Partha Chatterjee,On Seeing Padmaavat by Pa
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Ripped, Retro and Ravishing
23 SCREEN CHANGE SATURDAY, DEC 31, 2011 2011 2012 Telly bellies and old flames Saas-bahus and their kitchen politics made way for old-fashioned, and mature, romance on television this year KKAHANI MEIN TWIST: Unlike the typical AVIJIT GHOSH 20-nothing telly TIMES NEWS NETWORK couples, Ram and Priya (left) are “Have you ever been in love? Horrible isn’t it? middle-aged and It makes you so vulnerable. It opens your Dr Ashutosh and Dr Nidhi (right) chest and it opens up your heart and it means have an 18-year that someone can get inside you and mess you age gap up. You build up all these defenses, you build up a whole suit of armour, so that nothing can a 20-plus intern with flowing hair and forest-fire and complicating one’s life. By a twist of of a girl half his age. In times when most heroes tured enormous mindspace. And in the Dec 17 hurt you, then one stupid person, no different eyes. Nidhi brims with life. Her smile carries the circumstance, they get married. And slowly, are 20-nothings and almost as pretty as the TAM rating, Bade Achche... was at 9th place. from any other stupid person, wanders into smell of the finest winter flowers and she can like shit, love too happens. And that ‘crazy little heroine, these serials put forward an alternative The love stories have become a late evening your stupid life...and then your life isn’t your light up a room by just stepping into it. -
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Semi-Supervised Automatic Generation of Wikipedia Articles for Named Entities
The Workshops of the Tenth International AAAI Conference on Web and Social Media Wiki: Technical Report WS-16-17 Semi-Supervised Automatic Generation of Wikipedia Articles for Named Entities Yashaswi Pochampally Kamalakar Karlapalem Navya Yarrabelly IIIT Hyderabad, India IIIT Hyderabad / IIT Gandhinagar, India IIIT Hyderabad , India [email protected] [email protected] [email protected] Abstract would help in maintaining similarity of article structure across articles of a Wikipedia category, but at the cost of We investigate the automatic generation of Wikipedia articles as an alternative to its manual creation. We pro- losing uncommon headings that might be important for the pose a framework for creating a Wikipedia article for topic chosen. For instance, the common headings for film ac- a named entity which not only looks similar to other tors are early life, career, filmography and awards. But the Wikipedia articles in its category but also aggregates Wikipedia article generated by this method for some expired the diverse aspects related to that named entity from the actor, say Uday Kiran, while including the aforementioned Web. In particular, a semi-supervised method is used headings still would not contain information about his death. for determining the headings and identifying the con- An unsupervised approach which clusters text related to the tent for each heading in the Wikipedia article generated. topic into various headings would include all topic-specific Evaluations show that articles created by our system for headings and solve the issue, but at the cost of losing simi- categories like actors are more reliable and informative larity in article structure (common headings) across articles compared to those generated by previous approaches of Wikipedia article automation. -
The Romance Between Bollywood and Digital Media a Study on the Implementation of Digital Promotional Activities in Bollywood
The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood Student Name: Dinesh Koendjbiharie Student Number: 357429 Supervisor: Payal Arora PhD MA Media Studies – Media and Business Erasmus School of History, Culture and Communication Erasmus University Rotterdam MA Thesis July 2015 0 Version 2.0. - July 2015 The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood ABSTRACT The Indian cinema, often referred to as Bollywood, is when it comes to production scale the largest movie industry in the world. The media and creative industries have been facing a new challenge in the past decade such as, but not limited to, the implementation of new digital media technologies in their digital promotional strategies. This research looks into the promotional activities in contemporary Bollywood that are visible to the consumer. The research question: “How does Bollywood