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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
New Roots Jamaican Ontologies of Blackness from Africa to the Ghetto
African Diaspora 7 (2014) 234–259 brill.com/afdi New Roots Jamaican Ontologies of Blackness from Africa to the Ghetto Wayne Modest National Museum of World Cultures, The Netherlands [email protected] Rivke Jaffe Department of Human Geography, Planning and International Development Studies University of Amsterdam, The Netherlands [email protected] Abstract This article explores contemporary ontologies of blackness in the Caribbean island of Jamaica. Approaching blackness as an ontological issue – an issue that pertains to the being, or the existence, of a category of people – we emphasize the spatial dimension of such ontologies. Drawing on Jamaican contemporary art and popular music, we pro- pose that the site of blackness, as it is imagined in Jamaica, has shifted from Africa towards ‘the ghetto.’ Tracing changing Jamaican perspectives on race and nation, the article discusses how self-definitions of ‘being black’ and ‘being Jamaican’ involve the negotiation of historical consciousness and transnational connectivity. During much of the twentieth century, various Jamaican social and political movements looked pri- marily to the African continent as a referent for blackness. In the twenty-first century, the urban space of the ghetto has become more central in Jamaican social commentary and critique. By tracing the historical shifts of the spatial imaginary onto which racial belonging and authenticity are projected, we seek to foreground the mutability of the relation between blackness and Africanness. Keywords Jamaica – contemporary art – dancehall – ontologies of race – spatial imaginary © wayne modest and rivke jaffe, 2014 | doi: 10.1163/18725465-00702004 This is an open access article distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (CC-BY-NC 3.0) License. -
All-City Annual
ALL-CITY ANNUAL 1 Cover: John Watson HOLA. Thank you for your friendship and support IN our efforts to do good work, make nice things, and further the culture and community of cycling. XOXO, THE ALL-CITY TEAM 1 2 LOG LADY We love singletrack; we love being in the woods; we love it when the going gets tight, techy and nasty. We are beyond excited to bring that love further into the All-City lexicon with our first true mtb: The Log Lady. A.C.E. tubing, 27.5 wheels, singlespeed perfection All photos: John Watson 4 Charlie B. Ward #SQUAD For 2016, the All-City X Fulton cross team is 35 members strong and will be organizing 3 of the races on our local calendar. We are very proud of their contribution to our local cross community. With the addition of All-City X Blackhand in the mid-Atlantic and All-City X Alpha in Colorado, we’re expanding into several other areas of the country this Fall. Look for an All-City team rider on a cross course near you! 5 Todd Bauer NATURE GIRL: RIDE IT ALL WEEK RACE IT ON THE WEEKEND 6 Todd Bauer 7 KOSHI: SPEED & STYLE Our main man in Japan, Masahiro Koshiyama, or “Koshi” to his friends, is the only Category 1 cross racer in Japan to exclusively race single speed. He’s also an active BMX’er, helping to run many events and contests in his home country. His mantra is “Speed & Style” and he never fails to make cross racing look good! Photos: Kei Tsuji 8 Ryohei Wada 9 10 that could help me turn the page of my story. -
December 2014
FREE DECEMBER 2014 Dural > Mid-Dural > Round Corner > Cherrybrook > Annangrove > Kenthurst > Glenhaven > Arcadia > Glenorie > Galston The Place to Be for TLC See page 5 www.duralchamber.org.au PRESIDENT’S REPORT Merry Christmas & Happy New Year! By Rod Cuevas On behalf of our chamber executive I wish all our readers, chamber members, shop keepers, businesses and schools in Dural and our district a wonderful Christmas and New Year. t’s been a busy year for our chamber and I’d especially like to thank our hard Iworking volunteers for the fantastic effort that they gave all year long. DRINKS ON THE VILLAGE GREEN At the time of writing this event is to happen on 5 December at Round Corner, so in advance I hope you all have had a great time and I thank all those generous businesses that donated food and beverage. I extend a special thank you to those that helped out last year, Anthony’s Gourmet Meats, Flame N Chooks, Bel Fiore Wood Fire Pizza and Vintage Cellars Round Corner. Thank you to Peter Dawson and the executive members that made this Christmas celebration such a warm and friendly event. BEST DRESSED SHOP Judging would have been completed and the three winners of the Best Dressed shop would have been announced at our Drinks on the Village Green Christmas celebration. Well done to the winners and we look forward to announcing the winners in our February edition of the Dooral Roundup. MEETINGS Our next meeting is our Annual General Meeting to be held at Allure Restaurant from 6pm on 11 February 2015. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
