Prints Prints featuring the work Piper of John 1pm 18 September 2013 at Wednesday London Knightsbridge,

20739 Prints featuring the work of John Piper, 18 September 2013, Knightsbridge, London

Prints featuring the work of John Piper Wednesday 18 September 2013 at 1pm Knightsbridge, London

Bonhams Enquiries Please see page 2 for bidder Montpelier Street Michael Jette information including after-sale Knightsbridge + 44 (0) 20 7393 3941 collection and shipment. London SW7 1HH [email protected] www.bonhams.com Please see back of catalogue Customer Services for important notice to bidders Viewing Monday to Friday 8.30am to 6pm Sunday 15 September +44 (0) 20 7447 7447 Illustrations 11am to 3pm Front cover: Lot 107 Monday 16 September Sale Number: 20739 Inside front cover: Lot 296 9am to 4.30pm Inside back cover: Lot 277 Tuesday 17 September Catalogue: £15 (£17 by post) Back cover: Lot 318 9am to 4.30pm Wednesday 18 September 9am to 11am NB To request condition reports Bids on any of the lots in the +44 (0) 20 7447 7448 sale, please contact the +44 (0) 20 7447 7401 fax department directly. To bid via the internet please visit www.bonhams.com

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Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Sale Information Central Middlesex Hospital Park Royal

Coronation Road W Bonhams,

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West Acton Horn Lane Bids Collection & shipment Station Handling & Handling & +44 (0) 20 7447 7448 Sold lots marked with a special storage charges storage payment +44 (0) 20 7447 7401 fax symbol W will be only retained All charges due Bonhams must be To bid via the internet please visit at Bonhams, Knightsbridge until Please Note paid by the time of collection from www.bonhams.com 10am on Thursday 19 September For sold W lots removed to Bonhams’ warehouse. 2013. Lots not collected by then Bonhams warehouse there Payments will be removed to Bonhams Park will be no transfer and storage Payment in advance Royal warehouse. charges for lots collected between Tel: +44 (0) 20 7447 7447 to Buyers Friday 20 September 2013 and ascertain amount due by: cash, +44 (0) 20 7447 7447 The sold lots marked with a close of business Wednesday 25 cheque with banker’s card, credit +44 (0) 20 7447 7401 fax special symbol W will be available September 2013. card, bank draft or traveller’s for collection from Bonhams cheque. Sellers warehouse as from 9.30am on Transfer and storage charges Payment of sale proceeds Friday 20 September 2013. will commence on Thursday 26 Payment at time of +44 (0) 20 7447 7447 September 2013. collection +44 (0) 20 7447 7401 fax Lots maybe released from By credit card / debit card Bonhams warehouse on The charges levied by Bonhams Valuations, taxation production of the collection are as follows: Important Notice & heritage order obtained from cashier’s A surcharge of 2% is applicable +44 (0) 20 7468 8340 office at Bonhams and a form of Paintings and Frames marked when using Mastercard, Visa and +44 (0) 20 7468 5860 fax photographic ID. If a third party is with W overseas debit cards. [email protected] collecting on behalf of the client, the client must provide Bonhams Transfer per lot £20.00 The following symbol is used to with written authority prior to Daily storage per lot £3.40 denote that VAT is due on the Catalogue subscriptions collection. The third party must To obtain any Bonhams catalogue hammer price and buyer’s premium present a photographic form of ID or to take out an annual All other paintings and frames when collecting. subscription: † VAT 20% on hammer price Subscriptions Department Transfer per lot £10.00 and buyer’s premium Purchased items will only be +44 (0) 1666 502200 Daily storage per lot £1.70 held free of charge at Bonhams VAT on imported items at +44 (0) 1666 505107 fax * Knightsbridge until 12 noon a preferential rate of 5% on [email protected] All the above charges are Wednesday 9 October 2013. exclusive of VAT hammer price and the prevailing Storage charges will commence rate on buyer’s premium Shipping on Thursday 10 October 2013. For information and estimates W Please contact the department. These lots will be removed on domestic and international to Bonhams Park Royal after shipping as well as export licenses the sale. Please read the sale please contact Bonhams Shipping Bonhams Warehouse information page for more details. Department on: Address: +44 (0) 20 8963 2849 Unit 1, Sovereign Park Y These lots are subject to CITES +44 (0) 20 8963 2850 Coronation Road regulations, please read the +44 (0) 20 7629 9673 fax Park Royal, London NW10 7QP information in the back of the [email protected] Tel: +44 (0) 87 0811 3867 catalogue. Hours of opening 9.30am to 4.30pm Monday to Friday AR An Additional Premium will be payable to us by the Buyer to cover our expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. Please read the information in the back of the catalogue.

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1* Albrecht Dürer (German, 1471-1528) The Mocking of Christ; The Holy Kinship with Angels (Bartsch 4, 97 ) Two woodcuts, the first with Latin text, 1511, on laid, trimmed to the platemark, 198 x 195mm (7 3/4 x 8 3/8in)(PL), the second a meder c/d impression, weaker printing with gaps along the lower border line and the last ‘l’ of the date partially erased, on laid, trimmed to the platemark, 210 x 210mm (8 1/4 x 8 1/4in)(PL) (2) (unframed) £500 - 700 €590 - 820

2 Albrecht Dürer (Nürnberg 1471-1528) Virgin and Child with a monkey (Bartsch 42) Engraving, c.1498, a later impression, probably meder L, with some wear and a small hole in the clouds upper centre, on wove, trimmed to platemark, 191 x 124mm (7 1/2 x 4 7/8in)(PL) £600 - 800 €700 - 940

3* Albrecht Dürer (German, 1471-1528) 2 Samson fighting with the Lion (Bartsch 2) Woodcut, c.1496, a meder f impression, with the gap in the centre of the upper border and the Trimount with a cross watermark, on laid, trimmed to the platemark, 382 x 280mm (15 x 11in)(PL) (unframed) £600 - 800 €700 - 940

4 Claude Lorrain (French, 1600-1682) The Herd Returning in Stormy Weather (Mannocci 40) Etching, 1651, on laid, trimmed just inside the platemark, 165 x 220mm (6 1/2 x 8 3/4in)(SH) £600 - 800 €700 - 940

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5 Adriaen van Ostade (Dutch, 1610-1685) The Anglers (Godefroy 26) Etching, c.1653, the fifth state of six, with fine shading under the ramp and fine horizontal lines still visible in the sky, on laid, trimmed just inside platemark, 113 x 163mm (4 1/2 x 6 3/8in)(PL) £500 - 700 €590 - 820

6 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Death of the Virgin (Bartsch 99) Etching, 1639, a Basan impression, (White and Boon’s final third state, Nowell-Usticke’s fourth state of five), with fine shading on the bedpost, on thick laid, with an ‘IHS’ within a flower watermark, trimmed inside lower platemark, with small margins elsewhere, 403 x 313mm (15 7/8 x 12 3/8in)(PL) (unframed) £1,500 - 2,000 €1,800 - 2,300 7 7 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Rest on the Flight into Egypt: Lightly Etched (Bartsch 58) Etching with touches of drypoint, 1645, unique state, on laid, 130 x 115mm (5 1/8 x 4 1/2in)(PL) (unframed) £800 - 1,200 €940 - 1,400

8 Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Three Heads of Women, One asleep (Bartsch 368) Etching, 1637, on laid, trimmed just inside the platemark, 141 x 93mm (5 5/8 x 3 3/4in)(SH) £600 - 800 €700 - 940

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9 William Hogarth (British, 1697-1764) Beer Street and Gin Lane (Paulson 185a&b) Two etchings with engraving, 1751, on laid paper, with margins, 389 x 327mm (15 1/2 x 12 3/4in)(PL)(unframed)(2) £700 - 1,000 €820 - 1,200

10 After William Hogarth (British, 1697-1764) The Four Times of Day (Paulson 146-149) Engravings, 1738, various states, on various papers, 489 x 410mm (19 1/4 x 16 1/8in)(PL)(unframed)(4) £500 - 700 €590 - 820

11 Thomas Gooch (British, active 1750-1802) The Life and Death of a Racehorse The set of six aquatints, published 1792 in London, on wove, together with the title page and essay, 290 x 335mm (11 3/8 x 13 1/3in)(PL)(7)(1 unframed) £600 - 800 €700 - 940

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12 James Gillray (British, 1757-1815) Pantagruel Etching with hand colouring, 1794, on wove, published by H. Humphrey, London, with small margins, 312 x 360mm (12 1/4 x 14 1/8in)(PL) £500 - 700 €590 - 820

13 14 James Gillray (British, 1757-1815) The Union Club Etching with hand colouring, 1801, on wove, published by H. Humphrey, London, with small margins, 295 x 435mm (11 1/2 x 17 1/4in)(PL) £800 - 1,200 €940 - 1,400

14 After Sir Joshua Reynolds (British, 1723-1792) The Marlborough Family Mezzotint, by Charles Turner, a good impression of the first state of two, with the artist’s names and publication date but before the title, with a faint printed inscription lower right ‘Last Impr. 4th day’, published 1815 by Charles Turner, on laid, with margins, 835 x 670mm (32 7/8 x 26 3/8in)(PL) £500 - 700 €590 - 820

15 After Gilbert Stuart General Washington Engraving by James Heath, 1800, on laid, published by the artist, London, 530 x 308mm (20 7/8 x 12 1/8in)(I) £500 - 700 €590 - 820

