Out of the Cage by Alex Mcsweeney
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Dan Poole Photo: Helen Murray
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Dan Poole Photo: Helen Murray Completed filming in Mike Leigh's 'Peterloo' Summer 2017 RAINDANCE TOP TEN Actors to look out for. Other: Equity Greater London, England, United Location: Eye Colour: Blue Kingdom Hair Colour: Blond(e) Height: 6'6" (198cm) Hair Length: Bald Weight: 17st. (108kg) Facial Hair: Beard Playing Age: 35 - 40 years Voice Character: Assured Appearance: White Voice Quality: Warm Film Film, CPT William J. Ford 15th Hussars- Mounted Cavalry, PETERLOO, Thin Man Films, Mike Leigh Film, Hells Angel, MOONWALKERS, Partizan, Antoine Bardou-Jacquet Film, Johnny Killigrew, THE LONELIEST TIME, TBP, Cort Kristensen Film, Iago, MUSE OF FIRE, LION TV, Giles Terera et al Film, Sam, ONE DAY SOME YEARS AGO, Timebomb Pictures, Mark Street Film, Paramedic, CHRONIC, Great Guns, Giles Greenwood Film, Gregor, UNARMED BUT DANGEROUS, KFF LTD, Xavier Leret Film, Captor, CAPTIVE, Non-Multiplex Films, Gus Alvarez Film, Mr Dudgeon, TRAGEDY OF ALBERT, Unreal City Productions, Matthew Green Film, Narrow Rioter, BATMAN BEGINS TIG, Warner Brothers, Chris Nolan Film, Eddie, A KIND OF HUSH, First Film Company, Brian Sterner Film, Interviewer, HI. I'M DAVID, Timebomb Pictures Film, BANG, BANG BANG BANG, The Listeners, Ben Lambert Film, HIM, SUGAR SNAP, RGF, Ronin Guiver Film, The Man, INSOMA, Timebomb Pictures, Mark Street Film, Dan, 2ND DATE, John Fitzpatrick Film, Dan, DOG, John Fitzpatrick Film, Affalay, Kill Ratio, BIG MESS, Will Nixon -
Jude Akuwudike
www.hamiltonhodell.co.uk Jude Akuwudike Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company Delroy Grant (The Night MANHUNT Marc Evans ITV Studios Stalker) PLEBS Agrippa Sam Leifer Rise Films/ITV2 MOVING ON Dr Bello Jodhi May LA Productions/BBC THE FORGIVING EARTH Dr Busasa Hugo Blick BBC/Netflix CAROL AND VINNIE Ernie Dan Zeff BBC IN THE LONG RUN Uncle Akie Declan Lowney Sky KIRI Reverend Lipede Euros Lyn Hulu/Channel 4 THE A WORD Vincent Sue Tully Fifty Fathoms/BBC DEATH IN PARADISE Series 6 Tony Simon Delaney Red Planet/BBC CHEWING GUM Series 2 Alex Simon Neal Retort/E4 FRIDAY NIGHT DINNER Series 4 Custody Sergeant Martin Dennis Channel 4 FORTITUDE Series 2 & 3 Doctor Adebimpe Hettie Macdonald Tiger Aspect/Sky Atlantic LUCKY MAN Doctor Marghai Brian Kelly Carnival Films/Sky 1 UNDERCOVER Al James Hawes BBC CUCUMBER Ralph Alice Troughton Channel 4 LAW & ORDER: UK Marcus Wright Andy Goddard Kudos Productions HOLBY CITY Marvin Stewart Fraser Macdonald BBC Between Us (pty) Ltd/Precious THE NO.1 LADIES DETECTIVE AGENCY Oswald Ranta Charles Sturridge Films MOSES JONES Matthias Michael Offer BBC SILENT WITNESS Series 11 Willi Brendan Maher BBC BAD GIRLS Series 7 Leroy Julian Holmes Shed Productions for ITV THE LAST DETECTIVE Series 3 Lemford Bradshaw David Tucker Granada HOLBY CITY Derek Fletcher BBC ULTIMATE FORCE Series 2 Mr Salmon ITV SILENT WITNESS: RUNNING ON -
The Diary of a Hounslow Girl National Tour 2016 Marketing Resource Pack
THE DIARY OF A HOUNSLOW GIRL NATIONAL TOUR 2016 MARKETING RESOURCE PACK 1 Contents 1. About the Show 2. The Creative Team 3. Ambreen Razia, Actress and Writer 4. Press Quotes and Reviews 5. Target Audience & Selling Points 6. Show Copy 7. Social Media 8. Box Office Briefing 9. Press Release 10. Interview with Meliz Gozenler (Arc Theatre participant) 11. The Hounslow Girl Glossary 12. About Black Theatre Live 13. Tour Schedule Ambreen Razia Production Team Project Manager: Maeve O’Neill [email protected] Writer and Performer: Ambreen Razia [email protected] Tour Manager: Milan Govedarica [email protected] Publicity photographer - Talula Sheppard 2 The Diary of a Hounslow Girl The Diary of a Hounslow Girl is told through the eyes of a 16-year-old British Muslim Girl growing up in West London. From traditional Pakistani weddings to fights on the night bus this is a funny, bold, provocative play highlighting the challenges of