The Garden Party and Other Stories
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Kimber20168934.Pdf
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Article Title: Katherine Mansfield’s modernist short stories Creator: Kimber, G. Example citation: Kimber, G. (2016) Katherine Mansfield’s modernist short stories. Gale Researcher. It is advisable to refer to the publisher's version if you intend to cite from this work. Version: Accepted version Official URL: http://learn.cengage.com/GaleResearcher NECTARhttp://nectar.northampton.ac.uk/8934/ Katherine Mansfield’s Modernist Short Stories Gerri Kimber University of Northampton Department of English and Creative Writing Gerri Kimber is coeditor of the annual yearbook Katherine Mansfield Studies and chair of the Katherine Mansfield Society. She is the series editor of the four-volume Edinburgh Edition of the Collected Works of Katherine Mansfield (2012–2016). Kimber is author of Katherine Mansfield: The Early Years (2016), Katherine Mansfield and the Art of the Short Story (2015), and Katherine Mansfield: The View from France (2008). Katherine Mansfield employed free indirect discourse, literary impressionism, and the innovative use of time and symbolism, culminating in her position as one of the most important early exponents of the modernist short story. Mansfield’s fiction—and literary modernism as a whole—is associated with a rejection of conventional plot structure and dramatic action in favor of the presentation of character through narrative voice. Many different influences converged to create Mansfield’s own personal aesthetic philosophy, which continually evolved and developed throughout her short lifetime. She presents a down- to-earth kind of “truth,” with its foundations in her observations of the everyday world. -
Your Paper's Title Starts Here
International Journal of Science Vol.5 No.1 2018 ISSN: 1813-4890 Representation of Modernism in Mansfield’s Short Stories Jialing Ding Nantong University, Nantong 226001, China [email protected] Abstract The modernist thought itself has a very complex background. Strictly speaking, modernism is not a genre, but a literary trend that is revealed in many modernist creative fictions. Kathrine Mansfield’s works have this unique feature. She uses modernist techniques in her short stories very skillfully and tactfully. The aim of the thesis is to explore representative modernist techniques in Mansfield’s short stories. Through the research, I want to prove that she is an innovator of English short stories. The thesis mainly discusses stream of consciousness in Mansfield’s short stories which includes association, time and space montage and illusion. The thesis also analyses symbols in her representative short stories and different perspectives of narration in her works. I sincerely hope that readers can understand her works better through my efforts. Undoubtedly, Mansfield opens up a path to a higher literary standard. Keywords Mansfield; modernism; stream of consciousness; symbolism; perspectives of narration. 1. Introduction Katherine Mansfield(1888-1923) is a splendid English short story writer in the early 20th century. In order to get a better development, Mansfield gave up her pleasant and affluent life. Surprisingly, she chose to travel to London by herself. From the moment she set foot in London, she has become a wandering soul who didn’t have a complete home. Mansfield had complex personality, at the same time, she went through the same intricate life journey. -
The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’S Natives
Journal of Postcolonial Writing ISSN: 1744-9855 (Print) 1744-9863 (Online) Journal homepage: http://www.tandfonline.com/loi/rjpw20 The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’s natives Rebecca Ruth Gould To cite this article: Rebecca Ruth Gould (2018): The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’s natives, Journal of Postcolonial Writing, DOI: 10.1080/17449855.2018.1511242 To link to this article: https://doi.org/10.1080/17449855.2018.1511242 Published online: 04 Oct 2018. Submit your article to this journal Article views: 1 View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjpw20 JOURNAL OF POSTCOLONIAL WRITING https://doi.org/10.1080/17449855.2018.1511242 The aesthetic terrain of settler colonialism: Katherine