Prints Tuesday 16 July 2013 at 2pm New Bond Street, London
Prints | 1 2 | Bonhams
Prints Tuesday 16 July 2013 at 2pm New Bond Street, London
Bonhams Enquiries Please see back of catalogue 101 New Bond Street Rupert Worrall for important notice to bidders London + 44 (0) 20 7468 8262 W1S 1SR [email protected] Please see page 4 for bidder +44 (0) 20 7447 7447 information including after-sale +44 (0) 20 7447 7401 fax Tanya Grigoroglou collection and shipment. www.bonhams.com +44 (0) 20 7468 8212 [email protected] Illustrations Viewing Front cover: Lot 134 Sunday 14 July 11am to 3pm Suzanne Irvine Back cover: Lot 67 Monday 15 July 9am to 4.30pm + 44 (0) 20 7468 8294 Inside front cover: Lot 139 Tuesday 16 July 9am to 12 noon + 44 (0) 20 7447 7439 fax Inside back cover: Lot 163 [email protected]
Bids NB +44 (0) 20 7447 7448 Jonathan Horwich +44 (0) 20 7447 7401 fax Global Pictures Director To request condition reports To bid via the internet +44 (0) 20 7468 8280 on any of the lots in the please visit www.bonhams.com [email protected] sale, please contact the department directly. Please note that bids should be Customer Services submitted no later than 24 hours Monday to Friday 8.30am to 6pm before the sale. New bidders must +44 (0) 20 7447 7447 also provide proof of identity when submitting bids. Failure to Sale Number: 20737 do this may result in your bids not being processed. Catalogue: £15 (£17 by post)
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Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Sale Information Central Middlesex Hospital Park Royal
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e d s P t Park Royal a e a rn r o A k R v e R e s A4 o 0 a y Park a h l C
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West Acton Horn Lane Station Bids Collection & shipment Handling & Handling & +44 (0) 20 7447 7448 Sold lots marked with a special storage charges storage payment +44 (0) 20 7447 7401 fax symbol W will be only retained All charges due Bonhams must be To bid via the internet please visit at Bonhams until 5pm on Please Note paid by the time of collection from www.bonhams.com Wednesday 17 July 2013. For sold W lots removed to Bonhams’ warehouse. Lots not collected by then will be Bonhams warehouse there will be Payments removed to Bonhams Park Royal no transfer and storage charges Payment in advance warehouse. for lots collected between Friday Tel: +44 (0) 20 7447 7447 to Buyers 19 July 2013 and close of business ascertain amount due by: cash, +44 (0) 20 7447 7447 The sold lots marked with a Thursday 1 August 2013. cheque with banker’s card, credit +44 (0) 20 7447 7401 fax special symbol W will be available card, bank draft or traveller’s for collection from Bonhams Transfer and storage charges will cheque. Sellers warehouse as from 9.30am on commence on Friday 2 August Payment of sale proceeds Friday 19 July 2013. 2013. Payment at time of +44 (0) 20 7447 7447 collection +44 (0) 20 7447 7401 fax Lots maybe released from The charges levied by Bonhams By credit card / debit card Bonhams warehouse on are as follows: Valuations, taxation production of the collection Important Notice & heritage order obtained from cashier’s Paintings and Frames marked A surcharge of 2% is applicable +44 (0) 20 7468 8340 office at Bonhams and a form of with W when using Mastercard, Visa and +44 (0) 20 7468 5860 fax photographic ID. If a third party is overseas debit cards. [email protected] collecting on behalf of the client, Transfer per lot £20.00 the client must provide Bonhams Daily storage per lot £3.40 The following symbol is used Catalogue subscriptions with written authority prior to to denote that VAT is due on To obtain any Bonhams catalogue collection. The third party must All other paintings and frames the hammer price and buyer’s or to take out an annual present a photographic form of ID premium subscription: when collecting. Transfer per lot £10.00 Subscriptions Department Daily storage per lot £1.70 † VAT 20% on hammer price +44 (0) 1666 502200 All sold lots not marked W will and buyer’s premium +44 (0) 1666 505107 fax remain in the collections room at All the above charges are [email protected] Bonhams New Bond Street for a exclusive of VAT * VAT on imported items at period of not less than 14 days a preferential rate of 5% on from the sale date. After 14 days hammer price and the prevailing Shipping from the sale date please contact For information and estimates rate on buyer’s premium the department. on domestic and international shipping as well as export licenses W These lots will be removed to please contact Bonhams Shipping Bonhams Warehouse Bonhams Park Royal after the sale. Department on: Address: Please read the sale information +44 (0) 20 8963 2849 Unit 1, Sovereign Park page for more details. +44 (0) 20 8963 2850 Coronation Road +44 (0) 20 7629 9673 fax Park Royal, London NW10 7QP Y These lots are subject to CITES [email protected] Tel: +44 (0) 87 0811 3867 regulations, please read the Hours of opening 9.30am to information in the back of the 4.30pm Monday to Friday catalogue.
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1 Albrecht Dürer (German, 1471-1528) Virgin with the Swaddled Infant (Bartsch 38) Engraving, 1520, on laid, trimmed just inside platemark, 141 x 95mm (5 1/2 x 3 3/4in)(SH) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
2 Albrecht Dürer (German, 1471-1528) Madonna by the Wall (Bartsch 40) Engraving, 1514, on laid, trimmed to or just inside the platemark, with some reworking on the wall and stone step, 146 x 101mm (5 3/4 x 4in) (SH) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
3 Albrecht Dürer (German, 1471-1528) The Peasant and His Wife at Market (Bartsch 89) Engraving, 1519, a meder b impression, on laid, trimmed to platemark, 116 x 73mm (4 1/2 x 2 7/8in)(PL) (unframed) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800
4 Albrecht Dürer (German, 1471-1528) Hercules at the Crossroads (Bartsch 73) Engraving, circa 1498, a good, Meder a/b impression of the second state, with the horizontal scratch on the left foot of Hercules, but before the scratch on his right calf, on laid, trimmed to platemark, with a small jug watermark, 323 x 223mm (12 3/4 x 8 3/4in)(PL) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300 3
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Prints | 7 5 Albrecht Dürer (1471-1528) Samson fighting with the Lion (Bartsch 2) Woodcut, c.1496, a meder c impression, with gaps in the centre of the upper border, the foremost stone and in the monogram and with the Crest of Augsburg watermark, on laid, with full margins, 382 x 280mm (15 x 11in)(B) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
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6 * Various Artists A Collection of 16th Century Dutch Engravings Three by Jan Saenredam ‘Furius Camillus arriving in Rome’ (B23), after Polidoro da Caravaggio, first of three states, with watermark of crossed arrows, 355 x 565mm (PL), ‘Charity’ (B83), after Goltzius, 1601, second of three states, ‘Jael killing Sisera’ (B43), after Lucas Van Leyden, with Aegidius Sadeler II after Bartolomaeus Spranger ‘The Three Maries returning from the tomb’ (H60), 1600, second of three states, with the address of Marco Sadeler, 515 x 363mm (SH), J.Sadeler I after Joost van Winghe, ‘A House of Ill Fame’ (H559), 1588, 4 engravings after Goltzius: 3 by Jacob Matham, ‘Eros and Anteros’ (B283), 1588, with a lily and shield watermark, 303 x 210mm (SH), ‘St Mary Magdalene in the Grotto’ (B115), 1602, 275 x 190mm (PL), ‘Justice’ (B267), c.1587, together with ‘Portrait of an Aged Man’ (B85), c.1597, 190 x 157mm (SH) (9) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
7 * Hendrick Goltzius (Dutch, 1558-1617) Four Engravings ‘Hieronymus Scholiers’ (B207), 1583, unique state, 98 x 74mm, ‘Jan Van Broekhaven’ (B163), 1579, final second state, 80 x 60mm, ‘Philip Galle’ (B170), second state of three, 1582, 222 x 145mm (PL), together with ‘The Ignorant Notary’ (H115), from the series “Abuses of the Law”, 1597, third state with monogram, all on laid (4) (unframed) 7 (part) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800
Prints | 9 8 * Wenceslaus Hollar (Czech, 1607-1677) Six Etchings (Pennington 2097, 1618, 1537, 1482, 863) ‘Bolognese Dog’, 1649, after A.Matham, a good impression of a unique state, 78 x 120mm (PL), ‘Helmeted Head’, 1645, after Parmigianino, 70 x 52mm (PL), ‘Henrietta Maria, Queen of England’, 1641, after Van Dyck, 158 x 118mm (PL), ‘Philip IV of Spain’, 1652, 225 x 165mm (PL), ‘On the Maas’, after J.Peeters, 153 x 220mm (SH) and a smaller landscape, 65 x 95 (PL), all on laid (6) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
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9 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Clement de Jonghe, Printseller (Bartsch 272) Etching with drypoint and engraving, 1651, Nowell-Usticke’s eighth state of nine, with diagonal shading in the right corner of the arch and the triangular patch on the chair, which was burnished out in the fifth state, is restored, on laid, 207 x 161mm (8 1/8 x 6 3/8in)(PL) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
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10 | Bonhams 10 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Bust of an old bearded man, looking down, three quarters right (Bartsch 260) Etching, 1631, a good impression of the second state before the reduction of the plate on the right, on laid, 119 x 117mm (4 3/4 x 4 5/8in)(PL) (unframed) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
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11 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Hundred Guilder Print (Christ healing the sick) (Bartsch 74) Etching, 1649, Nowell-Usticke’s fifth state, after the Watelet retouch, with fine shading and some rust spotting on the man’s robe on the left, with some very fine pen and ink additions such as the hair of the old man to the left of Christ and the hair of the woman with the baby on the left, much wear in the plate, on wove, with thread margins, 278 x 388mm (10 7/8 x 15 1/4in)(PL) (unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
12 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Medea: or The Marriage of Jason and Creusa (Bartsch 112) Etching, 1648, the final fifth state, with Juno’s cap replaced with a crown and the lower part of the margin cut away and the verses and signature removed, on wove, 235 x 177mm (9 1/4 x 6 7/8in)(PL) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800
13 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72) Etching, 1642, first state, with Lazarus’ forehead unshaded, on laid, 150 x 114mm (5 7/8 x 4 1/2in)(PL) (unframed) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
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14 15 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Adoration of the Shepherds: With the Lamp (Bartsch 45) The Death of the Virgin (Bartsch 99) Etching, 1654, a good impression of the first state, with the white flaw Etching, 1639, a Basan impression, (White and Boon’s final third state, upper right due to failure in biting, on watermarked laid, 105 x 129mm Nowell-Usticke’s fourth state of five), with fine shading on the bedpost, (4 1/8 x 5 1/8in)(PL) on thick laid, with an ‘IHS’ within a flower watermark, trimmed inside (unframed) lower platemark, with small margins elsewhere, 403 x 313mm (15 7/8 x £5,000 - 7,000 12 3/8in)(PL) (unframed) €5,900 - 8,200 £2,000 - 3,000 US$7,800 - 11,000 €2,300 - 3,500 US$3,100 - 4,700
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Prints | 15 16 17 18 19
16 * 18 * Various Artists Polish School A Collection of 16th Century Dutch Engravings The Madonna as Queen of Heaven Two engravings by Cornelis de Cort after Titian, ‘Martyrdom of St Woodcut, late 18th Century, printed on five sheets of heavy laid paper, Lawrence’ (B139), ‘The Rape of Lucretia’ (B193), a woodcut probably the central sheet a grey/green colour, with a printed inscription along by Niccolo Boldrini after Titian ‘The Mystic Marriage of St Catherine’, the lower edge ‘Obraz:Pani:Marie/Wranowse:Gank’, 753 x 580mm (29 c.1540, an intermediate state with the scattered wormholes described 5/8 x 22 7/8in)(overall) (unframed) in the second state but minus the inscription, 10 works by Crispijn de £1,500 - 2,000 Passe ‘Tarquin and Lucretia’ (H369), after Joost van Winghe, 2 from €1,800 - 2,300 the Senses: Taste and Sight (H513,514), 1600, 6 from the series ‘Ovid’s US$2,300 - 3,100 Metamorphosis’, after Martin de Vos, 1602-04, a portrait of ‘Baroness Maria Reboursay’ (H813), 1598, together with Lucas van Leyden ‘Peter The inscription translates as ‘The image of Holy Mary in Wranow’. and Paul seated in a landscape’ (B106), 1527, Johannes Wierix ‘Margaret Vranov is a town in modern day Slovakia. of Austria, Queen of Spain’ (H2114), a rare impression of the first state before the letters in the oval, Schelte Bolswert ‘Moses and the Brazen 19 * Serpent’ (H2), final fourth state, all on laid paper (Coll) (unframed) Various Artists £1,500 - 2,000 A Collection of 16th, 17th and 18th Century French Prints €1,800 - 2,300 A group of landscapes, portraits, architectural and interior designs, US$2,300 - 3,100 including Nicholas Beatrizet ‘Salomonic Column’ from “Speculum Romanae Magnificentiae” (RD114), a proof before the address of Laferi, 17 * ‘The Last Judgement’ by L.Gaultier after Michelangelo, Jacques Callot Various Artists ‘Massacre of the Innocents’ (L427), first state, 2 etchings by Claude A Collection of 16th Century Dutch Prints Lorrain ‘Time, Apollo and the Seasons’, ‘Chevres’, 3 engravings after Including Jacob Bos ‘Colossal Statue of Mars, called Pyrrhus’ (H14), Raphael ‘La Mort d’Adonis’, 302 x 318mm, ‘Moisé sauvé par la fille de 1562, three engravings after Abraham Bloemaert ‘King David’ (H497), Phaoroan’, ‘Etude pour le tableau de la descente des Sarrazins au port by Crispijn de Passe and two by W.Swanenburg ‘Saulus Rex’ and ‘St d’Ostia’, by Anne-Claude-Philippe Tubieres, Comte de Caylus, works Paul’, one of a tomb by Cornelis Bloemaert, a chiaroscuro woodcut ‘Holy by and after P.Aveline, Boucher, Bourdon ‘Jacob and Laban’, Chaveau, Family’ by F.Bloemaert, Zacharias Dolendo after B.Spranger ‘St Martin Delaunay, Duplessis, Duhamel, Eisen after Gaillard, Huret ‘Four Seasons’, dividing his cloak’ (H44), Jan Sadeler after Maerten de Vos ‘Oriens’ and J.Marot, J.Morin, Le Pautre, Leseur after Farinati ‘Europa’, N.Poilly, ‘Meridies’, c.1580, from the Four Winds series, two scenes from the Poussin, Nicolas de Son, Vien, F.Tortebat after Simon Vouet ‘Virgin and Life of Elijah by Pieter Furnius, further engravings by A.Colleart and Child’ R.Sadeler, together with 2 Durer engravings, ‘Erasmus of Rotterdam’ (unframed) (B107), a damaged later impression, trimmed inside platemark, ‘The £1,000 - 1,500 Penance of St John Chrysostem’ (B63), a later impression with very wide €1,200 - 1,800 margins, all on laid US$1,600 - 2,300 (Coll) (unframed) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800
