DOCSLIB.ORG

Urania's Mirror

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Urania's Mirror ELENA BAJO *1976, in Madrid, Spain. Lives and works in Los Angeles and Berlin www.elenabajo.com Education 2005 Central Saint Martins School of Art London UK MA Fine Arts 2006 Skowhegan School of Painting and Sculpture Maine US 2002 ESARQ School of Architecture Barcelona Spain MA Architecture Selected Solo Exhibitions 2017 The Owl of Minerva only Flies at Dusk (Urania’s Mirror) Parallel, Oaxaca, Mexico All Tangled Up in a Fading Star, Arco Madrid, Madrid, Spain 2016 Throwing Car Parts form a Cliff before Sunrise, Garcia Galeria, Madrid, Spain Victory Over the Sun, D+T Project Gallery, Brussels, Belgium Kai 10, Arthena Foundation, Dusseldorf, Germany 2015 Isle of Innocence After Fordlandia, Kunsthalle Sao Paulo, Brazil Time is the Form of the Object, annex14, Zurich, Switzerland 2014 Timeless Considerations Stacion, Center for Contemporary Art, Prishtina, Kosovo A Universe comes into Being, ARTIUM Basque Museum, Vitoria-Gasteiz, Spain With Entheogenic Intent (Burn the Witch), 18th Street Arts Center, Los Angeles, US The Absence of Work, D+T Project Gallery, Brussels, Belgium An Arbitrary Issue, Garcia Galeria, Madrid, Spain 2013 La Femme Radicale or The Point of No Return, D+T Project, Brussels, Belgium Opening - Solo Objects, ARCO Art Fair, Madrid, Spain BCC Brussels, Cologne Contemporary, Brussels, Belgium 2012 The Absence of Work, PLATFORM3, curated by Marlene Rigler, Munich, Germany Reconstructing of the Common, D+T Project, Brussels, Belgium The Factory of Forms, Manifesta Parallel, Genk, Belgium The Factory of Forms, Jan Van Eyck Academie, Maastricht, Netherlands 2011 The Pervasive Element, Frieze Art Fair, London, England On Uncertain Terms, S/T Center for Contemporary Art and Culture, Berlin, Germany 2010 The Object of A Movement, D+T Project, Brussels, Belgium The Moon is a Harsh Mistress, The Woodmill, London, England Performance Universal Flag, Lake Dry Desert CA, Los Angeles, US 2008 The Divided Line, Museum of the City Puerto Lumbreras Explum, Murcia, Spain 2007 The Garden of Dreams, Museum of the City, Galway, Ireland annex14 I Raum für aktuelle Kunst Limmatstrasse 270 I CH - 8005 Zürich I T +41 44 202 44 22 I [email protected] I www.annex14.com Öffnungszeiten: Di - Fr 12 - 18 h, Sa 11 - 17 h oder nach Vereinbarung Selected Group Exhibitions 2019 I want to know Now, Center of Contemporary Art Complutense University Madrid, ES (upcoming) 2018 Itineraria XXIV, Centro Botin, Santander, Spain Hände haben eine tragische Hierachie, Five Car Garage, Los Angeles, US I never thought I’d need so many people, Garcia Galeria, Madrid, Spain Universal Flag, La Galerie Imaginaire, Brussels, Belgium The Pleiades (Anarchoreographies), Blue Project Foundation, Barcelona, Spain So Sieht der Hase, annex14, Zurich, Switzerland Manifesto: A Moderate Proposal Pitzer, Art Galleries, Los Angeles, US White Covers, Frederic de Goldschmidt Collection, Brussels, Belgium Elizabeth Foundation for the Arts, New York, US Movement Research, New York, US 2017 Urania’s Mirror – Parallel, curated by Oliver Martinez Kandt, Oaxaca, Mexico Modus Operandi, La Societé, curatey by Société, with Gregory Lang, Brussels, Belgium The Box, curated by Corazon de Sol, Los Angeles, US Miart Art Fair, Garcia Galeria, Milan, Italy Posters, Frac Noramandie Rouan, Paris, France 2016 Aun, The 44th Salon Nacional de Artes, Pereira, Colombia Victory Over the Sun (Black Love, Two Bodies Racing in Space, D+T Project, Brussels, Belgium Take Up your Space, Kai 10, Arthena Foundation, Dusseldorf, Germany Scoping Spaces, 18th Street Arts Center, Los Angeles, US Piel y