use social media for promotional activities to reach the domestic and global market and possibly strengthen their current promotional strategies?” will be answered through two in-depth case studies on Bollywood blockbuster movie ‘Happy New Year’ and a movie that did exceptionally well ‘Queen’. This research firstly touches upon the changes and the development the industry went through, followed by creating an understanding of the industry’s contemporary position. The first step of the analysis is based on creating an in-depth understanding of the cases and the corresponding data from among others Facebook and Twitter. The following step of the analysis is solely focussed on the adjoining film music industry, in which the attention is paid to the promotion of the film music and also the promotion through the official social media channels of the cases. -
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Compendium of Best Practices on Anti Human Trafficking
Government of India COMPENDIUM OF BEST PRACTICES ON ANTI HUMAN TRAFFICKING BY NON GOVERNMENTAL ORGANIZATIONS Acknowledgments ACKNOWLEDGMENTS Ms. Ashita Mittal, Deputy Representative, UNODC, Regional Office for South Asia The Working Group of Project IND/ S16: Dr. Geeta Sekhon, Project Coordinator Ms. Swasti Rana, Project Associate Mr. Varghese John, Admin/ Finance Assistant UNODC is grateful to the team of HAQ: Centre for Child Rights, New Delhi for compiling this document: Ms. Bharti Ali, Co-Director Ms. Geeta Menon, Consultant UNODC acknowledges the support of: Dr. P M Nair, IPS Mr. K Koshy, Director General, Bureau of Police Research and Development Ms. Manjula Krishnan, Economic Advisor, Ministry of Women and Child Development Mr. NS Kalsi, Joint Secretary, Ministry of Home Affairs Ms. Sumita Mukherjee, Director, Ministry of Home Affairs All contributors whose names are mentioned in the list appended IX COMPENDIUM OF BEST PRACTICES ON ANTI HUMAN TRAFFICKING BY NON GOVERNMENTAL ORGANIZATIONS © UNODC, 2008 Year of Publication: 2008 A publication of United Nations Office on Drugs and Crime Regional Office for South Asia EP 16/17, Chandragupta Marg Chanakyapuri New Delhi - 110 021 www.unodc.org/india Disclaimer This Compendium has been compiled by HAQ: Centre for Child Rights for Project IND/S16 of United Nations Office on Drugs and Crime, Regional Office for South Asia. The opinions expressed in this document do not necessarily represent the official policy of the Government of India or the United Nations Office on Drugs and Crime. The designations used do not imply the expression of any opinion whatsoever on the part of the United Nations concerning the legal status of any country, territory or area or of its authorities, frontiers or boundaries. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
A Grown up Bromance
12 Friday 26th August, 2011 Now at Savoy (2) -(Dts) Zindagi Na Milegi Dobara A grown up bromance okes about teachers. Fights over make a bromance as beautifully as a little contrived—three girlfriends. Silly word games. Bare woman. adventure sports to test Jchests. Rippling muscles. Streaked The film is gentle, taking time out to your courage—but the story hair. Sigh. Glossy looking and beautiful- look at horses running in the meadows, keeps you engaged. ly written. I must confess by the time I feel the wind the air, swim with the fish A meditative take on finished watching Zindagi Na Milegi underwater. All that male beauty may growing up, becoming a Dobara I was convinced that no one can be a little manipulative and the plot is a man, taking responsibility Congratulations for one’s actions, it has the courage to ly posed performance as a spolit little Coupon No. 141 (Daily Island) go for long periods with no dialogue. A madam. The correct answer is ’25th August’ scene where Hrithik Roshan does a My favourite moment of the film? Finding Nemo and another where the Not the showy moment when Hrithik 1. Ms. Kavindya Colombo 3 boys discover the joys of sky diving is discovers the meaning of life with one 2. H. S. Caldera Kadawatha all about just being. Seizing the deep sea dive with Katrina Kaif. Or 3. Kumara Colombo 15 moment. Living for the day. Yes, yes, when Farhan confronts his pot smoking 4. Lakmali Wathsala Boralesgamuwa cliches all, but shot with such sisterly ageing painter dad-can’t tell you who he 5. -
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Matinee8-12Aug.Qxd (Page 1)
