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Announcement
Announcement 80 articles, 2016-05-07 00:03 1 13 Must-See Artists at NADA New York NADA New York supplies an art fair model that’s for us, by us. 2016-05-06 16:35 2KB thecreatorsproject.vice.com (3.52/4) 2 See The Top 10 Booths at Spring Masters 2016 See the top 10 booths at Spring Masters art fair in New York. It is the fair's last edition before its merger with TEFAF takes effect. 2016-05-06 14:12 6KB news.artnet.com (1.16/4) 3 The Experience of Meeting Gerhard Richter Christian Viveros-Fauné catches up with artist Gerhard Richter on the eve of his Marian Goodman Gallery show in New York. 2016-05-06 15:18 4KB news.artnet.com (1.02/4) 4 ‘It Aims Toward the Universal’: At the 1:54 Contemporary African Art Fair in Red Hook, Brooklyn The 1:54 Contemporary African Art Fair runs from May 6 to 8 at PioneerWorks in Red (1.02/4) Hook, Brooklyn. The 1:54 Contemporary African Art Fair has returned for a 2016-05-06 13:31 3KB www.artnews.com 5 Santa Monica Museum of Art Moves Downtown The Santa Monica Museum of Art's move to LA's Arts District accompanies a name change to the Institute of Contemporary Art, Los Angeles. 2016-05-06 12:34 2KB news.artnet.com (1.02/4) 6 Q&A: Ulay On His Upcoming New York Performance, Marina Abramovic, and That Infamous Moment at MoMA The German artist will stage his first New York performance in 30 years this Saturday at (1.02/4) Kustera Projects in Red Hook, Brooklyn. -
JASIAH BIO the Era of Soundcloud Rap Ushered in a Golden Age of Teenage DIY Artists Who Make Music on Their Terms. to Grow From
JASIAH BIO The era of SoundCloud rap ushered in a golden age of teenage DIY artists who make music on their terms. To grow from the depths of SoundCloud to the mainstream stage, Jasiah used the audio distribution platform to connect with his fans, promoting his music as much as possible. When his self-produced, self-written songs started gaining traction online, it was a stroke of luck that one of those fans was Ugly God. Jasiah remembers when Ugly God Posted his “HAHAHAHAHA” freestyle on Soundcloud. “He was like, ‘The first time I open my DMs to listen to one of y’all wack ass rappers, and its actually a banger,’” He says with a laugh. The reaction was enough reassurance that he was on the right track. Originally from Dayton, Ohio, Jasiah, 22, is unlike any rapper associated with the SoundCloud rap movement. He considers himself to be an artist who can transcend genres. This means he can excel in any category, whether its making screamo songs like “Case 19,” which features Tekashi 6ix9ine, or agro anthems like “Crisis” that contains a familiar Courage the Cowardly Dog sample. The record got him his first music video with hip-hop’s sought-after director Cole Bennett, who shared it on the influential Lyrical Lemonade YouTube page. With over eight million views thus far, it’s clear Jasiah’s music is making an impact. “When I first dropped it, I only had 800 followers on SoundCloud at the time. And it was going up. It had 48,000 plays,” he says. -
It's Not a Fashion Statement
Gielis /1 MASTER THESIS NORTH AMERICAN STUDIES IT’S NOT A FASHION STATEMENT. AN EXPLORATION OF MASCULINITY AND FEMININITY IN CONTEMPORARY EMO MUSIC. Name of student: Claudia Gielis MA Thesis Advisor: Dr. M. Roza MA Thesis 2nd reader: Prof. Dr. F. Mehring Gielis /2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. M. Roza and Prof. Dr. F. Mehring Title of document: It’s Not a Fashion Statement. An exploration of Masculinity and Femininity in Contemporary Emo Music. Name of course: MA Thesis North American Studies Date of submission: 15 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Claudia Gielis Gielis /3 Abstract Masculinity and femininity can be performed in many ways. The emo genre explores a variety of ways in which gender can be performed. Theories on gender, masculinity and femininity will be used