simulacro, Travesia Cuatro, Gudadalajara Jalisco, Mexico Art and the Politics of Individuation: Affect and the Multiple Body in Cognitive Capitalism, SAAS-FEE Summer Institute of Art, Berlin Not really really, Frederic de Goldschmidt Collection, Brussels, Belgium ArcoMadrid, Madrid, Spain 2015 Josuha Treenial, curated by Koah Jeff Baysa, Joshua Tree, US Let Power Take A Female Form Talk, with Corazon de Sol Paul and Paul McCarthy, The Bodx, Los Angeles, US LAXART, 10 year Benefit Exhibition, Los Angeles, US The Infinite Persistence of Matter, ESPTV – Human Resources, Los Angeles, US Plagiarizing the Future, Hangar, Lisbon, Portugal Universal Flag (Reloaded), SWAB, Barcelona, Spain Trust The Palace, Kunsthal Charlottenborg, Copenhagen, Denmark The Gaia Effect, Los Angeles, US Figment, Angstrom Gallery, Venice, US Mythologies, 3rd Mardin Biennial, Mardin, Turkey Theorem, Contemporary Art Center, Newark, US Movements Toward Formation, Kunstlerhaus Bethanien, Berlin, Germany Sounds like Music, D+T Project Gallery, Brussels, Belgium Berlin, Berlin Botschaft von Spanien, Berlin, Germany Buscadores de Oro, OTR – Espacio de Arte, Madrid, Spain 2014 With Entheogenic Intent, 18th Street Arts Center, Los Angeles, US The Absence of Work, LACA, Los Angeles, US The Factory of Forms, For your Art, Los Angeles, US If I Can’t Dance to it, It’s not my Revolution, The Cantor Fitzgerald Gallery, 2 | 6 Haverford College, Philadelphia, US Retrolimentacion, Atelier Sala de Arte Joven Comunidad, Madrid, Spain 2013 Rockaway to LA, Waterhouse Project Gallery, Los Angeles, US Ma Vie Prochaine, Ceci N’est Pas Courtesy, Los Angeles, US Original Doubt, Plataforma Revolver, Lisbon, Portugal Zero Hours, Art Sheffield, Sheffield, UK The Phylogenesis of Generosity, Berlin, Germany Vers une Hypothese Fort Du Bruissin Xll, Lyon Biennial, Lyon, France Material Conceptualism, Der Trost der Dinge, Anaant and Zoo Gallery, Berlin, Germany Throw a Rock and see what happens, La Casa, Madrid, Spain The Cosmic Artisan, Contemporary London, UK Can't Hear my Eyes, Nogueras Blanchard, Madrid, Spain Social Sound, VHDG Blokhuispoort, Leeuwarden, Netherlands Petrella's Pictorial Field, D+T Project Gallery, Brussels, Belgium Imports, Newstand Project Bowery & Canal, New York, US Art Brussels, D+T Project Gallery, Brussels, Belgium Quick Response, PRACTICE, Philadelphia, US 2012 Artist Tower of Protest, Public Domain, Los Angeles, US Art in the Parking Space PST 2012 Pacific Standard Time, LAXART, Los Angeles US Art in the Parking RedCat CALARTS, LAXART, Los Angeles US Who told you so? #2 Truth vs. Organization, Onomatope, Eindhoven, Netherlands The Absence of Work, Liste 17, Basel, Switzerland 2011 LAXART Benefit Exhibiton, Los Angeles, US Uncommon Places: Reinventing the Everyday, Extra City Antwerp / ICI, New York, US A Script for a Form PERFORMA 11, Biennial, New York, US VESSEL-The Stone House, Fringe BAS 7, Plymouth, UK Art in the Parking Space A One Year Long Project, LAXART, Los Angeles, US Art in the Parking PERFORM! NOW!, LAXART, Los Angeles, US Studies for an Exhibition, DRAF, London, UK Berlin:Metrospective 1, Program-Future Gallery, Berlin, Germany Love Letters to a Surrogate Stage ll, MUHKA, Antwerp, Belgium Aesthetic Anarchy, Scaramouche, New York, US Photomusee de la Danse, L'Ecole d'Art à Avignon, Avignon, France 2010 Perform! Now!, Human Resources Gallery Chinatown, Los Angeles, US Universal Flag, Joshua Tree, Los Angeles, US Discretion/Determination, La Salle de Bains, Lyon, France When A Tree Falls in the Forrest..., Sølyst Skulpturpark, Copenhagen, Denmark Love Letters to a Surrogate Torrance, Art Museum Los Angeles, Los Angeles, US The Horizon Line