The Inheritors, HG Wells and Science Fiction
The Inheritors, H. G. Wells and Science Fiction: The Dimensions of the Future On 20 November 1901, Wells wrote to his agent, J. B. Pinker, revealing that “Conrad came along today with Anticipations on the train. He doesn't like it in a friendly & respectful way & would like very much to go for it in two or three articles.”1 Anticipations, Wells first non-fiction book, published as a volume earlier that month in Fortnightly Review, set out, among other things, Wells’s radical ideas for how to secure the future of humanity. Looking back over his career in Experiment in Autobiography (1934), Wells writes: “Now Anticipations was not only a new start for me, but, it presently became clear, a new thing in general thought” (645). This “new thing” contained such extraordinary and revolutionary proposals that it propelled Wells to Edwardian literary superstardom. The book was an immediate bestseller, and by mid-December 1901 Wells was urging Pinker to bring it out as a cheap paperback.2 In June of the same year William Heinemann had published the second collaborative effort of Joseph Conrad and Ford Madox Ford, The Inheritors: An Extravagant Story.3 The novel plays with the Wellsian notion that fantastical events might effect a political and social transformation of Britain’s very near future. Yet, unlike their friend Wells, who had begun to promote the potential for humanity to progress and to improve, to evolve into higher beings, Conrad and Ford envisioned an apocalyptic dystopia where humanity would be swept away by a race of people from a fourth dimension, the Inheritors of the title.
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