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16* 17* 19* AR Walter Richard Sickert ARA (British, 1860- Walter Richard Sickert ARA (British, 1860- Paul Dalou Drury (British, 1903-1988) 1942) 1942) Hayling Island; After Work Three etchings (Bromberg 191, 192, 138) Maple Street (Bromberg 212) Two etchings, 1923-1926, each on laid, each ‘The Orchestra of the Olympia, Shoreditch’, Etching, on watermarked laid, signed in signed and dated in pencil, each with margins, c.1920, only state, on laid, only a few pencil, with margins, 196 x 126mm (7 3/4 x 90 x 185mm (3 1/5 x 7 1/4in)(and smaller)(PL) impressions were printed, 301 x 228mm (11 5in)(PL), toheter with ‘The Hanging Gardens’ (unframed)(2) 7/8 x 8 7/8in)(PL), ‘The London Shoreditch’, (Bromberg 215), etching, on watermarked laid, £600 - 800 c.1920, second state, with the plate reduced with margins, 177 x 110mm (7 x 4 3/8in)(PL) €700 - 940 and before all lettering in the lower margin, (unframed)(2) on wove, 140 x 174mm (PL), ‘Dieppe, The £700 - 1,000 20* Old Hotel Royal’, 1910, hand photogravure €820 - 1,200 Frederick Landseer Maur Griggs (British, etching, on thick brown wove, inscribed ‘No 1876-1938) 28 Limited to 50’ in brown ink by an unknown 18* Castor hand, 110 x 170mm (PL) Herbert Thomas Dicksee, R.E. (British, 1862- Etching, 1927, on watermarked laid, signed in (3) (unframed) 1942) pencil, from the edition of 89, with margins, £600 - 800 The Boyhood of Raleigh 134 x 117mm (5 1/4 x 4 5/8in)(PL)(unframed) €700 - 940 Etching, 1901, after John Everett Millais, on £300 - 500 vellum, signed in pencil, from an edition of €350 - 590 The artist was working on ‘The Orchestra of 400, published by the Fine Art Society, 590 x the Olympia’ when his wife died and therefore 700mm (23 1/4 x 27 1/2in)(PL) 21* he did not complete it. £600 - 800 Samuel Palmer (British, 1805-1881) €700 - 940 The Sleeping Sheppard - Early Morning (Lister 6) Etching on chine colle, c. 1854-57, trimmed inside the platemark, 112 x 95mm (4 7/8 x 3 3/4in)(SH)(unframed) £500 - 700 €590 - 820

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22AR William Walcot (British, 1874-1943) A collection Seven etchings, each on wove, each signed in pencil, each with margins, 274 x 396mm (10 3/4 x 15 3/4in)(and smaller)(SH)(unframed)(7) £500 - 700 €590 - 820

23* AR Bernard Leach (British, 1887-1979) 24 Chen Mun Gate, Peking The rare etching, 1918, on japan, signed, dated and titled in pencil, with margins, 300 x 200mm (11 3/4 x 7 7/8in)(PL) £1,000 - 1,500 €1,200 - 1,800

24 George Bellows (American, 1882-1925) Lady with a fan (Emma in a chair) (Mason 111) Lithograph, 1921, on Chine, signed by the artist and inscribed ‘Bolton Brown-imp.’ in pencil, from an edition of 63, with margins, 290 x 210mm (11 1/2 x 8 1/4in) (I) £500 - 700 €590 - 820

25 Eric Gill (British, 1882-1940) Elizabeth Gill Two images of the artist’s wife in one frame, an engraving on wove and a wood engraving on laid, 1924, the etching inscribed ‘1st proof EG’ and the wood engraving inscribed ‘proof EG’ in pencil, each with margins, 175 x 125mm (6 7/8 x 4 7/8in)(each plate) £800 - 1,200 €940 - 1,400 25

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26 Franz von Stuck (German, 1863-1928) Lucifer ; Die Sinnlichkeit Two etchings, c.1889, on wove, each signed in pencil, each with wide margins, 235 x 215mm (9 1/4 x 8 1/2in)(PL)(and smaller)(unframed)(2) £800 - 1,200 €940 - 1,400

27* Honoré Daumier (French, 1808-1879) Les Robert-Macaire 21 hand coloured lithographs, from the set of 101, 1836, one signed in pencil, together with five other hand coloured lithographs, three signed in pencil, each with margins, 268 x 204mm (10 1/2 x 8 1/4in)(SH)(or smaller)(unframed)(26) £600 - 800 €700 - 940

28* Anders Zorn (Swedish, 1860-1920) Prince Paul Troubetzkoy II Etching, 1909, on laid, signed in pencil, 250 x 178mm (9 7/8 x 7in)(PL) (unframed) £600 - 800 €700 - 940

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29 31 Clifford and Rosemary Ellis Edward McKnight Kauffer (American, 1890-1954) Travels in time on your doorstep Three posters for London Passanger Transport Board Lithographic poster printed in colours, 1937, on wove, issued by the ‘Spring in the Village’, ‘Spring on the Hillside’ and ‘Look under that London Passenger Transport Board, printed by Curwen Press, 990 x broad beech tree’, lithographic posters printed in colours, 1932-1936, 615mm (39 x 24 1/4in)(I), together with ‘St Mary’s Church’, by Alan each on wove, printed by The Barnyard Press, the full sheets, 980 x Sorrell, lithograph printed in colours, with margins, 437 x 530mm (17 610mm (38 1/2 x 24in)(I)(3) 1/4 x 20 7/8in)(I)(2) £1,000 - 1,500 £400 - 600 €1,200 - 1,800 €470 - 700 32 30AR Edward McKnight Kauffer (American, 1891-1954) Tristram Hillier R.A. (British, 1905-1983) To Visit Britain’s Landmarks - Dinton Castle near Aylesbury - You Can Be You Can Be Sure of Shell - Jezreel’s Temple, Gillingham, Kent Sure of Shell Lithographic poster printed in colours, c. 1936, on wove, together with Lithographic poster, 1936, printed in colours, on wove backed onto another by Brynhild Parker, ‘You Can Always Be Sure of Shell - The Quay, linen, 760 x 1140mm (29 7/8 x 44 7/8in)(SH) Appledorn’, c. 1935, the full sheets, 750 x 1125 (29 1/2 x 48in)(SH)(2) £300 - 500 £400 - 600 €350 - 590 €470 - 700

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33AR 36* Sir Augustus Edwin John (British, 1878-1961) Eric William Ravilious (British, 1903-1942) The Dawn Boy Birds Nesting Lithograph, 1917, on wove, signed in pencil, from the edition of 200, Wood engraving, 1927, on Zerkall mould-made paper, numbered published by the Ministry of Information, with margins, 514 x 745mm 374/500 in pecil, with margins, 82 x 128mm (3 1/4 x 5in)(I)(unframed) (29 1/4 x 20 3/8in)(SH)(unframed) £1,000 - 1,500 £400 - 600 €1,200 - 1,800 €470 - 700 37 34AR Eric William Ravilious (British, 1903-1942) Sir Augustus Edwin John (British, 1878-1961) Three plates from ‘High Street’ Ursula (Campbell Dodgson 52) Three lithographs printed in colours, 1938, each on wove, alternate Etching, 1903, on watermarked laid, signed in pencil, titled and colour proofs, aside from the published illustrations for ‘High Street’ numbered 16/25 in brown ink, with margins, 275 x 203mm (10 3/4 x by J.M. Richards, each with margins, 246 x 179mm (9 3/4 x 7in)(SH) 8in)(SH) (unframed)(3) £600 - 800 £500 - 700 €700 - 940 €590 - 820

AR 35AR 38* Edgar A. Holloway (British, 1914-2008) Graham Sutherland O.M. (British, 1903-1980) Self-portrait No.10 (The Grey Topper) The Sluice Gate (Tassi 10) Etching, on wove, signed and numbered 32/50 in pencil, with margins, Etching, 1924, on watermarked laid, signed in pencil, from an edition of 175 x 151mm (7 x 6in)(PL) 69, with margins, 135 x 130mm (5 1/4 x 5 1/8in)(PL) (unframed) £400 - 600 £1,000 - 1,500 €470 - 700 €1,200 - 1,800

12 | Bonhams 39 39AR Iain MacNab (British, 1890-1967) Le Sporting Bar (Garrett 13) Wood engraving, 1929, on Japan, signed, titled and numbered 4/40, with margins, 105 x 151mm (4 1/4 x 6in) (B) £500 - 700 €590 - 820

40AR Iain MacNab (British, 1890-1967) A Zeeland Port (Garrett pg. 110) Wood engraving, 1927, on wove, signed, titled and numbered 30/30 in pencil, with margins, 199 x 252mm (7 7/8 x 10in)(B) £1,000 - 1,500 €1,200 - 1,800

41AR Edward Wadsworth (British, 1889-1949) Dazzled Ship In Dry Dock Lithographic reproduction of wood engraving, 1918, on wove, with margins, 130 x 220mm (5 1/8 x 8 3/4in)(I) £400 - 600 €470 - 700 40

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42AR Paul Nash (British, 1889-1946) Design of Arches (Postan W 74) Woodcut, 1926, a dryly inked impression, on laid japan, the full sheet with deckle edges, signed, dated and numbered 4/25 in pencil, 134mm x 113mm (5 1/4in x 4 1/2in)(B) £200 - 300 €230 - 350

43* AR Cyril Edward Power (British, London 1872-1951) At Lavenham (Coppel CEP 2) Linocut printed in black, c.1926, on buff oriental laid tissue, signed, titled, inscribed ‘Sculp & imp’ and numbered 1/100 in pencil, with margins, 255 x 172mm (10 1/8 x 6 3/4in)(B)(unframed) £500 - 700 €590 - 820

44AR Robert Gibbings (Irish, 1889-1958) The Card Players (Empson p. 92) Wood engraving, 1932, on Japan, a proof before the edition, with margins, 85 x 101mm (3 3/8 x 4in)(B) £500 - 700 €590 - 820

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45 Milton Avery (American, 1893-1965) Nude (Lunn 49) Woodcut printed in blue, 1960, on Japan, signed and dated in pencil, published by Art in America Society, New York, with margins, 90 x 270mm (3 1/2 x 10 5/8in) (I) £500 - 700 €590 - 820

46 46 Horace Asher Brodzky (Australian, 1885-1969) The Expulsion Linocut, conceived 1914, on wove, numbered XIX/XXV in pencil, a posthumous impression printed in 1989 from the original blocks by Katie Clemson at the White Gum Press, New Forest, with margins, 383 x 282mm (SH) £500 - 700 €590 - 820

