The Forgotten Soldier by Guy Sajer ( 1967)
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r' gPPif ;.- - WWW r Pfpiprflipipfpiira " 2 THE NATIONAL TRIBUNE: WASHINGTON, D. 0., THURSDAY, SEPTEMBER 6, 1883. occasionally ono of exceptional excellence, and commenced practice in Syracuse, K. Y. About tho look and tone IrlwhJch. it was given must have tho country large, ten years ago sho at however it may be in and d.posiffd in a Jar.' those of Sullivan, JTolloy, Millard, Pinsuti, married the Rev. P. W. Emens, annihilated one of les3 courage. At the time thia New Jersoy, needs the services of all women - i t .jtl. i tho LOYALWOMP'SWORK Garibol, and Gabriel are always good. Mil- then a pastor of ono of the churches in the City ot occurred I was nursing back to health and use- THE GRIERSON MID, north, enu ot the buiUln. , stnet. Salt Mrs. Dr. Emens has obtained an exeeedingly fulness a soldier from hia own pet regiment, the now as much as in the old war days. Mrs. on the east side O lard, by way, a f the Ri.srft.ul.ui..iani..m the is veteran of the Union practice. h. lucrativc Twenty-sixt- Massachusetts, who had been on tho Houghton maintains that there is no moro rea- a in front. rOOUI nlerannk anny,whose patriotic songs are among the very Respectfully, FnAjnc very brink The WM Vtv nnn Dillost. of the grave. Three of his comrades son for the admission of all loyal women into The buibliner had Wn fnil& far hnioi a best. -- had stolen hospital Music ai HoiaeWltolcseHie Cookery. AN hinrfrom the and brought him tho Belief Corp3 than there is for making all I UNTRANSLATED SAINT. -
Jack Bremer, SPY Team Captain
Name: Jack Bremer High School: Severn School Years on SPY: 13 College attending in Fall 2012: Cornell University Hobbies when not swimming: Green Bay Packers – I’ve been a huge fan my whole life, and now I can finally admit: Jim and Crystee, all those times I scratched Winterfest finals, I didn’t have a “stomach bug” or “so much homework,” I was just watching the Packers game. Other than that, I enjoy anything with boats, cars, Washington Capitals. Also (although my mom despises me doing this) I cannot stop eating pizza or cheez-its; I go through a box of each in about 10-20 minutes. Most memorable swim: Undoubtedly 200 Fly at SC Y-Nationals Finals my sophomore year. My lone goal of the meet was to make my first Summer Juniors cut, and 200 Fly was my last chance. I went a 1:52.94 and placed 16th in the morning, but I needed to go 1:51.99. At finals I won the B Final with a 1:50.34 and out-touched 2nd place by 0.02. I don’t think I’ve ever been more pumped up for anything in my life than that swim at finals, and I still get goose bumps thinking about it. Most memorable/funny moment: After spending nearly my whole life on the team, I’ve accumulated quite a few, so I can’t pick just one moment. I’d mainly like to mention the people on SPY who have impacted my life in memorable ways and have given friendships that will last a lifetime. -
CBH Rivers of Living Water
UNIVERSITY OF CALIFORNIA Los Angeles “Rivers of Living Water”: The Movements and Mobility of Holiness-Pentecostals, 1837-1910 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Caroline Anne Bunnell Harris 2016 © Copyright by Caroline Anne Bunnell Harris 2016 ABSTRACT OF THE DISSERTATION “Rivers of Living Water”: The Movements and Mobility of Holiness-Pentecostals, 1837-1910 by Caroline Anne Bunnell Harris Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Stephen A. Aron, Chair This dissertation follows the fluid and dynamic movements of holiness and pentecostal worshipers who crossed boundaries of race, gender, language, and region at the end of the nineteenth century and beginning of the twentieth century. It demonstrates how the changeable, decentralized, and anti-institutional character of the holiness-pentecostal movement allowed for both radical social behavior and dynamic geographic mobility. The movement was in a constant state of flux as the sanctified traveled across the continent, as holiness ideas circulated amidst an explosion of print culture, and as worshipers moved in and out of socially transgressive practices. By the early twentieth century an expansive network of holiness and pentecostal folk, tied together by railroads and holiness newspapers, sprawled across the United States. The American holiness-pentecostal movement had flowed from the homes of Northern social reformers in the !ii 1840s, to black sharecroppers in the Mississippi Delta and white cotton farmers in East Texas after Reconstruction, and finally to the West at the turn of the century. Popular depictions of Los Angeles on the brink of the Azusa Street Revival describe a seed about to sprout, a woman in labor, or a tree being transplanted. -
