End of Year Review 2014
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Sheets to Lull To
Sheets to Lull To - Pratyaksh Gautam Lo-Fi? So, What’s Different? usic spawns countless genres, with new ones Most genres of music aim to grab your attention and Mpopping up by the dozens every few years. move you, or to make you move. Lo-fi established Among the genres to come to prominence in the last itself as a genre whose aim is to not draw too much few years, lo-fi stands out as one of the more “un- attention, as demonstrated by the title of the largest interesting” ones. It isn’t bizarre, avant-garde, nor is lo-fi live stream on the internet, ChilledCow’s 24x7 it dominating the top 40. It doesn’t have any artists “lo-fi hip hop radio - beats to relax/study to”. They’re who constantly make headlines for their fashion or repetitive, relaxed and laid-back beats, with rarely relationships. any comprehensible lyrics, to be played without It begs the much more “interesting” question, why needing to pay attention, as filler, think Phillip Glass is such a seemingly niche genre enjoying growing meets J Dilla. popularity? Simply put, lo-fi hip hop is this generation’s elevator Lo-fi, short for ‘low fidelity’ is a genre of music music, well suited for late-night study sesh’s, or drawing largely on hip-hop, with elements of other questionable activities best appreciated with sampling, classic old school drum machine sounds, a calm ambience. lo-fi has existed in some way or unquantised drums, slightly detuned synths, form for a long time, but has recently attracted a repetition, and repetition. -
Set-List Karaokay Live
SET-LIST KARAOKAY LIVE ALINE BASKET CASE Christophe Green Day ALL I WANT FOR XMAS IS YOU BE MY BABY Mariah Carey The Ronettes ALL THAT SHE WANTS BILLIE JEAN Ace Of Base Michael Jackson ALL THE SMALL THINGS BLEU COMME TOI Blink 182 Etienne Daho ALRIGHT BLITZKRIEG BOP Supergrass Ramones AMOUREUX SOLITAIRES BOYS DON'T CRY Lio The Cure ANGIE BUDDY HOLLY The Rolling Stones Weezer ARCHIE, MARRY ME C'EST COMME CA Alvvays Rita Mitsouko ARE YOU GONNA BE MY GIRL? CA C'EST VRAIMENT TOI Jet Téléphone BABY ONE MORE TIME CA PLANE POUR MOI Britney Spears Plastic Bertrand BACK IN THE USSR CENDRILLON The Beatles Téléphone BANANA SPLIT CHANSON SUR MA DRÔLE DE VIE Lio Véronique Sanson CHARMLESS MAN DESENCHANTEE Blur Mylène Farmer CHERCHEZ LE GARÇON DÉSIR DÉSIR Taxi Girl Laurent Voulzy et Véronique Jeannot CHOP SUEY DISCO 2000 System Of a Down Pulp COME TOGETHER DON'T LOOK BACK IN ANGER The Beatles Oasis COMME D’HABITUDE DON’T SPEAK Claude François No Doubt COMMENT TE DIRE ADIEU DON'T STOP ME NOW Françoise Hardy Queen COULEUR MENTHE A L’EAU ELLA ELLE L’A Eddy Mitchell France Gall CREEP ELLE A LES YEUX REVOLVER Radiohead Marc Lavoine CRYIN ENCORE ET ENCORE Aerosmith Francis Cabrel DANCING QUEEN ET TU DANSES AVEC LUI Abba C Jerome DANS MON HLM EVERLONG Renaud Foo Fighters DEJEUNER EN PAIX EVERY ME EVERY YOU Stephan Eicher Placebo FALLAIT PAS COMMENCER HERE COMES YOUR MAN Lio Pixies FIGHT FOR YOUR RIGHT TO PARTY HEY YA Beastie Boys Outkast FRIDAY I’M IN LOVE HIGHWAY TO HELL The Cure AC/DC GABRIELLE I CAN’T HELP FALLING IN LOVE Johnny Hallyday Elvis Presley -
Sally Anne Morgan Thread
BULLY SUGAREGG CD / LP / CS SP 1363 RELEASE DATE: AUGUST 21ST, 2020 TRACKLISTING: 1. Add It On 2. Every Tradition 3. Where to Start 4. Prism 5. You 6. Let You 7. Like Fire 8. Stuck in Your Head 9. Come Down 10. Not Ashamed 11. Hours and Hours 12. What I Wanted GENRE: Alternative Rock SUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener “Add It On” zooms heavenward within seconds, epitomizing band leader Alicia Bognanno’s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of “Where to Start” and CD Packaging: Digipack “Let You” are the musical equivalents of the sun piercing through a LP Packaging: Single-pocket jacket with perpetually cloudy sky. custom dust sleeve Includes mp3 coupon A very old saying goes that no one saves us but ourselves. Recognizing NON-RETURNABLE and breaking free from the patterns impeding our forward progress can be transformative. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way. The artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. “Being able to finally navigate CS Packaging: Three-panel LP Packaging: Single-pocket jacket with that opened the door for me to write about it,” she says, pointing to J-card in clear case. custom dust sleeve the sweet, swirly “Like Fire” and slower, more contemplative songs NON-RETURNABLE LOSER EDITION blue w/white smoke such as “Prism” and “Come Down” as having been born of this new vinyl - Includes mp3 coupon NON-RETURNABLE headspace. -
