Print Catalog Landscape, FINAL with COVER.Indd
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Zen Brush Painting
Brenda Heim Zen Brush Painting also called “no-mind” painting, is an ancient art form that was practiced daily by 16th Century Zen Monks of Japan and continues to present day, as an aid to meditation and calligraphic studies. ...a state of “no-mind”, a state beyond thought, emotions, and expectations. Stephen Addiss/The Art of Zen • Enter Brenda Heim • Central Florida Atelier: 352-357-4838 • Cell: 321-274-2275 • [email protected] • [email protected] Zen Brush Painting Brenda Heim ARTIST STATEMENT • BIO • METHOD AND PHILOSOphY • 2006 • 2005 • 2004 • 1995-2000 ARTIST STATEMENT My personal style of Zen Brush Painting is a combination of spontaneous, oversized gestural brush movements and tapping into the source of all my creativity; God. It’s like painting blindfolded, in a state of spiritual reverie independent of thought or analysis. I step out of the way of manipulating the outcome or movements of the brush and the paintings come alive and dance their own dance. It is at this moment that images appear in my paintings. Stepping aside intellectually clears a path for God to channel creativity and insight through me onto the canvas; which is the entire foundation of my life and my work. High polymer acrylics are hand mixed on the pole barn studio floor, for most canvases exceed eight feet in length. Then oversized brushes, Sumi and/or large brush tools are selected as a vehicle between the canvas, God and myself. The ‘laying on’ process of color upon color (acrylic, enamel and/or Sumi Ink) is applied with child like abandon in a watercolor wash method, building backgrounds in preparation for the final brush movement. -
A Publication of the Orlando Museum of Art Fy 2014-2015 Annual Report for the Fiscal Year July 1, 2014, Through June 30, 2015
ANNUAL REPORT A PUBLICATION OF THE ORLANDO MUSEUM OF ART FY 2014-2015 ANNUAL REPORT FOR THE FISCAL YEAR JULY 1, 2014, THROUGH JUNE 30, 2015 2 MISSION The mission of the Orlando Museum of Art is to inspire creativity, passion and intellectual curiosity by connecting people with art and new ideas. VISION The Orlando Museum of Art is to be a creative change agent for education and the center for artistic engagement, as well as a place for civic, cultural and economic development. PURPOSE The purpose of the Orlando Museum of Art is to interpret and present the most compelling art for the public to experience, and to positively affect people’s lives with innovative and inspiring education programs that will endure as a cultural legacy in Central Florida. ANNUAL REPORT l 2014-2015 3 4 TABLE OF CONTENTS S ANNUAL REPORT 2014-2015 3 Board of Trustees 6 Acquisitions, Loans & Deaccessions 9 Exhibitions and & Installations 14 Education & Public Programs 18 Volunteers 22 Fundraisers 26 Membership 27 Support 30 Publications 42 Retail 43 Audience Development & Special Events 45 Museum Staff 53 ANNUAL REPORT l 2014-2015 5 BOARD OF TRUSTEES 2014-2015 BOARD 2014-2015 TRUSTEES BUILDING/FACILITIES EX-OFFICIO TRUSTEES OFFICERS & EXECUTIVE Ted R. Brown, Esq. COMMITTEE President, Acquisition Trust COMMITTEE Christina E. Buntin Ben W. Subin, Esq., Chair Francine Newberg Tony L. Massey Celeste Byers Richard Kessler Chairman Patrick T. Christiansen, Esq. Richard E. Morrison President, Friends of Bruce Douglas P. Michael Reininger American Art Ted R. Brown, Esq. Robert B. Feldman, M.D. R. J. Santomassino William Forness, Jr., CPA Immediate Past Carolyn M. -
Take a Look at the 2017 Program