16 | Bonhams 20 * Various Artists A Collection of 16th, 17th and 18th Century Italian Prints Including two GB. Piranesi etchings, ‘Veduta della Basilica e Piazza di S.Pietro in Vaticano’ (H3), 1748, state between I and II, ‘Veduta della Dogana di Terra’ (H32), 1753, first state; 16th Century prints by and after Raimondi, Borgianni, Franco, Enea Vico, Orlandi, Alberti, ‘Triumph of Caesar:The Senators’ by GA da Brescia after Mantegna, ‘Mercury’ after Raphael, ‘Apollo and Pan’ by B.Montagna, three later impressions of nielli; 17th Century prints: four GB.Castiglione etchings from the series ‘Small Studies of Heads in Oriental Head-dress’ (2 B38, B42, B43), J.Palma the Younger ‘Judith and Holofernes’ (B25), C.Procaccini ‘Rest on the flight into Egypt’ (B3), works by and after Pietro Testa, A.Gherardi, C.Storer, monogrammist CGN; 18th Century prints: ‘Death of Attilius Regulus’ by C.Antonini after Rosa, 1780, B.Pinelli ‘Families of Faleria’ and two by F.Vivares after Visentini (Coll) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300 20
21 * Various Artists A Collection of 17th and 18th Century Dutch Prints Including Willem Jacobsz Delff ‘Academy of Fencing (H104), engraving, from the book ‘Academie de l’Espée, published 1628 in Leiden, 487 x 705mm (PL), P.Rodermont ‘Janus Secundus, Poet’ (H11), third state, R.Roghman ‘Old and new church at Sloten’ (H4), from “Eight landscapes with views in the provinces of Holland and Utrecht”, first state, an engraving of ‘Anne, Queen of Denmark’, ‘Self Portrait with Saskia’ after Rembrandt, replacing Saskia with Rembrandt’s mother, Jan van de Velde ‘Landscape with hunters and haycarts’ (H301), Thomas Wyck ‘The Spinner’ (B1), mezzotint by Nicolas van Haeften ‘Woman cleaning vegetables’ (H6), second state, mezzotint of boy with an arrow, and a miscellaneous group of works by and after Bega, Brouwer, Casembrot, de Hooghe, Lutma, Overbeek, Quast, Van Sichem, Jacob de Wit, Wouters, all on laid (Coll) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300 21 22 * Various Artists A Collection of 17th Century Dutch Prints Including an engraving by Philip, Cornelis or Theodor Galle ‘Illustration for the entry of Albert and Isabelle of Austria into Antwerp’, 1602, from the book of their travels in the Netherlands by Johannes Bochius, two tondo engravings by Philip Galle after Marten van Heemskerk, ‘Samson smiting the Philistines’ (H88), ‘Samson destroying the temple’ (H90), ‘Portrait of Hubert Goltzius’ (H206a), attributed to P.Galle, two etchings by Dirck Stoop ‘Royal Palace Lisbon’, ‘St Hieronymous Convent Bellem’, 1662, Cornelis Bega 2 copies of ‘Three Drinkers’ (B29), the first state one, the second state II or III, and ‘Woman carrying a basket’ (B18), a later impression, Jan Both ‘Landscape with an Ox-Cart’ (B2), 2 by Abraham Genoels, ‘Mausoleum on Six Corinthian Columns’ (B59) and ‘Two Warriors’ (B18), Jacob de Gheyn III ‘Sleep’, (H24), second state with the address of Hondius, H.van Swanevelt ‘Flight into Egypt’ (B100), c.1652 (Coll) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
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23 * Various Artists A Collection of English 18th Century Mezzotints Predominantly female portraits, including ‘Lady Mildmay’ by William Say after Hoppner, four after Joshua Reynolds, ‘Mary, Duchess of Ancaster’ (CS.1) by John Dixon, the first state of two, 620 x 380mm (PL), two female portraits by JR Smith and N.Green and ‘Cupid’ by I.Dean, three after Kneller by I.Faber, another by R.Lowry after C.Read, and ‘Venus, Cupid and Satyr’ by I.Smith after Giordano, together with an engraving of ‘Henrietta Maria, Queen of Great Britain’ by PN Gunst after Van Dyck, all on laid (Coll) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
24 * Various Artists A Collection of 18th and 19th Century English Prints Two Richard Earlom mezzotints: a Bacchic Scene after Giordano, 1780, and a landscape after Hobbema, 1769, both scratched letter proofs before the titles, both published by J.Boydell, a group of DC.Read etchings of 11 landscapes and one portrait of Goethe, mounted 2 to a sheet, two JS Lucas mezzotints after John Martin, ‘The Plague of Darkness’, 1835, and ‘Belshazzar’s Feast’, published by Rittner & Groupil, Paris, a Captain Baillie stipple engraving of an elephant after Rembrandt, 1778, John Skippe chiaroscuro woodcut of a seated man, two landscape etchings by Morland, an SW Reynolds engraving ‘Moonlight’, a T.Blaylock linocut ‘Nocturne’, a landscape etching with initials TB, on laid 23 and wove papers (Coll) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
25 * After John Hoppner (British, 1758-1810) The Celebrated Boxer Richard Humphreys (CS 39) Mezzotint, 1788, by John Young, the first state of two, with the inscription ‘Painted by J.Hoppner..Engraved by J.Young’ and the publishing date of 3rd Jan, 585 x 430mm (PL), together with another mezzotint, ‘Signora Baccelli’ (CS3), 1784, by John Jones after Thomas Gainsborough, second of three states, with the inscription ‘Painted by T.Gainsborough RA..Engraved by John Jones’ and the publisher’s address, 535 x 355mm (PL), both on laid (2) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
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18 | Bonhams 27 26 * Various Artists A Collection of 19th Century French Prints Including two rare signed lithographs by Fantin-Latour ‘Venus et l’amour’ (H131), ‘Baigneuses’ (H37), C.Pissarro ‘Les Paysans portant du foin’, final state, GH.Pissarro woodcut ‘Le dindon de la farce’, 1894, signed in pencil, 3 Nicolas Charlet military lithographs, 2 etchings of ‘Blind Fortune’ by Felix Vallotton after G.Bellini, first state printed in black, second state in blue, A.Appian ‘Au Valromey’, 1868, second state, L.Cogniet ‘Portrait of Gericault’, a rare early state, Gericault ‘Chevaux de ferme’, 1823, P.Colin woodcut ‘The Bat’, signed in pencil, L.Lepic ‘Storm at Sea’, Flameng ‘Rest on the flight into Egypt’, Achille Deveria ‘Album Lithographiques de divers sujets’, 1828, set of 12 loose sheets with a paper cover, together with other works by and after Cezanne, Chasseriau, Daumier, Prud’hon, Henri Somm, Watteau, (Coll) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
27 28 William Blake (British, 1757-1827) George Cumberland’s Visiting Card and Bookplate (Bindman 654) Engraving, 1827, on laid, with small margins, 33 x 81mm (1 1/4 x 3 1/8in)(PL) (unframed) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
This was Blake’s last engraving, produced for this friend and decorated with figures representing the Four Seasons.
Provenance: Robert Essick’s book ‘The Seperate Plates of Willam Blake’ lists a total of 39 known impressions. This impression would appear to be no.7 of the untraced impressions. This is described by Essick as follows “According to their records, Sessler’s purchased an impression from “Massey” on 7 January 1938 for $15.75 and sold it to “Bol” (or perhaps “Bok”) on 20 January 1938 for $25. Sessler’s was the firm of Charles Sessler, a Philadelphia dealer. The mount that the Blake is housed in is inscribed ‘Mrs Edward Bok’ indicating that it could have belonged to the wife of the Philadelphia publishing magnate. 29 Robert N. Essick. The Separate Plates of William Blake: A Catalogue (Princeton: Princeton University Press, 1983) 29 * 28 Samuel Palmer (British, 1805-1881) Walter Richard Sickert ARA (British, 1860-1942) The Early Ploughman (Lister 9) La Gaité Rouchechouard (Bromberg 188) Etching, begun before 1861, a working proof of an intermediate state Etching, engraving and drypoint, 1920, first state of three, before the between V and VIII, with scraped areas on the horns of the cattle, on the plate was reduced and before the letters, on laid, with ‘FJH’ watermark, man’s shoulder and hat and under the bridge, on laid, signed in pencil, signed in pencil, with the ‘Cumberland Market’ stamp lower right, 127 x with a pencil annotation ‘early state before the changes’ lower left, 175 202mm (5 x 8in)(PL) (unframed) x 250mm (6 7/8 x 9 7/8in)(PL) (unframed) £1,500 - 2,000 £2,000 - 3,000 €1,800 - 2,300 €2,300 - 3,500 US$2,300 - 3,100 US$3,100 - 4,700
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Nevinson first produced his bayonet design for the poster for his own Furthermore, Nevinson’s design exemplifies the optical disturbance show of paintings at the Leicester Galleries, March, 1918, entitled associated with “dazzle” effects, those made possible by combining “War”, illustrated in Edward Bayes’s “The Underworld: Taking cover in the geometric experimentation of cubism with the simplifications of a Tube Station during a London air raid” in the Imperial War Museum the Japanese woodcut of the Ukiyo-e (floating world). In poster terms, collection. Nevinson later adapted the design and the accompanying text dazzle effects were deployed to attract the eye against an increasingly for a poster issued by the National War Savings Committee to promote hectic background of metropolitan spectacular. Large-scale dazzle the raising of funds. effects were famously used by Norman Wilkinson and colleagues to camouflage shipping. The remarkable design depicts massed fixed bayonets printed in orange against a bright yellow background. The bold design and The cultural significance of Nevinson’s poster cannot be overstated. the superimposition of the black stylized text against a field of fiery Looking back over the artistic experimentation of the 20th century, the colour variants is arresting. Image and text are successfully integrated consistent recurrence of dazzle and strobe effects points to the power of through the elaboration of an appropriately cubist letterform, whose this design as a major breakthrough. spikey design echoes the raised bayonets, rendered with mathematical precision.
20 | Bonhams 31
30 * 31 * Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Now Back the Bayonets Now the Bayonets have won through The rare lithographic poster, printed in red, black and yellow, on thin The rare lithographic poster, printed in red, black and yellow, on thin wove, backed onto linen, printed by Dangerfield Printing Co. Ltd, wove, backed onto linen, printed by Dangerfield Printing Co. Ltd, London, 750 x 480mm (29 1/2 x 18 7/8in)(SH) (unframed) London, 750 x 480mm (29 1/2 x 18 7/8in)(SH) (unframed) £8,000 - 12,000 £8,000 - 12,000 €9,400 - 14,000 €9,400 - 14,000 US$12,000 - 19,000 US$12,000 - 19,000
Prints | 21 32 AR Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) A remarkably similar composition executed in oil is illustrated in Le Port “Contemporary British Artists: C.R.W. Nevinson” edited by Albert The very rare etching, executed between 1922-1932, on J.F. Head & Co. Rutherston and published by Benn, London in 1925. The caption reads watermarked laid, signed in pencil, with margins, 145 x 194mm (5 3/4 x “LE PORT. (1909). In the possession of Mrs. Lloyd Jones”. 7 5/8in)(PL) £15,000 - 20,000 Nevinson often translated designs of paintings and drawings in arresting €18,000 - 23,000 drypoints and etchings that pleasantly surprised contemporary critics US$23,000 - 31,000 who “discovered in them a technical virtuosity they did not readily discern in his handling of paint”. Most often the drypoint or etched versions of designs initially executed in oils are more persuasive and compelling. It is likely that Nevinson revisited the earlier design and that the etching offered in this lot is derived from the 1909 composition in oil or its preparatory studies.
We have found no record of an impression of this etching ever having been sold at auction or in the possession of any public collections.
Michael J. K. Walsh, ed., A Dilemma of English Modernism: Visual and Verbal Politics in the life and work of C.R.W. Nevinson (1889-1946) (New Jersey: Associated University Presses, 2007), 116.
22 | Bonhams 33 AR Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) London from Parliament Hill (Guichard 40) Etching printed with tone, 1923, on F. J. Head & Co. watermarked laid, signed in pencil, from the edition of 75, with margins, 253 x 354mm (9 7/8 x 13 7/8in)(PL) (unframed) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000
Prints | 23 34 AR Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Twilight in Leicester Square (Guichard 79) Etching with aquatint, c.1925, on F.J. Head & Co. watermarked laid, signed in pencil, with margins, 178 x 140mm (7 x 5 1/2in)(PL) (unframed) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
24 | Bonhams 35
36
35 AR 36 AR Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Chalk Pits, Amberley (Guichard 43 or 47) La Cité, Paris (Guichard 85) Etching, c.1924-5, on laid, an unsigned impression printed with delicate Etching, on wove, c.1930, signed in pencil, with margins, 178 x 276mm tone, from an edition not exceeding 75, with Kenneth Guichard’s rubber (7 x 10 7/8in)(PL) (unframed) stamp verso, with margins, 255 x 355mm (10 x 14in)(PL) (unframed) £5,000 - 7,000 £2,500 - 3,500 €5,900 - 8,200 €2,900 - 4,100 US$7,800 - 11,000 US$3,900 - 5,400
This impression would appear to be from the personal collection of Kenneth Guichard and is illustrated in ‘British Etchers 1850-1940’ by Kenneth M.Guichard, published by Robin Garton, London in 1977.
