I

IL St.te Zip I ------~-~ WILLIAM lESLIE SUMNER

William Leslie Sumner. Ihe English NUNC DlMITTIS organ expert. died on August 5. 1973. He was 69. Dr. Sumner was born in Yorkshire. England in I!JO.I, and his illlcrcst in the organ began at an early age while still a school hoy. He became an orbr.1nist in G/AN FRANCESCO MAlIPIERO his teen!';. Later he mOl'ed to London New Music for where he bec llne organin or King's Col · Cian l'r.mcCKo Malipicro. the Ilali;tf1 ll'gC. Strand. 31M.l deputytat several Lon­ composer. died at Trc\,i.m, Iialy on Au· don dmrches. gust I, 19;3. He was 91. While slmJ)'ing at London Unh'crsity. norn in Venicc ill 1882, he studied ORGAN & he took a rinl class honors degree in \'iolin at the Vielma Conscn'atory froUl ph),siOl, and he also was awarded a 1899. but ha\'ing ra iled the examination PhD degree. He taught physics and in that instrument, he changed 10 the music at two schools before moving to stud), of harmon),. He continued study. BRASS N'ouingham Unh'crsity where he joined ing with Marcello l.icco in Venice until the department of education. He was 1902. taking a diploma at the G. n. prore550r and reader in rouc;l.tion at Martini Licl."O or nologna in 190-1. From Bach-Powell-PRAISE OUR GOO No. 97-5155 $2.00 Nottingham until his retirement rour 1921 he taught composition for two Arranged for organ and trumpet years OIgo . years at the Panna Conscn'atory before I\side from many :ntides about [he dc\'Oting himsclf mainly 10 composilion, orb~n published in Musical Opinion In 1939 he W3S appointed director or Johnson, David-SIX FANFARES Score No. 97-5169 $2.00 and Tile Orgnn, he was the author of the Marcello Liceo in Venice, 3nd he Instrumental Parts No. 97-5194 $1.75 Tile Orgn". lis Evolution, Pri"ciples of held the post for many years. He 3t· For organ and brass ensemble COllslructio" nml Use, and a mOIlO' tract(.'tI students from 311 ovcr the world graph. Fnther HeFiry lI'iIIis, Orgnn 10 his prh':uc studios. /luiltler. nnd His Successors. He was Malipicro's huge output included Wolff, S. D.-SUITE FOR ORGAN FROM greatly in dClIland where advice on the lIIany works for lhe stage, conccrt pieces THE FRENCH BAROQUE constructioo, care. or renm'ation of all or all kinds. and chornl works. His pre· (with opt. trumpets and timpani) No. 97-5152 $2.75 organ was nct.'tIoo. alld he was a mcm· (lccllpation with old (utian music was ber of the committee of organ advisors c,'idelH in his cditions of complete "'orb to the Central Council for the Care of hy l\{onte\'cnJi (which occupit.-d him Church(."!'i ill England. rrom 1926 to 19-12) and Vh·aldi. NEW BRASS ENSEMBLE MUSIC Gresham, Jonathan (ed.)-FOUR CANZONAS Score No. 97-5108 $3.50 Instrumental Parts No. 97-5122 $5.00 JOliN FF.RGUSON "" ... , presented by the THE UNIVERSln' OF KENTUCKY Compositions by Merula. Guaml (2), Crecquillon Cle\'d ... nd Ch:aph:r AGO at theh' Nov. 19 School of Music sponlored ... ltindemith Festi· lI~t i n!l'. Hi. 1«lure-detl1onst~tion was cn· \·... 1 durin! September and October. The festi· tilln! "On Sin.in! a New Son, to UK: l.cJrd." val included 9 concl'ru, keturu hy IRlJcbol'l {) Mr. Fef'llUOn Is t:ditor of tile new Urtilt:d Solin;!, Luther NUll and William Mootl", and Church of Christ Hymnal and gener.tl chair· the final concert reaturrd the UK orchestra man of the Clcnl:and '7" National CDfl\'ention and chorules under the direction 01 Rebert of the AGO, Shaw in lIindemith's " Requiem: Whcn the Lilacs Last in the Door.y:ud Bloom'd." GEORGE SIIlRLEY nnd TROY GARrEN· ~ Cf!!~!?a TER ga1,'e a IlrOR1'Ol1ll entitled "The Devdop. HM SOUTH ..,n_ .. Ill.... ELAINE BROWN conducted a choral work· 15AI'O' ~ _~'" ment of Ille Toc:c:ata , the History o[ the Toe.· shop for the Piu,buf,11 Chapter 01 the AGO cab" on Oct. 22 lor the Detroit, Michigan at the Mt. Lebanoll United Presbyterian Chapter AGO. Church, Pittsburgh on Nov. 26.

and

g;eace/ul came down all 0/ u~ at at

and

P. O. BOX 14 21 - E R 1E, PEN N SY L V ANI A 16512

12 THE DIAPASON The console is detached with all me· chaniGl1 actiuns, and the organ has fororgan slider ch(.'Sts with 2~" wind pressure ewl~ fed by one wedge shaped reservoir. IlJ 'released GREAT Bourdon 16' Principal 8' Bossler, Kurt - KALEIDOSKOP lor Organ or 2 Organs (WM 16B ) .. $5.00 Chimney Flute 8' Octa,"'e 4' Linke, Norbert - ORGAN POPS (Chorale-Preludes lor Organ) Nachthom 2' (WM 153 ) ...... 7.50 Comet V 8' Mixture VI MUller-ZUrich, Paul - CHRIST IS RISEN (Christ ist erstanden) . Trumpet 8' Chorale-Fantasy fo r 2 Trumpets, 2 Trombones and Organ SWELL Gedackt 8' (GM B6 ) ...... 5.00 Gemshorn 8' - MY SOUL NOW PRAISES THE LORD (Nun lob mein Seel Open Flute .. ' den Herren) . Chorale- Fantasy for 2 Tntmpet<;, 2 Trombones and Nazanl 2%' I'rincipal 2' Organ (GM B7 ) ...... """ ...... 5.00 Tierce I~' Scharff III Vacka r, Dalibor - PRAYER FOR A DEAD SOLDIER lor Trumpet Cromorne 8' and Organ (GM 76 ) ...... 3.50

I'EDAL Principal 16' Bourdon 16' (CC-BB (rom Great) for chorus Open Bass 8' Choral Bass 8' Eberhardt, Carl - A PRACTICAL GUIDE FOR CHORAL RE­ Mixture IV HEARSALS (English edition translated by Kurt Michaelis) Trombone 8' (B290) ...... _...... _...... _ ...... 6.50 Trumpet 8' Genzmer, Harald - GERMAN MASS (German text) . ?\'lixed Chonts Noack Builds Largc and Organ (BIB9 ) ...... -f.50 2-Manual for Decatur, Ill. T HE CALVARY C HURC H CHOIR, New York City, widl Glenn J acobsen, pianist , a nd Kubelik, Ralael- STABAT MATER (Latin text ). Soprano, Mi,ed David Everhart, cellist, prcsented a concert Chonts and Chamber Orchestra . Vo('al Score (5948) .. "~ ...... ~"" . 3.50 A large new 2·manual organ has been f("atu"ng IJremiere performanct's of works by Calvin II:aQlPton under the composer's direc­ installed in the First United Methodist Schuetz, H. - I AM THE ONLY TRUE VINE ( Ich bin ein reehter Church. Decatur. Illinois. Huilt by tlle tion on Oct. 28. As part of Cah'ary's Festival of the Arts, Mr. Hampton introduced new \Veinstock ) SSATIB. (German-English text) Choral Score Noack Organ Co., Inc. of Georgetown. a nthems, nrw hymn luncs , and nrw instru­ (20.3B9 ) ...... _ ...... _...... _ ...... _...... 2.50 Mass.. the mechanical action instru­ mental mudc, Also included in the program ment was dt.'Signcd and finished by wen: " Prisms" for piano (1963). and "Songs Verdi, G. - FOUR SACRED PIECES (Quattro Peni Sacri ) (Latin Frilz Noack in consuhatioll with Theo­ for the Last Act" (1962). " This Is the Day," dore Ripper. ofhr.mist and choirmaster composed for the 125tll anni\'enary of Cal\'ar)' text). Eulenburg Miniature Score (E 10(0) ... _ ..... _ ...... _ ...... 5.00 of thc church. The new instmmcnt re' Church in 1972, conclUllel1 the festi\'al. Vocal Scores for each of the PIECES published separately in places a !I·manual clcctropncumatic or­ Peters Edition: Ave Maria (4256A ) Laudi alia Vergine Maria gan. Major sourCL'S of inspiration in the (4256C ) Stabat Mater (4256b ) Te Deum (4256D ) (Please see design of the instrument were the A FALL WORKsIIOl' ON CnURCil MU­ Choral catalogue for further details) Schnitgcr and CIi(llIot instruments. but SIC was sponsorui jointlY by the Iowa Con­ the size of this organ and incompati­ fer"nce Commission on \Vonhip, the Iowa 'Vhen ordering, please enclose check or money bility of these st}'k'S have rcsulled in Challl"r IIf the FeUOIt"'s hi,, of U nited Methodist order ... and address to DEPT. N, Musicians, ami the Mason City Chapter of the l.>sScntially modern character of the the ,\GO at Wesley United Methodist Church, organ. Large scales. somewhat flexible Mason City, on Oct. 6. Leaden of the work­ wind supply and unequal temperament ShOll were Robert Scnggin of Rochester, Minn., C. F. PETERS CORPORATION (Kimbcrgcr II) were incorporated not Rich:ard Waggoner of Minneapolis, Mrs. Wal­ out of historic curiosity but in order to lace Allen of Mason City, and Max Exn("f, 373 PARK AVENUE SOUTH NEW YORK. N. Y. 10016 gencratc as big, warm, amI \"cry "alive" extension specialist in IIIl1sic from Iowa State and Ilnmachine·likc a sound as possible. Uni .."enit y. (212) 686-4147

The three Sonatas for Organ of Paul Hindemith played by Anton Heiller at Memorial Church, Harvard University. Professor Heiller, a long time friend and colleague of Hindemith, brings to the music a warmth and a passion that are fully realized by the resources of the Harvard organ.

Built by Charles Fisk in 1967, the four·manual, 49-stop mechanical action instrument is recognized as one of the monuments of American organ building. BEILLER plays HINDEMITH at HARVARD IN STEREO $6.00 POST PAID , Moss. resiaents aaa J 5¢ sales 'ax Harvard Square Records P.o. Box 472 West Somerville, Mass. 02144

DECEMBER 1973 13 Some Remarks to Mr. Bernard Lagace

A Reply to his leiter in the November issue, pp. 12-13

by Dr. Edmund Shay, Columbia Collese, Columbia, S,C.

Dcar Mr. Lagace, I-Iowc\'er, if this information had been Thank you for taki~& the time to provided at Choate, it might havc stim­ write about your reactIOns to my re­ ulated a Ihely and thought provoking ,-iew of the Choate Organ and Harpsi­ discussion. chord Seminars. I am sorry if some of Without rC£crring to the specific pas· my criticisms upset YOII, especially since sages you quoted from C.P.E. Bach's I did not hesitate to praise what I book, allow me to point out that onc thought was worth), of praise, and be­ can find so·called documentary evidence cause 1 believe YOII and Mrs. Lagace to support almost any idea one needs arc major talents. lc\"crtheless. every­ to support, especially when quoting out one is hUman. makes mistakes in play ~ of context. I don't dis.'Igree necessarily ing and of judgement, and has off-days. with the passages you cited from C.P.E. If an artist is going to appear beraTe Uach's book, but pcrhaps others should the public he must expect some criti­ know that he is speaking of harpsichord cism, especially when a fce is charged and primarily clavichord technique, not to hear him. organ technique. This is clear from a The reason I am writing this letter sentence in paragraph sc\'en of the is because I realize after rcading yours, same chapter (II]): "The keyboard that there seems to be a lack of com­ lacks the power to sustain long notes munication, which is, perhaps, due to and to decrease or increase the volume the languagc barrier. Beforc referring of a tone or, to borrow an apt expres- Christ Lutheran Church, Scituate, MassachuseHs to specific remarks in your letter, 1 5ioll from painting. to shade." should say that my own qualifications Another important fact to ~ar in as a teacher, performer, and writer are mind whell using the sollrccs you men­ not insignificant, and 1 do feel quali­ tioned, is that they arc all rcpresenta­ A self-contained pipe organ, fied to make the judgments I made in th'e of the gallant style of music. As is my re\'Iew. Of coursc, 1 cannot claim well known, Dadl did not think highly compact and complete, ideal the distinction of ha\'ing one of my of this kind of music, or its composers. for small and intimate seltings. students win second prize in an interna­ Howe\,er. 1 agree that a basically non­ tional organ competition, and 1 suppose legato touch should be adopted for If you are wondering whether a 1 too would be proud if a student of French music of the 17th and 18th mine did win second prize, but only if centuries, but then 1 never said any­ pipe organ might be beyond your 1 honestly belie\'ed competitions pro­ thing to tllC contrary. financial or spatial resources, vided an accurate measure of one's Misunderstanding No. 2 musical talents. I am sorry if 1 mistakenly described please write for information. Misunderstanding No. I your unequal rhythmic patterns in I do not ad\'ocate a style of playing Uach's Trio Sonata No.3 and the Prel­ You may be quite surprised •.. that is demid of many contrasting tule in C minor (BWV 546) as "notes touches. 'Ve arc in agreement herel iuegalcs." However, aurally the ef£ect Therefore, it was unnecessary for you to is the same, unequal is unequal is un­ quote well·known, and often quoted equal, and the confusion of lenns re· WICKS ORGAN COMPANY IHighland, Illinois 62249 18th century sources such as Marpurg, sulted only because you did not ex- C.P.E. Bach, and Dom Bedos de Celie. (Continued, next page) Pipe Organ Croftsmen Since 1906

14 THE DIAPASON plain why you advocated unequal the seminar I was still learning the rhythms in these pieces. notes (belie\'e it or not). and by the Misundcrstanding No. 3 second week I knew them better. More I do not agrce that I contradicted important, howe\'er. is that my inter· In }'sclf when I wrote that you had not pretation \\'as based exclusively on a presentcd a detailed discussion of your recording made by Harold Vogel on Frank Taylor plays works by ideas on perfonnance styles or articula­ thc magnificent new Brombaugh organ tion. It is true that )'OU discussed some at the Ashland A\'enuc Baptist Church of your ideas about articulation for in Toledo. certain pieces and certain places, but "Thcn someone claims he is searching that is not the same thing as giving for truth but a\'oiding diversity, then du Mage &Dandrieu basic principles. nor docs it demon· I become rather skeptical of that per­ strate to the student the musical rca· son. The search for truth invariably soning of a master Lcacher, which I leads one through many unexpected belic\e you arc. If my description of and di\'erse channels. Of course, if you your systcm was not quite accurate. that ha\'c alre~dy round the truth, then your is because it \\'as based purely on what search has ended, and you are to be on the camc through musically, as well as on congratulated. Othcrs, howcver, will go the few relllarks that you did make. on searching and im'cstigating all paths. The way )·ou described your approach I am happy that my review ga\'e )"ou to articulation in your lelter represents somc idras for impro\'ing ncxt year's Fisk Organ basic principles, and is precisely what Choate seminars. This pro\'es to me that you could ha\'c told the Choate partici­ it was a constructi\'c review rather than pants to gi\'c them a basic understand­ a destfUcti\'c one. Something clse you at ing of )'otlr style. Surely, for tJlfec hun­ might try at Choate is a daily sugges­ dred dollan and two ~ weeks of classes, tion box_ one should at least feel that he had been given some basic ideas about ar­ DId West Church ticulation and interpretation that hc U. OF TENN., KNOXVILLE could use as a foundation for further devclopment. This is one area where AGO SPONSOR WORKSHOP Boston Dr. Gary was particularly successful. In a very organized manncr, she prcscnted The University of Tcnnessee, Knox­ Price: $5.95 basic techniques of organ instruction ville, and the Knoxville Chapter AGO that each participant would thcn be will jointly present their fourth annual able to apply in their own teaching. Church Music 'Vorkshop on February Program: Livre d'Orgue by Pierre du Mage. Misunderstanding No. 4 21,22, and 23, 19;4. Special consultants Suite from the Premier Livre d' Orgue by J. F. You say that I did not often take the for thc workshop will be Marilyn Ma· Dandrieu. (Includes Dialogu e, Basse de T rompette, opportunity to ask qucstions at the son, organ; Donald Nellen, profcssor of seminars. If )'on think. back, I believe music and director of choral activities T ierce en taille, Concert de flutes, j/uzete, Duo en YOIl will havc to admit that I asked at the University of Tennessee, adult Cors de chasse sur la trompette, Ofe rtoire, jlarque, more qUC5tions than any other person. choral repertoire and techniques; and and Suite de I'Otcrtoire. ) Howc\'er, I did stop commenting and Carl Perry, minister of music at the asking questions when it became clear First Baptist Church of Knoxville, meth­ Frank Taylor is on the faculty of Wellesley College Music De· that you were annoyed with me for ods and materials for children's choirs. partment, a student of tbe late Melville Smith. correcting an erroneous statement you Thc workshop will be held at Church made about Couperin's Mass for tile Street United Methodist Church. Dur­ Recording Edited and Engineered by David Griesinger Parislles. ing the workshop Miss Mason will play Misunderstanding No. 5 a recital as a part o[ the churdl's Mas­ and Stephen Fassett. You say that my playing of Buxte­ ter Arts Series. hude's Prelude, Fugue, and Gllaconne The cost of the entire workshop is Elysee Editions, Inc. prO\'ed that I had assimilated a lot of $15,00. Additional inronnation may be what you had suggested. In this state­ obtained by writing to the Department 88 Lowell Road, Wellesley Hills, Mass. 02181 ment you arc absolutely not being hon­ of Conferences and Institutes, The Un i­ (617) 235-6766 est. Thc first week that I played it for \ersity of Tennessee, Knoxville, 37916.