THE 14TH ANNUAL GALA TO BENEFIT THE MENNELLO MUSEUM OF AMERICAN ART MARCH 4 • FOUR SEASONS RESORT, ORLANDO AT WALT DISNEY WORLD RESORT THE HONORABLE MARILYN LOGSDON MENNELLO As many of you know, Marilyn had a real passion for helping many Central Florida institutions grow and flourish. This passion has always been the integral part of The Mennello Museum of American Art. With the creation of An Evening with Fabulous Friends in 2003, she made sure that the Museum was providing the vehicle to allow for wide community support that would help to ensure the future success of the Museum. Tonight we are the recipients of this wonderful vision and passion that was so much a part of Marilyn – she would be very happy. I would like to personally thank each of you for being here and for making sure that Marilynʼs dream continues to thrive. —Michael A. Mennello OFFICE OF MAYOR BUDDY DYER Good evening, I am pleased to welcome you to An Evening with Fabulous Friends, the 14th annual gala to benefit The Mennello Museum of American Art - one of Orlando’s most beautiful cultural assets. I am humbled to be honored and pleased to join so many of my friends here at the Four Seasons Resort Orlando at Walt Disney World. This annual event raises critical funds to benefit the Friends of The Mennello Museum in their support of exhibitions, education and all mission-driven programming. I know the the Friends and ArtsEvents Council have a tremendous evening planned for you. I encourage you to visit The Mennello Museum throughout the year. -
Jack Shainman Gallery
Nick Cave: Selected Biography Page 1 513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 JACK SHAINMAN GALLERY NICK CAVE Born in 1959, Missouri Lives and works in Chicago EDUCATION 1989 MFA, Cranbrook Academy of Art, Bloomfield Hills, Michigan 1984 – 1986 Graduate Studies, North Texas State University, Denton, Texas 1982 BFA, Kansas City Art Institute, Kansas City, Missouri SELECTED ONE-ARTIST EXHIBITIONS 2021 Meet Me at the Center of the Earth, Seattle Art Museum, Washington, Seattle, March 10 – June 5, 2021. 2019 Augment by Nick Cave, Cyclorama, Boston, Massachusetts, August 9 – September 13, 2019. Nick Cave, Springfield Art Museum, Springfield, Missouri, April 6 – July 28, 2019. Nick Cave: DIALOGUE, Harvard Business School, Boston, Massachusetts, June 12 – July 31, 2019. 2018 – 2020 Nick Cave: The Let Go, Park Avenue Armory, New York, New York, June 7 – July 1, 2018. Travels to: Navy Pier, Expo Chicago, Chicago, Illinois, Spring 2020. 2018 Nick Cave: Selected Biography Page 2 Nick Cave: Midnight Moment, Times Square, New York, New York, December 1 – December 31, 2018. If A Tree Falls, Jack Shainman Gallery, New York, New York, November 1 – December 22, 2018. Nick Cave: Weather or Not, Jack Shainman Gallery, New York, New York, May 17 – June 23, 2018. 2017 – 2018 Nick Cave: Rescue, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, December 22, 2017 – May 13, 2018. 2017 – 2020 Nick Cave: Feat, The Frist Center for the Visual Arts, Nashville, Tennessee, November 10, 2017 – June 24, 2018. Traveled to: Orlando Museum of Art, Orlando, Florida, September 14 – December 30, 2018; Akron Art Museum, Akron, Ohio, February 23 – June 2, 2019; Glenbow Museum, Calgary, Alberta, Canada, June 29 – September 22, 2019; Mississippi Museum of Art, Jackson, Mississippi, October 26, 2019 – February 16, 2020. -
Assessing the Impacts of Sunrail Stations on Property Values and Development
Chapter 1: Assessing the Impacts of SunRail Stations on Property Values and Development December 3, 2018 Report prepared for: Florida Department of Transportation, Freight Logistics and Passenger Operations, Transit Office Assessing the Impacts of SunRail Stations on Property Values and Development Deliverable 1.4: Final Phase 1 Update White Paper BDV30 TWO 943-34 December 4, 2018 FDOT Project Manager: Prepared by: Gabrielle Matthews, Dr. Michael Duncan Transit Planning Administrator Dr. Mark Horner Florida Department of Transportation Dennis Smith 605 Suwannee Street, MS 26 Dr. Tim Chapin Tallahassee, FL 32399 Jeremy Crute (850) 414-4803 Jacob Pierce [email protected] Nusrat Sharmin Kaleb McClellan i Executive Summary In 2015, a team of faculty and students from Florida State University (the FSU Research Team) conducted a study to benchmark and quantify the property value changes and development-related tax revenues associated with the new SunRail commuter rail system in the Orlando Metropolitan Area.1 The FSU Research Team used a paired case study approach to analyze property value and tax revenue changes at the parcel level for 1) areas around the twelve Phase 1 SunRail stations and 2) control areas with similar characteristics near the station areas but with no rail stations. The quantification of these development-related revenue streams can be a useful input into fiscal analyses of transit investments and may demonstrate that these systems offer a greater return on investment than traditional cost recovery measures might suggest. The 2015 study found that SunRail investments have catalyzed new development around stations and yielded measurable economic benefits in the form of property tax increases from new transit-oriented developments (TOD). -
A Presentation To: the City of Orlando System Map
A Presentation To: The City of Orlando system map • Phase I – DeBary to Sand Lake Road PHASE 2 By 2014 •Phase II North – NORTH DeBary to Deland; Phase II South: Sand Lake Road to Poinciana By 2016 PHASE 1 •30-minute peak service in each direction from: 5:30 a.m. – 8:30 a.m. 3:30 p.m. – 6:30 p.m . PHASE 2 • 2-hour off-peak SOUTH service in each direction Amenities • Restroom facilities on all trains • Wireless Internet connectivity • Luggage and bicycle accommodations • Double-decker trains • Environmentally friendly Project Update Phase I FFGA signed July 18, 2011 at Florida Hospital ceremonies FDOT purchased the corridor Nov. 3, 2011 from CSXT • Now responsible for all maintenance and operations Project Update Groundbreaking Ceremonies held January 27, 2012 • Construction activities now underway • Altamonte Springs, Sanford and DeBary stations Project Update SunRail Phase I Contracts • All construction contracts have been advertised • Operations and Maintenance Contract is out for industry review DBE Participation • FTA Goal 8.14% • DBM – 6.36% - $10.4 million • CEI – 15% - $1.6 million • Stations 1 – 8.23% - $2.4 million • Public Involvement – 95% - $0.73 million • Program Management – 12% - $0.5 million • Phase II Design – 13.2% - $0.7 million Project Update DBM Activities • Operating and maintaining CFRC • Finishing design of track and signal work • Clearing and grubbing corridor south of DeBary station; platform clearing complete in DeBary, Altamonte Springs, Sanford • Building sub-grade and sub-ballast in Segment 1 • Track construction -
Season Preview 2017-18 Ollaboration
Dance Film & Literature History Music Science & Nature Special Events Theater Visual Arts Central Florida’s Cultural Calendar Season Preview 2017-18 ollaboration. Creativity. Diversity. The three pillars of this season combine to provide innovative offerings that celebrate our community and shed new light on traditional favorites. The arts create spaces that are accessible to all. New partnerships create unique perspectives that encourage the viewer to Clook through a different lens. There are anniversaries and milestones to celebrate and season galas to attend. The preview of the 2017-18 season’s cultural offerings found on the following pages illuminate the versatility of our cultural organizations. They have a penchant for knowing our passions whether it be an exhibition, a ballet or a theater performance; so take a seat and enjoy the show. ORLANDO ARTS MAGAZINE SEPTEMBER/OCTOBER 2016 39 P. 39-69 Season Preview 2017.indd 39 8/10/17 5:23 PM Dance Swan Lake Oct. 27-29 Dr. Phillips Center for the Performing Arts orlandoballet.org Orlando Ballet opens its 2017-18 