to analyze both the lyrics and the music videos of these two bands, indicating how they perform gender lyrically and visually. Likewise a short introduction on emo music will be given, to gain a better understanding of the genre and the subculture. It will become clear that the emo subculture allows for men and women to explore their own identity. This is reflected in the music associated to the emo genre as well as their visual representation in their music videos. This essay will explore how both a male fronted band, My Chemical Romance, and a female fronted band, Paramore, perform gender. All studio albums and official music videos will be used to investigate how they have performed gender throughout their career. -
Metropolis-Autumn-2020
無料 PRICELESS Autumn 2020 Japan’s No.1 English Magazine www.metropolisjapan.com Scan this QR code to see the cover come alive! THANK YOU ALL! OUR OFFICIAL METROPOLIS SPONSORS e would like to thank all of Alex Iskounen Naoko Kinoshita our readers and friends for Andrew Peyton supporting us through this W extraordinary time. Andrew Smith Philippe Sauzedde Since 1994, Metropolis (formerly Tokyo Andrew Wheadon Classified) has been a free magazine at Sherwin Faden the heart of Japan’s international Bonson Lam community. In response to financial Brendan Ryan Reinhard Schu strains due to COVID-19, we launched a Bruce Corsino Richard Gruppetta crowdfunding campaign in August. We were amazed at how quickly people responded with donations, large Custom Media Robert Heldt or small. Your kind, supportive comments reaffirmed our mission, which David Clement Seth Sulkin has always been to serve the local David Richardson community through quality content, be David Swan Simon Farrell it about news, art, literature, film, music or advice for life in Japan. Frankie Hart Sunil Kulkarni Ian Newton Terrie Lloyd Joseph Lovullo Wolfgang Bierer Ken Kuroyanagi ...and many more Marc Fuoti Matthew Fawcett Melvin Dion Michael & Laycee Atkins Michael J For more information, visit gogetfunding.com/save-metropolis 6 CONTENT AUTUMN 2020 ABOUT TOWN Autumn Exhibitions 4 MUSIC Underground Japanese Musicians 6 FOCUS: UN/SEEN Living with a Stammer 10 Artist Goma 14 Photographer Paule Saviano 18 22 Kodomo Shokudo 22 COVER 14 READS A Family in PHOTO Hiroshima 26 Osaka Photographer & Video Director Headman_Tossy FILMMAKER Keishi Otomo 28 @headman_tossy MODEL Autumn Horoscope 33 Tokyo Vegan Girl Our Autumn Pick of Miyu Maemoto 10 28 18 Podcasts 34 @Meyou_Mae elcome to the Autumn 2020 and Japan. -
Universal Music Group's Profit Margins Grew in 2020, Despite
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 3, 2021 Page 1 of 31 Leader; Travis Denning Makes History INSIDE Universal Music Group’s Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No.Profit 1 on Billboard’s lion audienceMargins impressions, up 16%).Grew Top• Country TuneCore Albums Unveils chart dated April 18. In its first week (ending April 9), it earnedRewards 46,000 Program equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingas Indie to Nielsen Distributors Music/MRC Data. in 2020, Despiteand total Country Airplay No.Pandemic 1 as “Catch” (Big Machine Label Group) ascends SouthsideFend Off marks Major Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartLabels: and fourth Exclusive top 10. It follows freshman LP BY ED CHRISTMAN Young’s first of six chart entries, “Sleep With- Montevallo, which arrived at the summit in No - out You,” reached No. 2 in December 2016. He • David Crosby Sells vember 2014 and reigned for nineEven weeks. in Toa nearly date, year-long economic downturn, the hit 1.487 billionfollowed euros with ($1.68 the multiweek billion), orNo. a 1s20% “In Casemargin. -
Hiphop Aus Österreich