being brought up as a young woman in a traditional Muslim family alongside the temptations and influences growing up in and around London. The Diary of a Hounslow Girl geared up to take on the world. A comic story of dreams, aspirations and coming of age. Background You've heard of an Essex Girl and even a Chelsea Girl but what is a Hounslow Girl? A Hounslow Girl has become a byword for young Muslim women who wear hooped earrings along with their headscarves, tussling with their traditional families while hustling their way in urban West London. Feisty young women grappling with traditional values, city life and fashion. -
Local Initiatives Fund and Islington Community Chest
Chief Executive’s Office Town Hall, Upper Street, London N1 2UD Report of: Executive Member for Community Development Meeting of: Date Agenda item Ward(s) Voluntary and Community Sector 13 March 2018 All Committee Delete as appropriate Non-exempt SUBJECT: Community Festivals Fund 2018 1. Synopsis 1.1 The Community Festivals Fund (CFF) aims to support organisations based in Islington to deliver high quality, innovative, community focused festivals that are accessible to, and provide benefit for, residents across the borough and promote cultural benefit, stronger communities and partnership working. 1.2 The annual CFF budget is £16,000. Under the CFF eligibility and selection criteria (adopted in January 2015) Islington based organisations can apply for a minimum grant of £1,500 and up to a maximum of £4,000 to deliver community festivals and events that provide borough-wide benefit and will deliver against the council’s equalities, place-shaping and community development agenda. 2. Recommendations 2.1 To award grants from the £16,000 Community Festival Fund to eight applicants for the following community festivals: All Change (on behalf of World2018 Festival) - Word2018 - 1-30 June 2018 ArchWay With Words - ArchWay With Words Opening Day Event - Saturday 29 Sep 2018 Canal & River Trust (on behalf of Angel Canal Festival) - Angel Canal Festival - Sunday 2 Sep 2018 City YMCA (on behalf of Whitecross Street Party) - Whitecross Street Party – 14-15 July 2018 I Will Tell International Film Festival - I Will Tell Film Festival - Islington Life Schools Competition - 20 August – 09 September 2018 Islington Chinese Association – Mid-Autumn Impressions – 21-25 Sep 20182 Islington Play Association (on behalf of Cally Fest) - The Cally Festival - Sunday 17 June 2018 Poet in the City - Poetry & Lyrics - Friday 8 June – Saturday 9 June 2018 Page 1 of 12 3. -
A SUBJECT of SCANDAL and CONCERN by John Osborne
Press Information VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Summer Season – May to August 2016 The London Premiere A SUBJECT OF SCANDAL AND CONCERN by John Osborne. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Simon Gethin Thomas. Music by Piers Sherwood Roberts. Choreography by Ste Clough. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Ralph Birtwell. Doron Davidson. Edmund Digby-Jones. Caroline Moroney. Jamie Muscato. Richard Shanks. “I have injured no man’s reputation, taken no man’s property, attacked no man’s person, violated no oath, taught no immorality. I was asked a question and answered it openly.” In a production commissioned by the Finborough Theatre, the London premiere – and the first production in over 40 years – of John Osborne's A Subject Of Scandal And Concern will run at the Finborough Theatre, playing nine Sunday and Monday evenings and Tuesday matinees from Sunday, 22 May 2016 (Press Night: Monday, 23 M ay 2016 at 7.30pm) Cheltenham, 1842. George Jacob Holyoake is a poor young teacher, making his way from Birmingham to Bristol to visit a friend who has been imprisoned for publishing a journal that criticises the establishment. When he makes a stop in Cheltenham to address a lecture, his words and his overwhelming commitment to speaking the truth will change his life forever. Arrested and tried for blasphemy, and separated from his starving wife and child, Holyoake is faced with the choice of conforming to the establishment or staying true to his beliefs during in a time of injustice and intolerance. -