Prints | 25 37 AR Claude Flight (British, 1881-1955) Persuasion (Coppel CF 31) Linocut printed in yellow ochre, vermilion and cobalt blue, c.1929, on thin cream oriental laid, signed and numbered 4/50 in pencil, additionally titled in the lower margin, with margins, 300 x 268mm (12 x 10 1/2in)(B) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
37
38 AR Claude Flight (British, 1881-1955) Discussion (Coppel CF 32) Linocut printed in yellow ochre, vermilion and cobalt blue, c.1929, on cream oriental laid tissue, signed and numbered 10/50 in pencil, with margins, 302 x 270mm (11 4/5 x 10 2/3in) (B) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
38
26 | Bonhams 39 AR Cyril Edward Power (British, 1872-1951) Tube Station (Coppel CEP 32) Linocut printed in yellow ochre, spectrum red, permanent blue, viridian and Chinese blue, c.1932, a good impression, on buff oriental laid tissue, signed, titled and numbered 49/60 in pencil, with margins, 258 x 295mm (10 x 11 5/8in)(B) £40,000 - 60,000 €47,000 - 70,000 US$62,000 - 93,000
Prints | 27 40 41
40 Lill Tschudi (Swiss, 1911-2001) Goats II (not in Coppel) The rare linocut, 1945, on japan, signed, inscribed ‘Ziegen II Handdruck’ and numbered 4/50 in pencil, with margins, 298 x 210mm (11 3/4 x 8 1/4in (B) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
41 * Lill Tschudi (Swiss, 1911-2001) Ski-joring (Coppel LT 54) Linocut printed in black, conceived in 1937, from the second edition printed in 1992 to accompany the deluxe edition of the Catalogue Raisonne ‘Linocuts of the Machine Age’, on tissue thin laid, signed, titled and inscribed ‘hand print XII/XXX’ in pencil lower left, 624 x 461mm (24 5/8 x 18 1/8in)(SH) (unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
42 Horace Asher Brodzky (Australian, 1885-1969) Boxers The rare linocut printed in black, 1919, on wove, published by Egmont News, New York, with margins, 247 x 184mm (9 3/4 x 7 1/4in) (B) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
42
28 | Bonhams 43 Lill Tschudi (Swiss, 1911-2001) Winter im Glarnerland Schweiz (Coppel p.61) The rare linocut printed in colours, on tissue thin japan, trimmed along the upper right contour and laid onto a sheet of wove by the artist, with full margins, sheet 405 x 310mm (16 x 12 1/4 in) (unframed) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800
Prints | 29 44 * AR William Greengrass (British, 1896-1970) Hurdlers Linocut printed in colours, 1932, on Japanese mulberry tissue, signed, titled, dated and numbered 14 in pencil, with margins, 233 x 283mm (9 1/8 x 11 1/8in)(B) (unframed) £6,000 - 8,000 €7,000 - 9,400 US$9,300 - 12,000
30 | Bonhams 45 AR Cyril Edward Power (British, 1872-1951) Power found this linocut quite difficult to produce, as successive use of Skaters (Coppel CEP 29) the blocks meant that there was a danger of the colours spreading into Linocut printed in spectrum red, light cobalt blue and viridian, c.1932, each other. The experimental proofs (at least 6) attest to the evolution of on buff oriental laid tissue, signed, titled and inscribed ‘EP No.6’ in the design. pencil, an experimental proof aside from the edition of 60, with a pen This particular proof impression is referenced in “Linocuts of the inscription in lower margin ‘E.Power presented to Vera Water ..1944’, Machine Age” and Coppel notes the “green flecks behind the figures”. with margins, 198 x 316mm (7 3/4 x 12 3/8in)(B) The tissue thin oriental paper has picked up the nuances of the carved £10,000 - 15,000 block. The tool marks left from carving the linoleum impart a texture to €12,000 - 18,000 the final print and openly acknowledge the process by which the linocut US$16,000 - 23,000 is made, a principle Claude Flight advocated. In the final edition, Power removed the carved areas sufficiently so as to leave no trace on the impressions.
Stephen Coppel, Linocuts of the Machine Age: Claude Flight and the Grosvenor School (Aldershot: Scolar Press, 1995), 98.
Prints | 31 46 Lill Tschudi (Swiss, 1911-2001) Coppel notes that a few colour variants within the edition of the linocut Chinese Jugglers (Coppel LT 36) exist. He references this specific impression as a deviation from the Linocut printed in viridian, yellow ochre and light brownish purple, 1934, standard edition that was printed in crimson, orange and light brownish one of only a few colour variants within the edition of 50, on thin off- purple. For this impression, Tschudi has used viridian and yellow ochre white oriental laid, signed, numbered 21/50 and inscribed ‘Handprint’ in for the first and second blocks instead. pencil, with margins, 230 x 331mm (9 x 13in)(B) £8,000 - 12,000 Stephen Coppel, Linocuts of the Machine Age: Claude Flight and the €9,400 - 14,000 Grosvenor School (Aldershot: Scolar Press, 1995), 137. US$12,000 - 19,000
32 | Bonhams 47
47 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Haulers (Coppel SA 4) Linocut printed in reddish brown, viridian, Prussian blue and black, 1929, on cream oriental laid, signed and numbered 35/50 in pencil, with margins, 182 x 302mm (7 1/8 x 11 7/8in)(B) £6,000 - 8,000 €7,000 - 9,400 US$9,300 - 12,000
48 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Tumulus (Coppel SA 36) Linocut printed in Venetian red, crimson, viridian and Chinese blue, 1936, on buff oriental laid tissue, signed, titled and numbered 5/60 in pencil, with margins, 298 x 220mm (11 3/4 x 8 5/8in)(B) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
48
Prints | 33 49 AR Sybil Andrews, CPE (British/Canadian, 1898-1993) Mowers (Coppel SA 39) Linocut printed in raw sienna, red, viridian and Chinese blue, 1937, on buff oriental laid tissue, signed, titled and numbered 11/60 in pencil, with margins, 292 x 352mm (11 1/2 x 13 3/4in)(B) £7,000 - 10,000 €8,200 - 12,000 US$11,000 - 16,000
34 | Bonhams 50 * AR Sybil Andrews CPE (British/Canadian, 1898-1992) Tillers of the Soil (Coppel SA 31) Linocut printed in Chinese orange, alizarin crimson, permanent blue and Chinese blue, 1934, on thin oriental laid tissue, signed and numbered 18/60 in pencil, with margins, 266 x 344mm (10 1/2 x 13 1/2in)(B) £10,000 - 15,000 €12,000 - 18,000 US$16,000 - 23,000
Prints | 35 51 AR Sybil Andrews CPE (British/Canadian, 1898-1992) Bringing in the Boat (Coppel SA 24) Linocut printed in Venetian red, viridian and Chinese blue, 1933, on buff oriental laid tissue, signed and numbered 34/60 in pencil, with margins, 332 x 260mm (13 1/8 x 10 1/4in)(B) £25,000 - 35,000 €29,000 - 41,000 US$39,000 - 54,000
36 | Bonhams 52 Lill Tschudi (Swiss, 1911-2001) The linemen in “Fixing the Wires” are surrounded by both taut wires Fixing the Wires (Coppel LT 26) and loose ones in the process of being strung. It is curious to observe Linocut printed in black, greyish beige and light blue, 1932, a richly the iconographical affinities of Tschudi’s linocut with C.R.W. Nevinson’s inked impression, on thin off-white oriental laid, signed and numbered earlier drypoint of 1918, “Nerves of an Army”. Tschudi’s linear depiction 3/50 and inscribed ‘USA’ in pencil, from the USA edition printed in of the wires by engraving fine lines into the surface of her linoleum 1937, with margins, 302 x 202mm (12 x 8in)(B) block, a traditional means avoided by her fellow Grosvenor school £15,000 - 20,000 linocutters, is yet another link to Nevinson’s conception. In comparing €18,000 - 23,000 the two compositions, an interesting reversal becomes apparent. While US$23,000 - 31,000 Nevinson’s drypoint needle creates velvety, deep black lines, Tschudi’s wires are manifest in the lack of pigment against the white of the paper.
Tschudi had not yet turned 21 when she made this mature colour linocut Stephen Coppel, Linocuts of the Machine Age: Claude Flight and the in March 1932. Her astonishing technical abilities in linocut clearly Grosvenor School (Aldershot: Scolar Press, 1995), 134. impressed her former teacher, Claude Flight. Colour proofs (now in the Thomas E. Rassieur, “Industry and Labour”, in British Prints from the Australian National Gallery) from each block were reproduced in Flight’s Machine Age: Rhythms of Modern Life, 1914-1939, ed.Clifford S. Ackley manual “The Art and Craft of Lino Cutting and Printing” (London: B.T. (London: Thames & Hudson, 2008), 135. Batsford Ltd., 1934) to demonstrate the build-up of the final image from several blocks of roughly equal value.
Prints | 37 53 * Lill Tschudi (Swiss, 1911-2001) Sailor’s Holiday (Coppel LT 24) Linocut printed in dark blue, light brown and light blue, 1932, on white mulberry, signed, inscribed ‘USA’ and numbered 6/50 in pencil, from the USA edition printed in 1984, with margins, 200 x 260mm (8 x 10 1/4in) (B)(unframed) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
38 | Bonhams 54 * AR Sybil Andrews CPE (British/Canadian, 1898-1992) The Gale (Coppel SA 11; White 11) Linocut printed in permanent blue, spectrum red and black, 1930, on thin oriental laid tissue, signed, titled and numbered 23/50 in pencil, with margins, 210 x 246m (8 1/4 x 9 7/8in)(B) £15,000 - 20,000 €18,000 - 23,000 US$23,000 - 31,000
Prints | 39 55 * Ethel Spowers (Australian, 1890-1947) The Joke (Coppel ES 18) The rare linocut printed in yellow ochre, red, brown and cobalt blue, 1932, on buff oriental laid tissue, titled and inscribed ‘edition of 50’ in pencil by the artist, with margins, 198 x 174mm (7 3/4 x 6 7/8in)(B) £20,000 - 30,000 €23,000 - 35,000 US$31,000 - 47,000
Inspired by Claude Flight’s modernistic prints, Ethel Spowers enrolled at the Grosvenor School in 1928-1929 to study linocut under Flight and revisited the school in 1931 under the instruction of Iain Macnab. Flight’s influence on Spowers and the other Australians, Dorrit Black and Eveline Syme, was technical rather than thematic. Unlike Andrews, Power and Flight, Spowers was less attracted to the aesthetic of the machine-age speed and movement. Instead it was the colour harmonies and rhythmic expression of Flight’s linocuts that fascinated her.
Spowers’s use of strong rhythms, bold colours and simplified geometric shapes is exemplified in “The Joke” which depicts a group of people enjoying an anecdote. While the composition retains the narrative content of her earlier work, it also manifests an evident preoccupation with the rhythmic arrangement of overlapping shapes. It is interesting to note the formal similarities between “The Joke” and the slightly earlier “The Gust of Wind” executed in 1930-31. The curvilear delineation of the foremost figure and the white triangular elements of the adjacent figure’s apron echo the stance of the central figure and the stark whiteness and shapes of the airborne papers in the iconic “The Gust of Wind”.
We have found no record of this linocut ever having come to auction and only one impression in the collection of the National Gallery of Australia.
Stephen Coppel, Linocuts of the Machine Age: Claude Flight and the Grosvenor School (Aldershot: Scolar Press, 1995), 65-68.
40 | Bonhams Prints | 41 56 Ethel Spowers (Australian, 1890-1947) Swings (Coppel ES 22) Linocut printed in yellow ochre, viridian, reddish brown and cobalt blue, 1932, on oriental laid tissue, signed, titled, dated and numbered 43/50 in pencil, with margins, 236 x 261mm (9 1/4 x 10 1/4in)(B) £6,000 - 8,000 €7,000 - 9,400 US$9,300 - 12,000
42 | Bonhams 57
58 59
57 AR 59 AR Edward Bawden R.A. (British, 1903-1989) Edward Bawden R.A. (British, 1903-1989) Lindsell Church (MG. 60) Ives Farm, Great Bardfield (MG. 45) Linocut printed in colours, 1964, on wove, signed, dated, titled and Linocut printed in colours, 1956, signed, titled, dated 1957, numbered numbered 46/50 in black ballpoint pen, with margins, 610 x 1550mm 28/35 and inscribed ‘Artist’s proof’ in pencil, with margins, 410 x (24 x 61in)(B) 615mm (16 1/8 x 24 1/4in)(B) £2,500 - 3,500 £2,000 - 3,000 €2,900 - 4,100 €2,300 - 3,500 US$3,900 - 5,400 US$3,100 - 4,700
58 AR Edward Bawden R.A. (British, 1903-1989) Covent Garden, Foreign Fruit Market, from Six London Markets (MG. 81) Lithograph printed in colours, 1967, on wove, signed, titled and numbered 72/75 in pencil, published by Curwen Prints, London, with full margins, 460 x 610mm (I) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
Prints | 43 60 61
60 AR Ben Nicholson O.M. (British, 1894-1982) Storm over Paros (Cristea 125) Etching, 1967, from the ‘Architectural Suite’ of ten etchings, on wove, signed and dated in pencil, an artist’s proof aside from the edition of 50, printed by F.Lafranca, with his blindstamp, published by Ganymed Original Editions Ltd. and Marlborough Fine Art Ltd., London, with margins, 280 x 324mm (11 x 12 3/4in)(PL) (unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
61 AR Ben Nicholson O.M. (British, 1894-1982) Turkish Sundial between two Turkish Forms (Cristea 147) Etching, 1967, from a portfolio of ten etchings, on wove, signed, dated and numbered 18/50 in pencil, printed by F.Lafranca and M.Basis, published by Ganymed Original Editions and Marlborough Fine Art, London, with margins, 252 x 346mm (9 7/8 x 13 5/8in)(PL) (unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
62 AR Ben Nicholson O.M. (British, 1894-1982) Turkish Sundial and Tree (Cristea 130) Etching, 1967, from the set of ten ‘Greek and Turkish Forms’, signed, dated and numbered 27/50 in pencil, published by Ganymed Original Editions and Marlborough Fine Art, 340 x 225mm (13 3/8 x 8 7/8in)(PL) (unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
62
44 | Bonhams 63
63 AR Dame Barbara Hepworth (British, 1903-1975) Orchid, from Opposing Forms Screenprint in colours, 1970, on wove, signed and numbered 26/60 in pencil, published by Marlborough Fine Art, London, with full margins, 582 x 775mm (23 x 30 1/2in) (I) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
64 * AR Bernard Leach (British, 1887-1979) Chen Mun Gate, Peking The rare etching, 1918, on japan, signed, dated and titled in pencil, with margins, 300 x 200mm (11 3/4 x 7 7/8in)(PL) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
64
Prints | 45 65 * AR William Scott RA (British, 1913-1989) Dark Pears (Archeus 50) Lithograph printed in colours, 1974, on wove, signed, dated and numbered 25/74 in pencil, 216 x 267mm (8 1/2 x 10 1/2in)(SH) (unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
65
66 AR William Scott RA (British, 1913-1989) Brown Predominating, from the Summer Suite (Archeus 54) Lithograph printed in colours, 1976, signed, dated and numbered 2/40 in pencil, with the Editions Alecto blindstamp, the full sheet printed to the edges, 560 x 762mm (22 x 30in) (SH) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
66
46 | Bonhams 67
67 * AR Peter Lanyon (British, 1918-1964) Peter Lanyon never undertook printmaking in a consistent way, but like Landscape of Stone Leaves so many of his fellow artists in the immediate post-war years, explored it Screenprint, lino and slate print in colours, 1952, on wove, with in a purely ad hoc basis. scratched signature, date and numbering 2/20 lower left, 373 x 561mm Lanyon was less attracted to the mechanical aspects of printing, but (14 5/8 x 22 1/8in)(SH) was fascinated by the aesthetic possibilities of experimenting with £4,000 - 6,000 print media. He conceived highly innovative prints from monotypes to €4,700 - 7,000 linocuts, slate reliefs, silkscreens, lithographs and etchings and often US$6,200 - 9,300 combined a variety of techniques all within one work, as exemplified in “Landscape of Stone Leaves”. For the impression offered in this lot, Lanyon combined screenprinting with relief to a heightened textural effect.
