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Bibliography In this bibliography titles of journals are either written out or abbreviated according to the list provided by L’Année Philologique on-line (http://www.annee-philologique .com/files/sigles_fr.pdf). Abbreviations of specific editions are listed among the bio- graphical entries. Acheilara, L. 2004. ἐν τῶ ἴρω τῶ ἐμ Μέσσω. Mytilene. Acosta-Hughes, B. 2002. Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley. 2010. Arion’s Lyre: Archaic Poetry into Hellenistic Poetry. Princeton. Adler = Adler, A. 1928–1938. Suidae Lexicon, i–v. Lipsiae. Agosti, G. 2001. Late Antique Iambics and Iambike Idea. In Cavarzere, Aloni, and Bar- chiesi (2001) 219–255. Akehurst, F.R. and J.M. Davis. 1995. A Handbook of the Troubadours. Berkeley. Albert, N. 2005. Saphisme et décadence dans l’art et la littérature en Europe à la fin du xixe siècle. Paris. Allan, W., ed. 2008. Euripides: Helen. Cambridge. Allen, T.W., W.R. Halliday, and E.E. Sikes, eds. 1936. The Homeric Hymns. Oxford. Aloni, A. 1983. Eteria e tiaso. I gruppi aristocratici di Lesbo tra economia e ideologia. Dialoghi di Archeologia Ser. 3, 1: 21–35. 1997. Saffo. Frammenti. Florence. 2001. What is That Man Doing in Sappho, fr. 31 v.? In Cavarzere, Aloni, and Barchiesi (2001) 29–40. Asheri, D., A. Lloyd, and A. Corcella. 2007. A Commentary on Herodotus Books i–iv, eds. O. Murray and A. Moreno. Translated from the Italian by B. Graziosi et al. Oxford. Asper, M. 2004. Kallimachos. Werke. Darmstadt. Atallah, W. 1966. Adonis dans la littérature et l’art grecs. Paris. Austin, C. and G. Bastianini, eds. 2002. Posidippi Pellaei quae supersunt omnia. Milan. Bakker, E. 1998. Fiktionalität und Medienwechsel im Altgriechischen: Von Homer zu Thukydides. In Verschriftung und Verschriftlichung: Aspekte des Medienwechsels in verschiedenen Kulturen und Epochen, eds. C. Ehler and U. Schaefer, 57–77. Tübin- gen. Barceló, P. 1993. Basileia, Monarchia, Tyrannis. Untersuchungen zu Entwicklung und Beurteilung von Alleinherrschaft im vorhellenistischen Griechenland. Stuttgart. Barns, J.W.B., G.M. Browne, and J.C. Shelton. 1981. Nag Hammadi Codices: Greek and Coptic Papyri from the Cartonnage of the Covers. Leiden. Barringer, J.M. 1995. Divine Escorts: Nereids in Archaic and Classical Greek Art. Ann Arbor. Anton Bierl and André Lardinois - 9789004314832 Downloaded from Brill.com09/29/2021 02:55:02AM via free access 494 bibliography Barthes, R. 1979. A Lover’s Discourse. Fragments. Translated by R. Howard. London. Bassi, K. 1998. Acting Like Men: Gender, Drama, and Nostalgia in Ancient Greece. Ann Arbor. Bassnett, S. 2002. Translation Studies. Third edition. London. Bates, M.J. 1985. Wallace Stevens: A Mythology of Self. Berkeley ca. Battistini, Y. 1998. Poétesses grecques: Sapphô, Corinne, Anyté …. Paris. Baur, D. 1997. Chor und Theater. Zur Rolle des Chores in der griechischen Tragödie unter besonderer Berücksichtigung von Euripides’Elektra. Poetica 29: 26–47. Benedetto, V. di. 1982. Sulla biografia di Saffo. sco 32: 217–230. Benedetto, V. di and F. Ferrari. 1987. Saffo, Poesie. Milan. Benelli, L. 2015. The New Kypris Poem of Sappho: A New Reconstruction of the First Verses. zpe 194: 9–10. in preparation. The New Sappho. Another Look (text presented at a workshop in Cologne, 9 July 2015). Benveniste, E. 1969. Le vocabulaire des institutions indo-européennes. Paris. 