Tweetfest Programme 2018
TweetFest Film Festival 2018 Programme of shorts About TweetFest TweetFest Film Festival champions British and international talent by hosting a three day event - including our first ever F-Rated Shorts night, along with Q&A’s with the filmmakers, the gala awards, and networking and drinks. Our remit continues to be to showcase great British filmmakers work and offer them access to huge industry professionals judging and seeing their work, where they otherwise wouldn't have had access. Our festival is more than just a viewing platform for the filmmakers. It opens doors for their future filmmaking endeavours. Our organisation, the UK Actors Tweetup is the only one of it's kind in the UK, holding monthly events with incredible speakers sharing their insights with our audience. And after four successful years, the team decided it was time to launch TweetFest, now in its forth year, to provide another platform for British (and international) talent to showcase their work professionally. And you know we all love films and a party! Welcome to TweetFest! Thank you for being part of our festival! Angela Peters, Festival Director & co-founder of TweetFest About Our sponsors None of this is possible without the incredible support of our sponsors and partners. We would like to thank… Casting Networks Casting Networks is the leading provider of casting and audition management software to the casting industry. Casting directors and agents worldwide use Casting Networks to source and manage talent across film, television, digital and commercials projects facilitating over a million auditions per year. Thieves Kitchen Thieves Kitchen is a multi-award-winning moving image production agency. -
TEXAS KILLING FIELDS Starring
ANCHOR BAY FILMS Presents In a BLUE LIGHT BLOCK/HANSON WATLEY ENTERTAINMENT Production In association with INFINITY MEDIA TEXAS KILLING FIELDS Starring: SAM WORTHINGTON JEFFREY DEAN MORGAN JESSICA CHASTAIN CHLOЁ GRACE MORETZ JASON CLARKE ANNABETH GISH SHERRYL LEE And STEPHEN GRAHAM PRESS NOTES Runtime is 105 minutes. Rated R for violence and language including some sexual references. FIELD NEW YORK LOS ANGELES LOS ANGELES ONLINE Sumyi Khong Betsy Rudnick Chris Libby Chris Regan Mac McLean Anchor Bay Films Falco Ink Ginsberg/Libby Ginsberg/Libby Click Communications 9242 Beverly Blvd 850 Seventh Avenue 6255 Sunset Blvd 6255 Sunset Blvd 13029-A Victory Blvd., #509 Beverly Hills, CA 90210 New York, NY 10019 Los Angeles, CA 90028 Los Angeles, CA 90028 North Hollywood, CA 91606 P: 424.204.4164 P: 212.445.7100 P: 323.645.6812 P: 323.645.6814 P: 818.392.8863 [email protected] [email protected] [email protected] [email protected] mac@clickcommunications TEXAS KILLING FIELDS Synopsis Inspired by true events, this tense and haunting thriller follows Detective Souder (Sam Worthington), a homicide detective in a small Texan town, and his partner, transplanted New York City cop Detective Heigh (Jeffrey Dean Morgan) as they track a sadistic serial killer dumping his victims’ mutilated bodies in a nearby marsh locals call “The Killing Fields.” Though the swampland crime scenes are outside their jurisdiction, Detective Heigh is unable to turn his back on solving the gruesome murders. Despite his partner’s warnings, he sets out to investigate the crimes. Before long, the killer changes the game and begins hunting the detectives, teasing them with possible clues at the crime scenes while always remaining one step ahead. -
Contemporary Theatre Performance D/502/5359 Level 3 Unit 21