Carey and Griffiths in “Avant-Garde British Printmaking 1914-1960” reference an impression belonging to the artist’s family inscribed by the artist on the back “silkscreen, lino and slate print”, similar to this impression. It is likely that this impression remained with the family after Lanyon’s death and that the inscription on the reverse documents its provenance.
Frances Carey & Antony Griffiths, Avant-Garde British Printmaking 1914- 1960 (London: British Museum Publications, 1990), 178-183.
Prints | 47 68 AR Laurence Stephen Lowry R.A. (British, 1887- 1976) Castle on the Sands Lithograph printed in cream and black, 1969, on wove, signed and numbered 40/75 in pencil, published by Ganymed Originals, London, with margins, 475 x 610mm (18 3/4 x 24in)(I) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300
68 69 AR Laurence Stephen Lowry R.A. (British, 1887- 1976) Old Steps, Stockport Lithograph printed in cream and black, 1969, on wove, signed and numbered 40/75 in pencil, published by Ganymed Originals, London, with margins, 620 x 480mm (24 3/8 x 18 7/8in)(I) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300
69
48 | Bonhams 70 71
70 AR Craigie Aitchison CBE RA (British, 1926-2009) Crucifixion 2001 Screenprint in colours, 2001, on wove, signed and inscribed ‘AP I/X’ in pencil, an artist’s proof aside from the edition of 75, printed and published by Advanced Graphics, London, the full sheet printed to the edges, 1400 x 1090mm (55 1/8 x 43 in) (SH)(unframed) £2,500 - 3,500 €2,900 - 4,100 US$3,900 - 5,400
71 AR Henry Moore O.M., C.H. (British, 1898-1986) Seated Figures (Cramer 37) Lithograph printed in colours, 1957, on Arches, signed and numbered 190/200 in pencil, printed by Mourlot Frères, Paris, published by Edition Berggruen & Cie, Paris, with margins, 535 x 360mm (21 1/8 x 14 1/8in)(I) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
72 AR Henry Cliffe (British, 1919-1983) Birds Three lithographs with extensive hand colouring in watercolour, 1951, each on wove, one signed and dated in black ink, each 507 x 300mm (20 x 11 3/4in) (I) (3) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
72
Prints | 49 73 74
73 James Jacques Joseph Tissot (French, 1836-1902) The Hammock (Wentworth 46) Etching and drypoint, 1880, on watermarked laid, from an edition of approximately 100, with margins, 278 x 184mm (10 7/8 x 7 1/4in)(PL) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
74 AR Léonard Tsuguharu Foujita (Japanese/French, 1886-1968) Little Pekingese Lithograph, on wove, signed and numbered 13/50 in brown ink, with margins, 240 x 305mm (9 3/8 x 12in)(I) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
75 Henri de Toulouse-Lautrec (French, 1864-1901) Le Coiffeur - Programme du Théâtre Libre (Wittrock 15, Adriani 40) Lithograph, 1893, the second state, printed in colours, on wove, numbered 18 in red crayon from the edition of 100, (less than half the edition was signed), printed by Eugene Verneau, published by Kleinmann, Paris, 500 x 325mm (19 3/4 x 12 3/4in)(SH) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
76 Pierre-Auguste Renoir (French, 1841-1919) Baigneuse Debout, en Pied (Delteil 28) Lithograph printed in colours, 1896, on laid, with the printed signature and inscription ‘tire a cent examplaires’, with margins, 530 x 410mm (21 x 16in) (SH) (unframed) £7,000 - 10,000 €8,200 - 12,000 US$11,000 - 16,000
75
50 | Bonhams 76
Prints | 51 77 AR Pablo Picasso (Spanish, 1881-1973) La Toilette de la Mère, from Saltimbanques (Bloch 13; Baer 15) Etching, 1905, on Van Gelder wove, from the unnumbered edition of 250, published by A. Vollard, Paris, 1913, with margins, 236 x 177mm (9 1/4 x 7in)(PL) £2,500 - 3,500 €2,900 - 4,100 US$3,900 - 5,400
77
78 AR Pablo Picasso (Spanish, 1881-1973) Buste d’homme, from Saltimbanques (Bloch 4; Baer 5) Drypoint, 1905, from the edition of 250 after steel-facing, on van Gelder wove, with wide margins, published by A.Vollard in 1913, 120 x 93mm (4 3/4 x 3 5/8in)(PL) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
78
52 | Bonhams 79
80
79 AR 80 AR Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973) Tournage: Plan Avec Deux Femmes; from Series 347 (Bloch 1608: Baer Ecuyère, Enfant, Et Jongleur Avec Ses Ballons; from Series 347 (Bloch 1624) 1683; Baer 1699) Aquatint, 1968, on wove, signed and numbered 37/50 in pencil, Aquatint, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 59 x 118mm published by Galerie Louise Leiris, Paris, with full margins, 147 x 249mm (2 3/8 x 4 5/8in) (PL)(unframed) (5 3/4 x 9 3/4in)(PL)(unframed) £1,500 - 2,000 £2,000 - 3,000 €1,800 - 2,300 €2,300 - 3,500 US$2,300 - 3,100 US$3,100 - 4,700
Prints | 53 81 82
81 AR Pablo Picasso (1881-1973) Jeune Dame Espagnole (Bloch 1727; Baer 1744) Aquatint, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 84 x 60mm (3 1/4 x 2 3/8in)(PL)(unframed) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
82 AR Pablo Picasso (1881-1973) Barbu De Profil; from Series 347 (Bloch 1508; Baer 1524) Etching, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 84 x 60mm (3 1/4 x 2 3/8in)(PL)(unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
83 AR Pablo Picasso (Spanish, 1881-1973) Aimé Césaire, Corps Perdu, Editions Fragrance, Paris, 1960 (Bloch 632- 663; Cramer books 56) The complete set, 1950, comprising 12 etchings and 20 engravings, on Montval watermark Corps Perdu, with title page, justification, text in French and table of contents, signed in pencil by the artist and the author on the justification, copy number 84, from the edition of 200, the full sheets, loose as issued, folded paper wrappers with the title design, paper-covered boards with gilt lettering on vellum spine and matching slipcase, 412 x 300mm (16 x 12 in) £10,000 - 15,000 83 €12,000 - 18,000 US$16,000 - 23,000
54 | Bonhams 84 AR Pablo Picasso (Spanish, 1881-1973) Tête de Jeune Fille (Bloch 393; Mourlot 9) Lithograph, 1946, on Arches, 10th (final) state, signed and numbered 47/50 in pencil, published by Galerie Louise Leiris, Paris, with margins, 320 x 260mm (12 1/2 x 10 1/4in) (PL) £6,000 - 8,000 €7,000 - 9,400 US$9,300 - 12,000
Prints | 55 85 AR Pablo Picasso (1881-1973) Les Trois Mousquetaires. Enlévement; from Séries 347 (Bloch 1571; Baer 1587) Aquatint, etching and drypoint, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 166 x 206mm (6 1/2 x 8 1/8in) (PL) (unframed) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
85
86 AR Pablo Picasso (Spanish, 1881-1973) Théâtre Ou Television: Cape Et Epée; from Series 347 (Bloch 1567; Baer 1583) Aquatint, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 295 x 345mm (11 5/8 x 13 5/8in)(PL)(unframed) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
86
56 | Bonhams 87 AR Pablo Picasso (Spanish, 1881-1973) L’Etreinte III, from La Suite Vollard (Bloch 182 ; Baer 341) Drypoint, 1933, on Montval laid, with the Picasso watermark, signed in pencil, from the edition of 260, printed by Lacourière, Paris, published by Vollard, Paris, with margins, 299 x 367mm (11 3/4 x 14 1/2in)(PL) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300
Prints | 57 88 89
88 AR Pablo Picasso (Spanish, 1881-1973) Visiteur Au Nez Bourbonien Chez La Celestine; from Series 347 (Bloch 1631; Baer 1637) Aquatint, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 60 x 84mm (2 1/4 x 3 1/4in (PL)(unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
89 AR Pablo Picasso (1881-1973) La Celestine Presentant Ses Deux Pensionnaires a Deux Clients; from Series 347 (Bloch 1581; Baer 1597) Etching, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 89 x 124mm (3 1/2 x 5in) (PL)(unframed) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
90 AR Pablo Picasso (Spanish, 1881-1973) Trois Femmes Nues et une Coupe d’ Anémones, from La Suite Vollard (Bloch 176; Baer 329) Etching, 1933, on Montval laid with the Picasso watermark, from the edition of 260, printed by Lacourière, Paris, published by A. Vollard, Paris, 1939, with margins, 366 x 300 mm (14 1/2 x 11 3/4in) (PL) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700 90
58 | Bonhams 91 92
91 AR Pablo Picasso (Spanish, 1881-1973) Peintre, Modele Et Spectateur (Bloch 1530: Baer 1546) Aquatint, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 125 x 89mm (5 x 3 1/2in)(PL)(unframed) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
92 AR Pablo Picasso (Spanish, 1881-1973) Peintre Peignant Le Sein De Son Modele; from Series 347 (Bloch 1647; Baer 1662) Etching, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 125 x 89mm (4 7/8 x 3 1/2in)(PL)(unframed) £2,500 - 3,500 €2,900 - 4,100 US$3,900 - 5,400
93 AR Pablo Picasso (Spanish, 1881-1973) Une Maja Posant Sur un Pièdestal; from Series 347 (Bloch 1598; Baer 1614) Aquatint, 1968, on wove, signed and numbered 37/50 in pencil, published by Galerie Louise Leiris, Paris, with full margins, 119 x 59mm (4 5/8 x 2 3/8in) (PL)(unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
93
Prints | 59 94
60 | Bonhams 94 After Pablo Picasso (Spanish, 1881-1973) Maternité Offset lithograph printed in colours, 1963, on Arches wove, signed in blue crayon, a proof with registration marks aside from the numbered edition of 200, published by Editions Combat de la Paix, Paris, with margins, 895 x 632mm (35 1/4 x 24 7/8in)(SH) £6,000 - 8,000 €7,000 - 9,400 US$9,300 - 12,000
95 After Pablo Picasso (Spanish, 1881-1973) Fleurs (for U.C.L.A.) (Mourlot 351; see Bloch 1297) Lithograph printed in colours, 1961, on Arches, signed and numbered 41/100 in pencil, published by the UCLA Art Council of the UCLA Art Galleries, Los Angeles, with margins, 584 x 457 mm (23 x 18in)(I) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
96 • Pablo Picasso (Spanish, 1881-1973) A los Toros (Cramer 113, Bloch 1014-1017) The book containing the set of four lithographs, one printed in colours, 1961, hors-texte, with title page and text in French, on wove, from the edition of unknown size, printed by Draeger Freres, published by Mourlot Freres, the full sheets, bound 95 as issued, grey cloth covered-boards with a reproduction after a drawing by Picasso on the front and lettering on the spine, red laid paper- covered slipcase with a reproduction after a drawing by Picasso on the front and back and lettering on the spine, 260 x 330mm (10 1/4 x 13in)(Vol) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
96
Prints | 61 97
97 After Pablo Picasso (Spanish, 1881-1973) Still life with pitcher and lemon Aquatint printed in colours, c1960, on BFK Rives, signed and numbered 51/300 in pencil, printed and published by Crommelynck, Paris, with their blindstamp, 303 x 401mm (11 7/8 x 15 5/8in)(PL) (unframed) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
98 After Pablo Picasso (Spanish, 1881-1973) Harlequin, from the Barcelona Suite (Czwiklitzer 230) Offset lithograph printed in colours, 1966, on Arches, signed and numbered 20/60 in pencil, 575 x 435mm (22 5/8 x 17 1/8in)(I) (unframed) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
98
62 | Bonhams 99 100
99 • Marc Chagall (Russian/French, 1887-1985) Lithographe I - IV (Cramer books 43, 56, 77, 94) Four volumes, 1960-1974, comprising 28 lithographs printed in colours, volumes I, III and IV with text in French, volume II with text in German, printed by Mourlot Frères, Paris, bound in boards, in the original lithographed paper wrappers, three in protective slipcases, overall 325 x 250mm (12 3/4 x 9 3/4in)(4)(vol) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
100 • Marc Chagall (Russian/French, 1887-1985) Verve Vol X, Nos 37-38 (Dessins pour la Bible) (Cramer books 42) The complete volume, 1960, comprising 24 lithographs in colours, text in French, printed by Mourlot Freres, Paris, published by Editions de la Revue Verve, Paris, bound as issued within original lithographed pictorial boards, 413 x 530mm (16 2/8 x 21in) £2,500 - 3,000 €2,900 - 3,500 US$3,900 - 4,700
101 AR Marc Chagall (Russian/French, 1887-1985) The Man with the Torah (Mourlot 734) Lithograph printed in ochre and black, 1975, on Arches, signed and inscribed ‘Épreuve d’artiste’ in pencil, a proof aside from the numbered edition of 50, with full margins, 595 x 395mm(23 1/2 x 15 1/2in)(I) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
101
Prints | 63 102 After Marc Chagall (Russian/French, 1887-1985) The Tribe of Joseph, from Twelve Maquettes of Stained Glass Windows for Jerusalem (Sorlier 22) Lithograph printed in colours, 1964, on Arches, signed and numbered 23/150 in pencil, printed by Charles Sorlier under Chagall’s supervision, published by Mourlot, Paris, with full margins, 615 x 465mm (24 1/4 x 18 1/8in)(I) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
64 | Bonhams 103 After Marc Chagall (Russian/French, 1887-1985) Femme de Cirque Lithograph with pochoir in colours, c.1960, on Arches, signed and numbered 88/150 in pencil, published by Guy Spitzer Editions, Paris, with his blindstamp, 595 x 455mm (23 3/8 x 17 7/8in)(I) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
Prints | 65 104
105 106
104 105 AR 106 • After Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983) Sur quatre murs (sobre cuatro paredes) Le Lezard aux plumes d’or (Mourlot 460) Miro Lithographie: Volumes I - IV (Cramer (Maeght 1708) Lithograph printed in colours, 1963, on BFK books 160, 198, 230, 249) Lithograph printed in colours, 1951, on grey Rives, signed, dated 27/XI/63 and inscribed Four volumes, 1972-81, with text in French, wove, watermarked Marais, signed and ‘Bon à tirer après rectifications ci-contre’ lower comprising 36 lithographs in colours, printed inscribed ‘E.A.’ in pencil, a proof aside from the left and ‘B’ upper right in pencil, printed by by Mourlot, published by Maeght, Paris, 328 x edition, printed by Mourlot, Paris, published by Mourlot, Paris, published by Maeght, Paris, 260mm (12 7/8 x 10 1/4in)(Vol)(4) Maeght, Paris, with margins, 550 x 900mm (21 with full margins, 352 x 500mm (13 7/8 x 19 £1,200 - 1,800 5/8 x 35 3/8in)(SH) (unframed) 5/8in)(SH) (unframed) €1,400 - 2,100 £2,000 - 3,000 £1,500 - 2,000 US$1,900 - 2,800 €2,300 - 3,500 €1,800 - 2,300 US$3,100 - 4,700 US$2,300 - 3,100
Provenance: This impression comes from Jean In 1963, Joan Miro and his publisher Louis Celestin who was Miro’s dedicated printer at Broder embarked on the first edition of “Le Mourlot. Lezard aux plumes d’or”, a series of 18 colour lithographs to accompany a poem. However, due to defects in the manufactoring of the paper that affected the colours, the edition was cancelled. This lithograph is a rare proof produced before the edition was abandoned.