47 Horace Asher Brodzky (Australian, 1885-1969) Two Figures Linocut, 1919, on wove, with margins, 240 x 190mm (9 1/2 x 7 1/2in)(B) £500 - 700 €590 - 820

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48AR Lill Tschudi (Swiss, 1911-2001) Rythmes Venitiens (Not in Coppel) Linocut printed in colours, on tissue thin Japan paper, signed, titled and inscribed ‘Epreuve d’artiste’ in pencil, an artist’s proof aside from the numbered edition, with margins, 315 x 510mm (12 3/8 x 20in)(SH) £500 - 700 €590 - 820

49AR Lill Tschudi (Swiss, 1911-2001) Petit Port (Not in Coppel) Linocut printed in colours, on thin Japan paper, signed, titled and numbered 8/50 in pencil, with margins, 360 x 509mm (14 1/4 x 20in)(SH) £500 - 700 €590 - 820 49 50* Lill Tschudi (Swiss, 1911-2001) Ski-joring (Coppel LT 54) Linocut printed in black, conceived in 1937, from the second edition printed in 1992 to accompany the deluxe edition of the Catalogue Raisonne ‘Linocuts of the Machine Age’, on tissue thin laid, signed, titled and inscribed ‘hand print XII/XXX’ in pencil lower left, 624 x 461mm (24 5/8 x 18 1/8in) (SH) (unframed) £1,000 - 1,500 €1,200 - 1,800

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51AR 52AR Lill Tschudi (Swiss, 1911-2001) Lill Tschudi (Swiss, 1911-2001) Adoration of the Three Kings (Not in Coppel) Forum Romanum (Not in Coppel) Linocut printed in colours, on tissue thin off-white oriental laid paper, Linocut printed in colours, titled and numbered 4/50 in pencil, with signed, titled and numbered 23/50 in pencil, with thin margins, 381 x margins, 382 x 209mm (15 x 8 1/4in)(SH) 203mm (15 x 8in)(SH) £800 - 1,200 £800 - 1,200 €940 - 1,400 €940 - 1,400

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53* AR Sybil Andrews, CPE (British/Canadian, 1898-1993) In Full Cry (Coppel SA 13) Linocut printed in Chinese orange, spectrum red and Prussian blue, 1931, on buff oriental laid tissue, signed, titled and numbered 13/50 in pencil, with margins, 290 x 420mm (11 3/8 x 16 1/2in)(B) £3,000 - 5,000 €3,500 - 5,900

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54AR 56AR Sybil Andrews CPE (British/Canadian, 1898-1992) Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Tumulus (Coppel SA 36) Column on the March Linocut printed in Venetian red, crimson, viridian and Chinese blue, Offset lithograph in colours, 1917, on thin wove, signed in pencil, 1936, on buff oriental laid tissue, signed, titled and numbered 5/60 in included in ‘Modern War: Paintings by C.R.W. Nevinson’ by P.G. Konody pencil, with margins, 298 x 220mm (11 3/4 x 8 5/8in)(B) as published, 292 x 231mm (11 1/2 x 9 1/4in)(vol) £1,000 - 1,500 £700 - 1,000 €1,200 - 1,800 €820 - 1,200

55AR 57AR Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Claude Flight (British, 1881-1955) Spirit of Progress Le Pont Voluntré, Cahors, Lot (Coppel CF 11) Lithograph, 1933, on wove, as published in The Studio no. 481, vol. Linocut, 1924, printed in emerald green, vermilion and cobalt blue, on CV, together with two other lithographs by Frank Brangwyn and Laura thin wove, signed and numbered 9/50 in pencil, with thin margins, 271 x Knight, 289 x 207mm (11 3/4 x 8 1/8in)(vol) 300mm (10 5/8 x 11 7/8in)(SH) £400 - 600 £1,000 - 1,500 €470 - 700 €1,200 - 1,800

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58AR 60AR Graham Sutherland O.M. (British, 1903-1980) Graham Sutherland O.M. (British, 1903-1980) Clegyr-Boia The Bird (Tassi 59) Etching with aquatint, 1936, on wove, an unsigned impression, from the Lithograph printed in colours, 1953, on wove, signed and numbered edition of circa 1000, printed by Walsh, London, published in issue 9 of 23/60 in pencil, printed by Fernand Mourlot, Paris, published by Curt ‘Signatur’, 1938, 202 x 150mm (8 x 5 7/8in)(PL)(unframed) Valentin, New York, with margins, 430 x 440mm (17 x 17 1/3in)(I) £600 - 800 £500 - 700 €700 - 940 €590 - 820

59AR 61AR Graham Sutherland O.M. (British, 1903-1980) Prunella Clough (British, 1919-1999) Il Fiume I from ‘La Foresta, Il Fiume, La Roccia’ (Tassi 124) Untitled Colour lithograph, 1972, a proof aside from the edition of 75, on wove, Lithograph printed in colours, on wove, signed and numbered 4/50 in with the GS blindstamp, annotation verso ‘this is by Graham Sutherland, pencil, with full margins, 430 x 475mm (17 x 18 5/8in)(I) K. Sutherland, 16.12.81’, printed and published by Teodorani, Milan, £400 - 600 630 x 470mm 24 3/4 x 18 1/2in (SH) (unframed) €470 - 700 £300 - 500 €350 - 590

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62* AR 64AR Edward Bawden R.A. (British, 1903-1989) Dame Elizabeth Violet Blackadder (Scottish, born 1931) Campions & Columbines (MG 26) Orchid and Cat Linocut printed in colours, 1989, on wove, signed and numbered Etching with aquatint printed in colours, on wove, signed and numbered 35/500 in pencil, printed by Sebastian Carter at Rampant Lions Press, 70/75 in pencil, the full sheet printed to the edges, 250 x 210mm (9 3/4 Cambridge, published by Merivale Editions, London, with margins, 230 x x 8 1/4in)(SH); together with a copy of ‘Elizabeth Blackadder Prints’ by 170mm (9 1/8 x 6 3/4in)(B)(unframed) Christopher Allan, in which this print was inserted, published by Lund £300 - 500 Humphries, within a grey slipcase (unframed & vol) €350 - 590 £300 - 500 €350 - 590 63AR Edward Bawden R.A. (British, 1903-1989) 65AR An Old Crab and a Young (MG 85) Dame Elizabeth Violet Blackadder (Scottish, born 1931) Linocut printed in colours, 1955, on wove, signed, dated and titled in The Lily pencil, from the early edition printed in 1955, there was also a later Etching with aquatint, 1999, on wove, signed and numbered 87/100 in lithographic edition of 50 printed in 1970, with margins, 378 x 243mm pencil, with full margins, together with ‘Elizabeth Blackadder’ by Duncan (15 1/2 x 9 1/2in)(B) Macmillan, as published, signed and numbered 87/100 by the artist, published £1,000 - 1,500 by Scolar Press, Aldershot, 277 x 226mm (10 7/8 x 8 7/8in)(overall)(vol) €1,200 - 1,800 £500 - 700 €590 - 820

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66AR 69AR John Hoyland RA (British, 1934-2011) John Hoyland RA (British, 1934-2011) Blues, Reds Kings Seal Screenprint in colours, 1969, on wove, signed, dated and numbered Screenprint in colours, 1993, on wove, signed, titled, dated and 43/75 in pencil, with margins, 610 x 910mm (24 x 35 13/16in)(I) numbered 9/90 in pencil, with margins, 835 x 587mm (32 7/8 x 23 £500 - 700 1/8in)(I) together with ‘The Wonderer’ screenprint with woodblock €590 - 820 printed in colours, 1995, on wove, signed, dated, and numbered 73/75 in pencil, 680 x 830mm (26 3/4 x 32 3/4in)(I)(2) 67AR £600 - 800 John Hoyland RA (British, 1934-2011) €700 - 940 Untitled (Hommage to Constable) Lithograph with additional hand colouring in oil, 1976, on wove, 70AR signed and numbered 82/100 in pencil, with margins, together with John Hoyland RA (British, 1934-2011) ‘Thupelo Seal’, screenprint with woodblock, 1993, on wove, signed and New York Suite numbered from the edition of 90 in pencil, printed at Advanced Graphics Set of 6 screenprints in colours, 1971, on J. Green, signed, dated and London, with margins, 540 x 850mm (21 1/4 x 33 1/2in)(I)(2) numbered variously from the edition of 100 in pencil, published by £800 - 1,200 Waddington Graphics, London, with margins, 910 x 660mm (35 3/4 x €940 - 1,400 26in)(I)(6) £1,500 - 2,000 68AR €1,800 - 2,300 John Hoyland RA (British, 1934-2011) Window Genie ; Sprit Side ; Friendly Ghost 71AR Three screenprints with woodblock printed in colours, 1997, on wove, Albert Irvin RA (British, born 1922) each signed, dated and numbered variously from an edition of 75 in Tabard pencil, published by Advanced Graphics, London, with margins, 380 x Screenprint in colours, 2005, on wove, signed and numbered 24/75 in 285mm (15 x 11 1/4in)(I)(3) pencil, with margins, 560 x 780mm (22 x 30 3/4in)(I) £500 - 700 £500 - 700 €590 - 820 €590 - 820

22 | Bonhams 72

73

72AR Julian Trevelyan R.A. (British, 1910-1988) Heathrow ; Runway (Turner 268 & 274) Two etchings and aquatint printed in colours, 1973, each on wove, each signed, titled, and numbered from the editions of 52, published by Leslie Waddington Prints Ltd, printed by Studio Prints, each with margins, 347 x 475mm (13 5/8 x 18 3/4in)(PL)(2) £400 - 600 €470 - 700

73AR Colin Self (British, born 1941) Flowers Etching, 1968, on wove, signed, dated and inscribed ‘5/12 Artist’s Proof’ in pencil, with margins, 275 x 212mm (10 7/8 x 8 3/4in)(PL) £500 - 700 €590 - 820

74AR Cecil Collins (British, 1908-1989) Angel Etching with aquatint, 1977, on wove, signed, titled, dated and numbered 37/45 in pencil, with margins, together with ‘The Great Happiness’, etching with aquatint, 1965, on wove, signed, titled, dated and numbered 45/70 in pencil, with margins, 790 x 565mm (31 x 22 1/2in)(and smaller)(SH)(unframed)(2) £400 - 600 €470 - 700