is Here, Galleria Umberto di Marino, Naples, Italy 36 Dramatic Situations, Louis V.E.S.P., New York, US Done to a Dead End & the Dead or Alive, Sale One Hundred and One Nights, Rotterdam, Netherlands 2009 Registered, White Columns, New York, US Bread and Roses 101, with Jon Cuyson, University of Trash Sculpture Center, New York, US EXHIBITION 211, Elizabeth St, New York, US Haunting the City, Le Roy Neiman Gallery, Columbia University, New York, US Unaddressed Circumventions...Gresham’s Ghost New York, Financial District ISCP, New York, US Off the Streets, A Foundation Rochelle School, London, UK The 4th annual Festival TINA B, Prague, Czech Republic 3 | 6 Dodai, Skuc Gallery, Ljubljana, Slovenia A New Refutation of Time, 179 Canal, New York, US A New Refutation of Time, Freies Museum, Berlin, Germany 2008 Visions Request, A-Z West Andrea Zittel, Los Angeles, US Wanderlust, Paul Kopeikin Gallery, Los Angeles, US VonJetz Bis Dann Goldrausch 08, Kunstraum Bethanien, Berlin, Germany Public Improvisations, Fondazione Ratti, Milan, Italy Lost in Your Eyes, Le Roy Neiman Gallery, Columbia University, New York, US Peekskill Project, HVCCA Hudson Valley Center for Contemporary Art, New York, US Destino Futuro, Arte Madrid 6, Royal Botanical Garden, Madrid, Spain Bad Moon Rising, ISCP, New York, US 2007 Second Moscow Biennale of Contemporary Art, Moscow, Russia Myths, Air Garten, Berlin, Germany 2006 The Space Between, Saheb Galerie, Berlin, Germany One Hundred, Jeannie Freilich Fine Art, New York, US 2005 Two Continents and Beyond: Waterways, Istanbul Biennial, Istanbul, Turkey The One, NGC 224, New York, US Leviathan, Candid Arts, London, UK MFA Degree Show, Central Saint Martins School of Art, London, UK 2004 Border Conditions, East 66 Gallery, Amsterdam, Netherlands Public.Exe, Exit Art, New York, US Water, Yoko Ono, ISE Cultural Foundation, New York, US Grants & Awards 2016 Grant: Becas Internationales de Artes Plásticas Fundación Botín, Barcelona,Spain Grant for the project Urania’s Mirror (Mexico – Los Angeles) 2014 18th St Arts Center Artist in Residence, Los Angeles, US 2012 Platform3 Artist in Residence, Munich, Germany 23 Studio Time Geoffrey Farmer BANFF Center Artist in Residence, Alberta, Canada 2011 Accion y Promocion Cultural Ministerio de Cultura Gobierno de Espana s/t, Berlin Germany
Load more

Recommended publications
  • Richard Linklater
    8 Monday April 22 2013 | the times arts artscomedy DESPINA SPYROU; GRAEME ROBERTSON “Studioshave financedfourofmy [23]films.Idon’thave aproblemwith Find thenextbig thing Theone-nightstand Hollywood,butthe airwe breathe hereisn’tpermeatedbybusiness. My familylifeishere.” Linklateris unmarried(“Iam Go to Edinburgh anti-institutionalineveryareaofmy life”).He andTina,hispartnerof andjoin thepanel thatsparked aclassic 20years,have threemuch-cherished daughters—19-year-oldLorelei, an actress,and the8-year-old“fascinating” that decides who identicaltwinsCharlotte andAlina. “That’s abig gapbetweenchildren,”he is thestand-up ThedirectorRichard Linklater tells Tim Teeman says.“Tinasaid:‘I wantmorekidsand ifyoudon’tI’ll gohave themwith comedianof2013 thebittersweet story of abrief encounterwitha someoneelse’,” Linklaterlaughs. He quotesastatisticthat70 percentof oyouwant togo tothe strangerthatgaveusBeforeSunrise andits sequels marriedmen and72percentofmarried EdinburghFestivalFringefor women havestrayed.Isheoneofthe afortnight andstay there hosewhoracefor chanceonenight inVienna.Lehrhaupt, monogamousones?“No, of coursenot!” free?Thinkyoucouldhandle theexitasamovie’s Linklaterrevealsforthefirsttime,was heroars.“Anyonewhowantsto bewith D morethan 100hours of closingcredits rollwill thewoman with“crazy, cute,wonderful mehastoacceptthecomplexityofbeing comedyintwoweeks?Thenyouhave miss,at theendof We talked energy”hemetonenight inOctober ahuman.Itrynotto live inastraitjacket. whatittakesto beaFoster’sEdinburgh RichardLinklater’s aboutart, 1989who inspiredthefilms.“What