MC]!y this h0liday season

~ i' li Y0U and Yiours w.ith ~l11e happimess 0f its tfLie meaming.

the birth (;)t· 01!l ' ~ lor.d and Savi0r, ilesus Christ.

Hagerstown, Mary~nd

DECEMBER 1973 15 London Fall Festivals

SI. Barlholomew-Ihe-Great

51. Martin-in-the-Fields

T"'o English feslivab during Ihe church's organist rrom 1949 through month of September provided london HHiI. Under Dr. Steinitz's direction. :mdirnccs with :l grot variety of ron­ canlatas and the great or-Horias o( certs orrering music both old and neW. Hach were perronned regularly :ll St. The first was the Fcsth'al of the Barlholomew's, and the strong tradi­ Academy of St. Martin·in-the·Ficlds at tion has been carried on by Brian Traf31gar Square in London. Under the nrockless (loot .71 ) and the pr~nt direction of N C\'illt Marri,ner, the organist. ,\ndrew Morris. W'hh the following programs comprised the festi· support of the Greater London Arts \-31 oFferings. ,\5.~ociatio". the 850lh annh'crsary cele­ Sept. 22. 10na Brown, Carmel Kaine, hration e\'cnt5 ha\'e been under the and Alan LO\'cday, soloists willi the direction or Andrew Monis. All of the Academy OrChCSIr:l: Concerto lor Two e\ents arc listed below. J';oUr/s, llratuleulJllrg Concerto 1'1, Sept. 20. Service or Inauguration: Uach ; The FOllr Seasons, Vivaldi. adtil-es.o; hy the Dean of Westminster. Sept, 23, Harpsichordist Grorge Mal­ the Very Rev, Dr. E, S. Abbott. colm perrorming: Dr. null's my sel/e.n Sept. 21 . London Rach Society. the Gigge, John Bull; PieceJ tie Clnvecin, Sicinitz Bach Playen conducted by Ramcau: Tcccntn in F'II,nrp minor, Paut Steiuilt. solOists Sandra 'Vilkes, Uach; Fi'le Sm.nlm, Selr1alti; "nr;a · Shdagh Molyneux. Neil Jenkins and tions ill F. KI' 54, Mozart: C/ITOnrnlic: Stephen Roherts: Mnss in B minor, J. 0 o Fn"ttu;n nnd FIIJ!ue, Bach. S. Bach. o o Sept. 25. The Academy Octet per­ Sept. 22. The King's Singen in a (orming: Sextet, Martinll; Sextet in G, program o( sacred music induding IIrnhms: O('ld, O/Jlll 20, l\tlmdewo/an. 1I ')'mm,dllnm C/.n"U by Gco(frey Sepl. 25. Frans Rrucggrn playing solo Poole. rcconlcr: f'nrintimlS all "Doen Dap'mt: !iepl. 23. The ChoIr or St. Bartho­ ,I'O"ersc!wolie IIlnt"ghl", Jacob van lomew,the.Great conducted by Andrew Eyd,: TliJO FnnJns,'ns, Tclemann: Suile Morris: 16th. 17th and 20th century in C millor, Bach, Frntrnenle 1969. motets and ,,"t1lel1\.0;: nt!joice in ti,e Makolo Shinohara; Cesli 19r,s, Luciano l.nm',. Benjamin Britten. Berio. Sept. 24. organ recital by Christ0r.her SCHLICKER Sept. 26, Mauria: Andre, lona ncarnley; concert or English music rom Urnwn, Roy Gillard. Carmel Kaine, the 12th ccntury 10 the age or Eliza­ am) M an Lovcll.:ty. sololu.. with the beth I by tlle Pro Cantiom: Anliquil Academy Orchestra: Concerto Grou i conducted by Bmno TUrner. Nos. 4, 9 nrrd 10 rrom L'Eslro ..4, mo­ Sept. 25. Ancient Egyptian Dance "ieo, Vh'aldi: Trumpet Coneuto, AI­ Group. Dennis Stoll, director and com· hinoni; A ,llle enr;, Cahrleli; Trumpet poser. music and dances of Tutank­ Concerto, Tarlini. hamun. Sept. 27, Frans Bnleggen and the Sept. 25. The Manson Ensemble: Academy Orchestra: Concerto GroJJo, works by Stockhausen, Tavener, Haynes, BUFFALO 1973 Corelli: Concerto fo r Soprnnlno Rt!­ Richard Rodney Rennett and pauerson. enrder, "inldi: Dillurimento>. KJ' 136, Sept. 26. Trinity Boy's Choir, David Mozart: Si,,'o1l;a No, 9. Mendelssohn: Squibb, director: program including Recorder (;orlcerto, Telemann: Sonatn Cn/lln;" l\'oo/' nnd His Floating Zoo in C, Rossini. hy Flanders and Horowitz, Sept. 2ft. Maurice And~. trumpettr, Sept. 26, The New Generation, musi­ :md Robert "incent. organist: 7 cians (rom Ihe Royal Academy, the Mnrcl/t~s. Telemann: Pieces ITnm Suite Royal Colh:ge. and Guildhall School ,h. IJrr.mit:r Ion . Clcramhault: Sountn or Music. iu D ",iunr, Alhinoni: Preludt! nnd Sept. 27 . Brian Rayner Cook, bari­ Fugue i" C millOf', Bach; SOli 'lIn in F, tone, and Jennifer T1l\'encr. piano: l-1ande1. !iOug recilal including works by Men­ Sept. 29: Harpsichordist George Mal. dcls.o;nhn and Schubert, cohn with the Academy Orchestra: Sept. 27. The Aeolian StrinJt Quar­ IIra"dr.JJ /JUr~ CO llurlos N(M, 3, 5. 2 and tet: quartcts by Haydn, Harlok and ·1. J. s. Bach. R3\'e1. Sept. 28, Organist Andrew Morris The second (csth'al was the 8~Oth in recital. Anni\"cr53.ry Festh'al of the Church of Sept. 28 . Schiltz Choir of London St. Bartholomew-the·Great. \\'est Smith· difct:I('C1 hy Roger Norrington: works Held. l.ondon. The Priory of St. Barth­ by Palestrina. Byrd, LeFanll and Bach. olomew was originally founded in 1123. Sept. 29, Donald Swann presented and during it~ 850 years it has rostered Trilmte to Rnl,ere: a popldar enter· much musical activity at various times. tainment In words and music tra.cing tn te(ent years. the CbUTCh ha..o; become the history of SI. R:trtholomew's since famous as the starting place and PeT­ 1123. including "Cn"tntn /01' SrnooJlI ­ rorming house of the London B:1Ch /i,.,d", devised and directed by Arthur Society directed by Paul Steinill. the Scholey. INCORPOR ATED Hage"l.m'n, I\\aryland 21 740 Phone 301 - 733-9000

New ,,,,,/rumenl. Schudi Builds for Dallas Church Tonal, Mechanical Modernizalion of E%i.ling Organ. A new organ ror the Oak cmr Chris­ Tierce I~' Co""ole. Modernized, Solid-Slale Technology tian Church. Dallas, Texas was com­ Mi",tun: IV_V 1I/J' pleted in June. 1973 hy the Schudi Trom~te B' Organ Company or Dall3s, The instru­ Tremulant ment contains 22 rcgisters, 26 Slaps and S. H. DEMBINSIY 31 ranks or pipt.o.s. The all electric SWELL walnut console has keyhoards wilh i\'Ory lIoltlJedn:kt R' 1033 Iro'1uois Dr. S.E. natui.lls and chon,' sharps and a solid­ Gemshorn 8' state capturc combination action with G~m,hom Celesle 8' (h'e general and (h'c di\'i:rli{lnal pistons. Principal .. ' Grund Rapids. Michiga.. 49306 SpillRole -t' The manual windchcsts are ekctric Ot.l:W!! 2' (616) 243-1370 pull.down pallel aclion with electric Quint!! II/J' slider motors. The organ was designed Scharr IV I' and "oiced hy Marvin G. Jud)', owner Haulbois 8' of the firm . and George W, Gilliam. Tremulant assisted b\' Dennis Bolden. fdward D '.rryman, SMD Warren L Berryman, SMD GREAT PEDAL Principal 8' Subbass 16' BERRYMAN RohrOole 8 ' Principal 8' G~mshotn S' (Swell) Gnluka 8' lestmsion) Oruani.,-Chatr"",'.r Head, Organ-Church Musfc Dap•• Ocl.. ve of' Choral Ball

16 THE DIAPASON BOOK REVIEW

Arnold, Corliss Richnrd: Organ Literature - A Comprehensive Sur­ ARTHUR HOWES vey. Metuchen, N.J., Scnrecrow Press, 1973. 656 pp., $15.00.

Rc\'iewctl by Klaw Krnturutcin. Rice Unh·cnity. HouSlon, Texas INTERNATIONALLY KNOWN ORGANIST

"'ritten, a!li the author st:H~, for the mar the entries of contemporary com· AND TEACHER purpose of prm'iding an introduction posers. Waltcr Kra(t, it says, was in 1929 10 the literature fOf the organ and it! "appointed organist. Marienkirche, LU· dcn:-Jopmcnt, this book i~ di\'idcd into beck, until it was destroyed in 1942." two parts. The first is an historical sur­ As a mnUer o( (act. Kraft did not Jose Available for lectures, mas­ \ 'Cr of organ music from the earliest his appointment at the Marienldrche preser\'Cd works lip 10 the prescnt. Writ­ when it was bumlx.-d, hut held that "cry ter-classes, workshops, and len in II. straight-forward, c:IIsily under­ famous posilion until hili retirement on sabbatical replacement in standable style. the sun'cy relics heavily JannaI')' I. 19i3. Man(red Kluge, accord· 1974-75. on aJrcady·puhli!ihcd works in \'arious illt{ 10 his lIiographical ent'1', has been arc:Ui of organ or keyboard literature. "since 1955, instnactor in theory and In chaplers where the main source (5) organ, Norddeutschen Orgelschule, and appeau to have been Apc)'s Celchicllte otg:lnist, 51. Acgidien, LObeck," There Founder and Director of Organ der Orgel- tmd Klnll;ermluik his 1700 is no mention oC the (act that Mr. Klugc or olher works of real scholarly sub· left St. Aegidlen sOlne years ago to take Institute, Andover, Massachu­ ,(:aoee, the Information presented is. (or the position at the Jakobikirche of the the most part, rcliable. Howc\'er. in same city. nor o( the further Cncl that sells, 1947-1964. chaptcn where much materinl has been he died ill 1971. Alfred Bichsel's biog. drawn from less scholarly SOU1TC5, Mr. raphy slales that he is " Professor of Arnold's presentation surfers from the Music, Valparaiso University. V31parai­ sallie (aults as his source matcrial. How so, Ind .• •• h ut ignores the (act that he Professor of organ and liturgical could anyone writing in 19i2 rely 50 left that position morc than 3: decade music, Peabody Conservatory, extcIIsi\'cly on Alhert Schweitzer's opin· ago to becomc chainnan of the Church ions about Bach? Or, with respect to Music Department at Eastman. Errors Baltimore, MD, 1955-1972. the Classical French school, how can of this type arc frequent in till: entries anyone today accept unquestioningly of contemporary musicians. some of Norbert Dufourcq's facile gen· Likewise, in the listing of organ eraliZ::lI ions? Of the 30 refcrence notes works. there are multitudinouJ errors at the end of the chapter, "ClaMic:al nod omissions, One doesn't wish to "Of all the guests from the States who strive for French Organ School: 1600·1800," 20 seem uncharitable. knowing that the authenticity, Howes alone stayed notcs refer to Dufourcq's La MwiqUt! scope of Ihis project prohibits tIle book completely within d'Orgue fra1lcaise de lelia" T;t~lC1Ute d from being one hundred percent acro­ the European tradition of Reger, Straube, and Karl lellan Alain (1949). a book which no rale and up·to·date. Still, when the longer meets the scholarl}' dcmands of errors or omissions are ,'cry important, Richter in his performance." Luneberg, ccr. our age. altIlOugh at one time it was it is imponiblt to o"erJook them. In the dcscn'cdly innuential. Buxtehude entry. approximately 40 col· In nddition to numerous errors in the lections containing one or more Buxte· lor IUrlbe, ;rtlormo,ion, wrj'e: Jean, Thiel, Representative suney, there are some serious omissions. hude works are cited, but the new com· 15 Primrose Avenue, W. In a work of this size it is ineviL:lble plete roition of Buxtehude works by White Plains, NY 10607 that some facts be O\'crlooked. Still, cet"- Beckmann (Brcitkopf &: Hartel) is not 13in omissions are so conspicuous, that mentioned ill all. Also omitted is the one finds them disturbing. The chap. third mlume nf the Keller edition ter on orb'Oln music of the Netherlands (C. F. l'ctcn, 100fi) . which is certainly (or tI,c pcriod 14i5· 1650, for example, OIlC of the standard editions of nuxte· makes no direct mention o( the Bra· hudc works. In the Brixi entry. onl)' bant organ of the 16th century and its nne or!,'311 concerto is listed, although phenomenal impact on the north Ger· three arc extant. The concerto literature man organ type. Nor does the chapter for org:.n being as Iimitc:d as it is, we treating modern German organ music certninl)' ClU't a£fonl to O\'erlook lWO mention an)' works in which the latest organ cnnCl'rtos. In a number of the compositional tcchniques, such as graph. entri(.'li for Romantic composers. on the ic notation, are emplo)·ed. One Inay othl'r hand, one is amaled :a t the amount think what he wishes about these avant· of puhli!ihing inCormalion which the l.'3nic: wor);s, but olle cannot ignore author has unc;arthcd. especiall)' as this their existence, especially in a sun'ey o( material is o(ten not readily available. modent German organ music where the,. One ouly wishes that such carefulnC5s figure probably more prominentl)· than were consistently e,-ident throughout anywhere c1sc. Morco\'t'r , neither this the entries. chnpter nor the one on modem French Another example of the author's cas· SIMPLICITY urgan music contains ~ n )' rderc-nce to ual approach to fact·finding is the un· current trends in organ building in announced substitution o( the Ameri· RELIABILITY Genltany and France, nlthough these can agent's name for the nClll31 pub. ACCESSIBILITY LEATfIERLESS ACTIONS (rends arc notably dirferent from those lisher of a gi\'en work. Thus. a publi. e.:nlier in the century. clliou by Doblingcr, Cor example, may Despite its inaccuracies. the survey is be accredited to I\ssocialed Music Pub. HARTFORD. CONNECTICUT 06101 generally well·organized and attractively lishers, publications by Kistner lind SINCE 1893 MEMBER. A'OBA presented. The 3uthor's capacity for ex· Siegel to Concordia. etc. These are mi. plaining musical facts in a highly lucid nor errors, to be sure, but the (requenc), manner is appreciated. A great need has of such errors throws doubt upon the REPRESENTING Inng existed for a book which would credibility of the entire hiblographical place in historical perspective tI,e organ catalogue. Osauanr fItres literature of all the contributing coun· Organ L iterature: A Compreliensivt! IJT. HYAClrmtE. outlEC, CANADA UUlftE trics, through all his.torical periods. A SUnJt!)', in spite of its faults, is a useful wcll·cducatl'tl organist of any national· handbook. Bolh organ students and pro· Pipe Organ Builders itT should today he familiar with 0111 fl'SSjonai organists wiH firk.! many oa::a. Sales & Service 5Chools or organ composition. For that sions to usc it. Onc onl)' regrets that it reason, Mr. Arnold's sun'cy is exUeme· was allowcd to go 10 press before heing Chicago Area, Northern Indiana, Michigan ly welcome. thoroughly checked (or erron. Paul 5. Hnlert The second part o( the book is a Weltern Michigan Associate: hiogr.1phical catalogue o( composers and J. A. H~BERT & SON, INC. Louis Von Vel. their works. This is not a mere append· 21230 Los Palma. Dri .... 4722 36.h Str .... THE TWIN CITIES CHAPTER AGO i, s.w. age to the survey. but a section of equal Southfield, MIchigan 48076 Grandville. Michigan 49418 having • butT y~r in Minnesota. The ran weight. comprising S03 of the total 656 mf'eting wa. a bus trip down the Miui.. ippi Telephone (313) 353~2524 Telephone (616) 534-3296 pages. A wealth of inform3tion is here "alley to Winona, Minn. to hear the 90 roank available, let, 35 in the survey, there Arolian pbYh" ol'J"an in the Walkins home. are some curious omissions. TJlere is no In addition 10 rq:ular meeti"!" the «!uca­ h iography or list of works Cor lieU ti nn commillie of tbe chapter has plannrd Eben, whom many people consider to work.hopi in .en·ice playing Dncl die PUT­ chasing of an or8';'". Polul M:mz will he am· STEINER be one of the most important organ ..JUeling classes in improvisation, and tutorial composers of the 20th century. There work will he flrnvided ror tllose pnep:1II'1ns (or are likewise no cntries for Gyargy Li· Guild aaminMioris. A ,pedal weekend ill the ORGANS geti or Mauricio Kagel who provided Twin Cit!es :area will include neishbnring Incorporated a major impulse for ale:uory oTg'.lJI chaplers (or a .eminar and workshop Con­ works throughout Europe and America '!lIcted hy ArthuT Poister. In addition. lhe in Ihe last ueClde. chaptrr i ••ponsoring recitals, toon of I~I in.trumenlt, provision for allendolnC:e to eon. 1138 Garvin Placl! The biographiCliI information given r:erts by dIe Minnesota Orchntra. the Min­ Cor composers no Jonger )iving is gen· nesota Blilld, and a .p«ioll E\'ensoaa at St. louisvil~, Kentucky 40201 erally accurate, but numerous errors "lo1rll; ', ClIdtedrill.

