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H. G. WELLS by J
.'/ LIBRARY UmERSUY OF CALIFORNIA RIVERSIDE > Ex Libris ISAAC FOOT WRITERS OF THE DAY General Editor: Bertram Christian H. G. WELLS By J. D. BERESFORD THE EARLY HISTORY OF JACOB STAHL THE /IAMPDENSHIRE WONDER A CANDIDATE FOR TRUTH GOSLINGS THE HOUSE IN DEMETRIUS ROAD THE INVISIBLE EVENT Camera-Portrait Hoppe H. G. WELLS H. G. WELLS By J. D. BERESFORD Xoitdon NISBET & CO. LTD. 22 BBRNBRS 8TRBET, W. First Published in 19/5 TO R. A. A. B. THIS ESSAY IS FRATERNALLY DEDICATED INTRODUCTION THE NORMALITY OF MR WELLS his Preface to the Unpleasant Plays, Mr Shaw boasts his possession of IN" normal sight." The adjective is the oculist's, and the application of it is Mr Shaw's, but while the phrase is misleading until it is explained to suit a particular purpose, it has a pleasing adaptability, and I can find none better as a key to the works of MrH. G. Wells. We need not bungle over the word ' normal," In any attempt to meet the academic object ion that it implies con- formity to type. In this connection, the gifted po or of normal sight is differen- tiated from his million neighbours by the 9 WRITERS OF THE DAY fact that he no if a few wears glasses ; and happy people still exist here and there who have no need for the mere physical assist- ance, the number of those whose mental outlook is undistorted by tradition, prejudice or some form of bias is so small that we regard them as inspired or criminal accord- ing to the inclination of our own beloved predilection. -
The-Croquet-Player.Pdf
THE CROQUET PLAYER THE CROQUET PLAYER H. G. WELLS Edited, with an introduction and notes, by John Hammond TRENT EDITIONS Published by Trent Editions 1998, 2003 Trent Editions Department of English and Media Studies The Nottingham Trent University Clifton Lane Nottingham NG11 SNS Introduction © John Hammond Copyright © by the Literary Executors of H. G. Wells All rights reserved. No part of this book may be reproduced in any form, except by a newspaper or magazine reviewer who wishes to quote brief passages in connection with a review. Printed in Great Britain by Chas. Goater & Son Limited, Nottingham ISBN 0 905 48889 X Contents INTRODUCTION vu THE CROQUET PLAYER I THE CROQUET PLAYER INTRODUCES HIMSELF 1 II THE HAUNTING FEAR IN CAINSMARSH 6 III THE SKULL IN THE MUSEUM 19 IV THE INTOLERABLE PSYCHIATRIST 31 NOTES 45 Introduction may write a story or so more· - a dialogue, an adventure or an 'I anecdote. But I shall never come as near to a deliberate attempt upon The Novel again as I did in Tono-Bungay.' 1 Thus wrote Wells in his autobiography. Following its completion in 1934 he embarked on a series of promising experiments in the novella form: The Croquet Player (1936), Star Begotten (1937), The Camford Visitation (1937) and The Brothers (1938). The novella as a literary genre was one he had hitherto left virtually untouched, apparently preferring the ampler scope of the novel.2 But he cannot have been unaware that during the years when he was working on long, discursive novels such as The ResearchMagnificent and Joan and Peter a new generation of writers was producing memorable fiction on a much tauter canvas. -
Little Wars James H
12 FOOTNOTES TO HISTORY Little Wars James H. Hillestad, Member No. 6, pays tribute to the prolific writer H.G. Wells and notes his fondness for W. Britains ne hundred years ago, TOP H(erbert) G(ordon) Wells H.G. Wells playing published the classic Little Little Wars Wars. Wells is best known for his scientific fantasies The Time Ma- ABOVE chine (1895) and The War of the Little Wars by H.G. Worlds (1898). Wells In January 1913, war was loom- ing in Europe and Little Wars RIGHT was both an expression of Wells’ The battlefield in passion for toy soldiers and his Little Wars fears about the coming slaughter. Those fears manifested themselves in Little Wars. In his own words, with toy soldiers. Inspiration for non with a match stick. He then “You have only to play at Little Little Wars came from a friend methodically aimed the cannon, Wars three or four times to realize who was visiting for lunch. The released the spring in the breech, just what a blundering thing Great friend was drawn to five W.Britain and hit one of the soldiers. As War must be.” toy soldiers aligned on a table top, Wells put it, “He fired a shot that In Little Wars and its companion along with a cannon. He drew still echoes round the world.” Floor Games (1911), Wells de- a chair to the table, sat down, The game that developed was veloped a set of rules for playing and proceeded to load the can- based on the spring breech- FOOTNOTES TO HISTORY 13 An Apocryphal Tale -- True or False? loader 4.7 inch naval gun made by W.Britain in 1902. -
War and the Future