74

Prints featuring the work of John Piper | 23 77

75

75AR Victor Pasmore RA (British, 1908-1998) Points of Contact No.35 Screenprint in colours, 1981, on wove, signed, dated and numbered 28/100 in pencil, 665 x 390mm (26 1/4 x 15 3/8in)(I) £700 - 900 €820 - 1,100

76AR Victor Pasmore RA (British, 1908-1998) Points of Contact 37 Screenprint in colours, 1982, on wove, signed, dated and numbered 5/70 in pencil, with margins, 666 x 327mm ( 26 1/4 x 12 3/4in)(I) £400 - 600 €470 - 700

77AR Victor Pasmore RA (British, 1908-1998) Points of Contact ‘A’ (T&H 18) Screenprint in colour, 1969, on wove, signed and dated in ballpoint pen, a proof aside from the numbered edition of 100, printed at Kelpra Studio, London, published by Marlborough Graphics, the full sheet, 592 x 810mm (23 3/8 x 31 7/8in)(SH)(unframed) £400 - 600 €470 - 700

76

24 | Bonhams 78

79

78AR Victor Pasmore RA (British, 1908-1998) Composite image with orange and pink (L.G28) Screenprint in colours, 1989, on wove, signed, dated and numbered 64/70 in pencil, with margins, 424 x 535mm (16 3/4 x 21 1/8in)(I) £800 - 1,200 €940 - 1,400

79AR Victor Pasmore RA (British, 1908-1998) Two Images (Thames & Hudson 52) Etching with aquatint, 1974, on wove, signed, dated and numbered 72/90 in pencil, printed by 2RC Workshop, Rome, with margins, 876 x 675mm (34 1/2 x 26 1/2in)(SH) £500 - 800 €590 - 940

80AR Victor Pasmore RA (British, 1908-1998) Points of contact No.34 (Lynton G8) Screenprint, 1980, on wove, signed and numbered 25/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art Ltd, 710 x 527mm (27 7/8 x 20 3/4in)(SH) £600 - 800 €700 - 940

80

Prints featuring the work of John Piper | 25 81AR Victor Pasmore RA (British, 1908-1998) 81 Untitled Screenprint in colours, 1991, on wove, initialled, dated and numbered 8/70 in pencil, printed at Kelpra Studio, London, with their blindstamp, with margins, 520 x 640 mm (20 1/2 x 25 1/4 in) (I) £700 - 900 €820 - 1,100

82AR Victor Pasmore RA (British, 1908-1998) Autunno (Bowness and Lambertini 67) Etching with aquatint printed in colours, 1978, on Fabriano wove, signed with initials, dated and numbered 38/90 in pencil, published by 2RC, Milan, with their blindstamp, 998 x 705mm (39 1/2 x 27 2/3in)(SH)(unframed) £1,000 - 1,500 €1,200 - 1,800

82

26 | Bonhams 83 84

83AR Victor Pasmore RA (British, 1908-1998) Points of Contact - Variations 7 (T&H 26g) Screenprint in colours, 1972, signed, dated and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 60, printed by Kelpra Studio, London, published by Marlborough Graphics, London, 915 x 612mm (36 x 24in) £600 - 800 €700 - 940

84AR Victor Pasmore RA (British, 1908-1998) Points of Contact - Linear Developments 4 (Thames & Hudson 19d) Screenprint, 1970, on wove, signed and dated in ballpoint pen and inscribed ‘proof’ in pencil, a proof aside from the numbered edition of 60, printed by Kelpra Studio, published by Marlborough Graphics, with margins, 405 x 400mm (16 x 15 3/5in)(I) £400 - 600 €470 - 700

85AR 85 Victor Pasmore RA (British, 1908-1998) The Plough and the Stars (Thames and Hudson 50) Etching printed in colours, 1974, on wove, signed and numbered 51/60 in pencil, together with ‘Linear Motif in Two Movements’ (T&H 46), etching and screenprint, 1974, on wove, signed and numbered 44/60 in pencil, each printed by White Ink, London, each published by Marlborough Graphics, London, each with margins, 375 x 375mm (14 3/4 x 14 3/4in)(PL)(2) £600 - 800 €700 - 940

86AR Victor Pasmore RA (British, 1908-1998) Linear Development in One Movement (Thames and Hudson 42) Etching and aquatint, 1974, on wove, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the edition of 60, together with ‘Cave of Calypso IV’ (T&H 62), etching, 1977, on wove, signed and inscribed ‘A/P’ in pencil, an artist’s proof aside from the numbered edition of 60, each printed by White Ink Ltd, London, each published by Marlborough Graphics, each with margins, 395 x 398mm (15 5/8 x 15 3/8in)(and smaller)(2) £600 - 800 €700 - 940 86

Prints featuring the work of John Piper | 27 The work of John Piper

87AR John Piper CH (British, 1903-1992) St Germain-de-L’Ivret, Plate IV from the Eightieth Anniversary Portfolio (Levinson 357) Screenprint in colours, 1983, on Japon nacre, 87 signed and numbered 7/10 in pencil, from the deluxe edition of 10 aside from the standard edition of 75, printed by Kelpra Studio, London, published by Orde Levinson, with margins, 457 x 668mm (18 x 26 5/16in)(I) £500 - 700 €590 - 820

88AR John Piper CH (British, 1903-1992) Palazzo Pesaro, Plate III from the Eightieth Anniversary Portfolio (Levinson 356) Etching printed in colours, 1983, on Japon nacre, signed and numbered 7/10 in pencil, from the deluxe edition of 10 aside from the standard edition of 75, printed by Kelpra Studio, London, published by Orde Levinson, with margins, 460 x 660mm (18 1/8 x 26in)(PL) £500 - 700 €590 - 820

89AR 88 John Piper CH (British, 1903-1992) Eastnor Castle, Plate VI from the Eightieth Anniversary Portfolio (Levinson 359) Screenprint in colours, 1983, on Japon nacre, signed and numbered 7/10 in pencil, from the deluxe edition of 10 printed aside from the standard edition of 75, printed by Kelpra Studio, London, published by Orde Levinson, with margins, 462 x 680mm (18 1/4 x 26 3/4in) (I) £600 - 800 €700 - 940

89

28 | Bonhams The work of John Piper

90

91

90AR 91AR John Piper CH (British, 1903-1992) John Piper CH (British, 1903-1992) Nursery Frieze II (Levinson 9) Cheltenham (Levinson 27) Autolithograph in colours, 1936, on machine-made lithographic Autolithograph printed in colours, 1940, on machine made cartridge cartridge paper, unsigned as published from an unspecified edition, paper, from the unsigned edition of 750, printed by Curwen Press, printed by Waterlow & Son, published by Contemporary Lithographs, published in ‘Signature’ No, 13, the full sheet, 248 x 710mm (9 with margins, 460 x 1215mm (18 1/8 x 47 7/8in)(I) 3/4 x 28in)(SH) together with ‘Invention in Colour’ (Levinson 10), £2,500 - 3,500 autolithograph in colours, 1937, on machine made cartridge paper, €2,900 - 4,100 from the unsigned edition of 1000, printed by Curwen Press, published ‘Signature’ No. 6, 246 x 184mm (9 3/4 x 7 1/4in)(SH)(2)(unframed) £500 - 700 €590 - 820

Prints featuring the work of John Piper | 29 The work of John Piper

92 93

92AR John Piper CH (British, 1903-1992) Warkton, Northamptonshire: monument by Vangelder, 1775, Plate V from A Retrospect of Churches (Levinson 125) Lithograph printed in colours, 1964, on wove, signed and numbered 2/70 in pencil, printed by Curwen Studio, London, published by Marlborough Fine Art, London, with margins, 693 x 490mm (27 1/4 x 19 1/4in)(I) £500 - 700 €590 - 820

93AR John Piper CH (British, 1903-1992) Gaddesby, Leicestershire: medieval stonework, Plate III from A Retrospect of Churches (Levinson 123) Lithograph printed in colours, 1964, on wove, signed and numbered 45/70 in pencil, printed by Curwen Studio, London, published by Marlborough Fine Art, London, with margins, 672 x 472mm (26 7/16 x 18 9/16in)(I) £400 - 600 €470 - 700

94AR John Piper CH (British, 1903-1992) St Nicholas, Liverpool: smoke-black dockland church, Plate XVI from A Retrospect of Churches (Levinson 136) Lithograph printed in colours, 1964, on wove, signed and numbered 62/70 in pencil, printed by Curwen Studio, London, published by Marlborough Fine Art, London, with margins, 619 x 450mm (24 x 17 3/4in)(I) £500 - 700 €590 - 820 94

30 | Bonhams The work of John Piper

95

95AR John Piper CH (British, 1903-1992) Tickencote (Levinson 130) Lithograph printed in colours, 1964, on wove, signed in pencil, a proof aside from the numbered edition of 70, published by Marlborough Fine art, with margins, 420 x 655mm (16 1/2 x 25 3/4in)(I) £600 - 800 €700 - 940

96AR John Piper CH (British, 1903-1992) Rudbaxton, Pembrokeshire: 17th-century monument, 19th- century furnishings, Plate XI from A Retrospect of Churches (Levinson 131) Lithograph printed in colours, 1964, on wove, signed and numbered 2/70 in pencil, printed by Curwen Studio, London, published by Marlborough Fine Art, London, with margins, 593 x 815mm (23 3/8 x 32 1/8in)(SH) £500 - 700 €590 - 820 96

97AR John Piper CH (British, 1903-1992) Inglesham, Wiltshire: A rustic medieval interior, Plate XII from A Retrospect of Churches (Levinson 132) Lithograph printed in colours, 1964, on wove, signed and numbered 16/70 in pencil, printed by Curwen Studio, London, published by Marlborough Fine Art, London, with margins, 503 x 711mm (19 7/8 x 28in)(I) £500 - 700 €590 - 820