DECEMBER 1973 17 • Mollcr Rebuilds Skinncr • at Port Huron, Mich . Appointments • M. P. Moller, Inc., of Hagerstown, John E. Carbon has joined the fae· ~raryland. has recently completed the ulty of the composition department, rebuilding anll lanai re"ision of the School of Music, University of l\Iichi· E. M. Skinner organ No. 702 which was gan. Ann Arbor. lor the fan term :lJ a built in 1927 for Grace Episcopal \'isiling lecturer. Mr. Carlson was pre­ Church, Port Huron. Michigan. The viously on the faculty of the University organ was brought to the Moller fac· of Dayton, where he taught organ. THE NATIONAL CONVENTION JUNE 17-21, 1974 tory in Hagerstown where"l the action theory and composition. As a recitalist, parts were completely rdurbi!hed and Mr. Carlson is a specialist in the pcr~ rebuilt. The tonal scheme o[ the in· rOfmance of new music for the organ. o Samuel Adler o Billy Nalle strument was Ihoroughly updaled but He holds both the bachelor's and mas­ o William Albright o Robert Noehren the voicin" wal carried out In the Eng· ter's degrccs in composition from the • Matthias Bamert o Karel Paukert lish traditIOn. James J. Hammann. Mol· Unh'crsity of :Michigan. o The Cleveland Orchestra o The Philharmonia Chorale ler representative for eastern Michigan oDonald Erb 01 Cleveland and northern Ohio, developed the s(>C" o Burton Garlinghouse o Arthur Poister cification in conjunction with Barton Robert Delcamp htls been appointed o Robert Glasgow o Ned Rorem ~(ecch. organist·dloinmtSICr at GGICC interim instructor of music and college • Jean GuHlou o Jeffery Rowthorn Church. The dedicatory recital was held org:mist at nne"a Vista College, Sianu • Gerre Hancock earlier Ihis year with Robert Glasgow Lake. Iowa. He has his bachelor's and o Helen Kemp o Joseph Sittler as the recilaU~t. master's degrees in organ from the Col· • Louis Lane o Gregg Smith Singers lege-Conservatory of Music at the Uni· o Gustav Leonhardt • Gerd Zacher GREAT vc:nity of Cincinnati. In 1970 he won o Marilyn Mason ••• and others! Quintation 16' 73 pipes Open Diapason 8' 73 pipes second place honors at the Young Art· lIohlrJOte 8' 73 pipes iSlS 1'l3ying Competition at the AGO Oct.:we i' 79 pipes national ronvenlion in Buffalo. New WRITE: 2757 FAIRMOUNT BOUlEVARD, CLEVELAND, OHIO 44118 Flutc Tri:mgular i' 61 pipes Yorl.:. Fifteenth 2' 61 pipes Sesquialtct:l 11 (TC) 9B pipes Mixture III I' 183 pipes August Htuner of Vienna, Austria, Chimes has been appointed to the faculty of Tremolo rhe Bruckner Conscnalory in Lim:, Aus-­ SWELL tria. am.I he began his teaching duties Spit;t Princh)31 8' 73 pipes there in October. Mr. Humer, a sludent Our sincere wish that the Rohrniitc 8' 73 pipes of Anton HeiJIer anll winner of several Viola 8' 73 pipes international organ competitions, will Viola Celeste 8' (TC) 61 I,ires make his first 103jor North American Octave of' 61 pipes recital tour in the year spring of 1975 blessing and joy of this Flutc Harmonie 4' 61 pipes Mixturc V 2' 30:5 pip" under Arts Image management. Waklhorn 16' 61 pipes holy season be yours Trumpet 8' 73 pipes Clarinet 8' 61 pipes John 1\' ROlllerl has been appointed Clarion of' 61 pipes tlirector of music at the Church of Tremolo the Assumption. Bellevue (Pittsburgh). throughout the New Year. CHOIR I'cnnsyh'ania. Mr. Romeri receh'etl Ius Conccrt Flute 8' 73 pipes HMus degree from lhe Conservatory of Dulciana 8' 73 pipes Music. Univenity o[ the Pacific. Stock· U~ Marh 8' (TCl 61 pipa Flute Harmonie 4' 61 pipes Ion. Calif.• and his MMus dcgTcc from Fifteenlh 2' 61 pipes '\'L'Slminster Choir College, Prince Ion. Delaware Organ Company, Inc. Nincteenth tV;' 61 pipes New Jersey. Mr, Romeri has been a Cymbal H !tS' 122 pipes siudent of Charles Schilling and John 5010 Trumpet 8' 61 pipes Weaver. PEDAL Open DL,p:unn t6' 32 pipes Quinto.ton 16' (Great) Princrton Unh'cnity has naUlcd thrcc Bourdon 16' ~ pipu men and two wornen as University or· Echo Bourdon 16' (S\.... ~l1) g;tnists for the current year. ,\11 or Diapason 8' 12 pipes them arc students. They will share the Builders of Fine Tracker and Gedeclr.t B' 12 pipes responsibilities for prm'iding music at RohrWite 8' (Swell) various programs and services in the (kUve 4' 12 pipes Electro·Pneumatic Pipe Organs chapel. Named 10 the post arc Sus:m E. Flute -1:' 12 pipes Fanner, a senior rrom East Stroudsburg. Roallschquint 11 PA' GJ pipet Waldhom )6' (Swcll) Fa.: Jessie Ann Owens, a secoml year Inquiries are Cordially Invited Tromba 8' (Swell) grnlluate student from Nyack, N.Y.: Clarion 4' (Swcll) Roger G. Ruderl, a freshman from W. ZiIllIller & Sons WooddHf Lake. N.J.; James Schuhz, a TilE CONVIVIUM MUSICt)M or Wash~ first year graduate student from Cam· INCORPORATED ill!(ton, D.C. was pre.scnted in a concert on N~\" .. ill Bradley Hills Presbyterian Church, hridge, Mass,; and Grt'g R. Smith. a nethcsda Maryl:md. Under nlc direction of junior from Dorllentown. N.J. M.lllng Add,..,! P. O. Box 11024. ChlltOU., N. C. 28209 Ja mes \\'abh, the grO\lp of Wlllllington arca NATIONS FORD ROAD' CHARLOTTE, N. C_ church linse.... i. detlicalct1 10 t1IC uudy and Ilcrfonu:mrc 01 :l C:'lllPclla sacrcd mwic. lVCSlminstrr Choir College, Princelon. L------I 1'\.J .• has named the following new fac· utty members: Barlon Hartle, instructor of theory; JOOIII Forde, instructor of voice; Judy May, instructor of \'oice; Daniel l'rall, assistant professor of \'oice; McMANIS ORGANS Dennis Shrodo:, :lSsislam professor of Incorporated conllucting: and SU1311 Thompson, in· structor of ,'oice. 10th & Garfield DIANE DISH. oraanist of CIlr:d RidRc KANSAS CITY, KANSAS Jlre.sbylcrian Church. Ft. Lamlcnble, Florida, 66104 :'Illtl bculty mcmber (If tlIC Unh'crsity (If Miami. lias reccived a Rr.lnl b ,. the Natinn:.1 Mcmorial Found.'llion of Mu I'hi Epsilon to writc a composition Jnr the opcninlr 01 Ihe new Coral Ridge Church's organ III he ill' lIalled in January or 1974. SCHULMERICH® HELPS YOU FORM ENRICHING, INSPIRING HANDBELL CHOIRS Siort hand bell choirs for youth ••• or any age group •.• with Schulmerich "Precision 'iuned" Handbells, the finest. Write to

SCHULMERICH CARILLONS, INC' 61 v...!iHNGTtW S'flUT I,D.... HL J.lASS,t,CHUSEns OII!!1 95123 Carillan Hill • S,lIl1r,ylll •• Pa , 18960

ANDOVER ORGAN COMPANY, INC. You, p."ona' wi,"., POCOI2O Boq SinGeRS 80)(36 ate in good hand. STATE COLLEGE, £AST STROUOSIURG, PENNSYLVANIA l83tll Mettl".", Mossachweff, OlB,U fa. Jacq. Slink.. BIST modern mechanical action O,.on pipe mob,. Holland /C. 8ERNARD SCHADE. fOUNDER. AND MUSICAL DIRECTOR

18 THE DIAPASON Summer 1974 ARTHUR HOWES from Arts Image ... offers ORGAN STUDY TOURS and an INTENSIVE ORGAN STUDY PROGRAM at three world-famous organs Northern Europe: June 30-July 17 Southern Europe: Florida Church Gets August 7-24 New Rieger Organ Study Program: July 21-August 4 Dr. Walhtr Hils.. auistant profeuar of The R.kgcr O .. g.:m Company, Schwar· Twa we.les of mast.rdass." privat. ~ music at Calumbio Unlyenity, New York, 7.ach/Vorarlberg, Auslria, has compleled lessons, and practicing at Zwoll., and J, MARCUS RITCHIE ha, been added to the list of American lite inslallalion or a new 22 SlOp me· one day I.ssionl at Alkmaar and concert orGanists represented by Arts Image, chanical 3clion orr-'n in Ihe First PROS' Haart.m: July 21.,A,uGu" 4 II• •• he is an Dr~anist with a se­ byh.'rian Chmd~ In t..,ke W31l'S, Flori· cure technique, ftne mUSicianship Ltd., Newa,k, NJ. Dr. Hils. is a composer Th. COlt af .ach af Ih.s. JKagraml will and muskaloglst en well 0, a recitalist and da. Tlte inslfulllcnt was given as a trib· and an imagmative sense for reeis· ule or aHeclion 10 (he late A. R. Up­ b. appraximate1y $1,400 1M the taUrl, tration. He used the limited r.. he has been a member of the Columbia and $1,200 for the study program; d ... Uniyersity mUSK faculty for oYer fiYe years. dike and Mrs. Updike rrom Ihe com· sources of his instrument with a bined ramilies or Iheir children in the pending upon Int.fnatianal uehang. great deal of skill and judiciousness He is a natiye of New York City who slal('. Josef "011 Glatlcr·Gotz, president rates and possibl. inueases In air far •• , • • a musical maturity well beyond graduated from "'e Juilliard Preparatory or Ihe R.iegcr Cirm, designed the instru· and ather chargel. Th ... approximate his ,ears. He has a fine feellna for School befar. going to Columbia where h. ment and (h.'signaled his son Caspar 3nd figures include a Imall allowance for styltstic characteristics." switched from music to mathematics and \'nicer Klaus Knoth 10 do the installa. probable increa,.,. (The Nashville Banner, renn.) graduated as valedictorian of his class. linn and Cinishing. A R':gal is prepared The lours will be limit.d 10 tw.nly p.r­ ", • , solid technique and expressive When the call of mulic again engaged his sons. ror on a separale manual Ill, scl£·con· abilities •••11 imagination, h. went to Europe to study at l;tined and rClllo\'cablc ror use else-­ The study program will b. limit.d to (MUSIC, the AGO mealine) .... Paris Conlervatory and to become a where. twelve. private student of Maurice Durufle. Upon No registrations can b. acc.pted for returning to New York. he earned a master's HAUPTWERK. any of the programs after May 1. Early AYA degree in compasition at Columbia and a Principal 8' application is advis.d. doctorate in mu.icology at the lame school. Roltrfliile 8' For additional information, writ.: VAv Dr. Hilse is organl.t and choirmaster of St. Octa~' 4' BOX 425 Luke', Lutheran Church in Manhattan. NaSs:!.t 2 ~ ' BlockllO te 2' North Andover, Massachusetts Ten IY. ' Wll'Ir.'TER STAR, the newest in a lenu of Mixtur IV I ~ ' 01845 :uIIJirncc'llarticipatiou mini.open. by Malcolm Trompc:tt 8 ' Arts Image Willialll1Dn, will be the lubjn:t of the " Di· rer:lillllS" Ilro,cr.am on ABC network tekvisiou PQSITlV (Enclusc:d) Suite 515, Gateway I on SlIIlClay, Dec. 9 at I p.m. The ptoSr.lm 1I0bsc:cbclr.t 8' was filmw in Oclol,cr at Tnnity Church, Pnestant 4' Newark, N.J. 07102 I'rinccton, N.J. as James Litton conducted K.oppclROte 4' Phone (201) 624-3308 alld Wi!liauisun direcl('d tl.e choir or hay. and llrinc:ipal 2' PHilLIP TRUCKENBROD sirls in perfllnlOins th~ ottera on a Christmas Qllintlc:in I~' theme. TenCJll III {I%' + 8/9' + 8/15', Director Cimbel II ~' ELLSWORTH I'ETEKSON of the music Krummhorn 8' faculty of the 5<:10001 of Fine Arts, Soulh· Cimbclstr.rn (prepared) western Ulli~'r:nity, Gcurgelown, Tcx~u, <:om· Iluscti an nnlhclII clltitll'd "The Lord Our PEDAL Goo Alone Is Mrong" for three trllmpets, Subimss 16' ALBERT BOLLIGER orsall and d.oir, to bc u,~1 in Ihe Univer· Octavbass 8' sily's er:nlennial ttlcbratioll of the opcning Gwackt 8' IIf the finl Iwio ... of Soutllwestr:rn Ullil'enity Choralban 4' (thr:n Texas UllivenilY) ill its Geurs:ctown 10-­ Mixtur III 2' cation in October 01 J873. Fagott 16'

DELAWARE ORGAN COMPANY, INC. a progressive company with traditional Ideals TRINITY COLLEGE designing and building custom pipe organs CHAPEL 252 FILLMORE AVE. TONAWANDA, N. Y. Music Irom fhe SWISS ORGANIST currently Sluelt professor at Chicago Musical Call.g., Inaugural Reclfal Roosevelt University, available for re­ CHESTER A. RAYMOND, INC. A New Recording citals and master class on Bach's Oru.'· buchl.in through February, 1974. prior PIPE ORGAN BUILDERS by to leaving for recital tour and master· CLARENCE WAnERS clan in Mexico. Now booking 1974·75 season. $S - P.P. In U.s.A. and Pass."ion, Rebuilding, Maintenance and Additions for delails and reviewl from 8 Eu· AUSTIN ORGANS, INC. ropean countries inquire from Concert Office. Chicago MUIScal P. 80x 365 o. College of Roosevelt UnIverSity P.O. Box 55 Princeton, N.J. 08540 HARTFORD, CONN . 430 South Mlchlqan Ave. Phone: 609-924-0935 06101 Chicago, III. 60605 1312) 341-3782

Margaret Melvin THE TEMPLE. DICKINSON Clev.land, Ohio 44106 University of Louisvill. MARTHA FOLTS Loulsvill. 80eh Socl.ty • Calvary Episcopal 51. Frllnds.in.th... fi.ld. EptKopal Traditional DAVID Recitals: GOODING Avant-garde WAYNE FISHER THE CLEVELAND ORCHESTRA

College-Conservatory of Music Mu.ic Dept., Iowa Stat. University MUSICAL HERITAGE SOCIETY Am ••, Iowa 50010 University of Cincinnati RECORDINGS