Frederik Dörfler-Trummer HipHop aus Österreich Studien zur Popularmusik Frederik Dörfler-Trummer (Dr. phil.), geb. 1984, ist freier Musikwissenschaftler und forscht zu HipHop-Musik und artverwandten Popularmusikstilen. Er promovierte an der Universität für Musik und darstellende Kunst Wien. Seine Forschungen wurden durch zwei Stipendien der Österreichischen Akademie der Wissenschaften (ÖAW) so- wie durch den österreichischen Wissenschaftsfonds (FWF) gefördert. Neben seiner wissenschaftlichen Arbeit gibt er HipHop-Workshops an Schulen und ist als DJ und Produzent tätig. Frederik Dörfler-Trummer HipHop aus Österreich Lokale Aspekte einer globalen Kultur Gefördert im Rahmen des DOC- und des Post-DocTrack-Programms der ÖAW. Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 693-G Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Na- tionalbibliografie; detaillierte bibliografische Daten sind im Internet über http:// dnb.d-nb.de abrufbar. Dieses Werk ist lizenziert unter der Creative Commons Attribution 4.0 Lizenz (BY). Diese Li- zenz erlaubt unter Voraussetzung der Namensnennung des Urhebers die Bearbeitung, Verviel- fältigung und Verbreitung des Materials in jedem Format oder Medium für beliebige Zwecke, auch kommerziell. (Lizenztext: https://creativecommons.org/licenses/by/4.0/deed.de) Die Bedingungen der Creative-Commons-Lizenz gelten nur für Originalmaterial. Die Wieder- verwendung von Material aus anderen Quellen (gekennzeichnet -
Where to Next? a Dynamic Model of User Preferences
Where To Next? A Dynamic Model of User Preferences Francesco Sanna Passino∗ Lucas Maystre Dmitrii Moor Imperial College London Spotify Spotify [email protected] [email protected] [email protected] Ashton Anderson† Mounia Lalmas University of Toronto Spotify [email protected] [email protected] ABSTRACT 1 INTRODUCTION We consider the problem of predicting users’ preferences on on- Online platforms have transformed the way users access informa- line platforms. We build on recent findings suggesting that users’ tion, audio and video content, knowledge repositories, and much preferences change over time, and that helping users expand their more. Over three decades of research and practice have demon- horizons is important in ensuring that they stay engaged. Most strated that a) learning users’ preferences, and b) personalizing existing models of user preferences attempt to capture simulta- users’ experience to match these preferences is immensely valuable neous preferences: “Users who like 퐴 tend to like 퐵 as well”. In to increase engagement and satisfaction. To this end, recommender this paper, we argue that these models fail to anticipate changing systems have emerged as essential building blocks [3]. They help preferences. To overcome this issue, we seek to understand the users find their way through large collections of items and assist structure that underlies the evolution of user preferences. To this them in discovering new content. They typically build on user pref- end, we propose the Preference Transition Model (PTM), a dynamic erence models that exploit correlations across users’ preferences. model for user preferences towards classes of items. The model As an example within the music domain, if a user likes The Beatles, enables the estimation of transition probabilities between classes of that user might also like Simon & Garfunkel, because other users items over time, which can be used to estimate how users’ tastes are who listen to the former also listen to the latter. -
University Life