    [Show full text]
  • Sony Pictures Classics Acquires Sundance Favorite Before Midnight
    SONY PICTURES CLASSICS ACQUIRES SUNDANCE FAVORITE BEFORE MIDNIGHT NEW YORK (January 25, 2013) - Sony Pictures Classics announced today that they have acquired all North American and UK rights to Richard Linklater’s BEFORE MIDNIGHT, the third installment to BEFORE SUNRISE and BEFORE SUNSET, starring Ethan Hawke and Julie Delpy. Like BEFORE SUNSET, the third film is written by Academy Award® nominees Linklater, Hawke and Delpy. Premiering to critical acclaim in the Premieres Section on Sunday evening at the Sundance Film Festival, BEFORE MIDNIGHT has been one of the most talked about films at the festival. The film is produced by Linklater, Christos V. Konstantakopoulos and Sara Woodhatch and executive produced by Jacob Pechenik, Martin Shafer, Liz Glotzer, and John Sloss. The deal was negotiated by SPC and Cinetic Media on behalf of the filmmakers. In BEFORE MIDNIGHT, we meet Celine and Jesse 9 years on. Almost 2 decades have passed since that first meeting on a train bound for Vienna, and we now find them in their early 40's in Greece. Before the clock strikes midnight, we will again become part of their story. "In 1991 we were in Sundance with SLACKER and we witnessed the birth of a major American filmmaker. At Sundance 2013 with BEFORE MIDNIGHT, we have further confirmation that Richard Linklater is a film master at the peak of his form. This one has it all as entertainment and as a work of cinematic art. It is a perfect movie made by not one but three auteurs, Rick, Ethan Hawke, and Julie Delpy. This movie will be incredibly successful around the world.
    [Show full text]
  • The Fate of the Couple in Modern Cinema by Dylan Caskie Senior
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository The Fate of the Couple in Modern Cinema By Dylan Caskie Senior Honors Thesis Department of English & Comparative Literature University of North Carolina at Chapel Hill 03/27/2018 Approved: _______________ Dr. Rick Warner, Thesis Advisor Dr. Gregory Flaxman, Reader Dr. Shayne Legassie, Reader Acknowledgements I would like to thank my advisor, Dr. Rick Warner, for his undying commitment to my thesis and for pushing me to work harder than I ever have before; this thesis would not be possible without him. Thanks also to Dr. Gregory Flaxman and Dr. Shayne Legassie for their willingness to read and evaluate my thesis. Lastly, thanks to my dear friends for their support and my friend, Grace Han, for her help in coming up with the idea for this thesis in the first place. This thesis is dedicated to my parents, Mark & Pat, who raised me and helped me get to where I am today – thanks for introducing me to the movies. Table of Contents Introduction: A Couple Ahead of Its Time.….….………….….….…….…01 Chapter 1: Couples Lost in Time..………………….…….……….….……07 Chapter 2: Navigating Replayed Time….…….……….………….…….….27 Chapter 3: The Ticking Clock and Passing Moment…….…………...……47 Afterword: The Gates of Love, Opened…………..………………….…….63 Filmography…………………………….…………...…………….……….67 Bibliography……………………………….………………….……………70 1 INTRODUCTION A Couple Ahead of Its Time It would be misleading to consider classical Hollywood cinema without some reference to the romantic couple, a thematic and narrative staple embodied in the genres of romantic melodrama and romantic comedy.