War and the Future H. G. Wells War and the Future Table of Contents War and the Future..................................................................................................................................................1 H. G. Wells.....................................................................................................................................................1 THE PASSING OF THE EFFIGY................................................................................................................1 THE WAR IN ITALY.................................................................................................................................10 I. THE ISONZO FRONT.............................................................................................................................10 II. THE MOUNTAIN WAR........................................................................................................................13 III. BEHIND THE FRONT..........................................................................................................................16 THE WESTERN WAR (SEPTEMBER, 1916)...........................................................................................21 I. RUINS......................................................................................................................................................21 II. THE GRADES OF WAR........................................................................................................................25 III. THE WAR -
From World Brain to the World Wide Web Transcript
From World Brain to the World Wide Web Transcript Date: Thursday, 9 November 2006 - 12:00AM FROM THE WORLD BRAIN TO THE WORLDWIDE WEB Martin Campbell-Kelly, Warwick University Annual Gresham College BSHM Lecture Introduction There are quite a number of published histories of the Internet and the World Wide Web. Typically these histories portray the Internet as a revolutionary development of the late 20th century—perhaps with distant roots that date back to the early 1960s. In one sense this is an apt characterization. The Internet is absolutely a creation of the computer age. But we should not think of the Internet just as a revolutionary development. It is also an evolutionary development in the dissemination of information. In that sense the Internet is simply the latest chapter of a history that can be traced back to the Library of Alexandria or the printing press of William Caxton. In this lecture I will not be going back to the Library of Alexandria or the printing press of William Caxton. Instead I will focus on the contributions of three individuals who envisioned something very like the Internet and the World Wide Web, long before the Internet became a technical possibility. These three individuals each set an agenda. They put forward a vision of what the dissemination of information might become, when the world had developed the technology and was willing to pay for it. Since the World Wide Web became established in 1991 thousands of inventers and entrepreneurs have changed the way in which many of us conduct our daily lives. -
Peregrine Nations 7.3, October 2007
Peregrine Nations Vol. 7, No. 3 October 2007 This Time 'Round We Have: Silent eLOCutions: Letters of Comment / 3 Granite of the Apes Parts 4 & 5 by ChucK Connor / 12 A Feast of Jackals: Book reviews by Cy Chauvin / 11 Will the Real Swamp Thing Please Stand Up? / 19 Art credits: Lee & J.J. MacFadden (cover), Alan White (masthead), Amy Harlib (3), Brad Foster (19) This issue is dedicated to: My mother. In PN 7.2, in the book review column, a character's name was misspelled. Siri Keeton is the correct spelling. PN regrets the error, and will administer 40 lashes to the Editrix. No tickets will be sold. This issue of Peregrine Nations is a © 2007 J9 Press Publication, edited by J. G. Stinson, P.O. Box 248, Eastlake, MI 49626-0248. Publisher: Peter Sullivan, UK. Copies available for $2 or the Usual. A quarterly pubbing sked is intended. All material in this publication was contributed for one-time use only, and copyrights belong to the contributors. Contributions (LoCs, articles, reviews, art, etc.) can be sent to tropicsf at earthlink.net (please use Peregrine Nations in the subject) or via regular mail. Articles/reviews/art should be on the topics of science fiction, fantasy, horror, journeys, and, for the October ish, things that are scary. No attachments unless previously arranged. Clearly scanned artwork and queries are welcome. Loccers’ e-mail addresses are spam- protected by using words where punctuation ought to go. Regular addresses still left out unless otherwise instructed. Fanzines reviewed will have their addresses included from now on, unless I forget again. -
The Invisible Man by H. G. Wells