season at the Dr. Phillips Center for the Performing Arts with Swan Lake, Oct. 27-29. Set to the powerful Tchaikovsky score, this performance features live accompaniment by the Orlando Philharmonic Orchestra. The classical ballet, which celebrates its 140th anniversary this year, is based on the folk tale of a young princess transformed into a swan by a vengeful sorcerer and the prince who falls in love with her. Uncorked Oct. 3 – The Abbey Nov. 3 – Garden Theatre To augment the experience of the main-stage production of Swan Lake, Orlando Ballet is offering two Uncorked performances, which will give patrons an opportunity to CAIRNSMICHAEL learn about the ballet. -
One Person Exhibitions Group Exhibitions
ONE PERSON EXHIBITIONS 2007 Barbara Sorensen, Sardella Fine Art; Aspen, Colorado Barbara Sorensen, Southern Hemispheres, Millenia Gallery; Orlando, Florida Barbara Sorensen, Art in Chambers, Winter Park City Hall; Winter Park, Florida 2004 Barbara Sorensen, Duval-Smart Gallery; Aspen, Colorado Barbara Sorensen, City of Orlando Public Art, Leu Gardens; Orlando, Florida 2003 Barbara Sorensen, Duncan Gallery, Sampson Hall, Stetson University; DeLand, Florida Barbara Sorensen, Monumental Ceramics, Gulf Coast Museum of Art; Largo, Florida 2002 Barbara Sorensen, Monolithic Fragments, Florida Craftsmen Gallery; St. Petersburg, Florida Barbara Sorensen, Cross Roads, Brevard Museum of Art & Science; Melbourne, Florida 2000 Invited Artist: Barbara Sorensen, San Angelo Museum of Fine Arts; San Angelo, Texas 1999 Barbara Sorensen, Sculpture as Environment, Cornell Fine Arts Museum, Rollins College; Winter Park, Florida 1998 Barbara Sorensen, Florida State Capitol Gallery; Tallahassee, Florida Allegories of Earth and Spirit: Barbara Sorensen, Harris House, Atlantic Center for the Arts; New Smyrna Beach, Florida 1997 Barbara Sorensen, Orlando City Hall; Orlando, Florida 1994 Purses, Princesses and Pandoras, Albertson-Peterson Gallery; Winter Park, Florida Purses, Pitkin County Bank; Aspen, Colorado 1993 Barbara Sorensen Recent Works, Duncan Gallery, Sampson Hall, Stetson University; DeLand, Florida GROUP EXHIBITIONS 2007 The Maquette: Idea and Process, Alice and William Jenkins Gallery, Crealde School of Art; Winter Park, Florida Palm Beach3, Palm -
Sunrail Phase 2 Property Value Analysis
Assessing the Impacts of SunRail Stations on Property Values and Development Phase 2 Property Value Analysis February, 2020 Assessing the Impacts of SunRail Stations on Property Values and Development Phase 2 Property Value Analysis BDV30 TWO 943-34 February 2020 Prepared for: Prepared by: Dr. Michael Duncan Transit Office Dr. Mark Horner Florida Department of Transportation Dennis Smith 605 Suwannee Street, MS 26 Dr. Tim Chapin Tallahassee, FL 32399 Nusrat Sharmin www.fdot.gov/transit Carolyn Back Jeremy Crute i Executive Summary In 2015, a team of faculty and students from Florida State University (the FSU Research Team) conducted a study to benchmark and quantify the property value changes and development-related tax revenues associated with the new SunRail commuter rail system in the Orlando Metropolitan Area.1 The FSU Research Team used a paired case study approach to analyze property value and tax revenue changes at the parcel level for 1) areas around the twelve Phase 1 SunRail stations and 2) control areas with similar characteristics near the station areas but with no rail stations. The quantification of these development-related revenue streams can be a useful input into fiscal analyses of transit investments and may demonstrate that these systems offer a greater return on investment than traditional cost recovery measures might suggest. The 2015 study found that SunRail investments have catalyzed new development around stations and yielded measurable economic benefits in the form of property tax increases from new transit-oriented developments (TOD). However, the development around stations was highly variable across the system, with some stations having experienced modest to substantial new development while others experienced no development of note. -