1973. Indo-European Language and Society. Translated by E. Palmer of Benveniste (1969). Coral Gables fl. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_ Benveniste.Indo-European_Language_and_Society.1973 Bergren, A. 2008. Weaving Truth: Essays on Language and the Female in Greek Thought. Washington dc. Bernal, M. 1993. Phoenician Politics and Egyptian Justice in Ancient Greece. In Raaflaub (1993) 241–261. Bers, V.,D. Elmer, D. Frame, and L. Muellner, eds. 2012. Donum nataliciumdigitaliter con- fectum Gregorio Nagy septuagenario a discipulis collegis familiaribus oblatum. Wash- ington dc. http://nrs.harvard.edu/urn-3:hul.ebook:CHS_Bers_etal_eds.Donum_ Natalicium_Gregorio_Nagy.2012 Bertrand, N. 2008. Les pronoms postpositifs dans l’ordre des mots en grec ancien: domaines syntaxiques, domaines pragmatiques. Lalies 29: 227–252. Berve, H. 1954. Wesenszüge der griechischen Tyrannis. hz 177: 1–20. Reprinted in Berve, H. 1968. Gestaltende Kräfte der Antike, 208–231. Second edition. Munich. 1967. Die Tyrannis bei den Griechen. 2 vols. Munich. Bessone, F. 2003. Saffo, la lirica, l’elegia: su Ovidio, Heroides 15. md 51: 209–243. Bettenworth, A. 2014. Sapphos Amme: Ein Beitrag zum neuen Sapphofragment (Broth- ers Poem). zpe 191: 15–19. Bierl, A. 2001. Der Chor in der Alten Komödie. Ritual und Performativität (unter beson- derer Berücksichtigung von Aristophanes’ Thesmophoriazusen und der Phalloslieder fr. 851 pmg). Munich. Revised second English edition Bierl (2009). 2003. ‘Ich aber (sage), das Schönste ist, was einer liebt!’ Eine pragmatische Deutung von Sappho Fr. 16 lp/v. qucc 103: 91–124. See also revised version under http://chs.harvard.edu/CHS/article/display/42?menuId=223 Anton Bierl and André Lardinois - 9789004314832 Downloaded from Brill.com09/29/2021 02:55:02AM via free access bibliography 495 . 2007a. Literatur und Religion als Rito- und Mythopoetik: Überblicksartikel zu einem neuen Ansatz in der Klassischen Philologie. In Bierl, Lämmle, and Wessel- mann (2007a) 1–76. 2007b. Mysterien der Liebe und die Initiation Jugendlicher: Literatur und Religion im griechischen Roman. In Bierl, Lämmle, and Wesselmann (2007b) 239– 334. 2008. Der neue Sappho-Papyrus aus Köln und Sapphos Erneuerung. Virtuelle Choralität, Eros, Tod, Orpheus und Musik. http://chs.harvard.edu/CHS/article/ display/2122 . 2009. Ritual and Performativity. The Chorus in Old Comedy. Translated by A. Hollmann. Hellenic Studies 20. Cambridge ma and Washington dc. http://nrs .harvard.edu/urn-3:hul.ebook:CHS_Bierl.Ritual_and_Performativity.2009 . 2010. Sappho in Athens. Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality.Athens Dialogues E-Journal. http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/ athensdialogues.woa/wa/dist?dis=36 . 2011a. Enigmatic Hints at the Hidden Meaning of Two Central Homeric Pas- sages. The Derveni-Author as Homeric Philologist in PDerv. col. xxvi. In Tracing Orpheus. Studies of Orphic Fragments. fs A. Bernabé, eds. M. Herrero de Jáuregui et al., 393–398. Berlin and Boston. 2011b. Fest und Spiele in der griechischen Literatur. In Festivals and Contests (= ThesCRA vii), ed. A. Chaniotis, 125–160. Los Angeles. 2011c. Prozessionen auf der griechischen Bühne: Performativität des einzie- henden Chors als Manifestation des Dionysos in der Parodos der Euripideischen Bakchen. In Medialität der Prozession: Performanz ritueller Bewegung in Texten und Bildern der Vormoderne = Médialité de la procession: Performance du mouvement rituelentextesetenimagesàl’époquepré-moderne, eds. K. Gvozdeva and H.R. Velten, 35–61. Heidelberg. 