Mansfield and Anton Chekhov’snatives Rebecca Ruth Gould College of Arts and Law, University of Birmingham, Birmingham, UK ABSTRACT KEYWORDS While Anton Chekhov’sinfluence on Katherine Mansfield is Settler colonialism; Sakhalin; widely acknowledged, the two writers’ settler colonial aesthetics New Zealand; Siberia; Maori; have not been brought into systematic comparison. Yet Gilyak; Russian Empire Chekhov’s chronicle of Sakhalin Island in the Russian Far East parallels in important ways Mansfield’s near-contemporaneous account of colonial life in New Zealand. Both writers are con- cerned with a specific variant of the colonial situation: settler colonialism, which prioritizes appropriation of land over the gov- ernance of peoples. This article considers the aesthetic strategies each writer develops for capturing that milieu within the frame- work of the settler colonial aesthetics that has guided much anthropological engagement with endangered peoples. -
Appendix: Major Periodical Publications (1910–22)
Appendix: Major Periodical Publications (1910–22) Short stories (signed Katherine Mansfield unless otherwise stated) ‘Bavarian Babies: The Child-Who-Was-Tired’, New Age, 6.17 (24 February 1910), 396–8 [Katharine Mansfield] ‘Germans at Meat’, New Age, 6.18 (3 March 1910), 419–20 [Katharine Mansfield] ‘The Baron’, New Age, 6.19 (10 March 1910), 444 [Katharine Mansfield] ‘The Luft Bad’, New Age, 6.21 (24 March 1910), 493 [Katharine Mansfield] ‘Mary’, Idler, 36.90 (March 1910), 661–5 [K. Mansfield] ‘At “Lehmann’s” ’, New Age, 7.10 (7 July 1910), 225–7 [Katharine Mansfield] ‘Frau Brechenmacher Attends a Wedding’, New Age, 7.12 (21 July 1910), 273–5 ‘The Sister of the Baroness’, New Age, 7.14 (4 August 1910), 323–4 ‘Frau Fischer’, New Age, 7.16 (18 August 1910), 366–8 ‘A Fairy Story’, Open Window, 1.3 (December 1910), 162–76 [Katharina Mansfield] ‘A Birthday’, New Age, 9.3 (18 May 1911), 61–3 ‘The Modern Soul’, New Age, 9.8 (22 June 1911), 183–6 ‘The Journey to Bruges’, New Age, 9.17 (24 August 1911), 401–2 ‘Being a Truthful Adventure’, New Age, 9.19 (7 September 1911), 450–2 ‘A Marriage of Passion’, New Age, 10.19 (7 March 1912), 447–8 ‘Pastiche: At the Club’, New Age, 10.19 (7 March 1912), 449–50 ‘The Woman at the Store’, Rhythm, no. 4 (Spring 1912), 7–24 ‘Pastiche: Puzzle: Find the Book’, New Age, 11.7 (13 June 1912), 165 ‘Pastiche: Green Goggles’, New Age, 11.10 (4 July 1912), 237 ‘Tales of a Courtyard’, Rhythm, no. -
Thesis Hum 2009 Johnstone V.Pdf
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town "Divine warnings": Katherine Mansfield Vanessa Johnstone (JHNVANOOl) A minor dissertation submitted in partial fulfilment of the requirements for the award of the degree of Master of Arts in English Language and Literature. Faculty of the Humanities Universityty ofof Cape Cape Town Town May 2009 DIGITISED Universi - 2 APR Z013 This work has not previously been submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: IS-· S- .0'1 ~--......:7 /~ } Contents Abstract 3 Introduction 4 Part One: Katherine Mansfield 6 Part Two: Modernist London 16 Part Three: Six Mansfield themes Town23 Part Four: Short stories 36 "Germans at meat" Cape 36 of The Aloe and "Prelude" 40 "Psychology" 57 "Bliss" 62 University "M iss Brill" 70 "A Married Man's Story" 75 Conclusion 83 References 85 2 "My secret belief - the innennost credo by which I live - is that although Life is loathsomely ugly and people are terribly often vile and cruel and base, nevertheless there is something at the back of it all, which if only I were great enough to understand would make everything, everything, indescribably beautiful. -
Francisco Carlos Ribeiro.Pdf
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP Francisco Carlos Ribeiro A “missão” na literatura: A redução jesuítica em A fonte de O tempo e o vento MESTRADO EM HISTÓRIA SÃO PAULO 2016 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP Francisco Carlos Ribeiro A “missão” na literatura: A redução jesuítica em A fonte de O tempo e o vento MESTRADO EM HISTÓRIA Dissertação apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de MESTRE em História, sob a orientação da Profª. Drª. Olga Brites. SÃO PAULO 2016 Banca Examinadora ________________________________________________ Prof.ª Dr.ª Olga Brites _______________________________________________ Prof.ª Dr.