The Patron Goddesses of the Layabout Two 14 Inch Televisions Are Suspended from the Ceiling by a Network of Cables
The Patron Goddesses of the Layabout Two 14 inch televisions are suspended from the ceiling by a network of cables. The televisions, spaced about five feet apart are facing one another. Between them is an ornately decorated column made of mahogany. At the top of the column are a pair of lenses inviting the viewer to look neither to the screen on the right nor on the left, but straight ahead. Different sets of ambient noises come from each television. A cardboard pyramid extends horizontally from each screen, narrowing into each side of the column, adjacent to each lens. The screens are not visible, but the possibility exists that they can be seen obliquely or by means of mirrors, through the lenses. This is in fact the case. A trail of cloudy vapors, seen in three dimensions, passes before the viewer's gaze. On the white walls, in large white vinyl letters, are the names of the clouds as they originally appeared in Luke Howard's 1802 essay, On the Modifications of Clouds. The Patron Goddesses of the Layabout Paul Aurele Robert In the comedic play, The Clouds, Aristophanes critiqued a tendency in Athenian education towards excessive sophistry, pernicious speculation and useless philosophical quibbles. Aristophanes saw such a propensity for thought over action as undermining the foundations of traditional mor.ality and religion, and corrupting justice. The Clouds, who form a chorus, function as a metaphor for metaphysical thought that is not grounded in practical experience but is theoretical, indefinite, and open to possibility. Aristophanes takes the historical Socrates a loose model for his main character, a sophist.
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