    [Show full text]
  • Dossier De Presse
    Diaphana présente Un film de RICHARD LINKLATER Avec JULIE DELPY et ETHAN HAWKE d’après un scénario écrit par Richard Linklater, Ethan Hawke et Julie Delpy SORTIE LE 26 JUIN 1h48 / US, GR / Format 1,85:1 / Dolby Digital Distribution Presse Diaphana Distribution Moonfleet Jérôme Jouneaux, Isabelle Duvoisin & Mounia Wissinger 155, rue du Faubourg Saint-Antoine - 75011 10, rue d’Aumale - 75009 Paris Tél. : 01 53 46 66 66 Tél. : 01 53 20 01 20 [email protected] [email protected] Matériel téléchargeable sur www.diaphana.fr SYNOPSIS Une île grecque, une villa magnifique, en plein mois d’août. Céline, son mari Jesse et leurs deux filles passent leurs vacances chez des amis. On se promène, on partage des repas arrosés, on refait le monde. La veille du retour à Paris, surprise : les amis offrent au couple une nuit dans un hôtel de charme, sans les enfants. Les conditions sont idylliques mais les vieilles rancœurs remontent à la surface et la soirée en amoureux tourne vite au règlement de comptes. Céline et Jesse seront-ils encore ensemble le matin de leur départ ? ENTRETIEN AVEC RICHARD LINKLATER D’où est venue l’idée originale et qu’est-ce qui l’a fait durer dans le temps ? L’histoire initiale est basée sur une expérience personnelle, mais je souhaitais que les deux acteurs mettent beaucoup d’eux-mêmes dans leurs personnages, ce qu’ont fait Ethan et Julie en collaborant au scénario. Grâce à ce lien extrêmement fort, les deux personnages de fiction, Jesse and Céline, sont pratiquement indissociables de notre trio.
    [Show full text]
  • James Benning and Richard Linklater
    1 DOUBLE PLAY : JAMES BENNING AND RICHARD LINKlaTER A FILM BY GABE KLINGER 70th Venice Film Festival / Mostra Internazionale d’Arte Cinematografica della Biennale di Venezia 3 Double Play : James Benning and Richard Linklater Running time : 70 minutes Production countries : France/Portugal/United States Year of production : 2013 Spoken language : English Shooting format : 4K REDCODE RAW Aspect ratio : 1.85 :1 Sound : Dolby 5.1 Projection formats : 35mm/DCP/HDCam Production/Festivals Gladys Glover Films, Paris Sonia Buchman, [email protected], +33 6 18 44 58 81 Nicolas R. de la Mothe, [email protected], +33 6 74 72 95 05 Contacts in Venice Gabe Klinger : +1 312 480 1966 / [email protected] Nicolas R. de la Mothe : +33 6 74 72 95 05 / [email protected] Eugenio Renzi : +33 6 61 30 39 71 / [email protected] World Sales Cinetic Rights Management / FilmBuff (filmbuff.com) Steve Beckman, [email protected] / +1 212 463 6403 555 W 25th St | 4th Floor | New York, NY 10001 Press Viviana Andriani, [email protected] Aurélie Dard, [email protected] 2 rue Turgot 75009 Paris – France Tel. in Venice : +39 348 331 6681 (VA), +39 340 694 6540 (AD) Download Presskit and stills : www.rv-press.com 4 Short synopsis : A documentary portrait of the friendship between the renowned film- makers James Benning and Richard Linklater that combines filmed con- versations and extensive archival material to explore connections and divergences in their respective approaches to life and cinema. Long synopsis : In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experi- mental films to a budding community of cinephiles.
    [Show full text]
  • Before Midnight
    Mongrel Media Presents Before Midnight A film by Richard Linklater (108 min., USA, 2012) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html BEFORE MIDNIGHT Synopsis An American father, JESSE, (Ethan Hawke) is seeing off his son HANK (Seamus Davey-Fitzpatrick) at the Kalamata Airport in Greece. Hank’s returning to his mother and life in the U.S. after spending the “best summer ever” with Jesse and his family. The middle-schooler is more composed than his fortyish father, who hovers anxiously as their separation draws near. Geography weighs heavily on Jesse. Outside the airport, he rejoins his family: CELINE (Julie Delpy) and their young twin daughters ELLA and NINA (Jennifer and Charlotte Prior). As they drive through the austerely beautiful rocky hillsides of Messinia, Jesse and Celine talk—about living so far from Hank, about her career as an environmentalist and hopes for a new job, about the swirl of ancient and modern Greece around them. Jesse hints at wanting to move back to America from their home in Paris, but Celine has done her U.S. time—they lived in New York for a spell—and has no wish to return. Their long history together bubbles between them. Jesse’s a successful novelist, and they’re in Greece at a writer’s retreat, staying in the bucolic country villa of an older expat writer, PATRICK (Walter Lassally).