ª Yvone Dias Avelino _______________________________________________ Prof. Dr. Ubirajara de Farias Prestes Filho _______________________________________________ Prof.ª Dr.ª Maria do Rosário da Cunha Peixoto (suplente) ______________________________________________ Prof. Dr. Mirna Busse Pereira (suplente) Dedico esse trabalho de pesquisa aos meus pais, J. Francisco e Francisca M., e também a todos aqueles que o inspiraram, mas, que não terão tempo, desejo ou paciência para lê-lo. Agradeço de modo especial o apoio financeiro oferecido pela CAPES ‒ Coordenação de Aperfeiçoamento de Pessoal de Nível Superior ‒ do Ministério da Educação e pela FUNDASP ‒ Fundação São Paulo ‒ da Pontifícia Universidade Católica de São Paulo. Agradecimentos Quanto mais velho fico, mais pessoas de meu passado tenho o desejo de encontrar para abraçá-las e dizer- lhes sem mais explicações: Obrigado! Obrigado! Obrigado! Erico Verissimo Assim como um filme, que é fruto do trabalho de equipe (produtor, diretor, roteirista, intérpretes e técnicos), uma dissertação de pesquisa também se concretiza como resultado do esforço de um grupo de pessoas que direta ou indiretamente estão relacionadas com a sua realização. -
The Urewera Notebook: Scholarly Edition
1 THE UREWERA NOTEBOOK: SCHOLARLY EDITION By ROSE ANNA O’RORKE PLUMRIDGE A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2014 2 For Peter Whiteford and Elizabeth Plumridge 3 Contents Abstract 5 List of photographs 7 Acknowledgments 9 General Introduction 11 1. The role of the Urewera Notebook in Mansfield biography 11 2. Context to the 1907 camping trip 15 i. Mansfield’s personal background 15 ii. Hawke’s Bay and Kaingaroa 17 iii. The Urewera 18 iv. Rotorua and the geothermal district 20 3. Rereading the Urewera Notebook 21 i. Mansfield’s attitude to colonials 21 ii. Mansfield’s attitude to Maori 25 iii. Mansfield’s attitude to the landscape 29 4. Conclusion 32 Textual Introduction 34 1. The Urewera Notebook: Physical description 34 2. Editorial history 35 3. John Middleton Murry: The Life of Katherine Mansfield (1933) and the 36 Journal of Katherine Mansfield 1904-1922: Definitive Edition (1954) i. John Middleton Murry: Context 36 ii. John Middleton Murry: Editorial methods 37 iii. John Middleton Murry: Contextual aids 42 iv. John Middleton Murry: Critical reception 43 4. Ian A. Gordon: The Urewera Notebook (1978) 45 i. Ian A. Gordon: Context 45 ii. Ian A. Gordon: Editorial methods 46 iii. Ian A. Gordon: Contextual aids 47 iv. Ian A. Gordon: Critical reception 49 4 5. Margaret Scott: The Katherine Mansfield Notebooks (1997) 50 i. Margaret Scott: Context 50 ii. Margaret Scott: Editorial methods 52 iii. Margaret Scott: Contextual aids 53 iv. -
The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov's Natives
University of Birmingham The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’s Natives Gould, Rebecca DOI: The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’s Natives Document Version Peer reviewed version Citation for published version (Harvard): Gould, R 2018, 'The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’s Natives', Journal of Postcolonial Writing. https://doi.org/The Aesthetic Terrain of Settler Colonialism: Katherine Mansfield and Anton Chekhov’s Natives Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 08/02/2018 This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of Postcolonial_Writing on 4/10/2018, available online: http://www.tandfonline.com/10.1080/17449855.2018.1511242. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
“ the Woman at the Store”
The VlrglnlaVirginia 恥Woolfolf SocletySociety of JapanJapar ユ “ ” 旅 と創作 The Woman at the Store に お け る 女 の コ ロ ニ ア ル ラ イ フ 大 谷 英 理 果 1. 序 ニ ュ ー ー ジ ラ ン ド (以 下 、 NZ )は 、 1893年 に 世 界 で 初 め て 女性 参政 権 を獲 い 得 した 先進 的 な国 と して 知 られ て る 。 しか しなが ら 、 英 国植民 地期 の NZ 社 − 会 の 実態 は 、 KatherineMansfield(18881923)の Wellington都市 圏 を舞 台 と し “ ” “ ” た 代 表作 (At the Bay や The Garden −Party な ど) に表象 され る 都 市文化 と家族像 を見 る 限 り、 英 国 本国 同様 、 女性 は 「家庭 の 天 使 」 と して しか 存在 せ ず 、 い 家 父 長 的 な性 別役 割が 存在 して た こ とが 窺 え る 。 だが 、 こ れ まで あ ま り注 目 こ っ さ れ て な か た Mansfieldの 習作 時代 の 作 品に は 、 NZ 奥 地 を 舞台と して 、 英 “ 国 の 伝 統 的 な 役 割 分 担 の 規 範 を越 えた 女性 た ち の 生 活 を描 い た もの (The ” “ ” い Woman at the Store や Millie)が 存 在す る 。 こ う っ た Mansfield作 品の 研 へ 究は 、 19世 紀末以 降の 「安定杜 会」 の 移行 期 に あ た る 当時 の NZ 社 会 とそ の 時代 の 性 別 役 割 の 変 容 を知 る た め の 重 要 な事 例研 究 で あ る と言 え る 。 