97

Prints featuring the work of John Piper | 31 The work of John Piper

98

98AR John Piper CH (British, 1903-1992) The Grotto, Halswell, Somerset (Levinson 396) Screenprint in colours, 1987, on wove, signed and numbered 15/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 460 x 605mm (18 1/8 x 23 13/16in)(I)(unframed) £500 - 700 €590 - 820

99AR John Piper CH (British, 1903-1992) La Chapelle St Robert, Dordogne (Levinson 189) Screenprint in colours, 1968, on wove, signed and numbered 55/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 590 x 800mm (23 1/4 x 31 1/4in)(I) £500 - 700 €590 - 820

99 100AR John Piper CH (British, 1903-1992) Westminster School I (Levinson 114) Lithograph printed in colours, 1961, on wove, signed and numbered 28/100 in pencil, printed by Curwen Studio, published by Paul Cornwall-Jones, with margins, 440 x 590mm (17 1/4 x 23 1/4in)(I) £400 - 600 €470 - 700

100

32 | Bonhams The work of John Piper

101 102

101AR John Piper CH (British, 1903-1992) Corton Church, Suffolk (Levinson 203) Screenprint in colours, 1971, on wove, signed and inscribed ‘proof’ in pencil, a trial proof printed in alternative colours, aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 760 x 445mm (30 x 17 1/2in)(I) £600 - 800 €700 - 940

102AR John Piper CH (British, 1903-1992) Newgate Chapel & Swansea Chapel (Levinson 174 & 175) Two lithographs printed in colours, 1966, each on wove, each signed and numbered variously from the edition of 75 in pencil, printed at Curwen Studio, published by Marlborough Fine Art, each with margins, 813 x 589mm (32 x 23 1/4in)(SH)(unframed)(2) £1,000 - 1,500 €1,200 - 1,800

103AR John Piper CH (British, 1903-1992) Teffont Evias (Levinson 404) Etching printed in colours, 1988, on wove, signed and numbered 39/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 530 x 397mm (20 3/4 x 15 1/2in)(PL) £400 - 600 €470 - 700

103

Prints featuring the work of John Piper | 33 The work of John Piper

104 104AR John Piper CH (British, 1903-1992) Harlaxton Hall (Levinson 372) Screenprint in colours, 1984, on wove, signed and numbered 13/90 in pencil, printed by Kelpra Studio, London, published by Christie’s Contemporary Art, Tilford, with margins, 520 x 755mm (20 1/2 x 29 3/4in)(I) £500 - 700 €590 - 820

105AR John Piper CH (British, 1903-1992) Caernarvon Castle I (Levinson 200) Screenprint in colours, 1971, on wove, signed and numbered 7/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 494 x 753mm (19 1/2 x 29 5/8in)(I) £600 - 800 €700 - 940

105 106* AR John Piper CH (British, 1903-1992) Buckden in a Storm (Levinson 281) Screenprint in colours, 1977, on wove, signed and inscribed ‘AP’ in pencil, an artist’s proof aside from the numbered edition of 100, printed at Kelpra Studio, published by Kelpra Editions, wih margins, 575 x 845mm (22 5/8 x 33 3/8in)(I) (unframed) £700 - 900 €820 - 1,100

106

34 | Bonhams The work of John Piper

107 108

107AR 108 John Piper CH (British, 1903-1992) John Piper CH (British, 1903-1992) Radcliffe Camera (Levinson 326) Laugharne Town Hall and Castle; Deaths and Entrances (Levinson Books Offset lithograph printed in colours, 1981, on Arches, signed and 181) numbered 45/150 in pencil, printed by Senecio Press, Banbury, published The rare offset lithograph printed in colours, 1984, on wove, signed in by Oxford Museum of Modern Art, Oxford, with margins, 530 x 355mm pencil, one of only 20 impressions (Levinson states they are unsigned) (20 3/4 x 14in)(I) with wide margins, 382 x 325mm (15 X 12 3/4in) (SH); with the book £1,500 - 2,000 ‘Deaths and Entrances’ by Dylan Thomas (illustrated by Piper), numbered €1,800 - 2,300 120 from a total edition not exceeding 268, in blue and gray fabric covered boards, in slip case, 360 x 240mm (14 x 9 1/2in) (2) £1,200 - 1,800 €1,400 - 2,100

Prints featuring the work of John Piper | 35 The work of John Piper

109 112

109AR John Piper CH (British, 1903-1992) Clytha Castle (Levinson 257) Lithograph printed in colours, 1976, on Arches, signed and numbered 62/90 in pencil, printed by Curwen Studio, London, published by Curwen Press, London, with margins, 257 x 383mm (10 1/8 x 15 1/8in)(I) £500 - 700 €590 - 820

110AR John Piper CH (British, 1903-1992) St Albans (Levinson 362) Screenprint in colours, 1983, on wove, signed and numbered 16/75 in pencil, printed at Kelpra Studio, published by the Dean of St Albans, with margins, 505 x 600mm (19 7/8 x 20 5/8in)(I) £700 - 900 €820 - 1,100

111AR John Piper CH (British, 1903-1992) Chantry House, Henley (Levinson 352) Screenprint with colours, 1983, on wove, signed and numbered 40/100 110 in pencil, printed by Kelpra Studio, London, published by Century Gallery, Henley, with margins, 462 x 670mm (18 3/16 x 26 3/8in)(I) £400 - 600 €470 - 700

112AR John Piper CH (British, 1903-1992) St Raphael, Dordogne (Levinson 187) Screenprint in colours, 1968, on wove, signed in black cranyon and numbered 56/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 710 x 1029mm (28 x 40 1/2in)(SH)(unframed) £500 - 700 €590 - 820

111

36 | Bonhams The work of John Piper

113AR 113 John Piper CH (British, 1903-1992) Skeabost, Skye (Levinson 250) Screenprint in colours, 1975, on Arches, signed and numbered 15/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 635 x 840mm (25 x 33 1/16in)(I) £600 - 800 €700 - 940

114AR John Piper CH (British, 1903-1992) Late Summer Flowers (Levinson 419) Etching with aquatint printed in colours, 1989, on wove, signed and numbered 51/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with margins, 410 x 545mm (16 x 21 1/2in)(I) £500 - 700 €590 - 820

115AR John Piper CH (British, 1903-1992) St Kew, Cornwall: church in a hilly landscape, Plate VII from A 114 Retrospect of Churches (Levinson 127) Lithograph printed in colours, 1964, on wove, signed and numbered 66/70 in pencil, printed by Curwen Studio, London, published by Marlborough Fine Art, London, with margins, 504 x 702mm (19 7/8 x 27 5/8in)(I)(unframed) £400 - 600 €470 - 700

115

Prints featuring the work of John Piper | 37 The work of John Piper

116

116AR John Piper CH (British, 1903-1992) Death In Venice V (Levinson 229) Lithograph printed in colours, 1973, on wove, signed and numbered 14/70 in pencil, printed by Kelpra Studio, published by Marlborough Fine Art, the full sheet printed to the edges, 392 x 682mm (15 1/2 x 26 7/8in)(SH) (unframed) £800 - 1,200 €940 - 1,400

117AR John Piper CH (British, 1903-1992) Gloriana Street Scene (Levinson 85A) Lithograph printed in colours, 1953, on wove, unsigned, from the unknown edition size, printed and published by the Royal college of Art, with margins, 155 x 217mm (6 1/4 x 8 1/2in)(I) £400 - 600 €470 - 700 117

118† AR John Piper CH (British, 1903-1992) Street Scene in Don Giovanni (Levinson 424) Screenprint in colours, 1989, on wove, signed and numbered 1/90 in pencil, printed by Kelpra Studios, London, published by Glyndebourne Productions Limited, with margins, 291 x 495mm (11 1/2 x 19 1/2in)(I)(unframed) £400 - 600 €470 - 700

118

38 | Bonhams The work of John Piper

119

119AR John Piper CH (British, 1903-1992) Eye and Camera: Flame Four Screenprint in colours, 1967, on wove, signed and numbered 19/70 in pencil, printed by Kelpra Studio, published by Marlborough Fine Art, wwith margins, 476 x 655mm (18 3/4 x 25 7/8in)(I) £500 - 700 €590 - 820

120AR John Piper CH (British, 1903-1992) Eye and Camera: Blue and Red (Levinson 355) Screenprint in colours, 1972, signed and numbered 7/10 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, 508 x 702mm (20 x 27 5/8in)(I) £400 - 600 €470 - 700 120

121AR John Piper CH (British, 1903-1992) Foliate Head (Levinson 368) Etching and screenprint in colours, 1983, on wove, signed and numbered 50/100, printed by Kelpra Studio, London, published by Christie’s Contemporary Art, Tilford, 458 x 577mm (18 x 22 3/4in)(PL) £600 - 800 €700 - 940

121

Prints featuring the work of John Piper | 39 The work of John Piper

122 124

122AR John Piper CH (British, 1903-1992) Niton, Isle of Wight (Levinson 92) Autolithograph printed in colours, 1954, on machine made cartridge paper, together with ‘Bullslaughter Bay, Pembrokeshire I’ (Levinson 89), autolithograph printed in colours, 1954, on machine made cartidge paper, each printed by Mourlot Freres, Paris, published by Faber and Faber, London, 210 x 280mm (8 1/8 x 11in)(I)(2) £400 - 600 €470 - 700

123 John Piper CH (British, 1903-1992) English, Scottish and Welsh Landscapes (Levinson 34-46) The book containing twelve autolithographs with a lithographic dust-jacket, 1944, each on lithographic cartridge paper, unsigned as published, the lithographs printed by Curwen Press and published by Frederick Miller, 213 x 147mm (8 3/8 x 5 3/4in)(vol) 123 £500 - 700 €590 - 820

124 John Piper CH (British, 1903-1992) Prometheus (Levinson 87A-C) The book complete with three autolithographs, 1954, on wove, unsigned, from the edition of approximately 500, printed by Jesse Broad and Co Ltd, published by Faber and Faber Ltd, with the pale-green envelope as sold, 212 x 146mm (8 3/8 x 5 1/4in)(vol) £200 - 300 €230 - 350

