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Repertoire List – Nolan Kehler, Tenor

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Repertoire List – Nolan Kehler, tenor This repertoire list is up to date as of April, 2020. Operatic Repertoire – Complete Roles Role Work Composer Albert Herring Albert Herrring Benjamin Britten Acis Acis and Galatea G.F. Handel Araldo Rinaldo G.F. Handel Pasek Cunning Little Vixen Leos Janacek Berko Countess Maritza (English) Emmerich Kalman Valère Tartuffe Kirke Mechem Bastien Bastien und Bastienne W.A. Mozart Fenton The Merry Wives of Windsor Otto Nicolai Operatic Repertoire – Scenes & Role Covers Role Work Composer Candide Candide Leonard Bernstein Earl of Essex Gloriana Benjamin Britten Bégearss Ghosts of Versailles John Corigliano Roméo Roméo et Juliette Charles Gounod Nerone L’incoronazione di Poppea Claudio Monteverdi Tamino Die Zauberflöte W.A. Mozart Torquemada L’heure espagnole Maurice Ravel Lensky Eugene Onegin Pyotr Ilyich Tchaikovsky Alfredo La traviata Giuseppi Verdi Operatic Repertoire – Arias Studied & Performed Aria Role Work Composer Merci, doux crépuscule! Faust La damnation de Faust Hector Berlioz Miles! Peter Quint Turn of the Screw Benjamin Britten Prologue Peter Quint Turn of the Screw Benjamin Britten Quanto è bella Nemorino L’elisir d’amore Gaetano Donizetti Una furtiva lagrima Nemorino L’elisir d’amore Gaetano Donizetti Oh! ne t’éveille pas encore! Jocelyn Jocelyn Benjamin Godard I must with speed amuse her Jupiter Semele G.F. Handel Pastorello d’un povero armento Grimoaldo Rodelinda G.F. Handel Waft her angels Jephtha Jephtha G.F. Handel Wenn es Abend wird Tassilo Gräfin Maritza Emmerich Kalman Je t’écris à même l’eau Count Vallier de Tilly Les Feluettes Kevin March Che belta, che leggiadria Count Belfiore La finta giardiniera W.A. Mozart Il mio tesoro Don Ottavio Don Giovanni W.A. Mozart Frisch zum Kampfe! Pedrillo Die Entführung aus dem Serail W.A. Mozart O wie ängstlich! Belmonte Die Entführung aus dem Serail W.A. Mozart Un’aura amorosa Ferrando Cosi fan tutte W.A. Mozart Que les destins prospères Comte Ory Le comte Ory Gioachino Rossini No puede ser Leandro La tabernera del Puerto Pablo Sorozabal Here I Stand Tom Rakewell The Rake’s Progress Igor Stravinsky Lonely House Sam Kaplan Street Scene Kurt Weill Concert Repertoire – Soloist in Complete Works Work Composer BWV 61, “Nun kommet der Heiland heimat” J.S. Bach BWV 182, “Himmelskönig, sei wilkommen” J.S. Bach BWV 208, “Was mir behagt, ist nur die muntre Jagd” J.S. Bach Choral Fantasy Ludwig van Beethoven Chichester Psalms Leonard Bernstein Saint Nicolas Benjamin Britten BuxWV 92, “Quemadmodum desiderat cervus” Dietrich Buxtehude Messiah G.F. Handel Messa di Gloria Giacomo Puccini Berliner Requiem Kurt Weill Concert Repertoire – Arias Studied & Performed Aria Work Composer Frohe Hirten Weinachts Oratorium J.S. Bach Gilbert & Sullivan – Complete Roles Role Work Luiz Gondoliers Ralph Rackstraw HMS Pinafore Frederic Pirates of Penzance Musical Theatre Repertoire – Complete Roles Role Show Composer Frankie Epps Parade Jason Robert Brown Nathan Detroit Guys and Dolls Frank Loesser Jack Into the Woods Stephen Sondheim Musical Theatre Repertoire – Songs Performed Song Role Show Composer Maria Tony West Side Story Leonard Bernstein Moving Too Fast Jamie Wellerstein The Last Five Years Jason Robert Brown Being Alive Robert Company Stephen Sondheim Finishing the Hat George Sunday in the Park with George Stephen Sondheim Miscellaneous Repertoire Performed Role Work Composers Performance Context Soloist A Talent to Amuse Noel Coward, John Greer Variety Concert Jack Jack and the Beanstalk John Davies Children’s Opera Tour Soloist Rocky Mountain High: John Denver, Lee Orchestral Concert of Popular The Songs of John Holdridge Music Denver Taan/Tsiin/Tooth Flight of the Maxime Goulet, Michael Children’s Opera Workshop Hummingbird Yahgulanaas, Barry Gilson Song Repertoire – Italian Piece Larger Work Composer Si come nella penna e nell’inchiostro Seven Sonnets of Michelangelo Benjamin