DECEMBE!! 1973 JP 13 Oecefrlber 18 December Quadrivium Collegium. Busch-Reisinger Murray Somervillo, St Mark's Ch urch. Ne~' CALENDAR Museum, Cambridge, MA 12 noon Britain, CT 12dO pm Candice Anderson, South Congregational, Elizabeth louie. soprano, Trinity Church, Middletown, CT 12 noon New York Citv 12:<45 pm DECEMBER John Cartwright, St pours Chopel, Colum. John Re»e, organ; Louise Natale. soprano; bio U. New Yorlc City 12 noon Cathedral of the Sacred Heart. Newark, NJ 1 Edward Stolon, St Thomas Chulch, New Bl30 pm York City 12:10 pm Ceremony of Carals by Britten, Christ 2 3 4 5 6 7 8 Dennis Michna, All Saints Chlolfch, New Church, Cincinnati, OH 12:10 pm Yorlc City 12.30 pm Cantata 140 by Bach, Marienlieder by 9 10 11 12 13 14 15 larry King. Trinity Chlolfch. New York City Blahms; Will iam Ferris Chorale; Sf Chrysor.­ 12:45 pm tom Church, Chicago, IL 8 pm 16 17 18 19 20 21 22 Donna Jeen Dixon, soprano, First and Central Presbyterian, Wilmington, DE 123,0 27 pm 19 December 23 24 25 26 28 29 Advent.chrlstmas Choral Vespers, Valpa­ Lessons and Corals, Interch ... rch Center_ raiso U, ValparaiSO, IN 7 and I I pm New York City 12105 pm 30 31 Christmas Concert, Perkins Chopel, South­ Lessons and Corals, St Thomas Church, ern Me1hodist U, Dollos, TX 4 and 8 pm New York CUy 12 1 10 pm Advent themes using donee, mualc and JANUARY poetry. All Saints Church, New York City \'4 Dece.ber 12130 pm lessons and Carol., Zumbro lutheran, Rollin Smith, The Frick Collection. New 1 2 3 4 5 Rochester, MN B pm York City 5 pm Baylor Chorale, Baylor U, Waco, TX B: 15 The Burning Fiery Furnoce by Brltlen, St 6 7 8 9 10 11 12 pm Stephen's Church. New YOC'k City 8 pm Columbus Boycholr, Princeton U, Princeton, 13 14 15 NJ (also Dec: 20, 21 ) 15 December QuadriVium Collegium, Marlene Mont­ gomery, dlr; First Church Congregational, 20 December DEADLINE FOR THIS CALENDAR WAS NOVEMBER 10 Cambridge. MA BI30 pm First Church Collegium, Busch-Reisinger lionel Rogg, Gulbenkian Foundation Re- Museum, Cambridge, MA 12 noon citol, lisbon, Portugal .5 Dece•• r The Burning Fiery Furnoc:e by Britten, St Lorry Allen, South Congregational, Mid­ Mary lou Sleppocher. violinist; Interchurch Stephen's Church, New York City 4 pm dletown. CT 12 IlOOn Center, New York City 12:05 pm Me"lah (Pt I) by Handel. St Barthlomew's John Morris, All Saints Church, New York 16 December Music for Advent. SI Thomas Church. New Church. New York City 4 pm City 12 r30 pm Christmas Concert. Newton Hlghkmds Can. York City 12,10 pm Contala 70 by Bach. Holy Trinity Luth­ Lauens and Carols, Trinity Church. New Music for Advent, All Saints Church, New eran. New York City 5 pm gregational, Newton Highlands. MA 7:30 pm York City 12:45 pm York City 12:30 pm Concerto far Organ, String. and Percus­ Virgil Fox, Revelation lights, Carnegie lessons and Carols. South Congregational. Albert Russell, SI John's Episcopal, Wash­ sion by Poulenc. Psolm S~etches by Palmer, Hall, New York City Ington, DC 12,10 pm Magnificat by Boch; Church of Our Savk)ur. New Britain, CT 5 pm Donald Dumler and Manin 8erinbourn. ar­ New YOlk City 7:30 pm Steven Rosenberry, Cathedral of All Saints, Albany, NY 4:30 pm gon and trump." Foils H S, Cuyahoga Falls, The Holy Nativity, a service of mllSlc and 21- December Gloria by Vivaldi, Chur,h of the Ascen­ OH pageantry; First Presbyterian, Orange, NJ George lamphere. United Congregational 50nd7pm sion, New York City 110m Steven Fronk, Cultural Center, New York Church, Norwich, CT 6 OK.mb., Choir of Trinity Church (Princeton, NJ), City 3 pm John Sk.llon, Busch·Reislnger Museum, James litton, di'l at St Mary's Abbey, Mor­ ristown, NJ 4:30 pm Alec Wyton, Cathedral of St John the Cambrldge. MA 12 noon 23 December Swarthmore College ChOlUS. Cathedral of DMne. New York City 3:30 pm James Frazier, South Congregallonal, Mid· Stephen ICoieroc. COlhedral of All Saints. Mary Our Queen, Baltimote, MD 5:30 pm Great Mini In C minor by Mazol1, Can­ dletown, CT 12 noon Albany, NY 4:30 pm Advent Choral Velpers, Christ Church, terbury Choral Society; Church of the Heav­ Grady Wilson. SI Paul's Chapel, Columbia Leuens and Corals, St Thomas Church, Alexandria, VA 4 pm enly Rest, New York City 4 pm U. New York City 12 noon New York City 110m and 4 pm Donald Dumler and Martin Berinbaum. Candlelight Carol Service. R I v e r 30 Ide Eric G Johnson, SI Thomas Church, New Bradley Hull, St Bartholomew's Church, organ and trumpet, SI Luke's Church, Fort Church, New York City 4 and 6:30 pm York City 17110 pm New York City 3:30 pm; followed by lessons Myers, Fl The Proditol Son by Britten, St Stephen's Roger Evans, All Salnh Church. New Yotk and Corals 4 pm Ceremony of Coral, by Britten, Wonder Church, New York City" pm City '2t3O pm Mary Murrell Fourtc.ner, Cathedral of St Tedlngs by la Montoine, Bethesdo-by-the­ Messiah by Handel. First Prewyterion, Leonard Rover, Trinity Church, New York John the Divine. New York City 3130 pm Sea EpiKopal, Palm Beach. Fl 4 pm New York City 4:30 pm City 12:45 Coral Service, fint Presbyterian, New Christmas Orotorlo (Pts I, II) by Bach, Ceremony af Corals by Britten, St Thomas Lite O.ttro. Flnt and Central Presbyterian, York City 4:30 pm Fairmount Presbyterian, Cleveland Heights. Church, New Yorlc. City 4 pm Wilmington, DE 12.30 pm Magnifieot by Bach, Holy Trinity lutheran, Frederick 0 Grimes. Holy Trinity lutheran. Andrew Crow, Norwalk H S, Norwalk, OH OH 4:30 pm New York City 5 pm New York City 4:30 pm; followed by Can­ Chamber Singen festival of Christmas Chrlstmos Concert, Valparaiso U, Valpa­ Robert Gont. Sf Thomas Church, New dleUght Carol Service 5 pm Mualc.. Robt H YoYng. dir; Boyk»r U, Woco, raiso, IN .. pm Christmas with the Moslen. St Albans Advent Vespers, Cal¥ory lutheran, Chica­ York City 5115 pm TX 4 and 8115 pm (also Dec. 10, 4 and Congregational. St Albans, NY 5 pm go, Il 4 pm Candlelight Carol Setvke. Plymouth 8d5 pm) Tobleaux of the Nativity, First Presbyter­ Ceremony of Carol., Rejoice in the Lamb Church of the Pilgrims, Broo~Iyn Heights. New York City 4 pm ian, Orange. NJ 5 pm by Britten, Christmas Cantata by Pinkham, The Winter Star. church opera by Mal­ 7 Decemher Chicago Chamber Choir; Church of Our lessons and Corals. First Presbyterian, colm Williamson, Trinity Church, Princeton, Virgil fox, Revelation Lights, Orpheum Saviour, Chkago, IL 7 pm Orange, NJ 5 pm Theatre, Boston, MA Both cantatas and Christmas motets., All NJ 9,15 and 11 am MeiSiah by Handel, Eastern Kentucky U, 59th Annual Carol Concert. Emmanuel Lee S RidgewO'f, Trinity Eplscopol, Topr.­ Rkhmond, KY 8 pm Saints' Church, Princeton, NJ 8 pm Episcopal, Baltimore, MD 110m field, MA 8.15 pm Messiah (PI I) by Handel, Minnehaha Frances Cole. horpslcord. Westminster Christmas Choral MUsic, First Presbyter­ Curlew River by BrlHen, 51 Stephen's United Methodist, Minneapolis, MN Choir College, flrinceton, NJ Church, New York City 8 pm Lessons and Carols, Cathedral of Mary Ian, Wilmington, NC 11 am Cantata 1-40 by Bach, Rejoice, Emmanuel G Dene Barnard, First Congregational, Eugenlal Earl., Church of the Ascension, Sholl Came by Louis White, Trinity Epbcopol. Our Queen, Baltimore, MD 5130 pm Columbus, OH 8 pm New York City 8 pm Portland, OR 4 pm John Rose, St Matthew's Cathedral, Wash­ Magnificat by Boch, EKU Singen, David Ington, DC Donald Spies, harpsichord with voice and Samuel J Swartz, 51 Paul', Centor, 5wo­ instruments, Christian ScHtnce Soclely, Ripon, A Wehr, dlr; Mother of God Cathedral, Cov­ menlo, CA Messiah by Handel, Independent Presby­ inglon, KY 7,45 pm terian, Birmingham, Al 5 pm WI 4:15 pm Robert Prichard, United Methodist Church, Guy Bovet, Christmas recital. Church of New Orleans Musica do Camero, Trinity Wost Covina, CA 4:30 pm Cantata 1.. 2 by Bach, Christmas Cantata Church, New Orleans, LA 7 pm by Pinkham; Church of the Assumption, Pittr.­ the Madeleine, Geneva, Switzerland Cancerlal for Orgon and Orchellra by burgh. PA 3:30 pm Rheinberger; E Power Biggs, Corpus Christi 10 December The Roundtable Celebration, First Congre­ Symphony Orch, Maurice Peress, dlrJ Corpus Edmund Shay, SI Martin's-in-the-Flelds gational, Columbus, OH 4:30 pm 24 Oecember Christi, TX (also Dec. 8) Church, Columbia, SC 8 pm Cond~light Coral Service, Christ Church, lessons and Corals. Riverside Church, Choral Chrbtmas Concert, Evett Pol1er, Cincinnati, CH 5 pm New York City 8 pm dl" Boylor U, Waco, TX 8d5 pm 11 DeceMber lessons and Carols, Fourth Presbyterian, Lauens and Carols. All Saint. Church, Curtis Hammar, St Mark's Church, New Chicago, IL 6130 pm New York City 10130 pm lessons and Carols, Ebeneezer Lutheran, 51. Christmas Song. by Malcolm William­ 8 Decembe, Britain, CT 12:10 pm Chicago, lL 4:30 pm son, Cathedral of St John the Divine, New Christmal Oratorio by Bach (Pt I); Louis-­ Vesperae Solennes by Mazart, Wall Street York City 10:30 pm ville &och Society, Melvin Dickinson, dlr; Choral Society; Trinity Church. New York lessons and Carols, U of Illinois Circle Campus ChoirJ Church of the Ascension, Chi· Carol Service, Brkk Presbyterian, New William Whltestde, guest so~lst; Christ City 12145 pm cogo, Il 7130 pm 'l"ork City 11 pm Church Cathedral, lOUisville, KY B pm Conrad Bernier, Cathedral of the Sacred Heart, Newark, NJ 8:30 pm Robert Schuneman, St Procopius Abbey, Carol Service. First Presbyterian, New lisle, IL 3 pm York City II pm 9 December Donald Spies, harpsichord with voice and Midnight Mass by Charpentier, Madison Charles Krigbaum, Dwight Chapel, Yale 12 De~mber instruments, Paine Arts Center, Oshkosh, WI Ave Presbyterian. New York City 11 pm U, New Haven, CT 8,30 pm C.remony of Carols by Britten, St Thomas 3 pm CereMonY of Corals by BrItten, Mall In Meuioh (Pt I) by Handel, Cadet Chapel, Church, New York City 12:10 pm Rkhord Purvis, First Congregational, Los G by Schubert, Church of Our Saviour, New West Point, NY 3:30 pm Advent Music for choir and instruments, Angeles. CA York City 11:30 pm Scott Contren, Cathedral of All Saints, All Solnls Church. New York City 12:30 pm FantoHa vn Christmcn Corals by Vaughan Candlelight Carol Service, First Presby­ Albany, NY The Prodigal Son by Britten, St Stephen's Williams. portions of Christmal Oratorio by terian, Orange, NJ 10:45 pm Grady Wilson, Riverside Church, New Church. New York City B pm (Also Dec 14, Bach, First Congregational, long Beach, CA leuons and Corals, Independent Presby­ York City 2:30 pm 8 pm) Glendale College Choir, brass and organ; terian, Birmingham, Al 4 pm Sollie Worth Schoen, pianist, Cathedral Helen Penn, St John's Episcopal, Washing­ St Mork's Episcopal, Glendale. CA 4 pm Lessons and Carols. Fairmount Prosbyter­ at St John the Olvlne, New YOC'k City 3:30 ton, DC 12:10 pm Rejoice Ve Chri.tians by Buxtehude, A ion, Cleveland Heights, OH 4:30 pm pm David Fuller, State U of New York, Buf­ liH'- Ad .... nt Music by Distler; First Presby­ Corals and Candlelight, first Congrega­ A.ahl and the Night Vi ..to" by MencHi. 'ata, NY terlon. Oceanside, CA 7:30 pm tional, Columbus. OH 7:30 pm Modlson Ave Presbyterian, New York City Uonel Rogg. Gulbenkian Foundation Re­ lionel Rogg. Gulbenkion Foundation Re­ Theodore Ripper. Fint United Methodist, • pm cllal, lisbon, Portugal cital, lisbon, Portugal Decatur, Il II pm

20 THE DIAPASON 26 December 4 January 9 January Cantata of SI John by Surinach. SI Bar­ Chriltmas Concert. All Saints Church, New Viclor tiill, harpsichord. 011· Boeh l Willioms Choral works by Bach. St Thoma. Church, rholomew's Church. New York City 4 pm York City 12:30 pm College, WllUamstown. MA 8:30 pm (AI$O New York City 12:1 0 pm Contatn 12'" by Boch, Holy Trinity luth­ AGO Midwinter Conclave. 5t Petersburg. Jon 5 and 6. B pm) Vitgil Fox, Nashua . NH eran, Ne .... York City 5 pm Fl (thru Dec 29) James Gro'ieon, vioUst, Cathedral of 5 January Mary Our Queen. Balti more, MD 5 ,30 pm 27 December Virgil Fox, Midland Parlt, NJ 10 January Ctydo Halloway. Peachtree Christian_ AI­ Jerry Brainard. 5t Thomas Church, New Bach Organ Marathon, Fint Cangrega· David lawrence and Elizabeth Hershey, Ionia. GA 7:30 pm York City 12:10 pm tionol, long !H!och, CA 3 pm troubador songs, Busch·Reisinger MUleum, Church Arts Festival, Trinity Church, New Roger Evans, All Saints Church, New York Cambridge, MA 12 noon Orleans, LA (thru Jan 15) City )2:30 pm Ted Alan Worth. Stoneham Jr H S, Slone­ Dovid Craighead, Christ Church, Clncln. Gerold Morton, Trinity Church, New York 6 January ham. MA noli, OH 5 pm City 12:45 pm Alec Wylon, Cathedral of 51 John the Stephen Hamilton, f int 8aptist, lafoyelte, Divine, New York City 3:30 pm; followed George McPhee, Church of the Immoculare Hearr. Maplewood. NJ B pm IN 29 December by works by Garrett list, 4130 pm Philip Gehring. Valparaiso U. Valparobo, Samson by Handel, St Bartholomew's Robert Roubos, Delta Slate CaUege. Cleve· 9aor's Head and Yule log Festival. Christ IN'" pm Church. New York City 4 pm land, MS Church, Cincinnati, OH 5 pm lobo Dec 30 Be ...e rly R Howerton, Cathedral of Christ 01 3 and 5 pmJ Canlata 6.5 by Bach, Holy Trinity l utheran, the King, Kalamazoo, MI 4f30 pm New York City 5 pm Edith Ho. lama linda U, lama Undo. CA Donald Dumler and Martin Berlnbaum. 4 pm George McPhee, 51 Timolhy's lutheran. 11 January organ and trumpet; Andrews U, Berrien Wa.,n • • NJ Stephen Hamiltan. Wittenbe rg U, Spring­ Springs, MI 30 Denmber Robert Twynham, Cathedral of Mary Our fIeld, OH 8 pm Concertos for Orgon and Orchestra by Geoffrey Smith, Cathedral of All Saints, Queen. Baltimore. MD 5 130 pm Philip Clemens, Goshen CoUege, Goshen, Rheinberger; E Power Biggs, Minnesola Or­ Albany. NY 4:30 pm J Marcus Ritchte. Trinity Chorale. Trinity IN 7:30 pm chestra. Minneapolis, MN 3 pm Jerry Brainard. Cathedral of St John Ihe Episcopal, New Orlean,. LA 4130 pm Jerry Brainord. Brigham You ng U, Provo, Guy Bovet, FeMival of Ital/ an Music. Gen· Di... ine, New YOlk City 3.30 pm Festi ... al of Lighls, lutheran Choir of Ch ~ ur eva. Switurland (also Jan 20, 2n Christmen Oratorio by Boch, 5t Bartholo­ cogo, Zaar lutheran, Elmwood Park, Il 4 mew's Church, New York Cify 4 pm pm; Messiah lutheran, Chicago. Il B pm Cantata 122 by Bach. Hoty Trinity luth· 12 January 1~ January eron, New Yorlt City 5 pm 7 January Ted Alan Worlh. Hawthorne H S. How­ Ted Alan Worth, Witbur lynch H 5, Am· Robert Burns King, 51 Thomas Church, Virgil Fox, Darien H S, Darien, CT Ihorne, NJ slerdam, NY New York City !i:l5 pm Virgil fox, Roose ... elt H 5, Ahoooa, PA The Renaissance Ensemble of Morristown Annual Carol Service, Christ Episcopal. 8 January H S, Marlin Rudy, dir: St Mary's Abbey. Bloomfield, NJ George McPhee, Cortland, NY Morristown, NJ 8 pm leuons and Corals. Trinity Church, Prince­ Choir of Union Church (Bay Ridge), Gar. 13 January lorry Palmer, harpsichord, Sf CecilIa Hall, ton, NJ II am don Bush, dill Coth.drol of the Sacred George McPhee, Calhedrol Chwrch of St. Grand Rapids, MI 9115 pm leuons and Carob, BelheKla.by.lhe-Sea Heart, Newark, NJ 8:30 pm luke, Portland. ME 4 pm Wil li am MacGowan. All Soinls Church, Episcopal, Palm Beach. Fl II am Robert 5 lard. HeInz Chapet. Plltsburgh, Robert Anderson, 51 John's Paris h. Woler· Pasadena, CA B: 15 pm PA 12 noon bury, CT 4 pm 31 December Stephen Hamilton. St cand Presbyterian, Ted Alan Worth, Welch Concert . Hunt­ New Year's Eve Concert and Ser... Riv. ice, Ind ianapoUs. IN 8 pm ingron, NY 15 January II erside Church, New York City pm Corliss R Arnold. Harl Recital Ha ll, Mich I­ Martin luther King Memorial Service, Meditation. on Ih. My.l.ry of the Holy gan Stale U, East lansing. MI Bd 5 pm Calhedral of St John the Divine, New York Trinity by Messiaen, Jon Gillock, organist; 2 January Ge ne Hancock, Co... enant Presbyterian, City 4 pm Church of the Ascension, New York City 8 Jerry Brainard and James Walker, harp. long Beach, CA Epiphany Procession with Coral.. St pm sichord and flute: St Paul's ChapeL Trinity Guy 8ovel. Fre nch Chw ch, Berne, Switzer­ Thomas Church, New York City II am and George McPhee, Cathedral Df the Sacred Paris h. New York City 12.30 pm land • pm Heart Newa.k, NJ 8:30 pm