    [Show full text]
  • 1 a TRILOGY of MELANCHOLY on the Bittersweet in Before Sunrise
    A TRILOGY OF MELANCHOLY On the bittersweet in Before Sunrise, Before Sunset and Before Midnight Hans Maes NB: This paper will appear in Philosophers on Film: Before Sunrise, Before Sunset, Before Midnight, eds. H.Maes & K. Schaubroeck, Routledge, 2021. This is a draft version. I am currently revising the paper and would welcome any suggestions for improvement. Melancholy is a central expressive property of the Before films and key to understanding and appreciating the trilogy as a whole. That, in a nutshell, is the thesis I wish to develop in this paper. Melancholy is understood here as the profound and bittersweet emotional experience that occurs when we vividly grasp a harsh truth about human existence in such a way that we come to appreciate certain aspects of life more deeply. The various encounters between Celine and Jesse, I will argue, are littered with such moments of melancholy. These moments are partly prompted by the circumstances in which they find themselves, but both of them also actively seek out this experience by the stories they tell and the reflections they engage in. That seems part of who they are as individuals and it may even be part of what attracts them to each other. Melancholy, furthermore, is not just present in the characters’ dialogue and in their facial and bodily expressions, but is also expressed through various cinematic means. And, as I will suggest in the final section, the films may resonate deeply with some viewers because they are so expressive of melancholy. Melancholy In the course of history the term ‘melancholy’ has been used in a variety of ways to refer to a particular character trait, a mood, various sorts of psychological pathologies, and even a form of cultural decline (Bowring 2016).
    [Show full text]
  • Minneapolisstpaulfilmfest11.Pdf
    Color-ReviseBleedsMapCover.indd 3 4/10/11 3:47 PM For the past six years, the Tom Grady Fund has provided major funding for The Minneapolis-St. Paul International Film Festival. We would like to extend our thanks to Tim Grady and to the Tom Grady Fund for their generous support. January 23, 1949 - October 25, 2004 COVERS-2011.indd 4 4/9/11 4:27 AM © 2011 Summit Brewing Co., St. Paul, MN. All rights reserved. Co., St. Paul, MN. All Brewing Summit 2011 Shouldn’t indie films be discussed over an indie beer? Get to the bottom of it. Celebrating 25 years of independent thinkers. And drinkers. Summit. A more meaningful brew. Proud sponsor of the Minneapolis-St. Paul International Film Festival. Visit us at summitbrewing.com. FRONT-2011-color.indd 3 4/9/11 4:21 AM 4 Color-ReviseBleedsMapCover.indd 4 4/10/11 3:46 PM 5 Color-ReviseBleedsMapCover.indd 5 4/10/11 3:47 PM FILM SCHEDULE KEY Special Competition: Competition: Competition: Competition: Minnesota World American Late Childish Documentary Presentation Narrative Documentary Emerging Short Made Cinema Independents Night Films THURSDAY 4/14 -- OPENING NIGHT Page One: Inside The New York Times Trollhunter w/ Score: A Hockey Musical Dir Andrew Rossi & David Carr Present The Last Norwegian Troll Actor Noah Reid Present 7:30 88 min 8:00 103 min 7:45 92 min St. Anthony 1 St. Anthony 2 St. Anthony 3 St. Anthony 4 St. Anthony 5 FRONT-2011-color.indd 6 4/9/11 4:22 AM KEY Special Competition: Competition: Competition: Competition: Minnesota World American Late Childish Documentary Presentation Narrative Documentary Emerging Short Made Cinema Independents Night Films St.