We Have All the Ingredients. a Lecturedemo in 2
WE HAVE ALL THE INGREDIENTS. A LECTUREDEMO IN 2 MOVEMENTS. Carolina Caycedo, 2012. First Movement. Inside. In a small auditorium, the artist addresses the audience from a lecture stand or podium, while assistants manipulate the microscope. The microscopic image is projected. (HeLa cells are examined) PLEASE... HAVE A GLIMPSE OF IMMORTALITY A HeLa cell is a cell type in an immortal cell line used in scientific research. It is the oldest and most commonly used human cell line. The line was derived from cervical cancer cells taken on February 8, 1951 from Henrietta Lacks, a patient who eventually died of her cancer on October 4, 1951. The cell line was found to be remarkably durable and prolific as illustrated by its contamination of many other cell lines used in research. The cells were propagated by George Otto Gey shortly before Lacks died of her cancer in 1951. This was the first human cell line to prove successful in vitro, which was a scientific achievement with profound future benefit to medical research. This means HeLa were the first cells to reproduce themselves outside the human body. Gey freely donated both the cells and the tools and processes his lab developed to any scientist requesting them, simply for the benefit of science. Neither Lacks nor her family gave Lacks's physician permission to harvest the cells, but, at that time, permission was neither required nor customarily sought. HeLa cells, are termed "immortal" in that they can divide an unlimited number of times in a laboratory cell culture plate as long as fundamental cell survival conditions are met (i.e. -
Legacy Is Very Excited to Share with You This Year’S Edition, Entwined, Tanother Inspiring Example of the Creativity and Ingenuity of RACC’S Student Body
Acknowledgements he staff of Legacy is very excited to share with you this year’s edition, Entwined, Tanother inspiring example of the creativity and ingenuity of RACC’s student body. As always, our deepest thanks go to all the students who submitted their writing, art, and photography. The pieces you see between the pages of Legacy attest to their potential—and their willingness to take risks and go beyond what is expected of them. Without their work, Legacy would not exist. Our gratitude also goes to the faculty who foster such attitude and intellectual curiosity in their students. Special thanks go to our fellow club members and our faculty advisor, Dr. Bahar Diken, for another year of service to our publication. We also wish to express our gratitude to Kevin Coots, Associate Dean of Communications, Arts, and the Humanities, for his support, and Dr. Anna Weitz, our President, as well as RACC’s administration and Board of Trustees, for their commitment to fostering student success. Final thanks to Austin Graczyk, Ana Ramos, and Kha Nguyen for the leadership, diligence, and sleepless nights they put into the creation of Legacy XV and XVI. www.racc.edu > Student Life > Clubs and Organizations > Legacy [email protected] Alison Cave, Untitled, Ink Ana Ramos, Editor-in-Chief Austin Graczyk, Editor-in-Chief Kha Nguyen, Layout/Design Editor Nicholas Bellman, Secretary Rachel Dodson, Alumni Consultant Dr. Bahar Diken, Faculty Advisor Kaylee Carpinteyro Rachel Chlebowski Nicholas Fulwood Anisa Jackson Dawn Kleinspehn Vincent Leiva Wilberto Ortiz Carlos Ramirez Andrew Schneider Christopher Smith-Thompson To the Reader his year, the staff at Legacy wanted the theme, Entwined, to explore a wide spectrum of artistic influences: the notions of stark beauty in everyday situations and the awe Tavailable if one cares to look for it in the right light—and the places we may not always wish to visit, but that we never really leave. -
THE OTHER SIDE of FUN DAN FORKAPA Bachelor of Arts In