The Invisible Man by H. G. Wells Bibliographic Record Author Wells, H. G. (Herbert George), 1866-1946 Title The Invisible Man Language English LoC Class PR: Language and Literatures: English literature Subject Science fiction Subject Psychological fiction Subject Scientists -- Fiction Subject Mentally ill -- Fiction EText-No. 5230 Release Date 2004-03-01 Copyright Not copyrighted in the United States. If you live elsewhere check the laws of Status your country before downloading this ebook. Base Directory /files/5230/ The Invisible Man A Grotesque Romance By H. G. Wells CONTENTS I The strange Man's Arrival II Mr. Teddy Henfrey's first Impressions III The thousand and one Bottles IV Mr. Cuss interviews the Stranger V The Burglary at the Vicarage VI The Furniture that went mad VII The Unveiling of the Stranger VIII In Transit IX Mr. Thomas Marvel X Mr. Marvel's Visit to Iping XI In the "Coach and Horses" XII The invisible Man loses his Temper XIII Mr. Marvel discusses his Resignation XIV At Port Stowe XV The Man who was running XVI In the "Jolly Cricketers" XVII Dr. Kemp's Visitor XVIII The invisible Man sleeps XIX Certain first Principles XX At the House in Great Portland Street XXI In Oxford Street XXII In the Emporium XXIII In Drury Lane XXIV The Plan that failed XXV The Hunting of the invisible Man XXVI The Wicksteed Murder XXVII The Siege of Kemp's House XXVIII The Hunter hunted The Epilogue CHAPTER I THE STRANGE MAN'S ARRIVAL The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. -
Open Kellyinnesdissertation.Pdf
The Pennsylvania State University The Graduate School Department of English ANTISOCIAL MODERNISM: H.G. WELLS, DOROTHY RICHARDSON, WYNDHAM LEWIS A Dissertation in English by Kelly Innes 2008 Kelly Innes Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2008 The dissertation of Kelly Innes was reviewed and approved* by the following: Robert L. Caserio Professor of English Dissertation Advisor Chair of Committee Janet Lyon Associate Professor of English Mark Morrisson Associate Professor of English Jonathan P. Eburne Josephine Berry Weiss Early Career Professor in Humanities Assistant Professor of Comparative Literature and English Robin Schulze Professor of English Head of the Department of English *Signatures are on file in the Graduate School iii ABSTRACT Antisocial Modernism: H.G. Wells, Dorothy Richardson, Wyndham Lewis argues that the fiction of the British modernists H.G. Wells, Dorothy Richardson, and Wyndham Lewis comprises a series of attempts to imagine experimental social and political forms precisely in and through formal experiments in narrative. My readings of Wells‟s manipulations of romance, Richardson‟s experiment in antinarrative, and Lewis‟s practice of non-moral satire reveal an intrinsic antisocial and political impulse expressed through modernist aesthetics. In The Human Condition, Hannah Arendt describes “the social” as a distinctively modern realm in which concerns for the cyclical reproduction of bare life characteristic of labor and for the teleological projects characteristic of work threaten to destroy the capacity for politics that makes us distinctively human. In Antisocial Modernism, I argue that modernist fiction undertakes aesthetic experiments in order to negate the force of the social in order to open a space for politics. -
Making Meaning Together: Information, Rumor, and Propaganda in British Fiction of the First World War
ABSTRACT Title of Document: MAKING MEANING TOGETHER: INFORMATION, RUMOR, AND PROPAGANDA IN BRITISH FICTION OF THE FIRST WORLD WAR. Rebecca Borden, Ph.D., 2012 Directed By: Associate Professor Peter Mallios, Department of English. Through an examination of fiction by H.G. Wells, Joseph Conrad, and John Buchan, this dissertation examines information as a category as it exists under conditions of modernity, and how the contours of and changes in definitions and understandings of modern information become more visible, and are likely accelerated by, the complex information challenges brought about by the disruptions of the First World War. Given that “information” is a key building-block in understanding systems of knowledge in modernity, this dissertation incorporates theoretical constructs describing information drawn from a variety of disciplines, all of which circle around the problems and concerns of the increasingly saturated, complex, and untethered nature of information as experienced by an individual in modern life. This project also highlights the role that rumor plays in modernity. The war years bring an expansion of government-directed information control, both in the form of actively produced propaganda and in the form of censorship, disrupting the conduits along which information travels under normal conditions. Rumor, generally considered a pre-modern form of communication, remains a part of modern information systems and provides a mechanism for making meaning when other sources of information begin to fail. This dissertation also considers how “wartime” fiction, as a category distinct from pre-war and post-war fiction, is a revealing domain of literature in its own right, and one that has been overlooked in scholarship on literature of the First World War. -