Britten A che più debb’io mai l’intensa voglia Seven Sonnets of Michelangelo Benjamin Britten Veggio co’ bei vostri occhi un dolce lume Seven Sonnets of Michelangelo Benjamin Britten Tu sa, ch’io so, signor mie, che tu sai Seven Sonnets of Michelangelo Benjamin Britten Rendete agli occhi miei, o fonte o fiume Seven Sonnets of Michelangelo Benjamin Britten S’un casto amor, s’una pietà superna Seven Sonnets of Michelangelo Benjamin Britten Spirto ben nato, in cui si specchia e vede Seven Sonnets of Michelangelo Benjamin Britten Tu mancavi a tormentarmi N/A Pietro Antonio Cesti Benedetto sia’l giorno Tre Sonetti di Petrarca Franz Liszt Pace non trovo Tre Sonetti di Petrarca Franz Liszt I vidi in terra angelici costumi Tre Sonetti di Petrarca Franz Liszt La Danza Les Soirées Musicales Gioachino Rossini Malia N/A Paolo Tosti ‘A vucchella N/A Paolo Tosti La mia canzone N/A Paolo Tosti Song Repertoire – German Piece Larger Work Composer Auf dem Hügel sitz ich spähend An die ferne Geliebte Ludwig van Beethoven Wo die Berge so blau An die ferne Geliebte Ludwig van Beethoven Leichte Seg’ler in den Höhen An die ferne Geliebte Ludwig van Beethoven Diese Wolken in den Höhen An die ferne Geliebte Ludwig van Beethoven Es kehret der Maien, es blühet die Au An die ferne Geliebte Ludwig van Beethoven Nimm sie hin den, diese Lieder An die ferne Geliebte Ludwig van Beethoven Adelaide Op. 46 Ludwig van Beethoven Morgengruß Die schöne Müllerin Franz Schubert Tränenregen Die schöne Müllerin Franz Schubert Der Müller und der Bach Die schöne Müllerin Franz Schubert Des Baches Wiegenlied Die schöne Müllerin Franz Schubert Ständchen Schwanengesang Franz Schubert Die Taubenpost Schwanengesang Franz Schubert Gute Nacht Winterreise Franz Schubert Die Wetterfahne Winterreise Franz Schubert Gefrorne Tränen Winterreise Franz Schubert Erstarrung Winterreise Franz Schubert Der Lindenbaum Winterreise Franz Schubert Wasserflut Winterreise Franz Schubert Auf dem Flusse Winterreise Franz Schubert Rückblick Winterreise Franz Schubert Irrlicht Winterreise Franz Schubert Rast Winterreise Franz Schubert Frühlingstraum Winterreise Franz Schubert Einsamkeit Winterreise Franz Schubert Die Post Winterreise Franz Schubert Der Leiermann Winterreise Franz Schubert Der Hans und die Grete Op. 53, “Der arme Peter” Robert Schumann In meiner Brust dein Stitz ein Weh’ Op. 53, “Der arme Peter” Robert Schumann Der arme Peter wankt’ vorbei Op. 53, “Der arme Peter” Robert Schumann Zueignung Op. 10, no. 1 Richard Strauss Heimliche Aufforderung Op. 27, no. 3 Richard Strauss Morgen! Op. 27, no. 4 Richard Strauss Ich trage meine Minne Op. 32, no. 1 Richard Strauss Liebeshymnus Op. 32, no. 3 Richard Strauss Das Rosenband Op. 36, no. 1 Richard Strauss Freundliche Vision Op. 48, no. 1 Richard Strauss Der Tambour Mörike Lieder Hugo Wolf Fussreise Mörike Lieder Hugo Wolf Es regnet N/A Kurt Weill Song Repertoire – French Piece Larger Work Composer Villanelle Les nuits d'été Hector Berlioz Absence Les nuits d'été Hector Berlioz Au cimitière: Clair de lune Les nuits d'été Hector Berlioz L’ile inconnu Les nuits d'été Hector Berlioz En prière N/A Gabriel Fauré Dans les ruins d’une abbaye Op. 2, no. 1 Gabriel Fauré Clair de lune Op. 46, no. 2 Gabriel Fauré Automne Op. 18, no. 3 Gabriel Fauré C Deux poèmes de Louis Aragon Francis Poulenc Fêtes galantes Deux poèmes de Louis Aragon Francis Poulenc Rossignol, mon mignon Deux poèmes de Ronsard Albert Roussel Ciel, aer et vens Deux poèmes de Ronsard Albert Roussel Song Repertoire – English Piece Larger Work Composer At Day-Close in November Winter Words Benjamin Britten Midnight on the Great Western Winter Words Benjamin Britten Wagtail and Baby Winter Words Benjamin Britten The Little Old Table Winter Words Benjamin Britten The Choirmaster’s Burial Winter Words Benjamin Britten Proud Songsters Winter Words Benjamin Britten At the Railway Station, Upway Winter Words Benjamin Britten Before Life and After Winter Words Benjamin Britten A Young Man’s Exhortation A Young Man’s Exhortation Gerald Finzi Ditty A Young Man’s Exhortation