Cambridge TECHNICALS OCR LEVEL 3 CAMBRIDGE TECHNICAL CERTIFICATE/DIPLOMA IN PERFORMING ARTS CONTEMPORARY THEATRE PERFORMANCE D/502/5359 LEVEL 3 UNIT 21 GUIDED LEARNING HOURS: 60 UNIT CREDIT VALUE: 10 CONTEMPORARY THEATRE PERFORMANCE D/502/5359 LEVEL 3 UNIT 21 AIM OF UNIT The aspiring actor needs to be able to demonstrate a practical understanding of a variety of performance genres, styles and roles. This unit offers the aspiring actor a practical insight into contemporary performance. Through a systematic approach including, research, textual analysis, experimentation, rehearsal and performance, this unit will encourage the aspiring actor to develop an understanding of several contrasting contemporary texts and their performance possibilities and practical realisation. For the purposes of the Unit, the term ‘Contemporary’, refers to any play written since 1935. www.ocr.org.uk 2 Contemporary Theatre Performance Level 3 Unit 21 ASSESSMENT AND GRADING CRITERIA Learning Outcome (LO) Pass Merit Distinction The assessment criteria are To achieve a merit the To achieve a distinction the the pass requirements for evidence must show that, in evidence must show that, this unit. addition to the pass criteria, in addition to the pass and the learner is able to: merit criteria, the learner is The learner will: The learner can: able to: 1 Be able to research P1 research contemporary contemporary texts texts to provide ideas for their interpretation 2 Be able to interpret and P2 realise characters and realise contemporary meet demands of the texts texts -
Ellyn Daniels 'Emotional Terrorism'
EDINBURGH FESTIVAL FRINGE 2017 ELLYN DANIELS 'EMOTIONAL TERRORISM' Just The Big Room, Just The Tonic at The Caves, 3rd – 26th August (not 14th) at 9pm Introducing Ellyn Daniels, one of the most exhilarating American stand up comedians on the circuit, as she makes her debut at the Edinburgh Festival Fringe this August with her intoxicating new show ‘Emotional Terrorism’. ‘Emotional Terrorism’ is one woman stand-up show taking the audience on a powerful journey from Orlando to Togo, ballet to bulimia, the runways of Paris to blacking out in Hollywood mansions and sitting on the precipice of suicide to finding salvation through stand-up comedy. Daniels puts a hilarious spin on her unapologetic, soul-bearing tale of one girl’s journey from humiliation to liberation. Written and performed by Ellyn Daniel’s and directed by Desmond Devenish, ‘Emotional Terrorism’ will be performed nightly throughout the festival at 9pm at Just The Big Room at Just The Tonic at the Caves. Tickets are on sale now! Emotional Terrorism will have its US debut at the Hollywood Fringe, Los Angeles largest performing arts festival, in June this year. Information can be found here at www.hollywoodfringe.org. Having trained as a ballet dancer and danced professionally in her late teens and early twenties, Ellyn was scouted by a modeling agent in Paris at the age of 17 and has subsequently worked as a model in Paris, Milan, New York, Tokyo, Hamburg, Los Angeles, Barcelona and Madrid. When modeling took her to LA, Ellyn caught the acting and stand-up comedy bug and has been working on the international circuit in Los Angeles, New York, Spain and the UK since, drawing on many of the experiences she’s had throughout her extensive travels in her writing, acting and stand-up comedy. -
Em Williams Photo: Ruth Crafer
1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Em Williams Photo: Ruth Crafer EM is a non binary actor who uses They/Them Pronouns. Appearance: Mixed Race, Black-Caribbean Greater London, England, United Kingdom Eye Colour: Black Location: Northamptonshire, England, United Kingdom Hair Colour: Dark Brown Highland, Scotland, United Kingdom Hair Length: Short Height: 5'4" (162cm) Voice Character: Natural Playing Age: 21 - 30 years Voice Quality: Warm Stage 2020, Stage, Player A, Do You Love Me Yet?, Oxford Playhouse, Jocelyn Cox & Samuel E. Taylor 2020, Stage, Lucifer, Dante's In-Furlough, The Vaults, Sam Carrack 2020, Stage, Billy, Birds & Bees by Charlie Josephine, Theatre Centre, Rob Watt 2019, Stage, Ada/Ensemble, My Brilliant Friend, National Theatre, Melly Still 2019, Stage, Psipsina, Captain Corelli's Mandolin, Rose Theatre, Birmingham REP, Neil Laidlaw, Melly Still 2019, Stage, Vita Sackville-West, V&V, Pleasance Theatre/The Vaults - Sprezzatura Prod., Misha Pinnington 2018, Stage, Miranda, Dinosaur World Live, Regent's Park Open Air Theatre - BOS Productions, Derek Bond 2018, Stage, Eros - Puppeteer, Divine Proportions, Shotgun Carousel, Celine Lowenthal 2018, Stage, Dani, Scum by Tatty Hennessy, The Park Theatre, Joe Hufton 2017, Stage, Tweedledum, Alice's Adventures Underground, Les Enfants Terribles, James Seager & Oliver Lansley 2017, Stage, Effie, The Book of Dragons, York Theatre Royal, Juliet Forster 2017, Stage, Sowdan, Young Othello, Narrative Eye, Oliver Tunstall 2016, Stage, -