Outsiders' Music: Progressive Country, Reggae
CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C. -
Hempress Sativa
420 ISSUE APR 2014 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT HEMPRESS SATIVA 10 GANJA TRAX UNCONQUEREBEL RESPECT LIONESS PROTOJE KABAKA PYRAMID TURBULENCE JAHKIME JESSE ROYAL SATORI MOVEMENT KEZNAMDI NATURAL BLACK ONE LOVE / ONE EARTH / ONE CHANCE IRIEMAG.COM THE 420 ISSUE / 2014 “When you smoke the herb, it reveals you to yourself.” - Bob Marley Nicholas “Nico” Da Silva Founder/Publisher IRIEMAG.COM Celebrate 420 everyday! ROOTS. ROCK. REGGAE. Irie 420 Satori Movement Hempress Sativa From Jamaica One Love / One Earth / One Chance Unconquerebel Lioness RESPECT. REWIND. RIDDIMS. Kindah Danny Creatah Ganja Trax One Family World A Reggae Music for the Cannabis Culture TABLE OF CONTENT. Jamaica ROOTS. Irie 420 From Jamaica IRIE 420 From Jamaica By Kam-Au Amen Ganja babe my sweet ganja babe I love tha way ya love me and the way ya misbehavin’ ganja babe my sweet ganja babe come wake body-ody take my mind away GANJA BABE, MICHAEL FRANTI & SPEARHEAD Being Jamaican, and growing up in that culture one can hardly escape knowing what ganja, otherwise referred to as marijuana, weed, pot, cannabis, herb, I-ncients, collie, sensi, and a number of other names is. The use of ganja in Jamaica is still illegal, and its possession is criminal, therefore it is largely used outside of the public eye. No doubt this has contributed to its mystique and appeal. In Jamaica, the use of ganja has primarily been associated with the Rastafari brethren. These days however, lots have changed. Much of Jamaica’s international renown is due to its seeming- ly very integral role in counter cultural movements. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Press Layout
2 Vol. XXXI, Issue 6 | Monday, November 23, 2009 news Southampton Doing What? meals, either. “The ladies yell at you for taking more, like if you try to take By Colleen Harrington an extra sandwich or something. I’m like, ‘I’m stocking up for when I miss Imagine shelling out hundreds of dinner!’” dollars for meals that you may never get For the more than a dozen stu- to eat. It’s not a charity or a food drive. dents, the experience was the same: It’s a fact of life for many resident stu- all had missed out on paid-for meals. dents at the Stony Brook Southampton “Seven o’clock is way too early to campus. close,” said Michael Geddes, a fresh- All students who live at the small man who’s studying sustainability at satellite campus are required to pur- Southampton. “There’s no where to chase one of three meal plans each se- go for food if you don’t have a car.” mester. Prices range from $1,739 to Marine vertebrate biology major $2,487. But there’s only one dining hall Joe Baillargeom, who reported miss- on campus, and it closes every night at ing meals a couple of times, said 7 p.m. Worse, there’s no breakfast on many of his fellow students complain weekends; instead, brunch begins at 11 about the dining hall hours, but just a.m. On the off-hours, hungry students deal with it. “Sometimes people will are stuck to choose from eating snacks make Easy Mac or Cup-of-Noodles out of campus vending machines, in the microwave downstairs, or hoarding groceries in their dormitories, they’ll just go off campus for food” or traveling off campus for food, despite when the café is closed, he said. -
Billboard Magazine
MUSIC ARTIST: AFI ALBUM: Burials RELEASE DATE: Oct. 22 LABEL: Republic PRODUCER: Gil Norton BAAUER 0 MANAGEMENT: Velvet Hammer Lucky Me/Mad Decent pro- Music and Management ducer Harry Bauer Rodrigues, Group better-known as Baauer, rose from unknown Brooklynite PUBLISHER: Ex Notcem to worldwide fame early Nacimur (bmi) this year when first single BOOKING AGENTS: Kirk “Harlem shake” became a Sommer and Dave Tamaroff, YouTube phenomenon. This William Morris Endeavor fall, he’s heading out on tour (international); emma Banks, with guests AraabMuzik, DJ Creative Artists Agency Mustard and S-Type, and (europe) hopes to release his debut al- bum in 2014. Aiding him with CHART HISTORY: Sing the his jaunt is AM Only agent Sorrow (2003), No. 5 De’mont Callender. Billboard 200, 1.3 million; Decemberunderground Routing: Rather than simply (2006), No. 1 billboard 200, 1 route Baauer across America, million; Crash Love (2009), No. Callender focused on smaller 12 billboard 200, 150,000 college towns with big audi- ences. “i wanted to hit a lot of TWITTER: @AFI the college markets where it’s in the middle of nowhere but has a huge college campus,” people as possible,” says David Benveniste, found- (Havok says that Blaqk Audio will return to the studio he says. “like the Knitting ROCK er/president of Velvet Hammer Music and Manage- once the Burials cycle wraps.) Factory in Boise, Idaho [Oct. 31] or the WOW Music Hall in ment Group. “There was a lot of excitement sur- “It was a really brief period of creation in relation to Eugene, Ore. [Oct.