40 | Bonhams 125 126

125AR Dame Elisabeth Frink R.A. (British, 1930-1993) Spinning Man II (Wiseman 3) Lithograph, 1965, on wove, signed, dated and numbered 18/50 in pencil, printed by Curwen Studio, published by Curwen Prints, with margins, 490 x 770mm (19 1/4 x 30 1/4in)(I) £400 - 600 €470 - 700

126AR Dame Elisabeth Frink R.A. (British, 1930-1993) Running Man (Wiseman 134) Etching in grey, 1985, on wove, signed and numbered 24/30 in pencil, printed at Kelpra Studio, with their blindstamp, published by Waddington Graphics, with their blindstamp, with margins, 210 x 195mm (8 1/4 x 7 3/4in)(PL) £500 - 700 €590 - 820

127AR 127 Dame Elisabeth Frink R.A. (British, 1930-1993) Dog (Wiseman 11) Lithograph printed in colours, 1967, on J Green wove, from the ‘Images’ series, signed and numbered 4/25 in pencil, printed by Curwen Studio, Cambridge, published by Alistair McAlpine and Waddington Galleries, London, 785mm x 570mm (30 3/4in x 22 1/2in)(SH) £700 - 1,000 €820 - 1,200

128 Dame Elisabeth Frink R.A. (British, 1930-1993) The Merchants Tale, from The Canterbury Tales II (Wiseman 72) Etching with aquatint, 1972, on J Barcham Green, signed, titled and numbered 25/50 in pencil, with margins, together with a print by Kitaj, ‘Truman in the White House, a Romance’ (Kinsman 19) screenprint in colours, 1966, signed and numbered 68/70 in pencil, together with another by Carel Weight, ‘The Garden of Eden’, offset lithograph printed in colours, on wove, signed in pen, with margins, 540 x 790mm (21 1/4 x 31in)(and smaller)(3)(2 unframed) £500 - 700 €590 - 820

128

Prints featuring the work of John Piper | 41 129

129AR Dame Elisabeth Frink R.A. (British, 1930- 1993) Horse and Rider III (Wiseman 45) Lithograph printed in colours, 1970, on TH Saunders, signed and numbered 29/70 in pencil, printed at Curwen Studio, Cambridge, published by Leslie Waddington Prints Ltd, London, 583 x 775mm (23 x 30 1/2in)(SH) £800 - 1,200 €940 - 1,400

130AR Dame Elisabeth Frink R.A. (British, 1930- 1993) Horse and Rider I (Wiseman 43) Lithograph printed in colours, 1970, on TH Saunders, signed and numbered 29/70 in pencil, printed at Curwen Studio, published by Leslie Waddington Prints Ltd, the full sheet, 581 x 773mm (22 7/8 x 30 1/2in)(SH) 130 £600 - 800 €700 - 940

131AR Dame Elisabeth Frink R.A. (British, 1930- 1993) Lying Down Horse (Wiseman 57) Lithograph printed in brown, 1972, on TH Saunders, signed and numbered 176/250 in pencil, printed at Curwen Studio, published by Leslie Waddington Prints, Ltd, the full sheet, 565 x 770mm (21 5/8 x 30 1/4in)(SH) £1,200 - 1,800 €1,400 - 2,100

131

42 | Bonhams 132AR Dame Elisabeth Frink R.A. (British, 1930- 1993) Viszla A (Wiseman 124) 132 Etching with aquatint printed in colour, 1980, on wove, signed and numbered 60/75 in pencil, printed at Kelpra Studio, published by Waddington Graphics, with margins, 538 x 685mm (21 1/8 x 27in)(PL) £1,000 - 1,500 €1,200 - 1,800

133AR Dame Elisabeth Frink R.A. (British, 1930- 1993) Viszla B (Wiseman 125) Etching with aquatint printed in colour, 1980, on wove, signed and numbered 17/75 in pencil, printed at Kelpra Studio, published by Waddington Graphics, with margins, 538 x 685mm (21 1/8 x 27in)(PL) £1,000 - 1,500 €1,200 - 1,800

133

Prints featuring the work of John Piper | 43 134

136

134AR Dame Elisabeth Frink R.A. (British, 1930-1993) Sparrow Hawk (Wiseman 113) Etching with aquatint printed in colours, 1974, on J Green paper, signed and numbered 23/50 in pencil, printed at White Ink, published by Leslie Waddington Prints Ltd, with margins, 525 x 460mm (20 3/4 x 18in)(PL) £700 - 1,000 €820 - 1,200

135AR Dame Elisabeth Frink R.A. (British, 1930-1993) Bullring (Wiseman 133) Etching with aquatint printed in colour, 1985, on wove, signed and numbered 27/45 in pencil, printed at Kelpra Studio, published by Waddington Graphics, with their blindstamp, with margins, 236 x 341mm (8 7/8 x 13 1/2in)(PL) £600 - 800 €700 - 940

136AR 135 Dame Elisabeth Frink R.A. (British, 1930-1993) Eagle Owl (Wiseman 87) Lithograph printed in colours, 1973, on TH Saunders wove, signed and numbered 217/250 in pencil, printed at Curwen Studio, published by Leslie Waddington Graphics Ltd, London, the full sheet, 775 x 570mm (30 1/2 x 22 1/2in)(SH) £600 - 800 €700 - 940

44 | Bonhams 137

138

137AR Henry Moore O.M., C.H. (British, 1898-1986) Curved Reclining Figure in Landscape II (Cramer 501) Etching, 1979, on wove, signed and numbered 1/50 in pencil, published by Raymond for the Henry Moore foundation, with margins, 190 x 255mm (7 1/2 x 10in)(PL) £500 - 700 €590 - 820

138AR Henry Moore O.M., C.H. (British, 1898-1986) Silhouette Figures with Border Design (Cramer 297) Lithograph, 1973, on wove, signed, dated and numbered 2/90 in pencil, published by Penwith Galleries Ltd, St. Ives, printed by Curwen Prints Ltd, London, 482 x 451mm (19 x 17 3/4in)(I)(unframed) £300 - 500 €350 - 590

139AR Henry Moore O.M., C.H. (British, 1898-1986) Eight reclining figures on a rock background (Cramer 43) Lithograph printed in colours, 1963, on wove, signed, dated and numbered 8/300 in pencil, printed by Curwen Press Ltd, London, published by Hamburg Print Club, 650 x 500mm (25 1/2 x 19 3/4in)(SH) £300 - 500 €350 - 590

139

Prints featuring the work of John Piper | 45 142

140

140AR Henry Moore O.M., C.H. (British, 1898-1986) Minerva, Prometheus and Pandora (Cramer 24) Lithograph printed in colours, 1950, on wove, signed and dated in pencil, printed by Mourlot Freres, Paris, published by Henri Jonquieres, Paris, with margins, 310 x 235mm (12 1/4 x 9 1/4in)(I) £800 - 1,200 €940 - 1,400

141AR Henry Moore O.M., C.H. (British, 1898-1986) Head of Prometheus (Cramer 22) Lithograph printed in colours, 1956, on wove, signed and numbered 10/20 in pencil, with margins, 305 x 220mm (12 x 8 3/4in)(I) £400 - 600 €470 - 700

142AR Henry Moore O.M., C.H. (British, 1898-1986) Sculptural Objects (Cramer 7) Lithograph, 1949, on cartridge paper, printed signature, from the edition of 3000, published by School Prints Ltd, London, printed by W S Cowell Ltd, Ipswich, 495 x 762mm (19 1/2 x 26in)(SH)(unframed) £300 - 500 €350 - 590

141

46 | Bonhams 143 145

144 146

143AR 145AR Henry Moore O.M., C.H. (British, 1898-1986) Henry Moore O.M., C.H. (British, 1898-1986) Reclining Figure Interior Setting II (Cramer 459) Turning figure I (Cramer 175) Lithograph printed in colours, 1977, on wove, signed and numbered Etching, 1971, on wove, signed and numbered 4/50 in pencil, published 65/100 in pencil, published by The Friends of the Tate Gallery, London, by Gerald Cramer, 232 x 135mm (9 1/4 x 5 1/2in)(PL) printed by Curwen Prints Ltd., with margins, London, 238 x 308mm (9 £400 - 600 3/8 x 12 1/8in)(I)(unframed) €470 - 700 £500 - 700 €590 - 820 146AR Lynn Chadwick (British, 1914-2003) 144AR Moon in Alabama Henry Moore O.M., C.H. (British, 1898-1986) Lithograph printed in colours, 1963, on wove, stamped ‘Curwen Studio Three Seated Figures in Setting Proof’ in black ink verso, a proof aside from the numbered edition of 35, Lithograph, 1975, on wove, signed and numbered IX/X in pencil, printed printed by Curwen studio, with margins, 762 x 516mm (30 x 20 3/8in) at Curwen Studio, published by Ediciones Poligrafa, with margins, 400 x (SH) 500mm (15 3/4 x 19 6/8)(SH)(unframed) £500 - 700 £400 - 600 €590 - 820 €470 - 700

Prints featuring the work of John Piper | 47 147

147AR Sir Howard Hodgkin (British, born 1932) Bleeding (Heenk 67) Lithograph printed in colours with handcolouring, 1982, on wove, signed, dated and numbered 7/100 in pencil, published by Bernard Jacobson Ltd, London, the full sheet printed to the edges, 910 x 1520mm (59 3/4 x 35 3/4in)(SH) (unframed) £2,000 - 3,000 €2,300 - 3,500

148AR Sir Howard Hodgkin (British, born 1932) Lotus (Heenk P. 222) Screenprint in colours with embossing, 1980, on Arches, signed, dated and inscribed ‘PP’ in pencil, a printer’s proof aside from the numbered edition of 100, published by Bernard Jacobson Ltd., London, the full sheet, 800 x 1067mm (31 1/2 x 42in)(SH) (unframed) £1,200 - 1,800 148 €1,400 - 2,100