Last Chance Harvey Cover
Discussion guide developed by Heartland Truly Moving Pictures to accompany Last Chance Harvey, a Truly Moving Picture Award-winning lm. A Truly Moving Picture Award winner is a lm that unlocks the vast potential of the human spirit and enables us to view stories that display courage, integrity and hope, taking entertainment to a higher level. www.TrulyMovingPictures.org One Film Can Heartland Truly Moving Pictures, a non-prot organization, recognizes and honors lms and lmmakers whose work explores the human journey by expressing hope and respect for the positive values of life. We believe that one lm can move us to laughter, to tears, or to make a dierence. Last Chance Harvey is a movie that demonstrates that One Film Can. Synopsis Academy Award® winners Dustin Homan (Rain Man) and Emma Thompson (Sense and Sensibility) reunite in Last Chance Harvey, a heartfelt romance that celebrates new beginnings—at any age. The lm is written and directed by Joel Hopkins (Jump Tomorrow). New Yorker Harvey Shine (Dustin Homan) is on the verge of losing his dead-end job as a jingle writer. Warned by his boss (Richard Schi) that he has just one more chance to deliver, Harvey goes to London for a weekend to attend his daughter’s (Liane Balaban) wedding but promises to be back on Monday morning to make an important meeting—or else. Harvey arrives in London only to learn his daughter has chosen to have her stepfather (James Brolin) walk her down the aisle. Trying to hide his devastation, Harvey leaves the wedding before the reception in hopes of getting to the airport on time, but misses the plane anyway. -
“Devoted & Disgruntled”: Improbable's Devising, Eldership, and Open
“Devoted & Disgruntled”: Improbable’s Devising, Eldership, and Open Space Technology DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ian Bradford Ngongotaha Pugh Graduate Program in Theatre The Ohio State University 2013 Dissertation Committee: Lesley Ferris, Adviser Beth Kattelman Joy Reilly Copyright by Ian Bradford Ngongotaha Pugh 2013 Abstract Improbable, a London based, international theatre company, after having achieved over a decade of critical acclaim found themselves in an excellent position in the industry to serve the theatre community. Through what the company terms ‘eldership,’ the company has stepped back and placed more and more of their energy helping others, particularly young and emerging artists. Beginning with creating mentoring programs, and evolving into studying, training, and developing alternative leadership methods, the theatre company created a theatre conference like no other. Borrowing heavily from the Open Space Technology principles of Harrison Owen and the influence of Process Work and World Work pioneered by Arnold Mindell, Improbable created the Devoted & Disgruntled conferences. The Devoted & Disgruntled conferences have worked so well for Improbable because they mirror the ways that the company works when creating their devised performances. Like the company’s work, the Devoted & Disgruntled conferences are a collaborative endeavor. There are no invited speakers, the conference agenda is not preplanned, but is developed by those attending during the initial hour of the event in a collaborative process where all of the participants are empowered to take charge of issues and concerns they feel passionate about, opening dialogues, pooling resources and knowledge, and seeking actionable plans and solutions.