Gerald Finzi Budmouth Dears A Young Man’s Exhortation Gerald Finzi Her Temple A Young Man’s Exhortation Gerald Finzi The Comet at Yell’ham A Young Man’s Exhortation Gerald Finzi Shortening Days A Young Man’s Exhortation Gerald Finzi The Sigh A Young Man’s Exhortation Gerald Finzi Former Beauties A Young Man’s Exhortation Gerald Finzi Transformations A Young Man’s Exhortation Gerald Finzi The Dance Continued A Young Man’s Exhortation Gerald Finzi Let Me Enjoy the Earth Till Earth Outwears Gerald Finzi The Market-Girl Till Earth Outwears Gerald Finzi Since We Loved Oh, Fair to See Gerald Finzi Evening Hymn Harmonium Sacrum Henry Purcell Lord, What is Man? Harmonium Sacrum Henry Purcell There is a Balm in Gilead Spiritual Sketches Damien Sneed Come By Here, Good Lord Spiritual Sketches Damien Sneed The Vagabond Songs of Travel Ralph Vaughan Williams Let Beauty Awake Songs of Travel Ralph Vaughan Williams The Roadside Fire Songs of Travel Ralph Vaughan Williams Youth and Love Songs of Travel Ralph Vaughan Williams In Dreams Songs of Travel Ralph Vaughan Williams The Infinite Shining Heavens Songs of Travel Ralph Vaughan Williams Whither Must I Wander Songs of Travel Ralph Vaughan Williams Bright is the Ring of Words Songs of Travel Ralph Vaughan Williams I Have Trod the Upward and the Downward Slope Songs of Travel Ralph Vaughan Williams Infant Joy Ten Blake Songs Ralph Vaughan Williams A Poison Tree Ten Blake Songs Ralph Vaughan Williams The Piper Ten Blake Songs Ralph Vaughan Williams London Ten Blake Songs Ralph Vaughan Williams The Lamb Ten Blake Songs Ralph Vaughan Williams The Shepherd Ten Blake Songs Ralph Vaughan Williams Ah! Sun-flower Ten Blake Songs Ralph Vaughan Williams Cruelty Has a Human Heart Ten Blake Songs Ralph Vaughan Williams The Divine Image Ten Blake Songs Ralph Vaughan Williams Eternity Ten Blake Songs Ralph Vaughan Williams Song Repertoire – Russian Piece Larger Work Composer I recall a wonderful moment N/A Mikhail Glinka The Lark N/A Mikhail Glinka .
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    Support London Song Festival Friday 30th October, 7pm Seizing Fate by the Throat A celebration of Ludwig van Beethoven on the 250th anniversary of his birth James Cleverton – baritone Nigel Foster – piano Robert Morgan – speaker Programme devised by Nigel Foster Translations songs 1-13, 15-17 © Richard Stokes Song 1 - Adelaide Op 46 (Friedrich von Matthisson, 1761-1831) Einsam wandelt dein Freund im Frühlingsgarten, Your friend walks, lonely, in spring’s garden. Mild vom lieblichen Zauberlicht umflossen, Gently enveloped by a lovely magic light Das durch wankende Blütenzweige zittert, Which trembles through swaying, blossoming Adelaide! branches. Adelaide! In the mirroring waters, in the snow of the Alps, In der spiegelnden Flut, im Schnee der Alpen, In the golden clouds of the departing day, In des sinkenden Tages Goldgewölken, In the fields of stars shines your image, Im Gefilde der Sterne strahlt dein Bildnis, Adelaide! Adelaide! Abendlüfte im zarten Laube flüstern, Evening breezes in the tender foliage whisper, Silberglöckchen des Mais im Grase säuseln, Little silver bells in the grass murmur, Wellen rauschen und Nachtigallen flöten: Waves crash and nightingales sing Adelaide! Adelaide! Some-day, O miracle, will bloom on my grave Einst, o Wunder! entblüht auf meinem Grabe A flower from the ashes of my heart. Eine Blume der Asche meines Herzens; It will shimmer clearly on every purple leaf, Deutlich schimmert auf jedem Purpurblättchen: Adelaide! Adelaide! Support London Song Festival Song 2 - Mailied (Johann Wolfgang von Goethe, 1749-1832) Op 52/4 Wie herrlich leuchtet How gloriously Mir die Natur, Nature gleams for me, Wie glänzt die Sonne, How the sun sparkles, Wie lacht die Flur! How the field laughs! Es dringen Blüten Blossoms burst Aus jeden Zweig From every bough Und tausend Stimmen And a thousand voices Aus dem Gesträuch From every bush Und Freud und Wonne And delight and rapture Aus jeder Brust.
  • A Pedagogical Analysis of Beethoven's Sechs Lieder Nach