STATEMENT OF OWNERSJUP. MAN­ .., autholUrd by 39 U.S.c. 3626. (silRC'd) AGEMENT AND CIRCULATION OF mE Dorochy ROIer, BusinCil Manaler. DIAPASON, as ~uj," by Act or Aut. 12 , II. A. Tot:.1 number of (opies ~inted fnct 1970i Srction 3685, Title 39, United Stata fllaI nln) averare number copies IUd. u.ue Cod<. prccedin, 12 months, 9,827 ; .in,le wue near­ '.A.O.O., M... Dec., S.M.D. Dwight Oarr elI t 'iJins date, 9,79-1. I. Title 0( Publication - TH!. DIAPASON. 9 . I'aid circulation; 1. Salo thruush deal­ Church of the Ascension Recitals 2, Uate 0( Filinr - Oct. I, 1973 , en and carricn, stftet vendon and counlrr fifth A.... nue at Tenth 51,..., 3. Frrquenq of i"ue - monthl.,. Uoles, .verase number copies each wue during N.w York, N.Y. 10011 ... and 5. Loc:ation of Of(i<:e 01 Publication, precedins: 12 months, 127 ; . in,le iaue nearal Wells College Headquarten and Gene ... l O",incss OHiees _ filing date, 119. 2. Mail .ubtcriptioru; ."enle The Juilliard School .. 34 South Wabuh Avenue, ChiOllIO, IIlinoa. number copies each wue durin, preceding 12 60605. months, 9,l9'l i .inale ilsue nearest filin s dale, Recitals Aurora, New York 13026 6. Nama and addraICI of Publisher, Editor 9,129. Organ and Choral Workshops and Manarin, Editor - Publi.her _ THE DL\­ C. Total paid drculatiun : ann,e number PASON, In<:.; Editor, Roben Sc:huneman, both copies each wue durin. PIKedin, 12 montha, 434 South Wabash Avuue, Chkas:o, lIIinoil 9,319; .illgle "ue nearest filinl dale, 9,2-18. alllllllll1llllllllllllllllllllllllllllllllll.. lllllllllllllnlllnlllllllllllalllllIlall8lll.III.IIIIAIIIIIIIIIIAIIIIIaIIIIIINIIllllIIIAIIH_IINllllnllllllllll .. IllII t lln"" 60605: Mana,inl Editor - none. D. Free distribution ayerase number copiea II 7. Owner - TH!. DIAPASON, Inc:.; HaJben each wue durin, pIKeciin, 12 months, H9; E S. GlIIeue, addrcu .. above. SinsJe issue nurat lilin, date, 121. Copia C 8. Known horldholdcn, mnns:as:ea and othrr distributcd to news 0I.8enU bUI not IOld, an... ,e I -JOHN HOLTZ ItCUrit, holden ownin, or hoIdinl I per number copia ~h issue dlain, prccrdins 12 ~ cent or more or total amount ." bondt, mort­ months, 0; .anile wue nearen filin. date, O. A Faculty: HARTT COLLEGE, Unlvenlty of Hartfard L Pies and other securilies - Halbert S. Gil­ E. To~1 diuriooliun hum of C and D ) Organist: CENTER CONGREGATIONAL CHURCH, Hartford leite, add.aa aJ abo\.' ~ . aftraJf! number copies uc:.h islue damna pre­ • 9. For oJHiorW compklion by publithen crdtn, 12 monda, 9,468; sinsk itaue nearat mailin, .t the h'JUlar r.ala (5«lion 132.121 , liIinl date, 9,375. ~------...-~.--- ...------. ------~. Poual Service: ManWll) : 39 U.S.C. 3626 pro­ F. Officc UH, Icft.O\"rr, unacoountcd, "Klell in pertinenl pan: " No penon who Ipoilcd alter printin,; .'·eDtre number OOpta would have been entitled to mail matter un· nch iuue durin, pIKedin. 12 months, 359; der former section 4359 of lila tide .hall mail .insle wue nearest fllinS date,

MARIL YN MASON CHARLonE and WILLIAM Flnt Presbyterian Church CHAllMAN, Dl!PARTMENT OF ORGAN Oceanside, California UNIVEIlSITY OF MICHIGAN ANN ARIOR Army and Navy Academy "Miq MoIOfl ",..,.11 wit" OfI".rlly .rsd , ...rv., d.mon"","" .... ATKINSON Carlsbad, California ,.., .xt,,..,..,ittory lodnty •••" De, Mo5nes R"der, OctolNr 5, 1964 LARRY PALMER ARTHUR C. BECKER, Mus D., A.A.G.O. Organ - Harpsichord DE PAUL UNIVERSITY Soulh.rn Methodist University ST. VINCENTS CHURCH, CHIC).GO Dallas. Texas 75275

Oswald G. DAVID HEWLETT D. M. A. MARSHALL BUSH RAGATZ "Christopherson Place" P,ofetsor of Organ Richmond, R.F.D. 3. N.H. 03470 R.citals INDIANA UNIVERSITY Loct ....

DECEMBER 1973 21 robert anderson HEINZ ARNOLD 5MD FAGO I F.A.G.O. D.Mu • • Organ Recitals Southem Methodi.t University STEPHENS COLLEGE Dalla., Tuas 75275 COLUMBIA, MO. Dorothy Addy - First United Methodist. Oavtd B Brown, Princeton, NJ - Sf Wic.hifa. kS Oct 7: Fesllval Fanfare. Thomas Churth, New York City Nov 15: I eighlon; Concerto for 2 Organs. lucchi­ litanies, Alain; Sonala I, Hlndemith. Choral n etti (assisted by Anna Je\j3r); Partita on in B minor . Fronek. John Barry I cbet den Herren, Ahrens; Pastorale, Peter J. Basch frederick Butgomcnter - SI Paul's Colhe­ Roger.Ducasse; Concerto V for Harpsichord, ST. LUKE'S CHURCH Burg8UJ Chants d'Oi.eaux. Me"ioon; Intro­ dral. Bullolo, NY Oct 12: Prelude and Wildwood Road d uction. Passacaglia and Fugue. Wilian. Fugue in D, Bach; Psalm Prelude 112, LONG BEACH, CALIFORNIA Howells; Echo Fantasia, Sweelinck; Allegro Califon, New Jersey 07830 Timothy E Albrecht - Middlebury College, (Symphony II), Vlerne. Middlebury, VT Oct 91 Wie schoo leuchtet d er Mo rg.n~ern, Manz; Offertalre (Meue John Christian - Cleveland Institute of de 10 Pentec:ole), Meulaen; Prelude and MUsic. Cleveland, OH Oct 171 Behold a Wm.G. BLANCHARD Fugue in E-llat BWV 552, Bach; Pneuma, rose is blooming, My heart Is filled wllh ROBERTA BITGOOD ORGANIST Albright; Allegro vivace (Symphony V), longing 12 setllngs). 0 world I now must Fir.t Congregational Church PQMONA COLLEGE Widor. leave thee, My Jesus calls to me, Brahms: CLAREMONT GRADUATE SCHOOL Sonota in F, Cherubini; Emperor's fanfare, THE CLAREMONT CHURCH Carli" R Arnold, EEUt lanwng. Ml - Safer·8iggs; OHertoire (Man for Convents). BATTLE CREEK, MICHIGAN Claremon' California Evang,lical Covenant Church, Hinsdale, Il Couperin: Prelude and fugue In E-IIal, Sept 30; Voluntary In 0, Boyce; Rkit de Bach; The Celestial Banquet, Messiaen; Ii erce in taille, Noal de Saintonge, Dan­ litanies, Alain. DAVID BOWMAN drieu; Taccota and Fugue In 0 minor BWV CHARLES BOEHM 565, Bach: Deck thyself my soul, Brahms; Wallace M Ceu".. n Jr - Chriu Episcopal, D.M.A. Fantasy KV Mozart; On Jordan's TRINITY lUTHERAN CHURCH 6OB, Bloomfield, NJ Oct 28; Prelude and Fugue Bonk, Read; Canon In B minor, Schumann; Hick.ville, N.Y. Alabama Slale University In C minor. I-kndelssohn; 0 how blessed Epilogue for Pedal Solo, langlois; Postlude faithful spirits, Brahms; Tria Sonala I, Hark NASSAU COMMUNITY COLLEGE or Compline, Alain; fete, langlois. Montgomery, Alabama f a voice saith all are morlol, Bach; Proam­ Garden City, N.Y. beln und Inlerlud~n, Schroeder; He remem­ Charlotte Atkinson - f inf Prewyterlan, bering his mercy (1 5 Pieces), Dupre; OceanSIde. CA Oct 2B: Prelude and Fugue Piece Heroique, franck. ; n 0, Nun komm der Heiden Heiland, ETHEL SLEEPER BRETT Taccata in D minor. Buxtehude, Herr Jesu James A Dole - U 5 Naval Academy. BRIGGS Chrisl dlch Z l;l uns wend, Vor d,inen Thron. WILFRED Annapolis, MO Oct 28: Toccata in E minor, M.$., CH.M. Komm Gatt Schapfer. Bach; Expanston for Organist and Recitalist Organ. Mark Hader; Pavone. Elinore; Pochelbel; Now rejoice Chrislian men, fan­ St. John's in the Village Fileuse. Dupre; Prelude and Fugue on las'a In G, Boeh, Canon, Reger; Piece Heroique, franck; Improvisation on Adora Pint Methodist CbW'Ch. Sacrameato, Cal. BACH. lint. New Yark 14, N.Y. te, langlois; Pastorale and Aviary, Roberts; Gordon AtkinMHI, London. Ontario - Final (Symphony I), Vierne. Metropolitan Uniled Church, london, On· JOHN BULLOUGH ARTHUR CARKEEK Iaria Oct 30: Sonata I, C P E Both; Conti­ James Dalton, Oxford, England _ Memor­ M.5.M. A.A.G.O. que (Folkloric Suite). langlois; Toccata and ial Churt. h, Harvard U. Cambridge, MA A.B. M.5.M. Ch.M. Fugue in D minor-major. RegerJ Aria Oct 12: Fanlozia of foure Paris, Gibbontl rarl.igh Dlckin.on University DePauw University Organist seriosa. Karg-Elert; Passacaglio Pastorale Upon 10 mi ret Anon 16th century; A Yeanoell, New J.rMY Gobin Memorial Church fino~ , Micheelsen; Fantasia and fugue an Double Ven. Blow: Prelude and Fugue In Memorial Methodl•• Chu~h BACH, liszt. F minor BWV 534, Trio Sonata VI BWV Whit. Plain •• New Yo,lc Greencastle, Indiana 530, Bach; Commotio opus 58, Nielsen. William Aylesworth, EVanslan, Il - Fint lloyd Da'ti$ - Bryn Mawr Community Grucnstein Award Sponsor Congregational, Otlawa, Il Sept 23: fan­ EARL CHAMBERLAIN fare In D, lemmens; Tierce en taille, Church. Chicago, Il Oct 71 Voluntary on CHICAGO Couperln, Noel for the Flute Stops, d'Aquin; Old IDOth, Purcell; Toplady, Taccata on F.r.C.L CLUB OF Fanla~y in C minor BWV 562, Bach, Sym­ leoni, Marlyn, Bingham; Variations on WOMEN phony V, Widor. Wondrous love, Barber; Partito on lobe ST. STEPHEN'S CHURCH den Herren, Ahrens; Variations on America, ORGANISTS Richard M Babcoc:k - Groc:e Episcopal, Ives; Schmijcke dkh, Boeh, Te Deum. Cahem_. Mossachusetl. Ellen Lofberg, Plaident Tucson, AZ Oct 21 : Prelude and fugue in langlois.. E min Ot" (Cathedral). Savior of the heathen come, All Praise 10 Jesus' hallowed name, Ronald Dawson Calley College, Hobert Clarh o help me lord to praise Thee, I call to Nevada., MO Oct 281 Prelude and Fugue Harry E. Cooper Thee, l ord God be merciful to me, Bach; In E minor, Bruhns; The Musical Clocks, School of Music Ave Maria by Arcodelt, Usz1, Plcardy. Haydn; Passacaglia in C minor 8WV 582, Noble; Melita, Gaul. SI. Agnes, Whitney: Boch l Revelation" Pinkham; Lento (Two University of Michigan Mus. D., F.A.G.O. Sine nomine, Sowerby; Agincaurt Hymn, Moods., Blanchard; Lomento, Alain, Car­ Dunslable-Swann; Sulle Gothlq ue, BoeU­ nival, Crandell. Ann Arbor ~GH,N.CAROLDNA mann. George o.cker - 5t Paul's Cathedral. G Dene Barnard - First Congregational, Syracuse, NY Oct 231 2 Preludes and Fugues Columbus, OH Sept 3D; Voluntary in 0, In E minor, Bruhns; Andante (Symphony WALLACE M. COURSEN, JR. DELBERT DISSELHORST Boyce; Schmilcke dich BWV 654, Taccata, III). Carillon, Vierne. FAG.O. Adagio and Fugue In C 8WV S62, Bach; DMA Sonata II, Hindemilh; lord of glary, lord CHRIST CHURCH Thomcn A D.Will - First Baptist, Lee$­ Jesus Chri~1 be pre~e nt f'IOW, Ye walthers burg. fl Oct 8: Trumpet Voluntary In D, BLOOMFIELD AND GLEN RIDGE. NJ. Univlrsity of Iowa and ye holy ones, Schack; Relledlons, Purcell; Aria Postorella, Ralhgeber; Volun­ the Kimberly School, Montclair. N. J. Iowa City Iowa Waller Watson; Andante 5Ostenuto (Gothic tory VIII in D minor. Stanley; Savior of the Symphony), Widor; Final (Symphony VI). heathen came, All pra i~ to Jesus' hallowed Vierne. nome, lamb of Gad, In dealh's strang grasp. Bach; Proces.sional, MaIMas; Adagio KATHRYN ESKEY GEORGE ESTEVEZ Frederick D Bell - Lafayelle Ave Presby­ In E, Bridge; Sonata VI, Mendelssohn; Pleading Savior, Wyton: Toccata (Symphony ch.m. lerlan, Brooklyn, NY Od 14, Inflodudlon The University of and Toccata in G, Walond; Nun komm der V). Widor. North Carolina Dlreclar Heiden Heiland BWV 659, Fugue In E-flat BWV 552, Bach; Choral in A minor, Franck; Mary Ann Dodd - Colgate U, Hamilton, 01 G,.en.boro CHICAGO CHAMBER CHOIR Adagio for Slrlngs, Barber; Joshua fit de NY Oct 14; Prelude and fugue In E, bailie ob Jericho. Sowande; Toccata, 8uxtehude; Komm Galt Schopfer 8WV 667, Sowerby. Ach blelb bei uns BWV 649, Von Gall will I ich nlcht lassen BWV 6SB, Wlr glauben GEORGE FAXON Charles Bonte - Interstake Center, Oak­ all 8WV 680, Bach, Herzlkh tut mlch EARL EYRICH land. CA Oct 7: Suite Golhique, Boillmonn; erfreuell , 0 wie !ellg $Oid Ihr doch, Mein First Unitarian Church l ord have mercy on me, Bach, Pauocaglla JelU der d u mich, 8rahms; Choral In A TRINiTY CHURCH and Fugato, Young; Magnificat V. Dupre; minor, Franck; I am black but comely, He Rhode Island College Legende. Vlbbard; lord leach me to pray hath put down the mighty, How fair and Providence BOSTON aright, West Wind, Rowley; Earth Carol, how pleasant, Dupre; Transports de jole, Purvis; Allegro, f inale (Organ Symphony). Messiaen. Moquoire. Chari.. H. Ph. D., FAG.O. Earl Eyrich - first Unitarian, Provi­ John Brock - lake Hills Presbyterian, dence, RI Oct 14: Tactala In C, Cernohor­ SUSAN INGRID FERRE Knoxville, TN Nov 4: Prelude and fugue ~ k V ; Fugue in A minar, loch; Ave marls Teaching Fellow FINNEY in E minor, Buxtehude; Noiil.Quond Oleu siella. Hafhaimer: Preambulum, A'te Jflr. Chairman. Dividon 0' MUlk & Art noquil, d'Aquin; AU glory be to God on archio, Miklai of Cracow; Prelude and North Texas State University Houghton Colleg., HOlllhton, N.Y. high BWV 662, Prelude and Fugue In G Fugue in 8 minor. Bach; fantasy KV 594, Denton Houghton Wesl.yan M.thodist ChURh BWV 541, Bach l Sonata I, Hlndemith; Mozart; Trauer Ode, lint; Adagio, Trflglerl Dance Toccata, Heiller. Toccata Fronce~, Kropfrelter.

22 THE DIAPASON Slephen Farrow - Greenville, SC Oct Fugue In G minor BWV 542. Bach; Chro­ i 28: Sonala in F for flule and keyboard, matic Study on BACH, Piston; COIlCer10 13 Marcello: Passacaglia in D minor, Buxte­ in f. Handrl. THE DIAPASON A MUST FOR EVERY ORGANIST hude; Sonata in A minor for oboe and ($7.50 a y.ar-$13.00 for two yean) keyboard, Telemann; Carillon de West­ Gene Januen - Groce lutheran. Albert Do not send cosh minster, Vierne; Parlita for English Horn and lea, MN Oct 14: Prelude and Fuguo In Organ opus 41/1, Koebier. F. lubeck, Concerto III in B minor, Walther; Send THE DIAPASON for yearCsj to Variations on Wo Gatt zum Haus, Distler; Mary fenwick, Chalfant, PA St Prelude, Fugue and Choconne in C, Buxte­ Name Enclosed is $ _____ Stephen's lutheran, Wilmington, DE Oct 14: hude; fantasia and Fugue in G minor BWV Prelude and Fugue In G, Bwhns; 4th couplet 542. Boeh; Du meine Seele singe. stock. from Mew for the Parishes, Couperin; meier; Et desembre congelol, Guinoldo: Street THE DIAPASON Prelude and Fugue in D BWV 532. Boeh; Abide with us. Now thonk we all our God, Sonata for Worship VI, Robert W Jones; Karg.Eler1. Prayer of Christ Ascending, Messloen1 Im­ City 434 South Wabash Ave. promptu, Vlerne1 Sonata Eraica, Jongen. Sharon KI.ckner - House of Hope Pres­ byterian. St Paul, MN Od 141 Toccata and State _.__ .. _. __ Zip __.... __ Chicago, III. 6060S Jam.1 R Fitzpatrick - senior recital, Fugue in 0 minor BWV 565, Wir glouben Morehead State U, Morehead. KY Prelude all BWV 740. Nun freut euch BWV 734. and Fugull In 8 minar, Bach; La Nativiti!, Valet will kh dlr geben BWV 736. Bach; langlois; Choral in A minar, Franck Adagio in E, Bridge; Choral in A minor, Franck: VisIon of the Church Eternal. The Robert Finster Rodney AGile. - Fint DapUsl, Kansas. HENRY FUSNER Angels, The Celestial Banquet, God Among DMA S.M.D., A.A.G.O. City, MO Oct 21, Trumpet Tune In C, Us, Messiaen. Johnlon; Wondrous love, Wood: Sleepers St. John'. Cath.dral Fin. Pre.byterian Church Awake, Krllbs, Nearer my God to ThelJ, Ruth Ko't'och, Tonawanda, NY - St Paul's Bingham; Prelude and Fugue in B minor Nalhvill., T.nn ..... 37220 Cathedral. Buffalo. NY Oct 26: Ein fesle 8WV 544, Bach; Postlude for Compline, Burg, Hanff; Was Gatt tut, Kellner; Partita Alain; Fantasia and Fugue on BACH, on 0 Golf du frommer Gatt. Bach; Im­ lIszt. promptu, Cooke, Fanfare. leighton. LESTER GROOM Jam's W Good, Louiavil:., KY - first Antone Godding Angela Kroft. Burlingame, CA - Con­ Seattle 8optist, Franklin, KY Sept 16: Processional. Sc1100l of Mu.k Mathias; Concerto del Sigr Me<.k, Wollher: gregational Church, San Mateo. CA Nov 4: Seattle PadCie Church or .lle Fugue In E·flot BWV 552, Boch, Eventide, Prelude, Fugue and Choconne in C, Buxte­ BI.hop W. Anal. Smith Chapel CollcJ{c As"enllion hude; Erborm dlch mein, Passacaglia and SI Anne, Willan; Toccata and Fugue in D Oklahoma City Unlve,.ity 98119 98199 minor-moior, Reger; Trumpet Minuet, Hol­ fugue in C minor, Bach; Final (Symphony lins; Beautiful Savior, Johnson; Final (Sym­ VI), Widor, Divertissement II opus 31, phony Il, Vierne. Vierne; Choral in A minor, Franck. Prelude and Fugue III, Dupre; Vision of the Church DAVID S. HARRIS Eternal, Messiaen; Tu es Petra, Mulet. E. LYLE HAGERT Jerald Hamilton. Eugene. OR - Minne.­ Church of Our Soviour haha United Meth::dist, Minneapolis, MN Oct III Toccata in E minor. Bruhn.; Woke William Krap., Decatur, GA - Cathe.­ Gcthscmanc Episcopal Church Akron, Ohio awoke. Abtde with us, My soul doth magnify dral of St Philip. Atlanta, GA Oct 28: Mi1lD