Provenance: This impression comes from Jean Celestin who was Miro’s dedicated printer at Mourlot.
66 | Bonhams 107
108
107 AR 108 AR Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983) La Magie Quotidienne (Dupin 271) Soleil Noyé II (Dupin 349) Etching with engraving and aquatint printed in colours, 1959, on wove, Aquatint printed in colours, 1962, on Rives, signed and numbered 52/75 signed, dated ‘27 May 1969’, inscribed ‘e.a.’ and dedicated ‘pour in pencil, published by Maeght Editeur, Paris, with wide margins, 218 x Claude Herboche, amicalement’ in pencil, an artist’s proof aside from 583mm (8 1/2 x 23in)(PL) the numbered edition of 120, published by Louis Broder, Paris, with £2,500 - 3,500 margins, 325 x 510mm (12 3/4 x 20in)(SH) €2,900 - 4,100 £4,000 - 6,000 US$3,900 - 5,400 €4,700 - 7,000 US$6,200 - 9,300
Prints | 67 109 AR Salvador Dali (Spanish, 1904-1989) Biblia Sacra (Michler & Löpsinger 1600; Field 69.3) The very rare complete set of 105 lithographs printed in colours, 1967, each signed in ink, each on thick wove with wide margins, printer’s proofs with registration marks and colour references aside from standard (unsigned) edition, loose in three brown portfolio boxes, each portfolio with text and justification pages each signed by Dali in red crayon, printed and published by Rizzoli, Roma, each sheet 505 x 395mm (20 x 15 1/2in) (105) (unframed) £40,000 - 60,000 €47,000 - 70,000 US$62,000 - 93,000
Provenance: The Artist’s widow. Thence by decent.
The Biblia Sacra suite comprises 105 lithographs after gouaches executed between 1963 and 1964. The lithographic set was commissioned by Guiseppe Albaretto, an important Dali patron, and published in 1969 by Rizzoli Editions, Milan. It forms the largest published suite of Dali’s work.
The prints were first exhibited by Rizzoli alongside the original gouaches in New York. The lithographic plates closely reflect the spontaneity and richness of colour of the preparatory gouaches. Albert Field comments that the printed set was of such high quality that “the only sure way to distinguish one from the other was that the paint on the originals made the surface uneven”.
We believe this set to be the only known signed proof plates in existence. We have found no record of a signed set ever having come to auction
Albert Field, The Official Catalogue of the Graphic Works of Salvador Dali (New York: The Salvador Dali Archives, 1996), 201.
68 | Bonhams Prints | 69 110 110
110 111
110 AR 111 Salvador Dali (Spanish, 1904-1989) After René Magritte (Belgian, 1898-1967) La Bestiare de la Fontaine Dalinese (Michler and Löpsinger 653-664) Homme au Chapeau Melon, from Le Lien de Paille (Kaplan & Baum 19) The complete set of twelve etchings with drypoint and stencil, 1974, on Etching printed in black on pale ochre background, 1969, on japan Arches, each signed and inscribed ‘LXXXII/ CXX’ in pencil, aside from the nacré, with the artist’s ink stamp signature, inscribed ‘epreuve d’ artiste’ edition of 250, published by Ateliers Rigal, Paris, in the original suede in pencil, aside from the numbered edition of 150, printed and published portfolio, 815 x 600mm (32 x 23 5/8in) (overall size) (unframed) (12) by Georges Visat, Paris, with their blindstamp, with full margins, 279 x £6,000 - 8,000 218mm (11 x 8 3/4in)(SH) €7,000 - 9,400 £2,000 - 3,000 US$9,300 - 12,000 €2,300 - 3,500 US$3,100 - 4,700
70 | Bonhams 112 AR Victor Vasarely (Hungarian, 1906-1997) Antworten The complete portfolio, 1974, comprising 12 screenprints in colours, six signed in pencil and unbound, each with transparent protection cover and printed title, the portfolio additionally signed in pencil on the title page, numbered V/XX, a proof aside from the edition of 340, published by Studio Bruckmann, Munich, with title, text and justification in the original blue portfolio, 620 x 525mm (24 3/8 x 20 5/8in) (overall size) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
Prints | 71 113 After Francis Bacon (British, 1909-1992) Portrait of John Edwards Offset lithograph printed in colours, 2002, on wove, with a facsimile signature, numbered 43/50 in pencil, a posthumous edition published by the artist’s estate, with their stamp verso, with margins, 735 x 545mm (28 7/8 x 21 1/2in)(I) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300
72 | Bonhams 114
115
114 AR 115 AR Lucian Freud (British, 1922-2011) Lucian Freud (British, 1922-2011) Rushing to Greet you - The Hatfields Three Ships Linocut printed in orange with hand colouring in blue crayon, on japan, Linocut printed in orange, on japan, stuck at the corners onto a stuck at the corners onto a single piece of card, inscribed ‘With love’ in christmas card, inscribed in blue ink “There were three ships come the lower right image, 100 x 168mm (3 7/8 x 6 5/8in)(SH) (unframed) sailing by. On Christmas Day in the morning.”, 87 x 142mm (3 3/8 x 5 £2,500 - 3,000 5/8in) (SH) (unframed) €2,900 - 3,500 £2,500 - 3,000 US$3,900 - 4,700 €2,900 - 3,500 US$3,900 - 4,700 Provenance: Ewan Phillips and thence by decent. Provenance: Ewan Phillips and thence by decent.
Prints | 73 116 AR Lucian Freud (British, 1922-2011) Bella (second version) (Hartley 15; Figura 28) Etching, 1982, on BFK Rives, signed with initials, dedicated ‘to Maudy’ and inscribed ‘Studio Proof’ in green crayon, aside from the numbered edition of 25, printed and proofed by Terry Wilson of Palm Tree Studios, London, with full margins, 145 x 133mm (5 3/4 x 5 1/4in)(PL) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000
74 | Bonhams 117 AR Lucian Freud (British, 1922-2011) Two Men in the Studio (Hartley 39; Figura 46) Etching, 1989, on Somerset Satin White, initialled and inscribed ‘proof’ in pencil, aside from the numbered edition of 25, proofed and printed by Marc Balakjian at Studio Prints, London, published by James Kirkman and Brooke Alexander, with full margins, 229 x 203mm (9 x 8in) (PL) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000
Prints | 75 118 AR Lucian Freud (British, 1922-2011) Woman on a Bed (Hartley 44; Figura 38) Etching, 1991-92, on Somerset Satin White, initialled and numbered 9/30 in pencil, proofed and printed by Marc Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York, and James Kirkman, London, with full margins, 238 x 206mm (9 3/8 x 8 1/8in)(PL) £18,000 - 22,000 €21,000 - 26,000 US$28,000 - 34,000
76 | Bonhams 119 AR Lucian Freud (British, 1922-2011) Solicitor’s Head (Figura 62) Etching, 2003, on Somerset wove, initialled and numbered 37/46 in pencil, printed by Marc Balakjian at Studio Prints, London, published by Acquavella Gallery, New York, with full margins, 369 x 278mm (14 1/2 x 10 7/8in)(PL) £15,000 - 20,000 €18,000 - 23,000 US$23,000 - 31,000
Prints | 77 120 AR David Hockney R.A. (British, born 1937) Celia Smoking (MCA Tokyo 136) Lithograph, 1973, on Amgoumois handmade paper, signed, titled, dated and numbered 63/70 in pencil, published by Gemini GEL, Los Angeles, 980 x 720mm (38 5/8 x 28 3/8in)(SH) £6,000 - 8,000 €7,000 - 9,400 US$9,300 - 12,000
120 121 AR David Hockney R.A. (British, born 1937) Slightly Damaged Chair, Malibu (SAC 142) Lithograph, 1973, on Arches, signed, dated and numbered 19/60 in green crayon, titled in red crayon, proofed by Kenneth Tyler, printed by Donna Hirt, published by Gemini GEL, the full sheet, 760mm x 560mm (29 7/8in x 22 1/8in)(SH) (unframed) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
121
78 | Bonhams 122 123
122 • David Hockney R.A. (British, born 1937) Illustrations for fourteen poems from C P Cavafy (MCA Tokyo 47-59) The volume, 1966, Edition A, with twelve original etchings and text, on handmade Crisbrooke, each image stamped ‘Edition A’ on the reverse, lacking the loose signed print, signed and inscribed ‘AP’ in pencil on the justification, one of 50 proofs aside from the numbered edition of 250, printed by Maurice Payne and Danon Black at Alecto Studios, published by Editions Alecto, bound in purple linen boards within black slipcase, 473 x 336mm (18 3/4 x 13 1/4in)(vol) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800
123 AR David Hockney R.A. (British, born 1937) Cushions (SAC 64) Etching, 1968, on handmade Crisbrook, signed, dated and numbered 43/75 in pencil, printed by Maurice Payne, London, published by Petersburg Press, London, with full margins, 390 x 350mm (15 1/4 x 13 3/4in)(PL) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
124 AR David Hockney R.A. (British, born 1937) The French Shop (MCA Tokyo 112) Etching with aquatint printed in black and red, 1971, on BFK Rives, signed, dated and numbered 8/500 in pencil, printed at the Print Shop, Amsterdam, published by the Observer, London, 535 x 450mm (21 1/4x 17 3/4in)(PL) £1,500 - 2,000 €1,800 - 2,300 124 US$2,300 - 3,100
Prints | 79 125 * AR David Hockney R.A. (British, born 1937) Pool Made with Paper and Blue Ink for Book (MCA Tokyo 234) Lithograph in colours, 1980, on Arches cover paper, signed and dated in pencil, numbered 156/1000, published by Tyler Graphics, Ltd., Mount Kisco, New York, 1980, with their blindstamp; with the accompanying book Paper Pools, with title, text and justification, signed by the artist on the justification in red ink, copy 156 of 1000, within the original blue canvas cloth binding and slipcase, 265 x 225mm (10 1/8 x 8 7/8in) (unframed print & book) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
80 | Bonhams 126 AR David Hockney R.A. (British, born 1937) Two Vases in the Louvre (SAC 168; MCA Tokyo 154) Etching with aquatint printed in colours, 1974, on Inveresk, signed, dated and numbered 52/75 in pencil, printed by Maurice Payne, London, published by Petersburg Press, London, with full margins, 743 x 740mm (29 1/4 x 29 1/8 in)(PL) £15,000 - 20,000 €18,000 - 23,000 US$23,000 - 31,000
Prints | 81 127
129 128
127 AR 128 AR 129 AR David Hockney R.A. (British, born 1937) David Hockney R.A. (British, born 1937) Richard Hamilton (British, 1922-2011) The Drooping Plant (MCA Tokyo 311) Parade (Baggott 94) Multi-coloured Flower-Piece (Lullin 95) Handmade print in colours, 1986, on Arches, Screenprint in colours, 1981, on wove, for Aquatint printed in colours, 1974, on Rives, executed on an office copier, signed, dated the Metropolitan Opera, New York, from an signed and inscribed ‘A.P 6/10’ in pencil, an and numbered 33/46 in pencil, published by unknown edition size, published by Petersburg artist’s proof aside from the numbered edition the artist, 280 x 215mm (11 x 8 3/4in)(I) Press, London, the full sheet, 2134 x 1245mm of 75, printed at Atelier Crommelynck, Paris, £3,000 - 5,000 (84 x 49in)(SH) published by Atelier Crommelynck, Paris and €3,500 - 5,900 £1,500 - 2,000 Petersburg Press S.A., with margins, 298 x US$4,700 - 7,800 €1,800 - 2,300 234mm (11 3/4 x 9 1/4in)(PL) US$2,300 - 3,100 £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
82 | Bonhams 130
131
130 AR 131 AR Sir Howard Hodgkin (British, born 1932) Sir Howard Hodgkin (British, born 1932) Rain (Heenk 105) Blue Listening Ear (Heenk 73) Lift-ground etching, aquatint and carborundum in colours, 2000-02, Lift-ground etching with aquatint and carborundum, 1986, printed from on Two Rivers paper, signed with initials, dated ‘MM 1’ and numbered three aluminium plates in different tones of red and black, with hand 31/50 in pencil, printed and hand- coloured by Jack Shirreff at the 107 colouring in cobalt blue egg tempera, on TH Saunders, initialled, dated Workshop, published by Alan Cristea Gallery, London, the full sheet and numbered 48/100 in pencil, printed and hand coloured at 107 printed to the edges, 267 x 310mm (10 1/2 x 12 1/8in(SH) Workshop, Wiltshire, published by Bernard Jacobson Ltd, London, the £3,000 - 5,000 full sheet printed to the edges, 475 x 644mm (18 5/8 x 25 1/4in)(SH) €3,500 - 5,900 £4,000 - 6,000 US$4,700 - 7,800 €4,700 - 7,000 US$6,200 - 9,300
Prints | 83 132 Andy Warhol (American, 1928-1987) Flowers (F. & S.II.6) Offset lithograph printed in colours, 1964, on wove, signed and dated in black ink, from the edition of approximately 300, printed by Total Color, New York, published by Leo Castelli, New York, to coincide with an exhibition at Leo Castelli Gallery, November 21-December 17, 1964, with margins, 580 x 580mm (22 7/8 x 22 7/8in)(SH) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000
84 | Bonhams 133 Andy Warhol (American, 1928-1987) One Plate, from Ladies and Gentlemen (F.&S. II.130) Screenprint in colours, 1975, on Arches, signed, dated and numbered 101/125 in pencil verso, published by L. Anselmino, Milan, the full sheet, 1105 x 719mm (40 x 28 1/4in)(SH) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
Prints | 85 134 Andy Warhol (American, 1928-1987) Mick Jagger (F. & S. II.140) Screenprint in colours, 1975, on Arches Aquarelle, signed in pencil by the artist and by Mick Jagger in black felt-tip pen, numbered 220/250, printed by Alexander Heinrici, New York, published by Seabird Editions, London, with their stamp verso, the full sheet, 1105 x 737mm (43 1/2 x 29in)(SH) £20,000 - 30,000 €23,000 - 35,000 US$31,000 - 47,000
86 | Bonhams 135 Andy Warhol (American, 1928-1987) Paloma Picasso (F. & S.ﾠ II.121) Screeprint in colours, 1975, on Arches, signed, dated and numbered 35/90 in pencil verso, as included in the portfolio ‘America’s Hommage á Picasso’, published by Propylaen-Verlag, Berline and Panthéon Presse, Rome, the full sheet printed to the edges, 1040 x 700mm (41 x 27 1/2in) (SH) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300
Prints | 87 136 136 Andy Warhol (American, 1928-1987) After the Party (F.&S. II.183) Screenprint, 1979, on Arches 88, signed and inscribed ‘AP’ in pencil, a proof aside from the edition of 1000, with a dedication verso ‘Happy Birthday Sharon from Andy and Bob’, printed by Rupert Jasen Smith, New York, published by Grosset and Dunlap Inc., New York, 543 x 772mm (21 3/8 x 30 3/8in)(SH) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
137 * Robert Rauschenberg (American, 1925-2008) Sink (F.17) Lithograph, 1964, on Angoumois, signed, titled, dated and numbered 37/43 in pencil, printed and published by ULAE, West Islip, with their blind stamp, the full sheet, 400 x 415mm (15 3/4 x 16 3/8in)(SH); together with ‘Rauschenberg: XXXIV Drawings for Dante’s Inferno’, the complete set of 34 reproductions in colours of drawings by the artist, hors-texte, title page and text, signed on the justification, from the total edition of 300, on wove, published by Harry N. Abrams, Inc., New York, 1965, the full sheets, loose as issued, within the linen-covered board portfolio box with title and artist’s name printed in grey and red, 473 x 469mm (18 5/8 x 18 1/2in)(folio) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800 137