English Newsletter by Komaba Students https://www.komabatimes.com/ Content University Life …………………… page 1 Perspectives …………………… page 12 Exploring Japan ………………… page 20 Komaba Writers’ Studio x Pensado … page 24 Creative Komaba ……………… page 29 27 Articles // April 2020 // Issue 9 UNIVERSITY LIFE The Good, the Bad, and PEAK: How I Discovered the Secret to University Life Through Movie Magic By: Paul Namkoong There wasn’t a single moment when I that the originals became unrecognizable, was - didn’t think about it. all the more appealing: tracted to movies because of how different the method of production was. Everything in my life had led up to this opportu- Spending 50 hours on creating a tiny, 3-minute nity. I followed what I saw on TV and the news. advertisement for our fledgling PEAK program From the short experience I’ve had working on I picked out the targets, staked them out, and turned out to be one of the most life-changing set, I remember getting hypnotized by the team- planned out all of the enthralling details. It didn’t experiences I’ve ever had. work and organization of each individual contrib- come easy, to play god over whom I took and utor. I once saw them as nobodies, mere scroll- whom I spared. But I fell in love with the power it Film is murder, and I am its (terrible) executioner. ing words upon scrolling words in an endless gifted me. I closed my eyes and envisioned what stream of movie credits. But when I saw the key would slip out of their lips, the unnatural move- I like shooting movies. -
This Ain't a Scene, It's a Buzzer Race.Pdf
This Ain’t a Scene, It’s a Buzzer Race Sadboys are temporary. Sad trumpets are forever. Written by Brian Luong Tossups: 1. This band’s extensive and impressive merchandise catalogue can be attributed to guitarist Nick Steinhardt’s side occupation as a graphic designer. A live EP following this band’s sophomore studio album was titled Live on BBC Radio 1 and featured vocals from Jordan Dreyer of La Dispute. It’s not Red Hot Chili Peppers, but this band’s distinct asterisk-shaped logo was meant to evoke converging road markings leading to a sunset, and was first used in promotional artwork for the band’s second album, with that album’s initials “PTSBBAM” arranged in the negative spaces of the logo. This band’s 2016 single “Palm Dreams” was described by their frontman as a song about his inability to ask his mother about why she moved to California after she passed. The album from which that single is taken, as a whole, deals with themes of frontman Jeremy Bolm grieving the loss of his mother due to cancer. For 10 points, give the name of this Los Angeles-based post-hardcore band, which you may know from the albums Parting the Sea Between Brightness and Me and Stage Four. ANSWER: Touché Amoré 2. This website once hosted a stand-up and sketch comedy tour titled All Comics Are Bastards. This website’s sister site was also responsible for the creation and management of the Twitter account of Ace Watkins, whose bio reads, “The only Gamer running for President of the United States”. -
3 Rap Subgenres
Jazyk černého britského a černého amerického rapu Bakalářská práce Studijní program: B7507 – Specializace v pedagogice Studijní obory: 7504R300 – Španělský jazyk se zaměřením na vzdělávání 7507R036 – Anglický jazyk se zaměřením na vzdělávání Autor práce: Jan Wolf Vedoucí práce: Christopher Muffett, M.A. Liberec 2019 The Language of Black British and Black American Rap Bachelor thesis Study programme: B7507 – Specialization in Pedagogy Study branches: 7504R300 – Spanish for Education 7507R036 – English for Education Author: Jan Wolf Supervisor: Christopher Muffett, M.A. Liberec 2019 Prohlášení Byl jsem seznámen s tím, že na mou bakalářskou práci se plně vzta- huje zákon č. 121/2000 Sb., o právu autorském, zejména § 60 – školní dílo. Beru na vědomí, že Technická univerzita v Liberci (TUL) nezasahuje do mých autorských práv užitím mé bakalářské práce pro vnitřní potřebu TUL. Užiji-li bakalářskou práci nebo poskytnu-li licenci k jejímu využití, jsem si vědom povinnosti informovat o této skutečnosti TUL; v tomto pří- padě má TUL právo ode mne požadovat úhradu nákladů, které vyna- ložila na vytvoření díla, až do jejich skutečné výše. Bakalářskou práci jsem vypracoval samostatně s použitím uvedené literatury a na základě konzultací s vedoucím mé bakalářské práce a konzultantem. Současně čestně prohlašuji, že texty tištěné verze práce a elektronické verze práce vložené do IS STAG se shodují. 23. 6. 2019 Jan Wolf Acknowledgements First of all, I would like to thank my supervisor, Christopher Muffett, M.A. for his advice, guidance and support. Also, I want to give thanks to my family for supporting me druing my studies. Lastly, I would like to show my appreciation to all the teachers at the English Department at the Faculty of Science, Humanities and Education of the Technical University in Liberec for allowing me to improve the level of my English. -