    [Show full text]
  • Ghost-Righting: the Spectral Ethics and Haunted Spouses of Richard Linklater's Before Trilogy
    Ghost-Righting: The Spectral Ethics and Haunted Spouses of Richard Linklater's Before Trilogy Lilia Kilburn Criticism, Volume 60, Number 1, 2018, pp. 1-25 (Article) Published by Wayne State University Press For additional information about this article https://muse.jhu.edu/article/715827 Access provided at 20 Aug 2019 17:24 GMT from Harvard University GHOST-RIGHTING: THE SPECTRAL ETHICS AND HAUNTED SPOUSES OF RICHARD LINKLATER’S BEFORE TRILOGY Lilia Kilburn I. Death, Love’s Amber “All plots tend to move deathward,” wrote Don DeLillo.1 Others have sliced his statement more thinly, noting that this narrative death drive quickens in love stories, where death is often “what passion has yearned after from the beginning.”2 Across the Western canon’s fossil record, death is love’s amber, a preservative that, like its chemical contempo- raries, suspends in time that which tends to degrade in life. In film, like the camera itself, a deceased or distant lover is “freed from the contingen- cies of space and time but then discreetly confin[es] [her]self to codified patterns.”3 If lovers do not die, it is enough for the narrative to prove that they would die should they remain together—a collusion between threat and memory that begets famous romances collapsed into memorializing mantras: “We’ll always have Paris.” This paper is concerned with the disruption of established pattern- ing of love and death—disruption executed by the figure of the ghost. Modeling this disruption is a tripartite love story, Richard Linklater’s Before trilogy—1995’s Before Sunrise, 2004’s Before Sunset, and 2012’s Before Midnight—that invites ghosts in.
    [Show full text]
  • Before Sunrise - Clip 2 - 1995 US C.5 Min
    Before Sunrise - Clip 2 - 1995 US c.5 min. 01:08 - 01:13 Ethan Hawke, Julie Delpy 39 - Clip 2: a conversation on the phone - YouTube IMDb Prima dell'alba • grammar points: be supposed to, present perfect simple, present perfect continuous, is/was going to, be able to, must, could, yet, can, will • phrasal verbs: pick up, get off, passing through, go back, fall for, look away, go on, get, be up • idioms: gonna, wanna, make it, couldn't help it, kind of, scared to death, mean, crazy about you, your turn, dude, cool, suck, you know, long overdue meltdown, right away, how they say, by the way, on purpose, act ........................................................................................................................................... CELINE: Now I'm gonna call my best friend in Paris who I'm supposed to have lunch with in eight hours. ok? JESSIE: ok CELINE: Dring dring...Pick up. JESSIE: What? CELINE: Pick up the phone. JESSIE: Oh, hello? CELINE: Allo? Vanni, c'est Celine, comment ça va? JESSIE: ça va bien, et toi? CELINE: ...(continues in french...) JESSIE: I've been working on my English recently. You wanna talk in English, just for laughs? CELINE: Yeah, okay. That's a good idea. Um, I don't think I'm going to be able to make it for lunch today, I'm sorry. I met a guy on the train, and I got off with him in Vienna; we're still there. JESSIE: Are you crazy? CELINE: Probably. JESSIE: He's Austrian? He's from there? CELINE: No, No. He's passing through here too. He's American.
    [Show full text]
  • Before Midnight (2013) “Still There… Still There… Still There… Gone.” Major Credits: Director: Richard Linklater Scree
    Before Midnight (2013) “Still there… still there… still there… Gone.” Major Credits: Director: Richard Linklater Screenplay: Richard Linklater, Julie Delpy, Ethan Hawke Cast: Julie Delpy (Céline), Ethan Hawke (Jesse), Walter Lassally (Patrick), Panos Karonis (Stefanos), Athina Rachel Tsangari (Ariadni), Seamus Davey-Fitzpatrick (Hank) Cinematography: Christos Voudouris Production Background: Before Midnight is the third film that follows the romantic relationship between Jesse and Céline, whom Jesse first meets on a train to Vienna in Before Sunrise (1995) and then again in Paris ten years later in Before Sunset (2004). In the first movie, at 23, they fall in love but must part; in the second, at 32, they rekindle their romance. Now they are a couple at the end of a six week summer vacation in Greece. As in the earlier films, Linklater is interested in the passage of time—both the nearly real time (approximately twelve hours) in which they interact and the near decade during which their lives have changed—as well as the quality of their conversation. In its attentiveness to virtually uninterrupted dialogue, the trilogy follows the tradition of the French New Wave director Eric Rohmer’s “Six Moral Tales.” In its compression of time in addition to its sustained conversation, Linklater also has been influenced by the film of another New Wave auteur, Louis Malle, and his great film My Dinner with André (1981). Finally, in its interest in how people change over decades, Before Midnight might be considered a fictional counterpart to Michael Apted’s Up documentary series, currently almost forty years in the making.
    [Show full text]
  • Media 10: Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Fall 2016 READ THIS DOCUMENT CAREFULLY! Welcome to the Fall Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]