88 | Bonhams 138 Roy Lichtenstein (American, 1923-1997) Mirror #7, from the Mirror Series (Corlett 112) Lithograph with screenprint in colours, 1972, on Special Arjomari paper, signed, dated and inscribed ‘A/P VIII’ in pencil, an artist’s proof aside from the numbered edition of 80, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp recto and their workshop number and stamp verso, the full sheet, 761 x 443mm (30 x 17 1/2in)(I) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
Prints | 89 139 Roy Lichtenstein (American, 1923-1997) Brushstrokes (Corlett 45) Screenprint in colours, 1967, on wove, signed and inscribed ‘AP’ in pencil, an artist’s proof aside from the numbered edition of 300, printed by Aetna Silkscreen Products, New York, published by Leo Castelli Gallery, for the Pasadena Art Museum, California, with full margins, 555 x 765mm (21 3/4 x 30in) (I) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000
90 | Bonhams 140 Roy Lichtenstein (American, 1923-1997) Vertical Apple, from Seven Apple Woodcuts Series (Corlett 199) Woodcut printed in colours, 1983, on handmade Iwano Kizuki Hosho, signed, dated and numbered 45/60 in pencil, printed and published by Petersburg Press, New York and London, with full margins, 761 x 604mm (30 x 27in)(B) £6,000 - 8,000 €7,000 - 9,400 US$9,300 - 12,000
Prints | 91 141 • Patrick Caulfield (British, 1936-2005) Jules Laforgue (Cristea 38a-v) The complete book, 1973, Edition C, comprising 22 screenprints in colours, on Neobond synthetic wove, lacking the separate suite of prints, with title page, text and justification, signed, inscribed ‘Edition C’ and numbered 93/100 in pencil on the justification page, published by Petersburg Press in association with Waddington Galleries, London, the full sheets printed to the edges, bound as published in the original grey leatherette covered box, and matching slipcase, each 405 x 355mm (16 x 14in)(SH)(vol) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
92 | Bonhams 142
143
142 AR 143 * AR Sir Peter Blake (British, born 1932) Sir Peter Blake (British, born 1932) I Love You Paul Weller’s Stanley Road Screenprint with diamond dust, 2010, on wove, signed and numbered Screenprint in colours, 2003, on wove, signed and numbered 47/250 in 65/175 in pencil, published by CCA Galleries, London, with their pencil, with full margins, 485 x 485 mm (19 1/8 x 19 1/8in)(I) blindstamp, with margins, 420 x 1360mm (16 1/2 x 53 1/2in)(SH) £2,000 - 3,000 (unframed) €2,300 - 3,500 £1,500 - 2,000 US$3,100 - 4,700 €1,800 - 2,300 US$2,300 - 3,100
Prints | 93 144
145
144 AR 145 AR Gilbert & George (Italian/British, born 1943) Kenneth Martin (British, 1905-1984) Pink Elephant Metamorphoses The set of eight offset lithographic cards, 1973, each card signed by Screenprint, 1976-1977, on wove, signed, dated and numbered both artists in red ink, from the unknown edition size, the full sheets, 16/100 in pencil, together with two sheets of acetate in the original each 202 x 127mm (8 x 5in)(8) tube, published by Editions Media, Neuchatel, with full margins, 519 x £1,500 - 2,000 1274mm (20 x 50 1/8in) (SH) €1,800 - 2,300 £1,000 - 1,500 US$2,300 - 3,100 €1,200 - 1,800 US$1,600 - 2,300
94 | Bonhams 146 AR Bridget Riley (British, born 1931) La Lune en Rodage - Carlo Belloli (Schubert 6) Screenprint, 1965, on wove, signed, dated and numbered 104/200 in pencil, printed by Kelpra Studio, London, published by Editions Panderma, with full margins, 319 x 319 mm (12 1/2 x 12 1/2in)(SH) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
Prints | 95 147 * AR Bridget Riley (British, born 1931) Untitled (Fragment 4) (Schubert 5d) Screenprint on plexiglass, 1965, signed and dated lower left, numbered 27/75 verso, printed by Kelpra Studio, London, published by Robert Fraser Gallery, London, the full sheet, 712 x 686mm (28 x 27in)(SH) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000
96 | Bonhams 148 AR Bridget Riley (British, born 1931) Untitled (Winged Curve) (Schubert 7) Screenprint, 1966, on wove, signed, dated and numbered 32/75 in pencil, printed by Kelpra Studio, London, 575 x 625mm (22 5/8 x 24 5/8in)(SH) £8,000 - 12,000 €9,400 - 14,000 US$12,000 - 19,000
Prints | 97 149
150
149 AR 150 AR Bridget Riley (British, born 1931) Bridget Riley (British, born 1931) Untitled (Bronze) (Schubert 26) June (Schubert 51) Screenprint in colours, 1978, on wove, signed, dated and numbered Screenprint in colours, 1992-2002, on wove, signed, titled, dated and 16/75 in pencil, printed by Graham Henderson, London, published by numbered 22/75 in pencil, printed by Sally Gimson and Angus Wade, the artist, with margins, 679 x 946mm (26 3/4 x 37 1/4in)(SH) published by Artizan Editions, Hove, with margins, 800 x 1143mm (31 £4,000 - 6,000 1/2 x 45in) (I) €4,700 - 7,000 £8,000 - 12,000 US$6,200 - 9,300 €9,400 - 14,000 US$12,000 - 19,000
98 | Bonhams 151 AR Bridget Riley (British, born 1931) To Midsummer (Schubert 34) Screenprint in colours, 1989, on wove, signed, titled, dated and numbered 40/100 in pencil, printed by Graham Henderson, London, with the Advanced Graphics blindstamp, published by 3i Group, with full margins, 927 x 915mm (31 1/2 x 36in)(SH) (unframed) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300
151
152 AR Bridget Riley (British, born 1931) Elapse (Schubert 30) Screenprint in colours, 1982, on wove, signed, titled and dated in pencil, from the edition of 260, printed by Graham Henderson, London, published by the Print Club, Cleveland, with their blindstamp, with full margins, 1021 x 639mm (40 1/8 x 25 1/8in)(I) £5,000 - 7,000 €5,900 - 8,200 US$7,800 - 11,000
152
Prints | 99 153 AR W Bridget Riley (British, born 1931) Composition with Circles 2 (Schubert 46) Screenprint in colours, 2001, on wove, signed, titled and numbered 21/30 in pencil, printed by Brand X Editions, New York, published by Dia Center for the Arts, New York, with full margins, 797 x 2851mm (31 3/8 x 112 1/4in)(I) £7,000 - 10,000 €8,200 - 12,000 US$11,000 - 16,000
100 | Bonhams In 1998 Riley participated in the White Noise exhibition at Kunsthalle Bern, Switzerland with a site specific wall drawing, Composition with Circles 1. For the installation, she employed the basic unit of a circle repeated in different ways over the wall surface. In this web of nearly touching or overlapping identical hoops, ‘there’s something simultaneously constant and yet varied’. And it is ‘this sort of inconstancy within stasis’ that generates multi-focal visual impulses and activates the space rhythmically, as the eye moves across the wall. In 2000, she revisited the asystematic repetition of black circular outlines in response to a second public commission for Reconnaisance at Dia Center for the Arts, New York. Composition with Circles 2, 2001 was produced to accompany the exhibition and is the largest print Riley has made to date.
David Thompson, ‘She is a dedicated follower of abstraction’, The Independent, Sunday 15 Nov 1998.
Prints | 101 Property from the Curwen Archive
154
The lithographs offered in the following three lots, 154-156, are three of the six constituent lithographs of “The Prince Pig” series. The set “The psychologically acute image [in “Unhappy Courtship] is a subtle illustrates the 16th century Italian tale by Giovanni Francesco Straparola description of an impossibly unbearable situation. The flat, almost “ From Swine to Man”. “ The narrative verges on obscenity, it is erotic in restricted, colours, while pictorially appropriate, are somehow reticent, a fantastic way and it is singularly violent, although, perhaps happily for leaving the viewer to disentangle what is going on in those inevitably the viewer’s peace of mind, [Rego] eschews in her chosen images most separated minds.” of the extreme violence of the prose.” Although “quite savagely violent, the tale has a happy ending in the best frog-into-prince tradition”. “Seduction of Pig Prince” involves the third sister of the tale, the youngest and most beautiful one, who seduced the monstrous beast in “As you scrutinise the odd couple[ in “Prince Pig Courtship”], Rego such a way that he would not harm her, eventually bringing about his makes abundantly clear that no good will come of this , literally, bestial transformation. “ In this image Rego emphasizes the disparity of size union. Here is another perfect Rego paradox that despite its happy and weight between girl and pig. While she is trying to seduce him with ending, this is, like other Rego fairy stories drawn from literature, a grim kisses and caresses she has to beat the huge weight of the animal which and horrifying account of two beautiful women involuntarily sacrificed would undoubtedly crush her. Her face is mournful, which suits the to a smelly, ugly, porcine monster.” circumstances of a picture that is, in effect, a Pietà, an image that often recurs in Rego’s works.
T. G. Rosenthal, Paula Rego: The Complete Graphic Work (London: Thames& Hudson, 2012), 208-215.
102 | Bonhams 154 AR Paula Rego (British, born 1935) Seduction of Prince Pig (Rosenthal 233) Lithograph printed in colours, 2006, on Somerset Velvet, signed and inscribed 2/2 in pencil, an archive proof aside from the edition of 35, printed by Stanley Jones at the Curwen Studio, Chilford, published by Marlborough Fine Art, London, the full sheet printed to the edges, 944 x 666mm (37 x 26 1/4in) (SH) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
155 AR Paula Rego (British, born 1935) Prince Pig Courtship (Rosenthal 234) Lithograph printed in colours, on Somerset Velvet, signed and inscribed ‘Curwen Archive 1/2’ in pencil, an archive proof aside from the edition 155 of 35, printed by Stanley Jones at the Curwen Studio, Chilford, published by Marlborough Graphics, London, the full sheet printed to the edges, 940 x 663mm (37 x 26in) (SH) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
156 AR Paula Rego (British, born 1935) Unhappy Courtship (Rosenthal 231) Lithograph printed in colours, 2006, on Somerset Velvet, signed and inscribed ‘Curwen Archive 1/2’ in pencil, an archive proof aside from the edition of 35, printed by Stanley Jones at Curwen Studio, Chilford, published by Marlborough Graphics, London, with full margins, 875 x 648mm (34 1/2 x 25 1/2in) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
156
Prints | 103 Property from the Curwen Archive
157 AR Paula Rego (British, born 1935) Undressing (Rosenthal 207) Lithograph printed in colours, 2001-2002, on Somerset Velvet, signed in pencil, a proof aside from the edition of 35, printed by Stanley Jones at the Curwen Studio, Chilford, published by Marlborough Graphics, London, with full margins, 935 x 670mm (36 3/4 x 26 3/8in) (SH) (unframed) £1,200 - 1,800 €1,400 - 2,100 US$1,900 - 2,800
157
158 AR Paula Rego (British, born 1935) Girl with Foetus (Rosenthal 238) Lithograph printed in colours, 2006, on Somerset Velvet, signed and inscribed ‘Curwen Archive 1/2’ in pencil, an archive proof aside from the edition of 35, printed by Stanley Jones at the Curwen Studio, Chilford, published by Marlborough Fine Art, London, with full margins, 750 x 477mm (29 1/2 x 18 3/4in) (SH) (unframed) £1,000 - 1,500 €1,200 - 1,800 US$1,600 - 2,300
158
104 | Bonhams 159 AR Josef Herman R.A. (British, 1911-2000) Song of the Migrant Bird The complete boxed set comprising 54 lithographs printed in colours, on Somerset mould, each image signed in pencil, with title-page, justification and index, also inscribed on the justification copy ‘Archive 1’ aside from the edition of 50, printed by the Curwen Press, Chilford, with their blindstamp on each sheet, in the original burgundy linen covered box, with gold embossed title on the front board, 324 x 230mm (12 3/4 x 9 in)(box)(54) £2,500 - 3,000 €2,900 - 3,500 US$3,900 - 4,700
Prints | 105 160 161
160 AR Mario Testino (British, 1952) Kate Moss, London, 2006 C-print in colours, 2012, signed and numbered 89/175 in black ink verso, printed by Metro Imaging, London, published by Counter Editions, London, 508 x 607mm (20 x 24in)(SH) £2,500 - 3,500 €2,900 - 4,100 US$3,900 - 5,400
161 Chris Levine (Canadian, born 1972) Lightness of Being Lenticular print, 2010, signed, dated and numbered 42/200 verso, printed by Jeffrey Robb, the full sheet printed to the edges, 675 x 475mm (26 1/2 x 18 3/4in)(SH) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
162 AR Bernar Venet (French, born 1941) Unlimited Lines Screenprint on aluminium, 2003, signed, dated and numbered 22/100 ink, 355 x 278mm (14 x 11in) (SH) (unframed) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
162
106 | Bonhams 163 AR Julian Opie (British, born 1958) We Swam Amongst the Fishes (Cristea 45) Screenprint, 2003, on spray-painted MDF block, signed and numbered 120/160 in black ink verso, printed by Advanced Graphics, London, published by the artist, London, 762 x 762mm (30 x 30in)(SH) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
Prints | 107 164
165 166
164 AR 165 AR 166 AR Chris Ofili (British, born 1968) Chris Ofili (British, born 1968) Peter Doig (British, born 1959) Afro Harlem Muses Untitled, from the Cubitt portfolio Alpiniste Two lithographs printed in colours with Etching with aquatint and drypoint printed Etching printed in blue, on wove, signed embossing, 2005, on one sheet of Somerset in red, 1999-2000, on Hahne Muehle paper, and numbered 29/40 in pencil, with full velvet, signed, titled, dated and numbered signed and numbered 79/100 in pencil, margins, 280 x 220mm (11 x 8 5/8in)(PL); 37/60 in pencil, published by David Zwirner published by Cubitt, London, with full margins, together with ‘The Wonders of Ski-ing’ book Gallery, New York, with full margins, 530 x 260 x 210mm (10 1/4 x 8 1/4in) (SH) by Hannes Schneider and Arnold Fanck and 700mm (21 x 27 5/8in)(SH) £1,500 - 2,000 printed bookplate, the bookplate signed £2,500 - 3,500 €1,800 - 2,300 and numbered 29/40 in pencil, published by €2,900 - 4,100 US$2,300 - 3,100 Salon Verlag, Cologne, within the original US$3,900 - 5,400 presentation box. (framed & folio) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
108 | Bonhams 167
167 AR Grayson Perry (British, born 1960) Hold your Beliefs Computerised embroidery on cotton and silk, 2011, signed and numbered 100/250 in black ink verso, programming by Tony Taylor, 280 x 405mm (11 x 16in)(I) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
“Hold your Beliefs” was featured in Grayson Perry’s recent exhibition “The Tomb of the Unknown Craftsman” which juxtaposed an installation of Perry’s own art works alongside objects made by anonymous craftsmen throughout history chosen from the British Museum’s intriguing collection. The design of the computerised embroidery is indebted to African Asafo flags in the British Museum’s collection. Perry remarked on his source of inspiration: “The freshness of these flags compared to British pageantry makes me think that ritual can become stultified if not kept relevant to its time and context”.