Download – Hifimedia Br
#105 DAVID BYRNE 40 godina kreativnog nemira ROON Software za reprodukciju glazbe i Roon Nucleus kao cjelovito rješenje dostupan u crnoj i srebrnoj boji MREŽA DIGITALNE ZABAVE - NEOGRANIČENE MOGUĆNOSTI ATOLL IN80se Francuska senzacija Upoznajte raznovrsnost, funkcionalnost i kvalitetu Hi-Res audio zapisa. S uređajem NC-50DAB Pioneer donosi kombinaciju TESTIRALI SMO pojačala, CD playera, mrežnog playera, digitalnog i internetskog radija po prvi puta u klasičnom HiFi formatu. Korisnicima je Astell&Kern L1000, Magnat Humidor, na raspolaganju niz streaming servisa poput Tidala, Deezera i Spotifyja, kao i tisuće radio-stanica putem TuneIna. Uživajte NuPrime uDSD, Panasonic TX-55EZ950, u fantastičnoj kvaliteti zvuka uz DAB+, CD, USB i glazbene servise putem WiFi-a/WLAN-a ili jednostavno povežite svoj Pioneer NC-50DAB, Pro-Ject Tube Box S2, MUSICSTYLE smartphone s uređajem putem Bluetootha. Uređajem se može jednostavno upravljati putem aplikacije koja se instalira na Oyaide mrežni kabeli, Pro-Ject In Memoriam - Mark E. Smith, druge uređaje. Nova multi-room funkcija FireConnect omogućuje vam streamanje sadržaja u bilo kojoj prostoriji vašeg doma MARANTZ ND8006 Essential III Emo glazbena scena, Novi #105 / 2018. unutar kućne mreže, a ne samo u dnevnom boravku. "Sve-u-jednom" HiFi sustav NC-50DAB - neograničene mogućnosti, Nashwille, Jazz razgovor - autentična HiFi zabava. www.helikop.hr Univerzalni mrežni CD player Chico Freeman, novi albumi FILM - Roxy Music, The Horrors, The 3.76 EUR Big Lebowski - 20 godina od Republic of Wolves, Ty Segall, -
INKA RANTAKALLIO: New Spirituality, Atheism, and Authenticity in Finnish Underground Rap Doctoral Dissertation, 321 Pp
ANNALES UNIVERSITATIS TURKUENSIS UNIVERSITATIS ANNALES B 497 Inka Rantakallio NEW SPIRITUALITY, ATHEISM, AND AUTHENTICITY IN FINNISH UNDERGROUND RAP Inka Rantakallio Painosalama Oy, Turku, Finland 2019 Finland Turku, Oy, Painosalama ISBN 978-951-29-7864-9 (PRINT) – ISBN 978-951-29-7865-6 (PDF) TURUN YLIOPISTON JULKAISUJA ANNALES UNIVERSITATIS TURKUENSIS ISSN 0082-6987 (Print) SARJA - SER. B OSA - TOM. 497 | HUMANIORA | TURKU 2019 ISSN 2343-3191 (Online) NEW SPIRITUALITY, ATHEISM, AND AUTHENTICITY IN FINNISH UNDERGROUND RAP Inka Rantakallio TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. B OSA – TOM. 497 | HUMANIORA | TURKU 2019 University of Turku Faculty of Humanities School of History, Culture and Arts Studies Department of Musicology Juno Doctoral programme Supervised by PhD, Senior Lecturer Susanna Välimäki PhD, Senior Lecturer Emeritus University of Turku Yrjö Heinonen University of Turku Professor John Richardson University of Turku PhD, Docent Siru Kainulainen PhD, Senior Lecturer Teemu Taira University of Turku University of Helsinki Reviewed by Professor Johannes Brusila PhD, Associate Professor Åbo Akademi University Christopher Driscoll Lehigh University Opponent Professor Johannes Brusila Åbo Akademi University The originality of this publication has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. Cover Image: Sellekhanks ISBN 978-951-29-7864-9 (PRINT) ISBN 978-951-29-7865-6 (PDF) ISSN 0082-6987 (Print) ISSN 2343-3191 (Online) Painosalama Oy, Turku, Finland 2019 For the hip hop nation 3 UNIVERSITY OF TURKU Faculty of Humanities School of History, Culture and Arts Studies Musicology INKA RANTAKALLIO: New Spirituality, Atheism, and Authenticity in Finnish Underground Rap Doctoral Dissertation, 321 pp.