Clare Hanson と Andrew Gurrも、 こ れ らの 初期作品が NZ の 事 例研 究で あ る こ とを指 っ 摘 し、 こ の よ うな見 地 か らこ れ らの 作 品 が 十 分 に 議 論 され て こ な か た点 に 注 意 を促 して い る (42)。 しか しなが ら 、 現 在 に お い て もこ の よ うな見 地 か ら行 わ い れ た 研 究 は 少 な 。 “ ” こ そ で 、 本稿 で は 、 The Woman at the Store を分 析対象 と して 取 り上 げ 、 当時 の NZ 国 内 に お け る 性 別 分 業 に 関す る歴 史的 背 景 と交 差 さ せ なが ら 、 女性 ニ コ ロ ル い 。 っ の ア ラ イ フ を 考 察 した そ の 際 、 作 品 の 源 と な た と 考 え られ る へ Mansfield の NZ 奥地 の 旅 (1907 年 ) も参 照 す る 。 旅 の Mansfield 自身に よ る i 記 録 Z加 Urewera Notebook の 近 年 まで の 解 釈 史 に 触 れ る と ともに 、 彼 女が 旅 で ど の よ うな女 性 入 植 者 を見 た か を確 認 し 、 そ の 観 察が 奥 地 で 孤 立 し、 男 性 に 支 配 さ れ る 中で 、 女 性 が 家事 も生 産活 動 も担 う困難 さ を Mansfield が 作 品 に 描 ー っ い こ と い ノ い く背景 に な て る を提示 した 。 そ の トと作 品か ら は 、 語 られ な ままで あ っ た は ず -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
"Prelude" As a Turning Point in the Fiction of Katherine Mansfield
A Synthesis of Theme and Style: "Prelude" as a Turning Point in the Fiction of Katherine Mansfield Peggy Orenstein Honors Thesis April 21, 1983 Katherine Mansfield's contribution to modern British fiction has been virtually ignored in recent years; the two major periods of critical attention to her work were in the 1920's (right after her death) and the early 1950's. Critics of both groups have given extensive consideration to Mansfield's experimentation--independent of Virginia Woolf and James Joyce--with interior monologue, shifting narrative perspective and moments of revelation However, analyses of Mansfield have predominantly ignored her concerns as a woman writer. Mansfield examines women's roles and women's sexuality in nearly all of her stories; she probes women's circumstances from their own perspective and shows the effect of the male on the female world. Mansfield's development as an exponent of women's concerns is a subject well worth critical attention. For a full appreciation of her artistic achievement this development must be seen in relation to the refinement of her technique. I would argue that it is not until the story "Prelude," approximately one-third of the way through her canon, that Mansfield cultivates the aesthetic sophistication necessary for a rounded portrayal of womanhood. Her earliest stories, particularly the German Pension stories, are crudely rendered. They have neither the depth of characterization nor the subtlety of style necessary to uphold their ambitious theme. "Prelude" is a pivotal work in Mansfield's career~2 In this I piece she presents a community of women stratified by age and class investigating their sexuality, struggling with the role of women in a world controlled by men. -
A Comment on Katherine Mansfield's a Dill Pickle
Journal of Literature and Art Studies, August 2015, Vol. 5, No. 8, 583-587 doi: 10.17265/2159-5836/2015.08.002 D DAVID PUBLISHING A Comment on Katherine Mansfield’s A Dill Pickle WANG Xiao-yan, LI Ze-ming Changchun University, Changchun, China Katherine Mansfield is a world famous woman master of short stories in English literature. Her stories are sensitive revelations of human behaiour in quite ordinary situations, through which we can glimpse a powerful, and sometimes cruelly pessimistic view of life. A Dill Pickle is one of her short stories published in 1917, describing the encounter between a young woman and a young man who have been lovers six years ago and their lost love and changes over the years. Short as it is, it is really worth our carful analysis and appreciation. This paper will comment on this short story from the following two aspects: a commont on the theme of the story; a comment on the writing technique of the story. The paper conludes that romantic love is dependent upon circumstances and the convergence of certain character traits at a particular time. Keywords: A Dill Pickle, Katherine Mansfield, theme, technique Introduction Katherine Mansfield, an outstanding woman master of short stories of 20th century English literature, was born in a middle-class family in New Zealand. Throughout her life , she led a wandering life in search of health and wrote under difficulties. And most of her works are from the recreation of her experineces with the theme of women’s disillusion and loneliness. A Dill Pickle, completed in 1917, is one of her most significant masterpieces and it is based on her own experience.