Wells in Woking Is Delivered by Woking Borough Council in Partnership with the Following Organisations: H.G
FREE SOUVENIR PROGRAMME 150years ago Sponsored by: Media partner: Wells in Woking is delivered by Woking Borough Council in partnership with the following organisations: H.G. Wells Conference and Events Centre • H.G. Wells Society • Horsell Common Preservation Society Horsell Residents’ Association • Ochre Print Studios • Surrey Arts • Surrey History Centre • The Ambassadors The Lightbox • The Living Planet Centre • United Agents • Visit Surrey • Woking History Society 150TH ANNIVERSARY FIND OUT MORE AT WWW.WELLSINWOKING.INFO 3 150years ago ...one of the nation’s greatest literary talents Contents and public intellectuals was born. H.G. Wells moved to Woking in May 1895 where his Wells: the story of a short biography 4 writing gathered pace as did his ascent to fame The writer Wells’ work with a Woking connection 6 and fortune. His inspiration Martians landing on Horsell Common 8 He made Woking infamous in the late 19th The artist screen and print with Ochre Print Studios 10 Century by choosing Horsell Common as the location for his Martian invasion in his The teacher inspiring young people 12 science-fiction serial, The War of the Worlds. The local man exhibition at Surrey History Centre 14 Wells in Woking is a celebration of the Wells in Woking Event Diary Centre pull-out Borough’s connections with H.G. Wells and a Wells in Woking Heritage Trail Centre pull-out page-turning tale of inspiration, imagination A global influencer by Stephen Baxter 15 and success that is as much about the person as it is the place. Visit Woking, in the heart of The visible man new sculpture of H.G. -
Google & the World Brain [Feature]
Google & the World Brain [Transcript] HG WELLS RECON There is no practical obstacle whatever now to the creation of an efficient index to all human knowledge, ideas and achievements. To the creation that is of a complete planetary memory for all mankind. CAPTION From the essay "World Brain" by H.G. Wells, 1937 WARDEN BOYD RAYWARD He was one of the early inventors of science fiction, the idea of time travel, the possibility of invisibility, of intergalactic struggles. And then he came up with ideas of how we might reorganize the knowledge apparatus of the world, which he called the World Brain. For Wells, the World Brain had to contain all that was learnt and known and that was being learnt and known. KEVIN KELLY If you have access to anything that has been written, not just theoretical access but like instant access next to your brain. That changes your idea of who you are. HG WELLS RECON It can be reproduced exactly and fully in Peru, China, Iceland, Central Africa or wherever else. ROBERT DARNTON They were frank in their ambition and dazzling in their ability to execute it. WARREN BOYD RAYWARD The Google Books Scanning Project is clearly the most ambitious world brain scheme that has ever been invented. JEANNENEY NOEL JEANNENEY There is a danger that Google's aim is to achieve a monopoly. EVGENY MOROZOV The nightmare scenario in 20 years’ time would be Google tracking everything you read. PAMELA SAMUELSON Google could basically hold the whole world hostage. JARON LANIER Ever since Wells, science fiction is always about the possibility that people don't really matter in the future. -
The Sea Lady Online
CpBTV (Download) The Sea Lady Online [CpBTV.ebook] The Sea Lady Pdf Free H. G. Wells ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #304425 in eBooks 2016-05-17 2016-05-17File Name: B01FTA831I | File size: 55.Mb H. G. Wells : The Sea Lady before purchasing it in order to gage whether or not it would be worth my time, and all praised The Sea Lady: 2 of 2 people found the following review helpful. Starts slow, but builds in the second halfBy KenH.G. Wells wrote this book at the end of the nineteenth century, and wrote it in the style of that time. It's glib and gossipy and, along with the title itself, whimsical. The extended first part of the story, longish and often irrelevant to the story, might have been the author's way to help make the fantasy of a mermaid seem more probable. The first half is reminiscent of Pride and Prejudice, which I thought was tedious and written for a limited local audience who would be delighted by the references to places and behavior. The first half of this book is like that. During a family outing at the beach a family sees a young woman struggling further out in the water. It's only when they "rescue" her that they see that she's a mermaid. They quickly take her into the beach house, still unaware that the mermaid has planned the whole incident in order to meet a young man.Her motives are not quite clear; nor are her intentions of what she plans to do with the young man after she gets him, since she lives beneath the sea.