DECEMBER 1973 23 Alb.rt Melton, Princeton_ NJ - Cathedral Prelude and Fugue in D B'NV 532, Boeh; of All Saints, Albany, NY Nov 251 Varlo­ Variations on Veni Creator. Durufl6; When MARRIOTT nons on Meinen Je,um lou kh Rlcht, Wal­ the Morning Stars Song Together, Pinkham: William MacGowan The Detroit Institute ther; Plein leu. fugue. Tierce en taille. Basse Jesus priceless treasure, How Iovety shlneJ hI""tdo.&y-tM-S_ de trompatle. du Mage; FanlolY and Fugue the morning star, 0 that I had a thousand of Musical Art, Detroit. In G minor 6'NV 542. Boeh; Ave Marls vokes. ManlJ Prelude and Fugue In G Org;mist, The Detroit Symphony Stella I. 11. III. V, Oupr', minor, O1Jpr6. Palm Beach, Florida Willtarn R MemmoH - Deoconeu HMpltol George H Pro - Cae College, Cedar Rap­ Chapel, St louis, MO Sept 231 Goudeomui. Ids. IA Nov 181 Gran" Chaeur Dlologlle. Campbell; Ario. Paeters; Fanlasla and Fugue Glgout; Redl de fierce en taille. de GllgnYl Hinson Mikell ROSILAND MOHNSEN In C minor B'NV 537. 6och; Sbng of Peace. Fantasia and Fugue In G minor 6ach; Suite langlois; Festal Song. 6lngham; 0 hellige for Organ. Pinkham; Choral Darien. Deux Recitals Weslmar College Seelenspebe. Schroeder: Alleln Gatt In der danses a Agnl Yavishta Aloin; Prelude ond H8h. BOhm; Symphony IV, Wldor. fugue In B. Dupre. St. Mark's Church, Frankford Calvary Methodist Church Philadelphia, Pennsylvania 19124 LeMan, Iowa John Sand Margoret 5 Mueller, Winston· Thomai Richner - Extension of tho Mother Salem. HC - First Presbyterian, Knoxville, Church. First Church of Christ. Scientist. Bos.­ TN Oct 1: Quinto tiento de ieptlmo tono. ton, MA Od 14, Voluntary In A. Selby; Son· Arouxo; livre d'Orgue. du Mage; Prelude ota I. Naumann; Concerto In B minor. Wal­ HAROLD MUELLER WILLIAM H. MURRAY and Fugue In 0 6WV 532. Voter unser BWV ther; 0 Mensch bewein BWV 622, Christ log FA.G.O. 682, 6ach; Fantasy KV 606, MoUJrt, Possa· In lodesbanden 8WV 625, Ich ruf zu dlr Mu •. M F.A.G.O. m ille-, Martin; Allegro (Symphony VI), Wi­ BWV 639. Wer nur dem Ueben Gall awv Trinity Episcopal Church de,. 690. Es lsi das Hell BWV 639, Toccata and T emple Sherith Israel Church of the M.cfta'or Fugue in 0 minor 8WV 565. Bach; Rondo In San Francisco Chicago, IH. Robert Munns. london, England - Cathe­ F, Cauperin; Choral In 6 minor. Franck; dral of St John the Evangelist, Spokane, Praise the lord with drunu and cymbals. WA Oct 19: Prelude and Fugue In C 8WV karg·Elert: PrelLKie and Trumpellngs. Rob­ 545. 3 Great Kyrles (ClovierObllng II U, Pas­ erts; Chant de poiK. langlois; Toccata in CARLENE socoglio BWV 582, Bach, Melodla. Bene­ [)'f1ot. Jongen. NORLING dlctus. Reger; Theme. Fantasy and Fllgue on Et Resurexlt, leighton, Fugue In A·flot Charlotte Roederer - State U of New NEIHART SI. lohn's Episcopal Church minor, Brahms; Sonota Erolc:o, Jongen. York. Boffola Ocl 12; all.Bach~ Prelude and St. Andrew's EpI&Copol Church Fugue In F minor 8WV 534. Tria Sonata V Meyer and Worna" Jersey Cit)" Hdghl8 New Jersq Carlene Neihart, Konsas City. MO 8WV 529. Nun komm de' Heiden Helfand Kan.a. City, Missouri 64113 Presbyterian Church. Parkville. MO Cd 141 BWV 659. Von Galt will Ich nltht louen Prelude and Fugue in C, leydlngl Portito BWV 658, Allein Galt In der Hah 8'NV on What God does Is well done, Pachelbel; 662, Adagio in C minor (Trio Sonata I) awv JOHN KEN OGASAPIAN Adagio. Fiocco, Prelude and Fugue In 0, 525. Fantasy and Fugue in G minor awv Bach; Song of thl Clock, UrM th; Fld. Uut. 542. frank a. novak Whitlock; Fantasy and Fugue on BACH, lIsrl. HOLY TRINITY LUTHERAN Saint Anno', Church John Rose. Newark, NJ - Cadet Chapel. CHURCH Mallachu .... Stat. Coll-ve Robert Noahren - First Presbyterian, Buf· West Point. NY Oct 281 Sketch In F minor, 1080 1'tI:ti.n Schumann; Cantabile, Franck, Toccata and lowell falo. NY Nov 251 Partita on Sel gegrUuet. 8u((alo, N.Y. 14209 T,io Sonata IV In E minor, Toccata In F, Fugue In 0 minor. Bach; Flute lune. Arne; Bach; Prelude and Fugue In 0 minor, Men­ Adagio for Strings, Barber-Strlcklandl Final delssohnJ Herzlich tut mlch veriangen, (Symphony III), Vlerne. FRA..lIl"K K. OWEN 6rohnu: La vent de t'Esprit (Messe de Ia Jack Ossewaarde ...... ns - RocIta1s Penlemtel. Messiaen; Deux Freiqoes Sym­ Naomi Rowley - Sf John the DMne Ang· phonlquu socrees opus 75 Gnd 76. Tourn. Ikon Chun:h, Vktorkl. Be Oct 101 Suite du SL Bartholomew's Church mire. deuxleme ton. Clerombouh; Vorlollons on St. Paul's Cathedral a Theme of Jonnequln, First and Second New York Los Angeles 17, California Frank A Novak - St Paul's Cathedral. fanlasy. Aloin; Saga III. Guilioul Choral Buffalo, NY Olt 5: Fanfare, CookJ Clacona In E, Frank. In E minor, Buxtehude; Arlo con VOllollone. Martini; Neander, Wie sch6n lellchlet. lobet Jock Ruhl - Firs' Presbyterian. Fort RICHARD M, PEEK den Herren, Manl; litanies. Aloin. Wayne. IN Nov 6~ FantaiY and Fugue In Franklin E. Perkins G minor. Bach; Drop drop slow tears. Per· 10- SaC. Mus. Doc. A.A.G.O. - Ph. D. Dwight Oar,. Aurora, N't - St Paul's slchetti; When the morning stars song gether. Pinkham; Psalm 150 for soprano Th. ladue Chap.1 Cathedral. Syracuse. N't Oct 211 Kyrle Gatt Cavenant Presbyterian Church heillger Geist BWV 671. Wenn wlr In hlSch­ and organ, Schilling (assisted by Jo Anne St. Louis. Missouri Desmond. soprano" Prelude and DanCl! Unly.rsity of Mltt.uti, St. Louis !ten N6then $8ln BWV 641. Bach: Choral 1000 E. Mor.heael CharloHe, N. c. In B minor. Franck, Choral (Symphonle Ro­ Fugue. lItaile; Symphony V. Widor. monel. Toccata (Symphony V), Wldor. ARTHUR A, PHILLIPS Wilbur F RUSIell - First PresbyterIan MYRTLE REGIER John Obetz. Independenc., MO - U of Church. San Anselmo, CA Sept 301 fugues Nebraska Oct 71 Prelude and Fugue In C I·IV, VIII, XI.XII . XV. and XVIII from Art of AAGO Ch.M. F.r.C.L. mtnor BWV 546, Wachat auf. Boeh, FanlCHY Fugue. Canonic Variations on Vom Himmel Mount Holyoke Col,.._ on Wachet auf. Reger, .. Variations on a hach, Bach. St. Alban, COllar'gational Church Tone Row. Cor Kee, First Ugllt and the SDUth HDdJey, MaIlClchu ..", Qutet Voice. Kemner; Two Donces to Agnl Robert £ Scoggin. Roch.II." MN - 172.17 St. Alban., N.Y. 11434 'tavlshta. Alain; 'a$$OCagllo quou Toccata Church SI United Melhodl~, Knaxvllle. TN on BACH. Sokolo. Oct 22: Dialogue. Marchancft Sonata In D. K. BERNARD SCHADE CarValho; Portita sopro 10 aria della folio da espagna, PasquinI; Sonata In D. Loalilelt S.M.M. Robert G O.mun - St John's Epbcopol. RUSSELL SAUNDERS Cuyahoga Falls. OH Oct 14, Prelude and Prelude and Fugue In 0, BuxtehudeJ Have STATE COllEGE Fugue In E, Solvation now Is come, 0 mercy on me 0 lord. Fugue In E·not. 8ach. EAST STROUDSBURG, PA. sotred head, Fantasia on I call to Thee. Flute Solo, Hlne; Carillon. Sowerby; Trum· Eastman School of Music- pet Tune. Powell: Prelude, Fugue and Vorta· Workshop. and ladur•• PrekJde and Fugue in F, Variations on Our University of Rochester Th. Kadaly Choral Method Father Thou In heaven above. Prelude and tlon. Fronde; Sarabande. Murrill: 3 settings Fugue ' n 0 minor. Buxtehude; Suite Medl6- Woche. auf. Ahrens. Mont and Plet Kee. vale~ langlois. Geoffrey Simon, Washington. DC - EDMUND SHAY Jack H Ouewaarde. N.w Yorlc, NY - Swearingen residence, Son Antonio, TX Oct john h. schneider II Prelude. Fugue and Chaconne, 8uxtehude; DMA First Presbyterian. Kalamazoo, MI Od 14, Introdudlon GAd Toccata In G, Walond, Pange lingua. de Grlgny; Aus tlefer Not Calvary Presbyterian Church Columbia Callas_ Come Savior of the heathen. lord Jesus 8WV 686. Herr Jesu Christ dlch zu uns wend BWV 655, 0 lamm Goltes unschuldlg Riverside, California Columbia. S. c. Christ turn Thou to us, Fugue In E·llat, BoehJ RecUaI. Mo,'ar Cia .... T,Io In G minor, BeethovenJ Fantasy and BWV 656, Prelude and Fugua In G 8WV Fugue on 8ACH. Llllt; Cantabile. Fronde; 541, Bach; Ricit de cornet. Elevation, Offer­ Three PleceJ. Wahon, Very Slow..,. (Sona· tolre (Mast for Convents). Couperlnl Im­ I1na). Sowerby; Improvlsallon. promptu. 801lou; Fantasia on HaU.lu~h Robert Shepfer L. ROBERT SlUSSER Gott zu loben. Regerl Improvisation, Do'tki Palmer - Riverside United Church. Or.anl.t - Choirmaster MUS. M., A.A.G.O. Wlndsor, Ontarlo Sept 231 all.Boeht Toccola Robert Smart - Swarthmore eon,go. SECOND PREsamRIAN CHURQt Tn E B'NV 566. Nun komm der Heiden Hel· Swarthmore. PA Oct 211 Meue pour les LA JOLLA PRESBYTERIAN CHURCH ."dt.napoll., Indiana 46260 land B'NV 660. 661. 659, Volet will tch dlr Porolsses (complete. with sung alternotlm R.dtals LA JOLLA, CALIFORNIA geben B'NV 736, fugue In G BWV 577. based on Mass IV by Swarthmore College Toccata and Fugue In F 8WV 540, fantasy Chorus. Peter Gram Swln9. dlr), Couperln, In G awv 572. Trio Sonala In E minor 8WV le 8anquet Celeste, Force et Aglli.6 del 528, Alleln Gatt In der HlSh 8WV 711. Pas­ Corps Glorieux. Jole et Cia'" (le. Corps ROBERT SMART sacaglia In C minor 8WV 582. Glorleux), Dleu parmi naus, Maulaen. Swarthmore, Pcnnsyh.mia Trinity Eplsc:opal Chun:h ROLLIN SMITH Donald W Pearson - FIllt Congregation­ David Lennox Smith - First United Meth. Swarthmore: CDlIqe al. Eau Claire, WS Od 151 Intrcdudlon and odist, Santa Barbara. CA Od 141 Grande Congngatloll Rod~b Shalom Passacaglia In 0 minor opus 56. Regell Piece Symphonlque, Franck; Toccata. Adagio PhlIaddpbi. RECITALS and Fugue In C B'NV 564, Bach, SuUe opus 11~ FortT·nnt. Strut, Brooklfll. NY 11218 Andan.e In F KV 616, Mozart; Prelude and fugue In C. Bahm, Allegro (Trio Sonala VI). 5. Ourune.

24 THE DIAPASON Robert Tupper, Wala Walla, WA - ".chal programs for Inclusion in Southwestern U. Georgetown, TX Nov I: ADOLPH STEUTERMAN SuUe du Premiere Ton . Clerambault; Fan­ the.e pages must reach THE DIAPASON Carl Staplin Mus. Doc •• F.A.G.O. tasy for Flute Stops, Sowerby; Variations on within three week. of performance dot•• Ph.D., A.A.G.O. Mein junges leben, Sweeli nck; Choral in B Southwelt.rn ot Memphis Recitals engaging mar. than thr.. or­ minor, Franck; Toccala In F, Bach; Deuxleme Drake University ganists will not be included. The pro­ Fantaisie, Aloin; Inlrodudlan and Fugue University Christian Church Calvary Episcopal Church gram must state the dot. and plac. of from Sonata on the 94th Psalm, Reubke. DES MOINES, IOWA Memphis. Tennessee the p.rformance as well as the name Roy Urwin - Trinity Episcopal. Toledo, of the performer. OH Nov 18: Meditations sur Ie Mystere de JOHN M. THOMAS - AAGO 10 Sainte Trinlte (Toledo premiere), t-Aessiaen. FREDERICK SWANN Organist - Director Richard l Smith - Berry Memorial Meth· Frame Memorial Presbyterian Church Benjamin Van Wye, Saratoga Springs, NY odist Church. Chicago, Il Od 14: Final Staff: University of Wisconsin - St Thomas Church, New York City Oct The Riverside Church (Symphony I). Vierne; Prelude and Fugue Stevens Paint, Wise. 54481 14: litanies, Variations on a Theme of in C BWV 545. Bach; InlrGdudion and Pas­ FOUNDER - DIRECTOR Jannequin, Alain; Trio Sonata, Shackleford; New York City sacaglia In 0 minor, Reger; Epilog for "CHURCH MUSIC INTERESTS" AGENCY Pedals Alone (Homage to Frescobaldi), Prelude and Fugue on a Traurigkelt, langlois; Dreams. McAmis; Prelude In B, Brahms. Prelude and Fugue on ALAIN, Dupre. Durufle. George Norman Tucker W. WILLIAM WAGNER Rollin Smith - The Frick Collection. New Marianne Webb, Carbondale, IL - Vir­ Mus. Bach. York City Cd 17: Piece Heroique, Franck; ginia Intermont College, Hanover. VA Oct ST. LUKE'S CHORISTERS Have mercy 0 God, Passion Chorale. All 16: Fantasy in F minor KV 608. Mozart. AlT. LEBANON METHODIST CHURCH men must die. Bach; Sche rto in G minor Tierce en taille, du Mage; Prelude and Kalamazoo opus 49/2, Bassil legende, Berceuse. Vierne, Fugue In 0 B'NV 532, Bach. The Burning BOY CHOIRS Piluburgh, J'ennsylvania Zephyrs, Du pre; Improvisation opus 150/4, Bush, Berlinskl; Sketch in O-flat, Schumann; Salnt·Saens; Final (Symphony V), Wldor. Sonata I in F minor, Mendelssohn.