149AR Sir Howard Hodgkin (British, born 1932) DH in Hollywood (Heenk 56) Etching with extensive handcolouring in watercolour and pastel, 1985, on wove, initialled, dated and numbered 56/100 in pencil, printed at Atelier Crommelynck, Paris, published by Petersburg Press, with thin margins, 210 x 278mm (8 1/4 x 11in)(SH) £600 - 800 €700 - 940

149

48 | Bonhams 150

150AR Sir Howard Hodgkin (British, born 1932) Tropic Fruit (Heenk P.222) Screenprint in colours, 1981, on Arches, initialled, dated, and numbered 38/100, published by Bernard Jacobson, London, the full sheet printed to the edges, 785 x 935mm (30 7/8 x 36 3/4in)(SH) £1,000 - 1,500 €1,200 - 1,800

151AR Sir Howard Hodgkin (British, born 1932) A Furnished Room (Heenk 33) Etching with aquatint printed in colours, 1977, on wove, signed, dated and numbered 73/100 in pencil, published by Petersburg Press, London, the full sheet printed to two edges, 540 x 685mm (21 1/4 x 26 3/4in)(SH) £600 - 800 €700 - 940

152AR 151 Sir Howard Hodgkin (British, born 1932) Girl on Sofa, from ‘5 Rooms’ (Heenk 9) Lithograph printed in colours, 1968, on J Green wove, signed, dated and numbered 58/75 in pencil, printed by Alecto Studios, London, published by Editions Alecto Ltd, London, the full sheet printed to the edges, 515 x 650mm (20 1/4 x 25 1/2in)(I) £600 - 800 €700 - 940

152

Prints featuring the work of John Piper | 49 153

153AR Gillian Ayres O.B.E., R.A. (British, born 1930) Blue Flame Carborundum etching with hand colouring, 1999, on wove, signed, dated and numbered 6/13 in pencil, 1210 x 1590mm (47 5/8 x 62 5/8in) (SH) £2,000 - 3,000 €2,300 - 3,500

50 | Bonhams 154 156

155 157

154AR 156AR Matthew Hilton (British, born 1948) Matthew Hilton (British, born 1948) Untitled Octopus Linocut printed in colours, 1988, on wove, signed, dated, inscribed Linocut printed in colours, 1988, on Japan, signed, dated, inscribed ‘Block 21/88’ and numbered 2/4 in pencil, 580 x 560mm (22 3/4 x 22in) ‘Block 8’ and numbered 3/3 in pencil, with margins, 697 x 536mm (27 (B) 1/2 x 21 1/8in)(B) £600 - 800 £700 - 1,000 €700 - 940 €820 - 1,200

155AR 157AR Matthew Hilton (British, born 1948) Roger Hilton (British, 1911-1975) Untitled Untitled Linocut printed in colours, 1988, on wove, signed, dated and numbered Lithograph, 1974, on wove, numbered 9/15 in pencil, with margins, 415 1/4 in pencil, with margins, 560 x 600mm (22 x 23 5/8in)(B) x 317mm (16 x 12 3/8in)(I) £600 - 800 £400 - 600 €700 - 940 €470 - 700

Prints featuring the work of John Piper | 51 158 159

158AR Ben Nicholson O.M. (British, 1894-1982) Turkish Sundial between two Turkish Forms (Cristea 147) Etching, 1967, from a portfolio of ten etchings, on wove, signed, dated and numbered 18/50 in pencil, printed by F.Lafranca and M.Basis, published by Ganymed Original Editions and Marlborough Fine Art, London, with margins, 252 x 346mm (9 7/8 x 13 5/8in)(PL) (unframed) £1,200 - 1,800 €1,400 - 2,100

159AR Ben Nicholson O.M. (British, 1894-1982) Palaestra (Lafranca 28) Etching, 1966, on wove, signed, dated and numbered 13/50 in pencil, published by Ganymed and Marlborough, London, with margins, 153 x 228mm (6 x 9in)(PL) £1,200 - 1,800 €1,400 - 2,100

160AR Ben Nicholson O.M. (British, 1894-1982) 160 Ronco (Lafranca 87) Etching printed with tone, 1968, on wove, signed, dated and numbered 7/50 in pencil, published by Leslie Waddington Prints, London, with margins, 377 x 436mm (14 3/4 x 17 1/4in)(SH) £1,500 - 2,000 €1,800 - 2,300

161AR Ben Nicholson O.M. (British, 1894-1982) Abstract Composition 1935 (Cristea 12) Offset lithograph in colours, 1973, on TH Saunders, signed verso, dated and numbered from the edition of 90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd, St Ives, with full margins, 666 x 800mm (26 1/4 x 31 1/2in)(SH) £1,800 - 2,200 €2,100 - 2,600

161

52 | Bonhams 162 163

162 Naum Gabo (American, 1890-1977) Opus XX Lithograph printed in colours, 1933-57, on wove, signed and dedicated in pencil, a proof aside from the numbered edition of 150, with margins, 170 x 190mm (6 3/4 x 7 1/2in)(I) £600 - 800 €700 - 940

PROVENANCE: The artist Sir Herbert Read Thence by family descent

163AR Dame Barbara Hepworth (British, 1903-1975) Autumn Shadow Lithograph printed in colours, 1969, on handmade Barcham Green paper, signed and numbered 58/60 in pencil, printed by Curwen Studio, with margins, 762 x 558mm, (30 x 21 7/8in)(I) £1,200 - 1,800 €1,400 - 2,100

164AR Dame Barbara Hepworth (British, 1903-1975) Three Forms, from Opposing Forms Screenprint in colours, 1970, on wove, signed and numbered 22/60, published by Marlborough Fine Art, London, with margins, 770 x 585mm (30 3/8 x 23in)(SH) £2,000 - 3,000 €2,300 - 3,500

164

Prints featuring the work of John Piper | 53 165

165AR Patrick Heron (British, 1920-1999) January 1973 : 4 Screenprint in colours, 1973, on wove, signed, dated and numbered 64/72 in pencil, with margins, 583 x 810mm (23 x 31 3/4in)(I) £1,000 - 1,500 €1,200 - 1,800

166AR Patrick Heron (British, 1920-1999) Small Red: January 1973: 4 Screenprint in colours, 1973, on wove, signed, dated and numbered 24/72 in pencil, with margins, 423 x 514mm (16 5/8 x 20 1/4in)(I) £1,000 - 1,500 €1,200 - 1,800

167AR Patrick Heron (British, 1920-1999) Small Red: January 1973: 1 Screenprints in colours, 1973, on wove, signed, dated and numbered 166 15/72 in pencil, with margins, 423 x 514mm (16 3/4 x 20 1/4in)(I) £1,000 - 1,500 €1,200 - 1,800

167

54 | Bonhams 168

168AR Patrick Heron (British, 1920-1999) Two Magenta Discs in Dark Reds : April 1970 Screenprint in colours, on wove, 1970, signed, dated and inscribed ‘artist’s proof’ in pencil, and artist’s proof aside from the numbered edition of 100, with margins, 595 x 780mm (23 1/2 x 30 3/4in)(I) £1,500 - 2,000 €1,800 - 2,300

169AR William Scott RA (British, 1913-1989) Green Predominating (Archeus 56) Lithograph printed in colours, 1976, stamped with the ‘William Scott Estate’ blindstamp, aside from the signed and numbered edition of 40, printed by Curwen Studio, Cambridge, published by Editions Alecto, London, the full sheet printed to the edges, 560mm x 760mm (22in x 29 7/8in)(SH) £400 - 600 €470 - 700 169 170AR William Scott R.A. (British, 1913-1989) Odeon Suite I (Cooke 25) Lithograph printed in colours, 1966, on wove, signed and inscribed ‘AP’ in pencil, printed by Mathieu, Zurich, published by Editions Alecto, London, 633 x 765mm (19 3/4 x 24 5/8in)(SH)(unframed) £1,500 - 2,000 €1,800 - 2,300

170

Prints featuring the work of John Piper | 55 171

171AR Sandra Blow R.A. (British, 1925-2006) Through and Beyond Screenprint in colours, 1993/94, on wove, signed and numbered 40/50 in pencil, 1220 x 1222mm (48 1/8 x 48 1/8 in)(I) £400 - 600 €470 - 700

172AR Sandra Blow R.A. (British, 1925-2006) Inside Story Screenprint in colours, 1993/94, on heavy wove, signed, titled and numbered 1/50 in pencil, 1220 x 1222 mm (48 1/8 x 48 1/8 in)(I) £400 - 600 €470 - 700

173AR Sandra Blow R.A. (British, 1925-2006) Split Second Screenprint in colours, 1991, on heavy wove, signed, titled and numbered 1/50 in pencil, the full sheet, 1215 x 1218mm (48 x 48in)(SH) 172 £400 - 600 €470 - 700

173

56 | Bonhams 174

174AR Sir Terry Frost R.A. (British, 1915-2003) Malaga Blue and Orange (Kemp 181) Screenprint in colours, 1998, on wove, signed and numbered 57/150 in pencil, published by CCA Galleries, Tilford, printed at Coriander Studio, London, with margins, 486 x 486mm (19 1/4 x 19 1/4in)(I) £600 - 800 €700 - 940

175AR Sir Terry Frost R.A. (British, 1915-2003) Orange and Blue Space (Kemp 182) Screenprint in colours, 1998, on wove, signed and numbered 63/150 in pencil, published by CCA Galleries, Tilford, printed at Coriander Studio, London, with margins, 647 x 634mm (25 1/2 x 25in)(SH)(unframed) £500 - 700 €590 - 820

176AR Sir Terry Frost R.A. (British, 1915-2003) Swing Red Newlyn (Kemp 183) 175 Screenprint in colours, 1998, on wove, signed and numbered 128/150 in pencil, published by CCA Galleries, Tilford, printed at Coriander Studio, London, with margins, 482 x 482mm (19 x 19in)(I) £600 - 800 €700 - 940