The Independent / Suindependent.Com • February 2018 Alternative Rock Band from Salt Lake City Inspired by ‘90S Bands Like Nirvana, Soundgarden, and Foo Fighters
In print February 2018 - Vol. 22, #12 the 1st Friday FREE of each month Online at SUindependent.com PLEASE RECYCLE KANAB BALLOONS AND TUNES ROUNDUP SOARING TO GREATER HEIGHTS - See page 3 ALSO THIS ISSUE: RIRIE-WOODBURY DANCE COMPANY PREMIERS KAYENTA ART FOUNDAtion’s februarY ann carlson’s “elizabeth, the dance” in slc BEST EXPO EVER FEATURES SPRING BREAK STAYCATION, HELICOPTER RIDES, AND MORE SEASON: A MONTH OF VARIETY AND TALENT - See Page 4 - See Page 4 - See Page 5 ruffled some feathers in his short time at his publishing power in a way questionable the helm. Which brings me to the point of to some readers? Sure he does. But again, February 2018 Volume 22, Issue 12 this article here today. that’s the risk I as the publisher of The For many years, I’ve felt like the public Independent have always taken. and our readership has defined us. That’s It is often a difficult task for me to to say that we’ve been seen as a champion defend the musings of any writer or editor of many progressive causes to the point with the simple statement of “free speech,” where The Independent has been labeled but that truly is the defining characteristic “the liberal rag” by its detractors and “the of The Independent far more than anything only local publication I read” by many else. “But why?” many ask me. “How can progressives or those in the counterculture you publish and therefore promote ideas EDITORIAL ............................2 DOWNTOWN SECTION .......12 here in sunny southern Utah. In the last 22 that some find offensive, insensitive, biased, EVENTS ................................3 ALBUM REVIEWS ................14 years we’ve published content of virtually or angry?” Because ideas are simply that. -
Furtado Yeah Yeah Yeahs the Long Blondes Magda
Nummer 9 • 2006 Sveriges största musiktidning Nelly The Magic Numbers Furtado Yeah Yeah Yeahs The Long Blondes Magda Juliette & the Licks • Tora Vinter • Sofi a Härdig • Bif Naked • Psalm One • Jara Ana • Maia Hirasawa • Miss Li • Mona Nylin • Firefox AK Groove 9 • 2006 Sofia Härdig sidan 5 Galor hit och Fyra frågor till Firefox AK sidan 5 Men jag har i alla fall kunnat galor dit spela blockflöjt sidan 5 Även om flera favoriter (Snoop, Tim- Men alla intervjuer med artister Bif Naked sidan 6 baland, Kelis, Kanye, Diddy, Cassie, gick ut på att höra var de skulle festa The Stooges vs Steve Albini sidan 6 Pharrell, Killers, Justin) lockade känns efter galan och till viss del vilka mär- Omslag av Mitsuaki Koshizuka MTV-galan numera tradig även på tv. keskläder de valt kvällen till ära. Pin- Juliette & the Licks sidan 7 Groove är en oberoende musiktidning Jag var på Globen 2000 när U2 och samt tunn soppa således. Om musik-tv som ges ut av Musiktidning i Göteborg AB. Jara sidan 7 Madonna uppträdde och det inget satsar på mer yta och mindre på inne- Groove Psalm One sidan 8 spännande hände, träsmak var det enda håll är det lika bra att skriva manus som kändes efteråt. I tv finns ju i alla och animera hela tillställningen – kan- Box 112 91 Yeah Yeah Yeahs sidan 8 fall chans att se reportage, intervjuer, ske kan det hela bli mer spännande då. 404 26 Göteborg Ana sidan 10 spelningar och backstage-aktion. Men självklart är stjärnglansen det Telefon 031–833 855 Men årets upplaga i Köpenhamn enda viktiga en sådan här kväll. -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
Pepperland—Mark Morris' Exuberant Homage to the 1960S Countercultural Touchstones in Sgt. Pepper's Lonely Hearts Club Band
Pepperland—Mark Morris’ exuberant homage to the 1960s countercultural touchstones in Sgt. Pepper’s Lonely Hearts Club Band—makes its NY premiere at BAM, May 8—11 Pepperland Mark Morris Dance Group Choreography by Mark Morris Music by The Beatles and Ethan Iverson Music arrangements by Ethan Iverson Set design by Johan Henckens Costume design by Elizabeth Kurtzman Lighting design by Nick Kolin BAM Howard Gilman Opera House (30 Lafayette Ave) May 8—11 at 7:30pm Tickets start at $30 Physically Integrated Workshop: Mark Morris Dance Group Led by Domingo Estrada Jr. and Nicole Sabella Co-presented by BAM and Mark Morris Dance Group May 4 at 4pm Mark Morris Dance Center (3 Lafayette Ave) Price: $20 For dancers with and without disabilities April 1, 2019/Brooklyn, NY—Pepperland, a