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C 8 MATINEE MASALA DELHI TIMES, THE TIMES OF INDIA TUESDAY 12 AUGUST 2003 Raghu Romeo directed by Rajat Kapoor; it’s heard that this film Maria sets the ball rolling has been selected for screening at e saw the lovely Maria her talking nineteen to the dozen the open-air theatre at the Piazza W Goretti spinning in action in front of the camera. She’ll use Grande, in the non-competition Gracy Singh: Miss Perfectionist at the World Cup held earlier this all the energies for proving her section at Locarno International year in South Africa. Well, she’s histrionic abilities instead. Film Festival 2003. Finally,Maria URVASHI ASHAR Every actor has their back and this time you won’t find Maria is starring in a film titled has set the ball rolling again. own way of portraying What’s your role in the a particular character. film Gangaajal? For me, I can’t swim. I Gangaajal is a film based probably would have on police and society in which played another sport or I play a police officer’s wife. indulged in some other What made you want to adventurous activity do this role? like horse riding or I found the story unique. It something, to bring out is based on true-life incidents the character.I and also conveys a very im- am scared portant social message. Also, of water commercially I think it will be and so appreciated. there’s Prakash Jha had said no rea- while Ajay Devgan is a vol- son for cano of energy, Gracy is an me to actress whose potential has- wear a n’t been tapped. -
Westminsterresearch the Digital Turn in Indian Film Sound
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Digital Turn in Indian Film Sound: Ontologies and Aesthetics Bhattacharya, I. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr Indranil Bhattacharya, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE DIGITAL TURN IN INDIAN FILM SOUND: ONTOLOGIES AND AESTHETICS Indranil Bhattacharya A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2019 ii Abstract My project maps film sound practices in India against the backdrop of the digital turn. It is a critical-historical account of the transitional era, roughly from 1998 to 2018, and examines practices and decisions taken ‘on the ground’ by film sound recordists, editors, designers and mixers. My work explores the histories and genealogies of the transition by analysing the individual, as well as collective, aesthetic concerns of film workers migrating from the celluloid to the digital age. My inquiry aimed to explore linkages between the digital turn and shifts in production practices, notably sound recording, sound design and sound mixing. The study probes the various ways in which these shifts shaped the aesthetics, styles, genre conventions, and norms of image-sound relationships in Indian cinema in comparison with similar practices from Euro-American film industries. -
A Resource Book on Disability Studies in India
A RESOURCE BOOK ON DISABILITY STUDIES IN INDIA Compiled by NILIKA MEHROTRA With assistance from Pooja Singh and Priyanka Saini Centre for the Study of Social Systems, School of Social Sciences, Jawaharlal Nehru University, New Delhi, August 2016 i Preface The idea of a resource book emerged from the ongoing discourses, seminars, conferences and workshops around the topic and theme of disability studies. The conference that I had organized on Disability Studies in 2015 is what finally gave it the much needed momentum and it has taken the shape of what it is today. This piece of work was also made possible due to the funding and support of organizations like CSSS, GSP and ICSSR. It is hoped that the resource book will be a valuable tool to students, researchers and academicians alike. Given the vast arenas of knowledge present, and the number of organizations and institutions working towards the growth of disability studies and its allied causes, it was felt that there was an absence of all these sources at one place. The resource book should help fill this vacuum, as well as act as a catalyst for further research and disability research. An e-copy of this resource book will also be available at: http://www.jnu.ac.in/FacultyStaff/ShowProfile.asp?SendUserName=nilika ii CONTENTS 1) Disability Studies Programmes in India 2) NGOs and DPOs dealing with Disability in India Disability Networks on the Web Disability Groups 3) Bollywood Movies and Documentaries catering to the subject of Disability 4) Bibliography Disability, Gender and Sexuality