WIlliam T Stewart - Soulhern illinois U, William Whitehead, New York, NY - Carbondale, Il ad 30. 4 pieces from livre Brown U, Providence, RI Oct 9: Fantasia in sally slade warner F minor KV 608. Mozart; Pastorale In F 8WV WA-Ll-RO d'Orgue, du Mage, Allein Gatt in der Hoh BOY CHOIR a.a.g.o. ch.m. BWV 633, Prelude a nd Fugue in C BWV 590, Prelude and Fugue in A mi nor BWV 543, Bach; Choral In E, Franck; God of the CHURCH OF 547, Bach; Fantaisle in E·Uat. Saint.Saens, WARREN C. MillER - DIRECTOR ST. JOHN THE EVANGELIST Choral in B mi nor. Franck; Variations on Expanding Universe, Felciano; Sonata VI, Veni Creator, Durufle. Mendelssohn; Final (Symphony I), Vierne. Christ Church, Shake Heights 22, Ohio Beacon Hill Boostoo

!laul lindsley Thomas, Dallas, TX - doc­ Vernon Walcott - Bowling Green State toral recital for North Texas State U, at St U, Bowling Green, CH Oct 7: Fantasy in G C. GORDON Michael a nd All Angels Episcopal, Dallas BWV 572. Our Father in heaven BWV 682, Sept 30: Ky rie couplets from Mass for These are the holy ten commandments BWV CLARENCE WAITERS Pa rishes, Couperin; Prelude and Fugue on 678, Jesus Christ our Savior BWV 688. Prel· RECITALS WEDERTZ ALAIN. Durufle; Desselns eternels, Dleu par­ ude. l a rgo and Fugue in C B'NV 5451529. 2534 West I18th SL mi nous. Messiaen; Prelude and Allegro for Bach; Volumina. lIgetl; Grande Piece Sym­ 51. John's Church orga n and stri ngs, Piston; Arioso for organ phonique, Franck. w. Hartford, Connecticut CHICAGO 60655 and strings opus 7, Paul L Thomas; Toccata Richard F Woods - Trinity Luthetan, Festiva for organ and orchestra opus 36, Houston, TX Sept 25: Concerto in B minor, Barber. Assisted by me mbers of Dallas Sym. Vivaldi.Walther; SchmUcke dich, Bach; Prel­ DAVID A. phony, George Morey, candudar. ude and Fugue in G minor, Buxtehude, Suite HARRY ARTHUR WELLS on the Second Tone, Guillain: Second Fan­ Robert Triplett - Ca rnell College, Mount tasy, Postl ude for Compline. Alain; Choral Washington Stat. University Vernon, IA Oct 15: Gloria from the Fou rth en Si Minewr. Franck. WEHR Gregorian Mass (Premier livre d'Orgue), Eastcrn Kentucky Uninrsity Pullman 99163 de Grogny; Pastorale. Roger-Ducasse; move­ Gary Zwicky - St Matthew.. Episcopal, Richmond, Kentucky menls V. VIII and IX from Meditation, sur Bloomington, tL Nov 4, Prelude and Fugue Ie Mystere de 10 Sainte Trinitlt. Messiaen. in G, Bruhns; Ptemier Livre d'Orgue (com­ Assisted by the Gregorian Chant Singers, 2 plete), du Mage; laudes IV. Eben; Magnlfi· readers. special lighting, Chinese incense cot B'NV 733. Bach; Introdudion, Passacag. RUSSELL G. WICHMANN burners and candelabra. lia and Fugue opus 127, Reger. Chatham College FOX CHAPEL EPISCOPAL CHURCH Shadyside Presbyterian LAWRENCE George Wm. Volkel Fox Chapel, PiH,burgh, Pa. 15238 Pittsburgh, Pa. 15232 SAC. MUS. DOC., F.A.G.O.

ROBINSON First Presbyterian Church HARRY WILKINSON JOHN E. WlLUAMS Ph.D., FAG.O. VIRGINIA COMMONWEALTH UNIVERSITY St. Andr.ws Presbyterian College POMPANO lEACH ST. MARTIN·IN·THE·FIELDs i.E- ...,. · ~ .tt rftN-ua .•~ RICHMOND, VIRGINIA Laurinburg PrHby'erian Church RORIDA Chestnut Hill, Philadelphia WEST CHESTER STATE COLLEGE, PA. LaU1'inburg, North Caronna

DONALD WILLING D,S·MoF-A·G·O Bett, ~ !umb~ faculty barclay wood ALABAMA COLLEGE. MONTEVALLO North Texa. Stat. Unlv.rsity flIRST BAPTIST CHURCH ST. LUKE'S EPISCOPAL CHURCH' BIRMINGHAM Denton Worcester

Faculty, University of Miami, Gary Zwicky Musical Arts DMA FAGO Diane BISH - recitals Organist: Coral Ridge Presbyterian Eastem IWnol. UnIversity Ft. Lauderdale "The organist that has it all together" Char.... on

ALEXANDER BOGGS Recitals and Master Classes ORGAN SERVICE-J. E. Lee, Jr. Organ Consultation KNOXVILLE. TiNNESSEE 37901 RYAN Box 2061 Cathedral Church of Christ the King Tuning - Maint.nance • R.bunding CONCERT ARTIST Western Michigan University at Kalamazoo Consuhants

Organ Builders and Inc. • Rebuilding FRANK J. SAUTER SONS • Repairing * Phones: 388-3355 * • Contractual Servidng 4232 West 1241h Place PO 7-1203 Alsip, Illinois 60658 For Unexcelled Service

DECEMBER 1973 2S Classified advertl.lng rat.. : JNr word, $.20; minimum char•• , $2.50; box numb .... additlonol $1.00. CLASSIFIED ADVERTISEMENTS a.pu .. to box numben: .ho,,1d be ..nt c/o Th. Diapason, 434 S. Waba.h Av""., Chka.o, '1. 6060.5.

POSIT/ONS WANTED MISCELlANEOUS MISCELLANEOUS HARPSICHORDS

SINGLE "'AlE, 1f, D.MA., ORGANIST­ CHOUl MUSIC IN PRINT. AN EXHAUS. 500 USED ORGANS AND 200 GRAND PIANOS HARPSICHORDS, CLAVICHORDS: MAGNI. harpsichordist, conductor church musici"n, de· tive compiletion of ell the choral works in at wholesale. Rebuildable Grends $450. Sale­ ficent tone "nd h"ndsome appearance at rea· s;r"s to fe·loc"' e in sophisticoled parish music the cat"logs of over 200 music pu blishers able Grands $650. RestrunQ, Refinished and sonable cost. Maurice de AngC!li, BOI 190, R.D. program or IIIcllldemic environment Ikeyboord throughout the world. o"onged for easy occeu Rebuilt Grands $950. Alw Playet Grand1. piano #1, Pennsburg, Po. IBOn . performance, music historyl ~ estillblished con· by composer CK title. Th is IOO,OO3 ·entry work and O rgen Technicians Wanted. V.P.O. OrQan SPER.R HAkE HARPSICHORDS AND CLAVI_ eert org/lnist, five yun colll90 teechinv, el' in two volumes, Sacred aMi Secular, providas Frenchiies available in South Floride. Writa chordi. Excellent, d ependable, beautiful. Robert cillent referenclIs, 1010 and ensembl. lepes completll bibliographic information for each for prospectus. Victo~ Pianos CIII'Id Organs, 100 S. Taylot, B7IO Garfield St., Bethesda, Mary­ available. Can re·locote anywhere in U.S.A. entry, including I"test prices. Both votumel N.W. 54lh St.. Miami, Flo rida 31127. (lOS) lend 20034. or Clnado. Address M·l , THE DIAPASON . will be supplamented annua ll y. Volume I: Sac· 751 ·7502. HAR'SICHORDS, CLAVICHORDS: CLASSIC ~d Choral Music, eveilable December 11, If'll. Volume II: Seeulet Choral Muuc, av"l1· delig"'; reasonably prked. Thomas E. Mercer, POSIT/ONS AVAILABLE able March 11. 1974. Prices per volume: $25.00 PIANOS 215 Harrison Avenue. Chridiana, Pe. 17S01. paperbound; $35.00 library bindinq. Reduced HARPSICHORDS, CLAVICHORDS BY NEU· price for two-volum e set. Postage and handling STEIN FORTEPIANO REPLICAS, CUSTOM pert, world s finest olded maker. CAtalogs on LAWRENCE pHElPS AND ASSOCIATES IS indrumenls. Ph.i ltp Belt. Fortepiano Maker. BOI prepaid if payment eccompanies the order. request. Ma9namusic. Sheron, Conn. 06&9. elpanding further and can now eccept first· 96. Beflle G Ulll-nd, Indiana ~7V1O . dus oroan dreftunen, conlOla and action Musicdata Inc., Dept. H, Suite 1104, t9 W. HARPSICHOR DS, CLAVICHORDS, KITS AND technicians, cabinet me ken, chest maken, Chellen Ave., Philedelphie, Pe. 19144. custom assemblies by New Englend craftsmen. voicers and pipe makers. Th ere are also a HARPSICHORDS Showroom in Boslon eree. Agent for Zude!r­ limited number of opportunities for young JUST PUBLISHED - "THE AMERICAN REED Orglln" - contains hislory, music, restoralioA, mlllnn Harpsichotds. Wilson Batry end Co .• Inc., people wilh mechnicel ebility who wOllld like SPERRHAKE CONCERT MODEL (8 FT. 8 IN.' Dept. D, P.O. BOI 151 , Bellardvele Station, to learn orgenbuild ing. Contact Mr. Ptlelps at hIlling , hundreds of illustrations. $9.'f5 postpnid. Harpsichord in perfect condilion. Pedel·oper­ Robert Gellerman, 8007 Birnam Wood, Mclean, Andover, Man. OIBIO. (814) ~54·0191 . or P.O. Box 1421 , Erill, PA 16512. eted 16', 8'. 4' : S', with 4' playable f,om Virginia 22 101. either manual. UnusuaUy beautiful banded 18TH CE NT URY FRENCH HARPSI CHORD APpRENTICESHIP AVAILABLE WITH S ... ALL cesework. Owner CJetting larger model. Dcel­ NOTE CARDS, ORIGINAL MUSIC ... ANU. in kit form . We offer en authentic reproduc­ German·troined trader blli/der. Treinino in all lent buy at $4500 firm. Or. We,ner J. Fries, tion of en antique French double manual hlfpo a1peets of Of9an delign end condtvelton. Sati· scripl focsimiles 01 Mozett, Bach end Beethoven, College lodge Road. R.O. 2, Ind'ena, Pe. obtained from Europeen museums. 12 assorte.d sichord fot emaleur construction. The instru­ OU I inquiries only, please. M. A. loris, tracker 1570 1. (~12) 463-0103. ment has four registers and buff $lop with O rganl. RFD 2, Bette, Vermont 05&41. cards and envelopes. S3.00. OrCJon Art, BOI 309, Burlingeme, Ca. 94010. a range of FF.CJ" '. All perts are eccuralely FLEMISH HARPSICHORD, NEW. FOR SALE. pre.cut and ready for euembly. The Win­ ORGAN PIPE MAkER, 01 SO"'EONE TO Two registers: 8' and 4'. BOI lOS . Columbia· STEREO RECORDING "JOHN ROSE AT THE clude., detailed drawin9s al'd inslrloKtions and train In makinq pipes. Friendly atmosphere. ville, N.Y. 120S0. all necessary materiels. For brochure write job benelits and very good climete. Top pay Greal DrCJan of the Melhuen Memorial MUIIc Hall." $5.95 pest. paid from Keyboard Arts, Inc., HARPSICHORDS, CLAVICHORDS, SPINETS Fron!.: Hubb"rd, IBSJ lymen Street, Welthem, for riqht penon. We also need good ell·around Meuachusetls 02154 . organbuilder. Please send your resuma to Bot 211. lawrence, Mess. 01B42. and Mozart Pilllnofortes by Neupert end Saba· fhi!. Accurate copies of hidorical Herptichords Abbott end Sieker, 2027 Ponl/us Ave., los An­ HARPSICHORDS, Cl4VICHORDS AN D VIR­ EXPERT RECOVERING OF ANY MAKE PNEU­ by Bill DowlinCJ. In addition, .... e now offer geles. CA 9OO'lS. ginals. Authentic denical designs, for home matics, pouchboards and primaries, with Poly. harpsichord kits. Financin9 ovailo!lble. Show· urethane. Plesties nuts Uled on primary ... alva conslruction by the amaleur builder. Write for METAL ORGAN PIPE"'AKER NEEDED. ONLY room open enytime by appeintment. Free free brochure. Zudermann Harpsichords Inc .• wires. Melvin Robinson, II Park Ave., Mount Catalog. John W. Allen, SOD Glenway Avenue, conscientious ne.ed apply, with willinCJneu to 12 Grand Street, P.D. Box 121, Stonington, Vernon. N.Y. IOS50. Bridol. Virginia 24201. (701) 669·B396. relocate. Immediate need. Firm established in C(NIn. C1b378. '906. C(NItect directly: Jerome B_ Meyer ud PNEUMAtiCS AND POUCH BOARDS OF ANY Sons, Ine., 231' So. Austin SIrHt, MiI ....ukee. SAIATHll HARPSICHORDS, PEDAL HARP­ make recovared with Polyurethene Pladic. Write sichordi end Clavichords: most relieble and HARPSICHORD, VIRGINAL, CLAYICHORD Wisconsin 51207. kits. Full siJe patterns after 17th and IBl h cen­ fo, Quotatio n. Church DrCJ an Co., IB We llon beautifully sounding from $895. Brochure 25¢, tury instrumenh, from $320.00. Free brochure St., Edhon, N.J. C8817. Stereo lP $5 from Dept. D, lOB Homer, Van· REED VOICERS, M. P. "'OLLER, INC. HAS on request. Heuge! Uh. 2 btl, rUG VivieMe'. immediate need for Ihe ebove individualf, . Only couver, B.C., Coneda. ORGAN SERVICEMEN : We WILL RECOVEIt Paril 2, Frence. conscientious illdividuals willin9 10 relocate Casavant and Skinner pouchboerds, prim"tV HARPSICHORDS, BEAUTIFULLY MADE AND should epply. Pension proCJram, insurance, vaca­ end offset ections. Write Burness Associetes, HARPSICHORD OWNERS: A FUll LINE OF tions. Send resume or contect directly. M. P. eloboretely decoretcd in the Flemish and 1901 Susquehanna Rd ., Abington, Pa . 19001. French traditions. Knight Vernon, Herp5ichord audio and visual Chromelic Tuners is no ... aveil­ Moller. Inc., 401 No,th Prolpect St., Hagers. able to help you with your luning requirements. to.... n. MO. 21740. (101) 7lJ·9O:lO. Maker. 52S While PiCJeon Sireet. ConstGlltine. QUALITY All ElEC1RIC CHESl'$ MADE 10 Michi g an 49042. For more inlormolion wri te Pelerson Electro· order, good delivary, Aikin AUocia les, BOI 143. MUlieel Products, Dept. 20, Worlh, III. 60492. All AROUND, WELL EXPERIENCED PipE Brooklyn , PA 18813. HARPSICHORDS, CLAVICHORDS, MOZART organ meintenance men for shop work and HARPSICHORD PATIERNS. PRECISION FUll tunln;. Mud be willing to relocate in Minne­ Pi anos, by Neupert, new and used late·model REED ORGAN TUNING AND REPAIRING. iAStru menh, sale or rental. Financing eVlllilable. sized drawings of antiqUe! h4rpsichords, for the sota-Ddotas aree awo!lY from etowded city life. Edg4t A. Rodeau. 401 Albany Ava., Westmont, builder or organologhf. Prieel: S25 in paper, Send tewme and serious inquiries to Johnson Write or cell W"lIy Pollee, 1955 Wesl John NJ Deillt Been Road, Stevensville, Michigan 47127. olher medie 10 $140 in mylar. Send $1 for Organ Company, Inc., BOI 1229, ForCJo, N.D. dtlcriptive brochure. R. K. l ee, l ~ School S8102. TUNERS THROW AWAY MESSY COnONI HARPSICHORDS, SINGLE AND DOUBLE St., Watertown, Mnsachuletts 02172. Midure lunino is easier an:f less frudro!l tinq me nual in classic French style; e[so small harp. with e ll felt K. D. KGps . Stetter let (tunes up sichords from $845.00. John Bright, 747 Algom" " THE HARPSICHORD," iNTERNAtlOHAl WANTED - quarterly for loven of IIIIrly keyboard instru­ MISCELlANEOUS to 4 ranh) $3.50, Delule set IS re nb & mo,e) Ave., l ondon, Ontario, Canada N5X·IW4. SB .OO. K. D. Kaps, 214 Oekland St., Man. ments end mUlic. Articles, interviewl, photo' MUSIC ROLLS FOR AUSTIN, WELTE, SKIN. chester, Conn. 064H0. WITI HARPSICHORDS. CLAVICHORDS, At... g rephl and illustrations by todey's foremost ner, Aeolian, Duo-Art and Estey pip. organ so kits 10 customer requirements. Write, phone. Gtlids. $9 per annum. "The Harpsichord," BOI pleyert. J . V. Macartney. 406 Haverford Ave., THE NEW 7.0CTAVE pETERSON CHRO ...... visit shop. E. D. Will, Rl. Three Rivers, Mich. 4111·0 , Denver, Colo. 80204. Nerberth, Pe. 19072. tic Tuner, modal lDO is now eveileble fr om 49091 1616} 2404 ·5128. slod. Continuously variable Vernier conl rol a l­ fOR SALE - PIPE ORGANS , Fr. TIBIA PLENA ON , .. TO 10" WIND. lows you to compensate for temperatu re or HARPS ICHORDS. pEDAL HARPSICHORDS, State condition and price. George Allen, 1145 tuna celede ronh with ease. For more delails: Clevichords. C uslom made. Jon H. Albarda, Greenmount, Haddonfield, N.J. (l)Q31 . (1m) Peterson El ectro·Musical Products, Dept. 11, 14 Riverdale Dr., lhislletown (Reldale), ant. HINHEllS ORGAN, l'tOl , TRACKER ACTION, 428·8566. Worth. III. 60482. Canade M9V-2Tl. I.manual, II ranks. (414) 261·5262.