168 AR Grayson Perry (British, born 1960) Receipt for Humanity Computerised embroidery in colours, 2005, signed in black ink verso, numbered from the edition of 250, with full margins, overall size 485 x 365mm (19 x 14 3/8in) (SH) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
168
Prints | 109 169
170
169 170 Takashi Murakami (Japanese, born 1962) Takashi Murakami (Japanese, born 1962) A Picture of the Blessed Lion Who Stares at Death Nirvana Offset lithograph printed in colours, 2009, on glossy wove, signed and Offset lithograph printed in colours, 2008, on glossy wove, signed and numbered 104/300 in silver felt-tip pen, published by Kaikai Kiki Co. Ltd, numbered 189/300 in silver felt-tip pen, published by Kaikai Kiki Co. Ltd, Tokyo, the full sheet, 710 x 1400mm (28 x 55in)(SH) (unframed) Tokyo, the full sheet printed to the edges, 655 x 1315mm (25 3/4 x 51 £1,500 - 2,000 3/4in)(SH) €1,800 - 2,300 £1,500 - 2,000 US$2,300 - 3,100 €1,800 - 2,300 US$2,300 - 3,100
110 | Bonhams 171 Takashi Murakami (Japanese, born 1962) Melting DOB E; Melting DOB D Two offset lithographs, 2001, on wove, each signed and numbered 76/300 in black ink, published by Kaikai Kiki Co., Tokyo, 680 x 680mm (26 3/4 x 26 3/4in)(SH) (2) £1,500 - 2,000 €1,800 - 2,300 US$2,300 - 3,100
Prints | 111 172 AR Damien Hirst (British, born 1965) Mantra Screenprint with diamond dust, 2011, on Somerset tub sized paper, signed and numbered 10/50 in pencil, printed and published by Other Criteria, London, with full margins, 1524 x 1512mm (60 x 59 1/2in)(SH) £25,000 - 30,000 €29,000 - 35,000 US$39,000 - 47,000
This work has been donated to Teenage Cancer Trust to raise money for young people with cancer. 100% of the proceeds of the sale will be donated to the charity.
Photographed by Prudence Cuming Associates © Damien Hirst and Science Ltd. All rights reserved, DACS 2013
112 | Bonhams Prints | 113 173 AR Damien Hirst (British, born 1965) Science Xmas Butterfly Print (2010) Foil block print in silver gloss, emerald green, chilli red, 2010, on Arches 88, signed, numbered 107/150 and inscribed ‘For Ella’ in pencil, stamped ‘Happy Christmas 2010’, published by Other Criteria, London, with full margins, 725 x 505mm (28 1/2 x 20in)(SH) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
173
174 AR Damien Hirst (British, born 1965) Stalin Comic Relief Print Inkjet and screenprint in colours, 2007, on wove, signed and numbered 140/500 in pencil, with margins, 508 x 413mm (20 x 16 1/4in)(SH) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
174 (detail)
114 | Bonhams 175 AR Damien Hirst (British, born 1965) Omelette, from The Last Supper Screenprint in colours, 1999, on Somerset, signed in pencil, numbered from the edition of 150 verso, published by Charles Booth-Clibborn under his imprint The Paragon Press, London, the full sheet, 1525 x 1015mm (60 x40in)(SH) £2,000 - 3,000 €2,300 - 3,500 US$3,100 - 4,700
Prints | 115 176 Various Artists Pax Britannica The complete portfolio, 2004, comprising 22 prints of various media, on various papers, each signed, from the edition of 100, published by Aquarium Gallery, London, in the original black portfolio box, overall 235 x 325mm (9 1/4 x 12 3/4in) (folio) £3,000 - 5,000 €3,500 - 5,900 US$4,700 - 7,800
Artists include Banksy, Steve Bell, James Boswell, Alexander de Cadenet, Sir Anthony Caro, James Cauty, Billy Childish, David Gentleman, Richard Hamilton, Clifford Harper, Brian Jones, John Keane, Peter Kennard, Alan Kitching, Jenny Matthews, Paul Mattson, Antonio Pacitti, Jamie Reid, Martin Rowson, Ralph Steadman, STOT21stC and Gee Vaucher.
116 | Bonhams 177 AR Banksy (British, born 1975) Rude Copper Screenprint, on wove, with the stamped signature in red ink, numbered 160/250 in pencil, 580 x 415mm (22 3/4 x 16 3/8in)(SH) (unframed) £4,000 - 6,000 €4,700 - 7,000 US$6,200 - 9,300
This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. End of Sale
Prints | 117 Index Lot No
A Aitchison, Craigie 70 Andrews, Sybil 47, 49, 50, 51, 54
B Bacon, After Francis 113 Banksy 177, 178 Bawden, Edward 57, 58, 59 Blake, Peter 142, 143 Blake, William 27 Brodzky, Horace Asher 42
C Caulfield, Patrick 141 Chagall, After Marc 102, 103 Chagall, Marc 99, 100, 101 Cliffe, Henry 72
D Dali, Salvador 109, 110 Doig, Peter 166 Dürer, Albrecht 1, 2, 3, 4
F Flight, Claude 37, 38 Foujita, Léonard Tsuguharu 74 Freud, Lucian 114, 115, 116, 117, 118, 119
G Gilbert & George 144 Goltzius, Hendrick 7 Greengrass, William 44
H Hamilton, Richard 129 Hepworth, Dame Barbara 63 Herman, Josef 159 Hirst, Damien 172, 173, 174, 175 Hockney, David 121, 122, 123, 124, 125, 126, 127, 128 Hodgkin, Howard 130, 131 Hollar, Wenceslaus 8 Hoppner, After John 25
L Lanyon, Peter 67 Leach, Bernard 64 Levine, Chris 161 Lichtenstein, Roy 138, 139, 140 Lowry, Laurence Stephen 68, 69 Index Lot No
M Magritte, Rene 111 Martin, Kenneth 145 Miró, After Joan 104 Miró, Joan 105, 106, 107, 108 Moore, Henry 71 Murakami, Takashi 169, 170, 171
N Nevinson, Christopher Richard Wynne 30, 31, 32, 33, 34, 35, 36 Nicholson, Ben 60, 61, 62
O Ofili, Chris 164, 165 Opie, Julian 163
P Palmer, Samuel 29 Perry, Grayson 167, 168 Picasso, After Pablo 94, 95, 97, 98 Picasso, Pablo 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 96 Polish School 18 Power, Cyril Edward 39, 45
R Rauschenberg, Robert 137 Rego, Paula 154, 155, 156, 157, 158 Rembrandt Harmensz van Rijn 9, 10, 11, 12, 13, 14 Renoir, Pierre-Auguste 76 Riley, Bridget 146, 147, 148, 149, 150, 151, 152, 153
S Scott, William 65, 66 Sickert, Walter Richard 28 Spowers, Ethel 55, 56
T Testino, Mario 160 Tissot, James Jacques Joseph 73 Toulouse-Lautrec, Henri de 75 Tschudi, Lill 40, 41, 43, 46, 52, 53
V Various Artists 6, 16, 17, 19, 20, 21, 22, 23, 24, 26, 176 Vasarely, Victor 112 Venet, Bernar 162
W Warhol, Andy 132, 133, 134, 135, 136 Prints & Multiples
22 October, San Francisco & Los Angeles +1 415 503 3259 Consignments now invited [email protected] +1 323 436 5435 [email protected]
David Hockney Walking Past Two Chairs, 1984-86 Color lithograph, screen printed plexiglas in artist’s frame $30,000 - 50,000
International Auctioneers and Valuers – bonhams.com/prints Prints Tuesday 19 November 2013 at 2pm New Bond Street, London Entries now invited
Closing date for entries Friday 4 October 2013
+44 (0) 20 7468 8212 [email protected]
Gerhard Richter (German, born 1932) Seestück Offset lithograph, 1991, signed in pencil, 899 x 700mm. Sold for £11,390
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This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on
NTB/MAIN/5.13 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the bidding. Please contact us for further details. terms of payment at any time. Under the Buyer’s Agreement, a premium (the Buyer’s Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bidding Form carefully before returning it to us, fully completed 25% up to £25,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with 20% from £25,001 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which 12% from £500,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; the date of the Sale). details of how to bid via the internet. Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% Address: PO Box 4RY the agent’s authority to bid. Nevertheless, as the Bidding 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT London W1A 4RY of another (whether or not he has disclosed that fact or the Account Name: Bonhams 1793 Limited Trust Account identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, Account Number: 25563009 the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. IBAN Number: GB 33 NWBK 560027 25563009 please let us know if you are acting on behalf of another person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on If paying by bank transfer, the amount received after the the Hammer Price and Buyer’s Premium: deduction of any bank fees and/or conversion of the currency Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s of payment to pounds sterling must not be less than the person to bid on your behalf at the Sale unless this is to be Premium sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Form that you have completed. If we do not approve the Price and Buyer’s Premium Debit cards: there is no additional charge for purchases made agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium issued by an overseas bank, deferred and company debit cards own behalf. Accordingly, the person bidding at the Sale will and all credit cards will be subject to a 2% surcharge; be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the
NTB/MAIN/5.13 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or
NTB/MAIN/5.13 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in thisCatalogue , it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.
NTB/MAIN/5.13 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.
NTB/MAIN/5.13 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Lot for your breach of contract; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing other means on giving seven days’ written notice to and may be delivered by hand or sent by first class you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. in relation to the Lot made by or on behalf of 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which the remainder of the relevant term. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. not become your property, and for this purpose management or staff or, for any indirect losses or (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. himself and to his servants or agents to enter upon of whether the said loss or damage is caused by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. the Lot or part thereof; claim or otherwise; 10.9 References to the singular will include reference to 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. private treaty until all sums due under the Contract or representation in respect of it, or this agreement for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and (after as well as before judgement or order) at the construed in accordance with the laws of that part rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints his behalf in respect of the Lot, after the payment of procedure in place. all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.
NTB/MAIN/5.13 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE
You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.
NTB/MAIN/5.13 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or any rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. contract; is the subject of a claim by someone other than you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, we may: Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will thereof; 8.1.3 commence interpleader proceedings or seek any cease. other order of any court, mediator, arbitrator or 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps return for pursuing a course of action agreed to by or a Book or Books. 7.1.8 to retain possession of any of your other property in you. our possession for any purpose (including, without 10 OUR LIABILITY limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate arbitrator or government body; and in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior any monies due to you as a result of such Sale in to or during the Sale. payment or part payment of any amounts owed to 9 FORGERIES us; 10.2 Our duty to you while the Lot is at your risk and/or 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by us persons or things caused by: at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or the Lot and that invoice has been paid; and 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: not court proceedings will have been issued) incurred practicable after you have become aware that the Lot by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. of the Sale and Lot number sufficient to identify the Lot.
NTB/MAIN/5.13 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. wasted time on the part of the Buyer’s management a conflict of such opinion; or or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. damages of any kind, irrespective in any case of Lot only by means of a process not generally the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. in respect of any negligence, other tort, breach of for us to have employed; or contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. manuscripts, extra illustrated books, music or 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 circumstances where we are liable to you in nothing in this agreement confers (or purports to respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third you in respect of the Lot. Parties) Act 1999, which enables the benefit of a You may wish to protect yourself against loss by contract to be extended to a person who is not a obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. incapable of assignment by, you and if you sell or 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. person’s liability or excluding or restricting any All transactions to which this agreement applies person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a given to you in writing. Any such waiver will not complaints procedure in place. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. give rise to a significantly increased financial com or requested by post from Customer Services Department, the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. and obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3. APPENDIX 3 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The address or fax number of the relevant party given Glossary is to assist you to understand words and phrases within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. return the Lot to us in the same condition as it was of the sender of the notice or communication to at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS evidence that the Lot is a non-conforming Lot and applicable time period. details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.