vivid work by the choreographer Mark Morris was created at the request of the City of Liverpool to inaugurate the “Sgt. Pepper at 50 Festival” in 2017, paying tribute to the Beatles’ groundbreaking album Sgt. Pepper's Lonely Hearts Club Band. Renowned for his profound understanding of musical forms, Morris teases out the album’s colorfully avant garde motifs through spirited movement and an inspired score by jazz composer Ethan Iverson. The Pepperland score is performed by a unique music ensemble, featuring voice, theremin, soprano sax, trombone, piano, keyboard, and percussion. Iverson’s new arrangements of six songs from the album intermingle with six “Pepper-inspired” original pieces, illuminating the LP’s eclectic roots. An important work of British psychedelia, musical influences included Indian classical music, vaudeville, classical, jazz, avant-garde, and blues. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Download Oxfordshire Music Scene 29 (3.7 Mb Pdf)
ISSUE 29 / JULY 2014 / FREE @omsmagazine INSIDE LEWIS WATSON WOOD & THE PUNT REVIEWED 2014 FESTIVAL GUIDE AUDIOSCOPE ECHO & THE BUNNYMEN AND MORE! GAZ COOMBES helicopters at glastonbury, new album and south park return NEWS news y v l Oxford Oxford is a new three day event for the city, happening i g O over the weekend of 26 to 28 September. The entertainment varies w e r over the weekend, exploring the four corners of the music, arts d n A and culture world. Friday’s theme is film/shows ( Grease sing-along and Alice In Wonderland ), Saturday, a more rock - ’n’roll vibe, with former Supergrass, now solo, mainstay, Gaz Coombes, returning to his old stomping ground, as well as a selection of names from the local and national leftfield like Tunng, Pixel Fix and Dance a la Plage with much more to be announced. Sunday is a free community event involving, so far, Dancin’ Oxford and Museum of Oxford and many more. t Community groups, businesses and sports clubs wishing to t a r P get involved should get in touch via the event website n a i r oxfordoxford.co.uk. Tickets are on sale now via the website SIMPLESIMPLMPLLEE d A with a discounted weekend ticket available to Oxford residents. MINDSMMININDS Audioscope have released two WITH MELANIEMELANMELANIE C albums of exclusives and rarities AND MARCMARC ALMONDALMOND which are available to download right now. Music for a Good Home 3 consists of 31 tracks from internationally known acts including: Amon Tobin, John Parish, Future of the Left, The Original Rabbit Foot Spasm Band, Oli from Stornoway’s Esben & the Witch, Thought Forms, Count Drachma (both pictured) and Aidan Skylarkin’ are all on Chrome Hoof, Tall Firs and many music bill for this year’s Cowley Carnival , now in its 14th year, more. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Sharon Van Etten Announces (It Was) Because I Was in Love, Deluxe Reissue of Debut Album, Because I Was in Love, out November 17
October 3, 2017 For Immediate Release Sharon Van Etten Announces (it was) because i was in love, Deluxe Reissue of Debut Album, because i was in love, Out November 17 Listen to “I Wish I Knew” – https://soundcloud.com/sharonvanetten/sharon-van-etten-i-wish-i-knew/s- egwWr (photo credit - Ryan Pfluger / AUGUST) “It was an innocent and beautiful record, which some of my newer fans may not even know about. This seemed like the perfect time to remix and remaster it, and give it a new life.” – Sharon Van Etten Sharon Van Etten will release (it was) because i was in love, a deluxe reissue of her debut album, because i was in love, on November 17 as a Vinyl Me Please exclusive (pre-order available Nov. 9) and via Sharon’s online shop. It will be available digitally everywhere. Recorded by Greg Weeks who co- produced alongside Van Etten and initially released the album on his Language of Stone label, the reissue has been remixed by Craig Silvey, remastered by Joe Lambert and includes deluxe vinyl packaging with new artwork and liner notes, as well as two bonus tracks. For nearly a decade, Van Etten has been treasured as an artist whose songs flow with a rare and honest vulnerability and courage. Three full-length albums since the release of because i was in love, Van Etten still imbues her songs with the naked emotion that other singer-songwriters might iron out of their recordings. She wants us to hear the humanity of her work, the imperfections that make it palpable, the longing and heartache we’ve all nursed at some point. -
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6.