THE OTHER SIDE OF FUN DAN FORKAPA Bachelor of Arts in English Cleveland State University May 2015 Submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN ENGLISH at the CLEVELAND STATE UNIVERSITY December 2017 We hereby approve this thesis for Dan Forkapa Candidate for the Master of Arts in English degree for the Department of English and CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by Committee Chairperson, Ted Lardner, Ph.D. Department & Date Committee Member, Caryl Pagel Department & Date Committee Member, Imad Rahman Department & Date December 5th, 2017 Student’s Date of Defense THE OTHER SIDE OF FUN DAN FORKAPA ABSTRACT “The Other Side of Fun” is a collection of creative non-fiction essays that examine the relationship between several cultural pastimes and our society as a whole. The thoughts, feelings, and observations made throughout these essays are reflections of my time spent working various jobs pertaining to some form of entertainment. “Mayflies” explores my time as a game-day security worker for the Cleveland Indians, examining the relationship between unionized labor and the lifestyle that encompasses it. “Spiders” chronicles my time spent as a Resident Assistant at Cleveland State, investigating the deep web and the potential dangers that technology can bring. “House Rules” details my experiences at the Jack Casino, exploring society’s obsession with wealth. “Ghosts” looks at society’s use of tradition, documenting an evening spent working as a bouncer at one of the busiest bars the night before Halloween. Last is “Cutting Weight”, an essay that discusses the world of organized cage-fighting and the impact it has had on both our culture and my own life. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Botting Fred Wilson Scott Eds
The Bataille Reader Edited by Fred Botting and Scott Wilson • � Blackwell t..b Publishing Copyright © Blackwell Publishers Ltd, 1997 Introduction, apparatus, selection and arrangement copyright © Fred Botting and Scott Wilson 1997 First published 1997 2 4 6 8 10 9 7 5 3 Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 IJF UK Blackwell Publishers Inc. 350 Main Street Malden, MA 02 148 USA All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form Or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any fo rm of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Ubrary. Library of Congress Cataloging in Publication Data Bataille, Georges, 1897-1962. [Selections. English. 19971 The Bataille reader I edited by Fred Botting and Scott Wilson. p. cm. -(Blackwell readers) Includes bibliographical references and index. ISBN 0-631-19958-6 (hc : alk. paper). -ISBN 0-631-19959-4 (pbk. : alk. paper) 1. Philosophy. 2. Criticism. I. Botting, Fred. -
It's a Wonderful Life Final Script Opening Sequence/George Saves
It's a Wonderful Life Final Script Opening sequence/George saves Harry FADE IN –– NIGHT SEQUENCE Series of shots of various streets and buildings in the town of Bedford Falls, somewhere in New York State. The streets are deserted, and snow is falling. It is Christmas Eve. Over the above scenes we hear voices praying: GOWER'S VOICE I owe everything to George Bailey. Help him, dear Father. MARTINI'S VOICE Joseph, Jesus and Mary. Help my friend Mr. Bailey. MRS. BAILEY'S VOICE Help my son George tonight. BERT'S VOICE He never thinks about himself, God; that's why he's in trouble. ERNIE'S VOICE George is a good guy. Give him a break, God. MARY'S VOICE I love him, dear Lord. Watch over him tonight. JANIE'S VOICE Please, God. Something's the matter with Daddy. ZUZU'S VOICE Please bring Daddy back. CAMERA PULLS UP from the Bailey home and travels up through the sky until it is above the falling snow and moving slowly toward a firmament full of stars. As the camera stops we hear the following heavenly voices talking, and as each voice is heard, one of the stars twinkles brightly: FRANKLIN'S VOICE Hello, Joseph, trouble? JOSEPH'S VOICE Looks like we'll have to send someone down –– a lot of people are asking for help for a man named George Bailey. FRANKLIN'S VOICE George Bailey. Yes, tonight's his crucial night. You're right, we'll have to send someone down immediately. Whose turn is it? JOSEPH'S VOICE That's why I came to see you, sir. -
Pen in Hand Literary Journal January 2021