2012. Traumatic Dreams: Lacanian Love, Kubrick’s Eyes Wide Shut, and the Ancient Greek Novel, or, Gliding in Phantasmagoric Chains of Metonymy. In Bers, Elmer, Frame, and Muellner (2012). http://nrs.harvard.edu/urn-3:hlnc.essay:Bierl .Traumatic_Dreams_Lacanian_Love_Kubricks_Eyes_Wide_Shut.2012 . 2013a. Dionysos in Old Comedy. Staging of Experiments on Myth and Cult. In Redefining Dionysos, eds. A. Bernabé et al., 366–385. Berlin and Boston. 2013b. Maenadism as Self-Referential Chorality in Euripides’ Bacchae. In Choral Mediations in Greek Tragedy, eds. R. Gagné and M.G. Hopman, 211–226. Cam- bridge. Abridged and revised English version of Bierl (2011c). 2016. Visualizing the Cologne Sappho: Mental Imagery through Chorality, the Sun, and Orpheus. In The Look of Lyric: Greek Song and the Visual. Studies in Archaic and Classical Greek Song. Vol. 1, eds. V. Cazzato and A. Lardinois, 307–342. Leiden. Anton Bierl and André Lardinois - 9789004314832 Downloaded from Brill.com09/29/2021 02:55:02AM via free access 496 bibliography . 2016 forthcoming. Lived Religion and the Construction of Meaning in Greek Literary Texts: Genre, Context, Occasion. Religion in Roman Empire 2: 10–37. Ch. 14, this volume. ‘All You Need is Love’: Some Thoughts on the Structure, Texture, and Meaning of the Brothers Song as well as on Its Relation to the Kypris Song (P. Sapph. Obbink). In Bierl and Lardinois (2016) 302–336. Ch. 15, this volume. Sappho as Aphrodite’s Singer, Poet, and Hero(ine): The Reconstruction of the Context and Sense of the Kypris Song. In Bierl and Lardinois (2016) 339–352. Bierl, A., R. Lämmle, and K. Wesselmann, eds. 2007a. Literatur und Religion i. Wege zu einer mythisch-rituellen Poetik bei den Griechen. MythosEikonPoiesis 1.1. Berlin and New York. eds. 2007b. Literatur und Religion ii. Wege zu einer mythisch-rituellen Poetik bei den Griechen. MythosEikonPoiesis 1.2. Berlin and New York. Bierl, A. and A. Lardinois, eds. 2016 = this volume. Bing, P. 2009. The Scroll and the Marble. Ann Arbor. Blanchard, M. and A. 1975. La mosaïque d’Anacréon à Autun. rea 75: 268–279. Blok, J. 2000. Phye’s Procession: Culture, Politics and Peisistratid Rule. In Sancisi- Weerdenburg (2000) 17–48. Blondell, R. and K. Ormand, eds. 2015. Ancient Sex: New Essays. Columbus oh. Blum, R. 1991. Kallimachos: The Alexandrian Library and the Origins of Bibliography. Translated by H.H. Wellisch. Madison wi. Blundell, S. 1995. Women in Ancient Greece. Cambridge ma. Boardman, J. 1980. The Greeks Overseas. Their Early Colonies and Trade. London. (First edition Harmondsworth 1964, fourth edition London 1999). Boedeker, D.D. 1973. Aphrodite’s Entry into Greek Epic. Ann Arbor. 1979. Sappho and Acheron. In Arktouros. Hellenic Studies Presented to Bernard M.W. Knox on the Occasion of his 65th Birthday, eds. G.W. Bowersock et al., 40–52. Berlin and New York. Ch. 8, this volume. Hera and the Return of Charaxos. In Bierl and Lardinois (2016) 188–207. Boedeker, D.D. and D. Sider, eds. 2001. The New Simonides: Contexts of Praise and Desire. Oxford and New York. Boehringer, S. 2007a. L’homosexualité féminine dans l’antiquité grecque et romaine. Paris. 2007b. Comparer l’incomparable. La sunkrisis érotique et les catégories sex- uelles dans le monde gréco-romain.
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