    A Pedagogical Analysis of Beethoven's Sechs Lieder Nach

    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT Eric Charles Brown University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.010 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Brown, Eric Charles, "A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT" (2018). Theses and Dissertations-- Music. 105. https://uknowledge.uky.edu/music_etds/105 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
  • Juan Pérez Floristán

    Juan Pérez Floristán

    Laureate Series • Piano Juan Pérez Floristán 2015 Winner XVIII Santander International Piano Competition LISZT • BEETHOVEN • SCHUMANN Juan Pérez Floristán: Piano Recital development of the whole work resumes with a fugal association. There was an affair with one of Wieck’s pupils, Franz Liszt (1811–1886): Sonata in B minor treatment of part of the second theme, followed by a later broken off, but by 1835 he had begun to turn his Ludwig van Beethoven (1770–1827): An die ferne Geliebte (tr. Liszt) recapitulation and a coda in which earlier thematic material attention to Clara Wieck, nine years his junior, a liaison to returns, the second and first themes, in that order, bringing which her father took strong exception. It was not until 1840 Robert Schumann (1810–1856): Phantasie in C major, Op. 17 the whole sonata to an end, a formal tour de force. that Schumann was eventually able to marry Clara, after her The figure of Ludwig van Beethoven held a dominant Extraordinary, turning his attention to the composition of Liszt transcribed Beethoven’s song-cycle An die ferne father’s legal attempts to oppose the match had finally failed. position among composers in the years that followed his orchestral symphonic poems. 1860 and 1861 brought Geliebte (‘To the Distant Beloved’) in 1849, one of a number The couple remained first in Leipzig, although journeys took death in Vienna in 1827. His nine symphonies had extended changes when Liszt decided to move to Rome, where he of similar song transcriptions. Beethoven had completed An place for concert appearances by Clara, but in 1844 moved and expanded the form inherited from Mozart and Haydn, pursued his earlier religious interests.
  • A STYLISTIC ANALYSIS THESIS Presented to the Graduate Council

    A STYLISTIC ANALYSIS THESIS Presented to the Graduate Council

    ,)70 THE LIEDER OF BEETHOVEN: A STYLISTIC ANALYSIS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS by Shen-An Lin, B.A. Denton, Texas August, 1987 Lin, Shen-An, The Lieder of Beethoven: A Stylistic Analysis. Master of Arts (Music), August, 1987, 50 pp., 11 illustrations, bibliography, 52 titles. Beethoven is generally acknowledged to be the most important composer of the 19th century. However, many critics and musicologists dismiss Beethoven's Lieder as being of less musical value and sophistication than his more instrumentally conceived late vocal writings. The true musical sophistication of Beethoven's Lieder can be discovered by a careful study of the harmonic structure and the relationship between the vocal and the piano part in Beethoven's Lieder. In discussing Beethoven's Lieder style based on analysis, a number of aspects shall be examined: (1) the harmonic idiom and key relationships; (2) the role of the piano; and (3) other stylistic features. TABLE OF CONTENTS Page LIST OF EXAMPLES.....0...0.................................. iv LIST OF FIGURES....... ..........0.0..0.... .o.o.0.0.. .... ... .. .0..o... v Chapter I. BEETHOVEN AS A LIEDER COMPOSER................. 1 II. STYLE FEATURES IN BEETHOVEN'S LIEDER........... 17 The Harmonic Idiom and Key Relation in Beethoven's Lieder The Role of Piano in Beethoven's Lieder III. CONCLUSION....--......-----.......................43 BIBLIOGRAPHY. .............................................47 iii -M LIST OF EXAMPLES Example Page 1. "Wonne der Wehmuth," Op. 83, measures 8-9................................28 2. Sechs Lieder von Gellert, No. 1, "Bitten," measures 10-16..............................32 3.