MARYLAND Dedicated to the Art, Business, WRITERS’ and Cra of Writing Since 1988 ASSOCIATION PEN IN HAND LITERARY JOURNAL JANUARY 2021 Dr. Tapendu K. Basu Editor PEN IN HAND The Biannual Literary Journal of the Maryland Writers’ Association January 2021 Editor: Dr. Tapendu K. Basu (Gandharva raja) MARYLAND Dedicated to the Art, Business, WRITERS’ and Craft of Writing Since 1988 ASSOCIATION “Pandemic Sonnet” Copyright © 2021 by Lynne Viti “Beat Poem: About Those Wooden Nickels” Copyright © 2021 by Roderick Deacey “Heart” Copyright © 2021 by Lois Perch Villemaire “The Cook Asleep” Copyright © 2021 by J.D. Brayton “Comfort” Copyright © 2021 by Jack Slocomb “Bing Cherry Wine” Copyright © 2021 by Karen Laugel “My Friend” Copyright © 2021 by Patricia Crews “To Katy” Copyright © 2021 by Lewis F. McIntyre “Suburban Lies” Copyright © 2021 by Kari A. Martindale “My West African Grandmother” Copyright © 2021 by Patti Ross “Dreams About Grocery Stores” Copyright © 2021 by Terri Simon “Katrina, Aftermath” Copyright © 2021 by Mariko Hewer “One Last Chance” Copyright © 2021 by Fred L. Pincus “The Fall” Copyright © 2021 by Frank E Hopkins “Sunday Afternoon” Copyright © 2021 by James Fielder “Nine Months, Nine Hundred Masks” Copyright © 2021 by Deanna M. Crouse “Of The, By The, For The” Copyright © 2021 by J.R. Foley “Unearthing a Community of Souls” Copyright © 2021 by Allison Lane “Finding Maria” Copyright © 2021 by Blair Pasalic “BONES” Copyright © 2021 by J.M. Recchi “The Next Climate Change” Copyright © 2021 by Michael Curley “The Last Hole” Copyright © 2021 by T. C. Weber “The Catch of the Day” Copyright © 2021 by Pamella A. Russell “This Is Joy” Copyright © 2021 by Keshni N. -
Funeral for a Friend Published on April 20Th, 2021 Listen Here on Themcelroy.Family
MBMBaM 420: Funeral For a Friend Published on April 20th, 2021 Listen here on themcelroy.family [somber instrumentals play] Justin: [singing] Isn’t it rich? Are we a pair? Me here at last, on the ground, and you in midair. Where are the clowns? Isn’t it bliss? Don’t you approve? One who keeps staring around, and one who can’t move. Where are the clowns? There ought to be clowns. Just when I stopped... opening doors. Finally knowing the one that I wanted was yours. Making my entrance again, with my usual flair. Sure of my lines, no one is there. Don’t... Travis: [spoken] Okay. Griffin: [laughs] [instrumentals continue] Justin: [singing] ...you love a farce? It’s my fault, I fear... Travis: Hey, Griffin, can I tell you something? Griffin: Yeah, sure. Justin: [singing] I thought that you’d want what I want. I’m sorry, my dear. Travis: [simultaneously] Here’s what’s weird. I was gonna do a musical number too. Griffin: Okay. Travis: Yeah. Griffin: I’m glad it was this, though. It makes—there’s a— Justin: [singing] Where are the clowns? Griffin: There’s a logic to it. Travis: Yeah, but it’s also, like, really long. Justin: [singing] Send in the clowns. Griffin: And honestly, in the circles we move in, Travis, it’s not out of the question that we would meet Stephen Sondheim one day. Travis: Yeah, yeah, yeah. Justin: [singing] Don’t bother. They are here. Griffin: I would be, like, pissed off if [crosstalk]. Travis: Do you think this song has been used at a funeral before? [instrumentals continue] Travis: It feels like a weird thing to say at a funeral, like, “The clowns are already here.” Justin: [mumbling]. -
Tom Clancy's Endwar
Table of Contents Title Page Copyright Page Acknowledgements ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE TEN ELEVEN TWELVE THIRTEEN FOURTEEN FIFTEEN SIXTEEN SEVENTEEN EIGHTEEN NINETEEN TWENTY TWENTY-ONE TWENTY-TWO TWENTY-THREE TWENTY-FOUR TWENTY-FIVE TWENTY-SIX TWENTY-SEVEN TWENTY-EIGHT TWENTY-NINE THIRTY THIRTY-ONE THIRTY-TWO THIRTY-THREE THIRTY-FOUR THIRTY-FIVE THIRTY-SIX THIRTY-SEVEN THIRTY-EIGHT THIRTY-NINE FORTY FORTY-ONE THE BESTSELLING NOVELS OF TOM CLANCY THE TEETH OF THE TIGER A new generation—Jack Ryan, Jr.—takes over in Tom Clancy’s extraordinary, and extraordinarily prescient, novel. “INCREDIBLY ADDICTIVE.” —Daily Mail (London) RED RABBIT Tom Clancy returns to Jack Ryan’s early days— in an engrossing novel of global political drama . “A WILD, SATISFYING RIDE.” —New York Daily News THE BEAR AND THE DRAGON A clash of world powers. President Jack Ryan’s trial by fire. “HEART-STOPPING ACTION . CLANCY STILL REIGNS.” —The Washington Post RAINBOW SIX John Clark is used to doing the CIA’s dirty work. Now he’s taking on the world . “ACTION-PACKED.” —The New York Times Book Review EXECUTIVE ORDERS A devastating terrorist act leaves Jack Ryan as President of the United States . “UNDOUBTEDLY CLANCY’S BEST YET.” —The Atlanta Journal-Constitution DEBT OF HONOR It begins with the murder of an American woman in the backstreets of Tokyo. It ends in war . “A SHOCKER.” —Entertainment Weekly THE HUNT FOR RED OCTOBER The smash bestseller that launched Clancy’s career— the incredible search for a Soviet defector and the nuclear submarine he commands . “BREATHLESSLY EXCITING.” —The Washington Post RED STORM RISING The ultimate scenario for World War III— the final battle for global control .