City of Orlando
ORLANDO... NEW WORLD CITY CITY FACTS Orlando is an international, vibrant City with a creative, diverse and balanced economy that provides a high quality of life for our citizens, businesses and visitors. -Mayor Buddy Dyer Orlando is... an internationally known, creative, vibrant City Orlando – one of the world’s fastest-growing cities – is known as the center of a dynamic metropolitan area of more than two million people and is a hub for digital media and bio medicine. Orlando has the 13th-busiest airport in the U.S. with flight connections all over the world. Nearly one in every five adult Orlando resident was born outside the continental U.S. Orlando has something for everyone, visitors and residents. Downtown Orlando is alive with entertainment, restaurants, recreation and vibrant nightlife. It has beautiful historic districts, a Downtown Arts District and Lake Eola Park and fountain. Orlando is warm and sunny. It’s perfect for outdoor activities, such as biking, boating, swimming, fishing, kayaking and hiking. Beaches are less than a one hour drive away. Orlando offers a winning combination of economic, cultural and educational opportunities. EDUCATION: Fast Facts Barry University Citylab-Orlando, a program of the LOCATION: University of Florida’s School of Architecture DeVry University City is 111.2 square miles and covers Florida A&M University College of Law a total of 71,140 acres. With its Florida Hospital College of Health Sciences central location in the region and the Florida Interactive Entertainment Academy state, Orlando is easily accessible Florida State University Medical School from Interstate 4, the Florida Turnpike, Full Sail Real World Education the East/West Expressway and the Orlando Tech Beachline. -
Forward to 100
REIMAGINING THE ORLANDO MUSEUM OF ART IN THE 21 ST CENTURY FORWARD TO 100 RE-IMAGINING THE ORLANDO MUSEUM OF ART IN THE 21ST CENTURY STRATEGIC PLANNING COMMITTEE Ted R. Brown, Chairman Glen Gentele, Director and CEO Patrick T. Christiansen Robert B. Feldman A. William Forness Rena Langley Amelia McLeod Carolyn Martin Francine Newberg Sibille Pritchard R.J. Santomassino T. Picton Warlow TABLE OF CONTENTS I. Introduction VII. Mission/Vision/Values/Purpose and Beliefs II. Foreward VIII. The Orlando Museum of Art in the 21st Century • The Art III. The Beginning: A Brief History of the Orlando Museum of Art • Location • Reputation IV. The Orlando Museum of Art: Where We Are Today • Lack of Buzz • Size “We believe the arts teach us about ourselves, V. How Do We Compare? • More Diverse Audiences • Attendance • Budget and Endowment IX. The Opportunity in the Future transcend the boundaries of communities and open • Exhibits • Great Art Well Marketed • Collections/Curatorial Management • Embrace a Creative Vision and Re-Imagine the OMA us to innovative ideas, beauty and inspiration.” • Education in the 21st Century • Physical Facility/The Container • Ten Goals to Move “Forward to 100” VI. Process and Procedure X. The Big Idea: The Museum as a Place Appendix • Board of Directors • Staff • Participants • Credits FORWARD TO 100: ORLANDO MUSEUM OF ART FORWARD TO 100: ORLANDO MUSEUM OF ART I. INTRODUCTION In 2013 the Orlando Museum of Art was approaching its 90th Anniver- During this time, Ted R. Brown, Immediate Past Chairman of the Board I want to thank the Orlando Museum of Art Board of Trustees for its sary and it was clear to me that we needed to re-examine where we were of Trustees and the Chairman of the Strategic Plan Committee, coined support of this project and, in particular, Ted R.