NTB/MAIN/5.13 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. on the Hammer Price. (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant “Reserve” the minimum price at which a Lot may be sold the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. (whether at auction or by private treaty). the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as “Sale” the auction Sale at which a Lot is to be offered for Sale will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots by Bonhams. pass. to be offered for Sale by Bonhams. “Sale Proceeds” the net amount due to the Seller from the “Contract for Sale” the Sale contract entered into by the Sale of a Lot, being the Hammer Price less the Commission, any (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). VAT chargeable thereon, Expenses and any other amount due (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot to us in whatever capacity and howsoever arising. (being that part of the Entry about the Lot in the Catalogue “Seller” the person who offers the Lot for Sale named on (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) the Contract Form. Where the person so named identifies on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the form another person as acting as his agent, or where the charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. person named on the Contract Form acts as an agent for a to the buyer before the contract is made, and “Description” any statement or representation in any principal (whether such agency is disclosed to Bonhams or not), way descriptive of the Lot, including any statement or “Seller” includes both the agent and the principal who shall be (b) the buyer will enjoy quiet possession of the goods representation relating to its authorship, attribution, condition, jointly and severally liable as such. The Seller is also referred to except in so far as it may be disturbed by the provenance, authenticity, style, period, age, suitability, quality, in the Conditions of Business by the words “you” and “your”. owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer “Specialist Examination” a visual examination of a Lot by a of any charge or encumbrance so disclosed or Price). specialist on the Lot. known. “Entry” a written statement in the Catalogue identifying the “Stamp” means a postage Stamp offered for Sale at a Lot and its Lot number which may contain a Description and Specialist Stamp Sale. (3) This subsection applies to a contract of sale in the case illustration(s) relating to the Lot. “Standard Examination” a visual examination of a Lot by a of which there appears from the contract or is to be “Estimate” a statement of our opinion of the range within non-specialist member of Bonhams’ staff. inferred from its circumstances an intention that the which the hammer is likely to fall. “Storage Contract” means the contract described in seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by paragraph 8.3.3 of the Conditions of Business or paragraph person may have. Bonhams in respect of the Lot including legal Expenses, 4.4 of the Buyer’s Agreement (as appropriate). banking charges and Expenses incurred as a result of an “Storage Contractor” means the company identified as such (4) In a contract to which subsection (3) above applies there electronic transfer of money, charges and Expenses for loss and in the Catalogue. is an implied term that all charges or encumbrances damage cover, insurance, Catalogue and other reproductions “Terrorism” means any act or threatened act of terrorism, known to the seller and not known to the buyer have and illustrations, any customs duties, advertising, packing or whether any person is acting alone or on behalf of or in been disclosed to the buyer before the contract is made. shipping costs, reproductions rights’ fees, taxes, levies, costs of connection with any organisation(s) and/or government(s), testing, searches or enquiries, preparation of the Lot for Sale, committed for political, religious or ideological or similar (5) In a contract to which subsection (3) above applies storage charges, removal charges, removal charges or costs purposes including, but not limited to, the intention to there is also an implied term that none of the following of collection from the Seller as the Seller’s agents or from a influence any government and/or put the public or any section will disturb the buyer’s quiet possession of the goods, defaulting Buyer, plus VAT if applicable. of the public into fear. namely: “Forgery” an imitation intended by the maker or any other “Trust Account” the bank account of Bonhams into which all person to deceive as to authorship, attribution, origin, sums received in respect of the Purchase Price of any (a) the seller; authenticity, style, date, age, period, provenance, culture, Lot will be paid, such account to be a distinct and separate source or composition, which at the date of the Sale had a account to Bonhams’ normal business bank account. (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not “VAT” value added tax at the prevailing rate at the date of the that the seller should transfer only such title as a been such an imitation, and which is not stated to be such Sale in the United Kingdom. third person may have, that person; an imitation in any description of the Lot. A Lot will not be a “Website” Bonhams Website at www.bonhams.com Forgery by reason of any damage to, and/or restoration and/ “Withdrawal Notice” the Seller’s written notice to Bonhams (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) revoking Bonhams’ instructions to sell a Lot. that third person otherwise than under a charge having been carried out on the Lot, where that damage, “Without Reserve” where there is no minimum price at or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not which a Lot may be sold (whether at auction or by private before the contract is made. substantially affect the identity of the Lot as one conforming to treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a Lot The following expressions have specific legal meanings with are warranties.” made up of a Stamp or Stamps or a Book or Books as set out which you may not be familiar. The following glossary is in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.
NTB/MAIN/5.13 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 London Bill Allan Jersey 20123 Milano USA Argentina 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt UK Porcelain & Pottery Memorabilia UK Jon Baddeley London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg Bury St. Edmunds +44 1534 759 354 fax Italy - rome CA 94103 Thomaz Oscar Saavedra Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +1 212 644 9108 Peter Scott UK +1 415 503 3353 +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 South East Scotland Los Angeles +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Reepham 22 Queen Street 1075 HL Amsterdam Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK Brighton & Hove +1 (323) 850 6090 fax Suite 1122 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place Greer Adams Greek Art Automobilia Michael Moorcroft Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty UK +44 20 7468 8314 Toby Wilson U.S.A +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 Glasgow Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax Philip Keith U.S.A. Memorabilia Kurt Forry Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] Millmead, The Old House Glasgow 28001 +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu Fred Baklar Motorcycles +44 20 7468 8355 +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International UK Penny Day +44 8700 273616 Sporting Guns +44 1564 776 151 Representatives: Rue Etienne-Dumont 10 Mansion American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli Tom Gilbey Switzerland Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 Ground Floor Central Valley Chaoyang District Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Dessa Goddard Modern Art Toys, Dolls & Chess Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 +44 1892 518 077 fax +44 1865 372 722 fax 7-8 Park Place, Art Expertise Martin Gammon Japan +852 2918 4321 U.S.A Travel Pictures Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi Antique Arms & Armour Tanya Wells Natural History Veronique Scorer +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 James Roberts Christine Eisenberg Tokyo 105-0003 David Williams UK Claudia Florian Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams Jeff Burfield Leeds LS1 2PF Florida [email protected] Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade +1 415 503 3360 Jonathan Snellenburg Taiwan UK South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 Art Collections, UK +44 20 7468 8261 Wristwatches [email protected] +1 (404) 842 1500 Taipei, 100 Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK Bath Chester • russia +886 2 8758 2898 Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] +44 20 7393 3914 Jeff Olson U.S.A. Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA Art & Design Paul Song Charles O’Brien +1 212 461 6530 +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG Cornwall – Truro [email protected] Boston/New England Sydney Mark Oliver UK Carson Chan 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 Truro 48 Cecil Street France - paris +1 (617) 742 0909 Paddington NSW 2021 U.S.A UK +44 20 7468 8282 U.S.A Cornwall Carlisle, Cumbria 4 rue de la Paix Australia TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] U.S.A +1 212 461 6525 Martin Green [email protected] Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 Exeter Manchester New Mexico Melbourne Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman Southernhay West Exeter, 213 Ashley Road Albertusstrasse 26 +1 (505) 820 0701 557 St Kilda Rd Hale WA15 9TB Costume & Textiles +1 917 206 1661 Devon 50667 Cologne Melbourne VIC 3004 EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 Australian Colonial Claire Browne Marine Art Prints HONG KONG +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson Furniture and Australiana +44 1564 732969 UK UK Daniel Lam +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 Southport Adelaide +61 2 8412 2222 Entertainment +44 20 7393 3962 +44 20 7468 8262 Winchester 33 Botanic Road Germany - Munich Texas James Bruce Memorabilia U.S.A U.S.A Wine The Red House Churchtown Maximilianstrasse 52 Amy Lawch +61 (0) 8 8232 2860 UK Hyde Street Southport 80538 Munich +1 (713) 621 5988 Books, Maps & UK Gregg Dietrich Judith Eurich Merseyside PR9 7NE +49 (0) 89 2420 5812 Manuscripts Stephanie Connell +1 917 206 1697 +1 415 503 3259 Richard Harvey Winchester Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA UK +44 20 7393 3844 +44 (0) 20 7468 5811 +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony Matthew Haley U.S.A Mechanical Music Russian Art U.S.A +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg +44 20 7393 3817 Catherine Williamson Jon Baddeley UK Doug Davidson Ireland - Dublin Penny Culverwell U.S.A +1 323 436 5442 +44 20 7393 3872 Sophie Hamilton +1 415 503 3363 Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 Christina Geiger +44 20 7468 8334 HONG KONG 22a Long Street Dublin 2 [email protected] Daniel Lam Tetbury +353 (0)1 602 0990 Toronto, Ontario • +1 212 644 9094 Ethnographic Art Modern, Contemporary U.S.A +353 (0)1 4004 140 fax +852 3607 0004 Gloucestershire Jack Kerr-Wilson Jim Haas & Latin American Art Yelena Harbick GL8 8AQ [email protected] 20 Hazelton Avenue British & European Glass +1 415 503 3294 U.S.A +1 212 644 9136 +44 1666 502 200 Toronto, ONT UK Alexis Chompaisal +44 1666 505 107 fax M5R 2E2 Simon Cottle +1 323 436 5469 +1 (416) 462 9004 +44 20 7468 8383 [email protected] U.S.A. Modern Design Montreal, Quebec Suzy Pai Gareth Williams David Kelsey +1 415 503 3343 +44 20 7468 5879 +1 (514) 341 9238 [email protected]
G-NET/3/13
SD05/2013-06 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 London Bill Allan Jersey 20123 Milano USA Argentina 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt UK Porcelain & Pottery Memorabilia UK Jon Baddeley London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg Bury St. Edmunds +44 1534 759 354 fax Italy - rome CA 94103 Thomaz Oscar Saavedra Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +1 212 644 9108 Peter Scott UK +1 415 503 3353 +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 South East Scotland Los Angeles +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Reepham 22 Queen Street 1075 HL Amsterdam Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK Brighton & Hove +1 (323) 850 6090 fax Suite 1122 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place Greer Adams Greek Art Automobilia Michael Moorcroft Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty UK +44 20 7468 8314 Toby Wilson U.S.A +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 Glasgow Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax Philip Keith U.S.A. Memorabilia Kurt Forry Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] Millmead, The Old House Glasgow 28001 +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu Fred Baklar Motorcycles +44 20 7468 8355 +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International UK Penny Day +44 8700 273616 Sporting Guns +44 1564 776 151 Representatives: Rue Etienne-Dumont 10 Mansion American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli Tom Gilbey Switzerland Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 Ground Floor Central Valley Chaoyang District Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Dessa Goddard Modern Art Toys, Dolls & Chess Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 +44 1892 518 077 fax +44 1865 372 722 fax 7-8 Park Place, Art Expertise Martin Gammon Japan +852 2918 4321 U.S.A Travel Pictures Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi Antique Arms & Armour Tanya Wells Natural History Veronique Scorer +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 James Roberts Christine Eisenberg Tokyo 105-0003 David Williams UK Claudia Florian Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams Jeff Burfield Leeds LS1 2PF Florida [email protected] Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade +1 415 503 3360 Jonathan Snellenburg Taiwan UK South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 Art Collections, UK +44 20 7468 8261 Wristwatches [email protected] +1 (404) 842 1500 Taipei, 100 Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK Bath Chester • russia +886 2 8758 2898 Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] +44 20 7393 3914 Jeff Olson U.S.A. Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA Art & Design Paul Song Charles O’Brien +1 212 461 6530 +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG Cornwall – Truro [email protected] Boston/New England Sydney Mark Oliver UK Carson Chan 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 Truro 48 Cecil Street France - paris +1 (617) 742 0909 Paddington NSW 2021 U.S.A UK +44 20 7468 8282 U.S.A Cornwall Carlisle, Cumbria 4 rue de la Paix Australia TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] U.S.A +1 212 461 6525 Martin Green [email protected] Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 Exeter Manchester New Mexico Melbourne Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman Southernhay West Exeter, 213 Ashley Road Albertusstrasse 26 +1 (505) 820 0701 557 St Kilda Rd Hale WA15 9TB Costume & Textiles +1 917 206 1661 Devon 50667 Cologne Melbourne VIC 3004 EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 Australian Colonial Claire Browne Marine Art Prints HONG KONG +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson Furniture and Australiana +44 1564 732969 UK UK Daniel Lam +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 Southport Adelaide +61 2 8412 2222 Entertainment +44 20 7393 3962 +44 20 7468 8262 Winchester 33 Botanic Road Germany - Munich Texas James Bruce Memorabilia U.S.A U.S.A Wine The Red House Churchtown Maximilianstrasse 52 Amy Lawch +61 (0) 8 8232 2860 UK Hyde Street Southport 80538 Munich +1 (713) 621 5988 Books, Maps & UK Gregg Dietrich Judith Eurich Merseyside PR9 7NE +49 (0) 89 2420 5812 Manuscripts Stephanie Connell +1 917 206 1697 +1 415 503 3259 Richard Harvey Winchester Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA UK +44 20 7393 3844 +44 (0) 20 7468 5811 +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony Matthew Haley U.S.A Mechanical Music Russian Art U.S.A +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg +44 20 7393 3817 Catherine Williamson Jon Baddeley UK Doug Davidson Ireland - Dublin Penny Culverwell U.S.A +1 323 436 5442 +44 20 7393 3872 Sophie Hamilton +1 415 503 3363 Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 Christina Geiger +44 20 7468 8334 HONG KONG 22a Long Street Dublin 2 [email protected] Daniel Lam Tetbury +353 (0)1 602 0990 Toronto, Ontario • +1 212 644 9094 Ethnographic Art Modern, Contemporary U.S.A +353 (0)1 4004 140 fax +852 3607 0004 Gloucestershire Jack Kerr-Wilson Jim Haas & Latin American Art Yelena Harbick GL8 8AQ [email protected] 20 Hazelton Avenue British & European Glass +1 415 503 3294 U.S.A +1 212 644 9136 +44 1666 502 200 Toronto, ONT UK Alexis Chompaisal +44 1666 505 107 fax M5R 2E2 Simon Cottle +1 323 436 5469 +1 (416) 462 9004 +44 20 7468 8383 [email protected] U.S.A. Modern Design Montreal, Quebec Suzy Pai Gareth Williams David Kelsey +1 415 503 3343 +44 20 7468 5879 +1 (514) 341 9238 [email protected]
G-NET/3/13
SD05/2013-06 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.
Sale title: Prints Sale date: Tuesday 16 July 2013
Sale no. 20737 Sale venue: New Bond Street Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.
Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime
Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)
FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)
BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.
Your signature: Date:
* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.
Sale title: Sale date: Tuesday 16 July 2013
Sale no. Sale venue: New Bond Street Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.
Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime
Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)
FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)
BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.
Your signature: Date:
* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. 136 | Bonhams Prints | 137 Bonhams 101 New Bond Street London W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax
138 | Bonhams