QUALITY and COMPLETENESS We are now Our new voicers supplying pipes, are Pitman chest, Your "one-stop" supplier for all Cornelius eKees) electrD pneumatic OeRooy unit chest and pipe organ supplies and components. and electric valve Charles R. Oiesen chest in addition to our standard line of products. DURST ORGAN SUPPLY CO., INC. 'K~INC. P. O. Box 1165 Erie, Pennsylvania 16512 • MANUFACTURERS OF QUALITY ORGAN CO,\1POMNTS

ORGAN LEATHERS WHITE, SON COMPANY 286 Summer Street Boston, M.Nlldn15en. 02210 lox 143 717-289-4132

CREATIVE ORGAN BUILDING FOR ARTISTIC MUSICAL RESULTS WANT A PRACTICE ORGAN? Build you, own - u .. 0 PEMBROKE do-l'-youII.II ORGAN KIT ,,,II irlllrvcfion. - R.a.anaWy prit:.J Green'lJlOOd Organ Company THE ORGAN LOFT CHARLOTTE, NORTH CAROLINA 2B205 GOSSVILLf, NEW HAMPSHIRE 03239 ''THREE GENERATIONS Of ORGAN IUILDING" " il aa."'·1 ft.y. pipet. - il i. nol an orion

26 · THE DIAPASON Classified advertising rain; per word, $.20; minimum charse, $2.50; box number, additional $1.00. CLASSIFIED ADVERTISEMENTS R.plles to box numben should b. Mnt c/o The Diapason, 434 S. Wabash Avenue, Chicago, .a. 60605.

fOR SALE - PIPE ORGANS FOR SALE - PIPE ORGANS FOR SALE - E1EORONIC ORGANS FOR SALE - MISC.

FlENTROP POSITIVE ORGAN, '9&7, , STOPS, 19n HOOK AND HASTINGS ORGAN, 4- ONE ALLEN &00 SERIES COMPUTER OR. E. M. SKINNER 3.MANUAL 25 RANKS $7,000. l.mlJnual. pulidoW'" pedal board. E.cellenl con­ manual, 49 ranh. In use daily. Can be inspect. gan, four tone cllbinels drawknob console, a U Moller ) .monulIl 20 ranh $2,SOD. Hook end dition. $8,400. BERT & GLASS ORGAN. 19&1 , ed by appointment. Buyer to remove between in wllinut fini , •• ttllder touch if desired. IB H. stings elecfro·pneumlltic 3·manuol IB rllnks two keyboard prllerc!!! pipe orglln. Five tllnh, April 15 lind MIlY IS , 1974. Bed offer over general pistons. 52 mc nths of warrllnty remain­ $3,SOD. New Klann 3· mllnual Kensington all hili pedllibollrd, couplers. Ftli condition. r $9,SOD.00. Hllmline United Methodist Church, ing. Wired so that hi .1i system can he played electric console .... ith remole ~ey aelion relays ~3 roo. Write: Ellis French, Chairman, Music t514 Enqlewood Ave., St. Pllul, Minn. 55104. through organ amplifiers and speakers. Pur· $2,500. Soencer blowers: 3 HP 5'" $150.00: 7112 DlI pllrlment, Thiel College, Greenville, Pcnnsyl. (612) 645·0667. chased March I, 1973. Played only by owner HP 6H Bit $75.00. W. J. Froehlich. 446 Grove VII"i.!! 16125. 1-412) SBS-7700. in owner's residen, e . Rellson for selling: buying EASILY REMOVED It.-STOP, It.-RANK SI., Westfield, N.J. 07O'iO. Evenings (201) 232- pipe organ. Cod $17,700.00. Price $16.500.00. A. 38b7. FLENTROP ORGAN. I.MANUAL, PEDAL Hall pipe organ, new console, playing condi­ Elbert Adams, M.D.. Greenwood, S.C. (BOJ) pulldown. 6 rks (19&0). Write Dr. lord, 210 tion, reasonable price. SI. John's Episcopal 223·7777. Music Building, University of PiHshurgh, Pitts· Church. 166 Ho'den St., Worcester, Mass. 01606. THEATRE ORGANS AND PARTS: 114RTON burgh. PA 15260. CUSTOM II ALLEN ORGAN, THREE.MAN­ 2h: United States 3/10; Wurlitzer, Kimbllll, KIMBALL·KILGEN IN GOOD CONDITION, ual, wllinut finish, utility tone cllbinets. Un· Gottfried naris - oioeworl::, chests. relay, bro­ SEMI· PORTABLE POSITIVE. STOPPED FLUTE 2.manual, 22 rllnks with Maas chimes. Best offer usulIl circumstllnces mlll:e aVllilabie this little. ~en set brl'SS trumPet. console. blower. Write 8' Cone Flute 4'. Principal 2'. Mixture :3 ranks. over $1,995. Purchaser 10 remove probllbly win· used instrument at very substantiol SIIvings. for list: Rov Davis RI. 9, McMinnville. Tn. Pri~e $5.000. M. A. loris, Tracker Organs. RFD ter/spring '74. Clln be seen and played. Con· Will professionally inslllll in church, home or )7110. (615) bbB·4396. 2. Bllrre, Vermont 05641. (B02) 0476·63040. tact First Baptist Church, Oltaw",. Kanslls 61:1J67. school anywhere in U.S. ond guarantee. Write: Apt. 7912. 175 E. Delaware. ChiclIgo, 111. 60611 IUS PNEUMATIC REUTER PIPE ORGAN IN 8' REUTER 19&6 TRUMPET, 61 PIPES, MINT a·RANK TRACKER ORGAN. 2 MANUALS, or call: dllYs (312) 649·1950. AGO pedal, complete couplen. Excellent 04 good condilion. 2·mlln. and pedllls, 17 straight eondition, one·hllif new price. Address ..... 4. THE DIAPASON. and ]·rank 58·nole chests. Divided 27·note rllnh, IB comb. pistons. Grl. org . • nenclosed, CONN CLASSIC CONSOLE, OPUS 14 NO. pedal chest. Availab e with or without pipework. Swell organ enclosed. Rev. Francis Erel, Pador. B25, walnut finish. 2.monulIl. 32 pedllls, May be seen and played. Make offer. Will St. Mark 's Church, Shlll:opee, Minnesotll 55379. w/chimes, 2 IlIrge Conn spell ken. 3 smllil Conn 2O-TUBE CHIMES WITH OR WITHOUT help dissemble, amlnge crating. 8747 E. Dexter. speakers, elcellent condilion, $5,000. V. S. Ed· elec.·oneum. action RePrts rebllildina, $50. ). 12-RANK AEOLIAN PIPE ORGAN WITH Tucson, AZ B5715. (602) 896·0392 or (602) 265- wards, SOD Orchord Grove, East Liverpool. Ohio phase. 3 HP. 1765 RPM motor, harp lind chimes, like new console. Will sell 2OB·220!2~n. 0791. pulley wheel on shaft, $50. ClIshh:llrry or shir)o entire orglln or breal:: up for parh. Bed offer. 43920. pina douhle. /IA . P. Rohin,on II ParI:: Ave .• Mf. Trinity Evangelicol Covenllnt Church, 9230 South WOODBURY TRACKER ACTION 2M·7R OR­ CHICAGO AREA - A. G. A. WURLITZER Vernon N.Y. 10550. (9104) 668·0303. qlln M.M coupler, pedal is elec .•action. Write Crllwford, Oak Lawn , III. 6O~53 (3121 422·447B. Church Orglln (IImplifier.reed) for stile rea­ E Wielsma, RR.I, Box 58L, Uxbridge, MA sonably priced. Phone (312) 94~·6779 for lip MUST SELL IMMEDIATELY TO SETTLE ES­ 01569 or call (617) 278·5742. pointmenl. 3·RANK STRAIGHT MOLLER CHEST, 61- tate. Complete 15·rank Aeolian Votey pipe or· notes. qood conrtition. Clln be eonverted to 4·RANK PIPE ORGAN, DETACHED CON­ gan. Aho mllny ranh of pipes. Mal:e offer. HAMMOND A-IOO. EXCELLENT CONDITION. unit chesf. $100.011. Picl:: UP onlv. Churr.h Organ sole, one manual, no pedal, plaY' piano rolls, CIIII or write Mllyhew Koellein, Route 4. Frllnk. $IBOO. Darlene Budsberg, 4306 Cedllr, Schofield, Co., IB Wallon St., Edison, NJ. 01817. oak case. R. Zumstein, Box 206, Mt. Pulasl::i, lin, Tennessee 37064. (615) 799·'29fYI. Wis. 54476. (715) 359·7127. III. 6254B. "20 HILLGREEN-LANE ORGAN. 17 RANKS. HAMMOND -:A~.I~O ~' -C~O~N~SO~L~E~O~'~G~A~N7, -:2 3-MANUAL CA.SAVANT MOVEABLE CON_ NEW 2-MANUAL, t.-RANK TRACKER. SUIT_ Playable from Moller console of 3 mlln. of menuals 25-note pedalboard, will nut. $1700. sole (1962) electr. e ombinatTon action. 51 able for home or chapel. Addreu L.2, THE 19SI. Write: Alvin Gustin, Orgllnist, Christ P.O. BOll 2 Peterborough, N.H. 03458. knobs. B tablets, 31 pisfoas. like new, asking DIAPASON. Church, liB N. Washington St., Alellandrio. $6_000. Also f6' Ouintade. sootted metal, 61 Va. 22314. (703) 931·3227. WURLITZER; ANTIQUE WHITE, AMPLIFIED notes. mint condition. $1500. For de'eik write ~ CONCERT PIPE ORGAN, BUILT BY INTER­ reed orglln w/ exterior leslie. Two mllnuols 0,,/ Oroanist, St. Camillus Chutth 1175 Concord nationally known European company, 3 yean "_RANK piPE ORGAN, 2 PERCUSSIONS, pedllis. Good sound. (214) 327·3664 Dollos. TurnpUe. Arlington. Mass. 02174. old, 3.manual, 33 stops, in excellent condition. slider chests re .built 1968, fine condition, ellsy Finest materials and finish throughout. Avail· IIccess. Make offer. Specs OVllilable. Normon ELECTRONIC ORGAN KITS, KEYBOARDS able immediately. For details and pictures E. Rosllnder, 1044 Old Huntingdon Pike. lind mllny compenh. Independent and di· SKINNER CONSOLE - FOUR·MANUAL. write M.2, THE DIAPASON. Abington, Pa. 19046. (2151 TU·6·~730 office; vider lone generators. All diode I::eying. I.C. Availoble Feb. 1974. Wrlte Scottish Rile. 825 (2151 TU·6-6392 home. circuitry. Build any type or size orglln desired. Union Ave .. Memohis, TN 3B10) rOt speo fica­ IMMEDIATELY AVAILABlE HAMtLTON COL­ Supplement your Artisan Organ. 25,. fOr cllta· tinn ond information. lege Chapel Organ: built 1950. revised 1958; PIPE ORGAN - MORTON TWO.MANUAL, log. Devlronil Orglln Products. Dept. D.. san four divisions, 47 stops, milture choruses five ranh, couplers, crescendo. Operational. Amapolo Drive, San Jose, Calif. 95129. throughout; pictured in Blanton's "Organ in Must be disassembled and moved by buyer. CONSOLES: THREE MANUALS STOPKEY Church Design." Contact Stephen H. Best, Bed offer. R. l. Schwoebel, BIOO Osuna Road ond d r.wknobs. Send SASE for detatls. Roche NE, Albuquerque, NM B7109. (S05) 296-429S. Root Arl Center, Hllmilton College, Clinton, FOR SALE - MISC. Orglln Company. T. unIO". Massachusetts 027B0. New Yorl:: 13323. SKINNER SELF PLAYING PIPE ORGAN AND 13·RANK MOLLER PIPE ORGAN, NEW 1967, rolls. Installed in lllte 20's. 2M/9R with harp. LINK ORCHESTRAL PIPE ORGAN ROLLS. I(INETIC FlIOWER, 7V1 HP SINGLE PHASE, Carlsbad Union Church. Replacing with 24· Magnificent instrument. Brady, 4609 Cranbfoo l:: . About 2S. In original boxes. $15.00 elich, plus bOO c. ft per min IIf 10 ins. $200. Brady. 4609 ranI:: organ. New.organ 9uaranlee. Perfect (:o n· Indianapolis, Ind. 46250 P and I. Call or write: F. B. Greenslode, Box Cranbrook. Indianllpolis, Ind. 46250. dition, 27 stops. M .~MY swell e , pres~ n 55, 24440 Miles Rd., Bedford Heights, Ohio cllbinel. great and pedal pipes arranged on 44146, or (216) 292·2626. chesls for exposed display. Beautiful. $IB,OOO. FOR SAlE - ELEORONIC ORGANS SEVERAL FINE REED ORGANS AND MELO­ Prospectus with pictures on request. Inquiries NEW ORGAN PIPES, EXCELLENT WORK. deons. Expertly reconditioned. Reeds revoiced to Dr. Jerry Colling, 3171 Fllicon Dr., Carlsbad, ROGERS CHURCH ORGAN MODEL 330. mllnship and ellpertly voiced. Formerly super' and luned. Also repillcemenis. The little Or· Calif. 92008. (714) n'l-IBI4. Lighted drawknob console, computer combin· visor of Aeolilln·Skinner pipeshop. Hons Rother, gan Shop. C. H. Gunzinger, BOll V6, Willioms· ation lIelion. 3.mllnuals, 3.spellker cabinets lind German Orglln Pipecrllfl, 34 Standard Str., ville, VT 05362. 1970 THREE-MANUAL MOELLER ORGAN, 27 omplifiers. Like new, flh years old, original Mlltlopan, Moss. 02126. stops, 2B rllnh. Excellent condition. Would be cod $16,SOD. Must sell $12.000. Purchoser must ESTEY REED ORGAN 1911, In-STOP, 2-MAN, moru suitllble in room larger than present 10. remove. Contact Mr. Tobills. (201) 366-9278. AUSTIN B' VOX HUMANA. 5'" PRESSURE. ped., adllpied to elec. blower. SliII in reg. use. cation. Bed offer over $42,000. Buyer to re· All hllve bools. $85. Steere and Turner B' Oboe Price negolioble, buyer removes. St. Dllvid's, move. Address L·S, THE DIAPASON. RODGERS COLUMBIAN 75, 2-MAN., AGO minus bottom octave. 3"'. $BS. Steere and Turner Box 43, Cullowhee, N.C. 2B723. pedal board, practice panel, transposer. Excel· B' Trumpet. Not mitered. 3"'. $110. Bottom oc· ONE MANUAL AND PEDAL MOELLER lent for church Or studio. Moving. $3000 or lave of Austin B' Bourdon. $35, All pipes tracker orglln, 91h' high, B' wide, 6' deep. Ed· best offer. Call (S02) 79B·3971 or (615) 983·3067 cleaned and in good condition. Prices include MASON_HAMLIN REED ORGAN BUILT ''''4, win Dunlap, 1225 No. Second Street, Harris­ or write J. C. CallawllY, 1522 Woll:er Circle, crllting. Mason,Co!Irlson, Ploinville Ave., Form· mint condition. $300 firm. BOll 0422. Gardner, burg, Penna. 17102. (717) 234-1488. Moryville, Tenn. 37801. ington, Conn. (203) 6n.9614. MlIss. 01440.

LOUIS F. MOHR & COMPANY 0 ORGAN E. H. HOLLOWAY G. F. ADAMS R Since 1906 MAINTENANCE G CORPORATION A Organ Builders, Inc. 2899 Vruentine An. Builders of New York 58. N. Y. N 5~. S'I"'tof 0/ Q.. afU, Telephone: SEdgwick 3-5628 Tracker und Eledro~pneumat;c 204 West Houston Street Emergency Service Yearly Contracls P slider chest organs I New York, New York 10014 H arps - Chimes - Blowers JEROME B. MEYER &SONS Expert O\'crhauling P 2339 SO. AUSTIN ST, INDIANAPOLIS, INDIANA "An Orlan Properly Mainrained AI.ul E Telephone ORegon 5-6160 S MILWAUKEE, WIS. 53207 Tel: 637_2029 P. O. Box 20254 Bdl.r Music" A. David Moore & CO. TRACKER ORGAN DESIGNERS & BUILDERS North Pomfret Vermont 05053

JULIAN E. BULLEY DO IT YOURSElf PIP! ORGAN KITS PIANO TUNING Felix Schoenstein Custom Ipedflullon, for church or Learn Plana tuning and repair with ecay New Organs - Rebuilding residence, complete or parts, full In- itrudiofll by .stabUsh.d orQ.n bulld.n. to follow home study coune. Wid. open &Sons Pipe Organ Builders Service fI.ld with good earnings. Malee. excel- SINCE 1906 COLIIIT MFG, CO, P,O. BOX 112 lent "extra" lob. Write SAN FRANCISCO, CALIF. 1376 Harvard Blvd,-Dayton, Ohio .(5406 HII.r Slatlon, IuHalo, N.Y. 14223 Amerie.n School of Plano Tuning 513-276-2481 17111 T.. ,., Dr. a"t. D 11",l1l:I HUI, OA ~

DECEMBER 1973 27 L iii 0 n M u r t a g h C on~ert Manog e .1. ent

Box 272 Canaan, Connecticut 06018 203-824-7877

Announcing

European Artists

Season 1974-75

ANTON HEILLER ROBERT ANDERSON CLYDE HOLLOWAY Sep!. 15·No\". IS, 1974

GUY nOVET Oci. 1974

GILLIAN WEIR F.b. 15·Mar. 15,1975

HEINZ WUNDERLICH ROBERT BAKER FREDERICK SWANN March 1975

.lEAN LANGLAIS April·May 197~

MICHAEL RADULESru April 1975

JOAN UPPINCO'IT

Combinations

Organ and Assisting Arti8t

GERRE & JUDY HANCOCK RAY FERGUSON DONALD McDONALD Or"o" Duo

WILMA JENSEN & K. DEAN WALKER Organ & Percussion

MARILYN MASON & PAUL DOKTOR Orgon & Viol. JERALD HAMILTON MARILYN MASON JOHN WEAVER FREDERICK SWANN AND JOHN ST ART ANDERSON Orgon & Aelor

JOHN & MARIANNE WEAVER Organ & Flute GERRE HANCOCK WILLIAM WHITEHEAD