176

Prints featuring the work of John Piper | 57 177 178 179

177AR Sir Terry Frost R.A. (British, 1915-2003) Blue Love Tree (Kemp 245) Screenprint and collage in colours, 2003, on wove, signed and numbered 25/85 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, the full sheet printed to the edges, 1002 x 610mm (39 1/2 x 24in)(SH) £1,000 - 1,500 €1,200 - 1,800

178AR Sir Terry Frost R.A. (British, 1915-2003) Spanish Dreams (Kemp 238) Screenprint in colours with collage, 2002, on wove, signed, dated and numbered 65/100 in pencil, published by CCA Galleries, Tilford, printed at Coriander Studio, London, with margins, 600 x 320mm (23 3/4 x 12 1/2in)(I)(unframed) £500 - 700 €590 - 820

179AR Sir Terry Frost R.A. (British, 1915-2003) Black, Purple and Blue (Kemp 46) Lithograph printed in colours, 1969, on wove, signed, dated and numbered 40/75 in pencil, printed by Emil Matthieu Atelier, Zurich, published by Leslie Waddington Prints, London, with margins, 580 x 450mm (22 7/8 x 17 3/4in)(I) £500 - 700 €590 - 820

180AR Sir Terry Frost R.A. (British, 1915-2003) Brown, Blue and Black Descending (Kemp 78) Screenprint in colours, 1981, on wove, signed, dated and inscribed ‘A/P’ 180 in pencil, an artist’s proof aside from the edition of 75, printed at Kelpra Studio, London, 728 x 545mm (28 3/4 x 21 1/2in)(I) £500 - 700 €590 - 820

58 | Bonhams 181 182

181AR Sir Terry Frost R.A. (British, 1915-2003) Orange, Green and Blue Rhythm (Kemp 234) Screenprint in colours, 2002, on wove, signed and numbered 87/150 in pencil, published by CCA Galleries, Tilford, printed at Coriander Studio, London, with margins, 800 x 598mm (31 1/2 x 23 1/2in)(SH)(unframed) £600 - 800 €700 - 940

182AR Sir Terry Frost R.A. (British, 1915-2003) Blue and Green Verticals (Kemp 225) Screenprint in colours, 2002, on wove, signed and numbered 133/150 in pencil, published by CCA Galleries, Tilford, printed at Coriander Studio, London, with margins, 442 x 624mm (17 1/2 x 183 24 3/8in)(I) £600 - 800 €700 - 940

183AR Sir Terry Frost R.A. (British, 1915-2003) Blue and Lemon (Kemp 226) Screenprint in colours, 2002, on wove, signed and numbered 111/150 in pencil, published by CCA Galleries, Tilford, printed at Coriander Studio, London, with margins, 540 x 800mm (21 1/4 x 30 1/2in)(SH)(unframed) £600 - 800 €700 - 940

184AR Sir Terry Frost R.A. (British, 1915-2003) Stacked on the Side (Kemp 58) Lithograph printed in colours, 1970, on wove, signed, dated and numbered 43/75, printed by Emil Matthieu Atelier, Zurich, published by Leslie Waddingon Prints, London, with margins, 491 x 700mm (19 1/4 x 27 1/2in)(I) £500 - 700 €590 - 820 184

Prints featuring the work of John Piper | 59 185 187 189

186 188 190

185* AR 188AR Peter Lanyon (British, 1918-1964) Sir Terry Frost R.A. (British, 1915-2003) The Beast Red and Black Drypoint, on wove, signed by the artist’s widow in pencil, studio Monotype printed in colours, 1996, on wove, signed and dated in pencil, stamped ‘PL’ in black ink, with margins, 248 x 177mm (9 3/4 x 7in)(PL) the full sheet, 660 x 765mm (26 x 30 1/8in)(SH) £500 - 700 £2,000 - 3,000 €590 - 820 €2,300 - 3,500

186AR 189AR Sir Terry Frost R.A. (British, 1915-2003) Sir Terry Frost R.A. (British, 1915-2003) Duende for Lorca (Kemp 90) Canadian Pacific (Kemp 154-157) Screenprint in colours, 1987, on wove, signed, dated, and inscribed ‘IV/V The set of four etchings printed in colours on a single sheet, 1997, on AP’ in pencil, an artist’s proof aside from the numbered edition of 50, wove, signed, dated and inscribed ‘Final Proof’ in pencil, a proof with printed by Kip Gresham and Chilford Hall, with margins, 760 x 550mm all four images aside from the numbered editions of 20, published by (30 x 21 5/8in)(SH) the Artist, printed at Stoneman Graphics, Cornwall, with margins, 590 x £400 - 600 414mm (23 1/4 x 16 1/4in)(PL) €470 - 700 £700 - 1,000 €820 - 1,200 187AR Sir Terry Frost R.A. (British, 1915-2003) 190AR Trewellard Red Sir Terry Frost R.A. (British, 1915-2003) Ceramic charger, 1995, signed and numbered 48/100 verso, produced Bull Black (Kemp 124) by Poole Studio Pottery, published by The Royal Academy of Arts, Colour etching with hand-colouring, 1991, on wove, signed, dated, London, 412mm (16in)(diameter) and numbered 4/25 in pencil, printed at the Print Centre, London, with £400 - 600 margins, 373 x 550mm (14 3/4 x 21 1/2)(PL) €470 - 700 £500 - 700 €590 - 820

60 | Bonhams 191 192

191† AR John Bellany CBE RA HRSA LLD(Lon) (British, born 1942) A Collection Ten etchings, including ‘Olympia’, ‘Raised Beach’,’The Capercaille Sings his Lament’, ‘The Guardian of the Firth’, ‘Sad Self-portrait’, ‘Perdu’, ‘Reqiuem for Juliet’, ‘The Barber’s Chair’, ‘Death Knell for John Knox’, ‘Fealty’, 1970-1988, each on wove, each signed in pencil, four variously numbered and six artist’s proofs, each with full margins, 755 x 565mm (29 3/4 x 22 1/4in)(SH)(and smaller) (10) (8 unframed) £500 - 700 €590 - 820

192† AR John Bellany CBE RA HRSA LLD(Lon) (British, born 1942) A Collection ‘Old Man and the Sea’, screenprint in colours, 1987, on wove, signed and numbered 45/80 in pencil, with full margins, 755 x 560mm (29 3/4 x 22in) (SH); together with nine etchings, including ‘Jeune Fille, Le Treport’, ‘Self- portrait in Hospital I& II’, ‘Sir Roy Calne’, ‘The Transplant I’, ‘My Father’, ‘New Haven’, ‘Olympia’, ‘The Capercaillie Sings his Lament’, 1986-89, each on wove, each signed in pencil, eight numbered variously and two artist’s proofs, 750 x 560mm (29 1/2 x 22in)(and smaller)(10) (8 unframed) £500 - 700 193 €590 - 820

193† AR John Bellany CBE RA HRSA LLD(Lon) (British, born 1942) A Collection ‘Through a Glass Darkly’, sugar lift etching, 1987, on wove, signed and numbered 5/30 in pencil, with full margins, 900 x 605mm (35 1/2 x 23 7/8in) (PL); together with 7 etchings by the same hand including ‘The Scapegoat’, ‘The Barber’s Chair’, ‘Wild Cat’, ‘The Capercaillie Sings his Lament’, ‘The Kiss I’, ‘The Fallen Fulmer’, ‘Raised Beach’, 1970-86, each on wove, each signed and variously numbered in pencil, 695 x 760mm (27 3/8 x 29 7/8in)(SH)(and smaller)(8)(7 unframed) £500 - 700 €590 - 820

194† AR John Bellany CBE RA HRSA LLD(Lon) (British, born 1942) The Bellany Sextet The complete set of six etchings with aquatint printed in colours, 1993, titled ‘Samson & Delilah’, ‘Moonlight’, ‘The Presence’, ‘Perdu’, ‘The Lovers’ and ‘The Fright’, each on wove, each signed and numbered 19/50 in pencil, with full margins, loose as issued within the original red linen-covered portfolio, each 745 x 555mm (29 3/8 x 21 7/8in)(PL) (6) (unframed) £1,000 - 1,500 €1,200 - 1,800 194

Prints featuring the work of John Piper | 61 195

195AR Craigie Aitchison CBE RA (British, 1926-2009) Sheep at Tulliallan Screenprint in colours, 1998, on wove, signed, dated and numbered 74/75 in black ink, published by Advanced Graphics, London, 215 x 173mm (8 1/2 x 6 7/8in)(I) £500 - 700 €590 - 820

196AR Craigie Aitchison CBE RA (British, 1926-2009) Cypress trees at Oppedette Screenprint in colours, 1998, on wove, signed, dated and numbered 74/75 in white ink, published by Advanced Graphics, London, with their blindstamp, 210 x 175mm (8 1/4 x 6 7/8in)(I) £500 - 700 €590 - 820

197AR Craigie Aitchison CBE RA (British, 1926-2009) 196 Tree and Poppy Montecastelli Screenprint in colours, 2005, on wove, signed, dated and inscribed ‘AP II/X’ in black ink verso, an artist’s proof aside from the numbered edition of 75, the full sheet printed to the edges, 152 x 121mm (6 x 4 3/4in)(SH) (unframed) £600 - 800 €700 - 940

197

62 | Bonhams 198

198AR Craigie Aitchison CBE RA (British, 1926-2009) Unicorn in a Landscape Screenprint in colours, 1998, on wove, signed, dated and numbered 74/75 in white ink, published by Advanced Graphics, London, the full sheet printed to the edges, 242 x 195mm (9 1/2 x 7 11/16in)(I) £500 - 700 €590 - 820

199AR Craigie Aitchison CBE RA (British, 1926-2009) Dolphin Screenprint in colours, 2004, on heavy wove, signed, dated and inscribed ‘AP II/X’ in black ink verso, an artist’s proof aside from the numbered edition of 75, the full sheet printed to the edges, 447 x 342mm (17 1/2 x 13 1/2in)(SH)(unframed) £700 - 1,000 €820 - 1,200

200AR Craigie Aitchison CBE RA (British, 1926-2009) 199 Daffodils and Candlestick Screenprint in colours, 1998, on thick wove, signed and dated 24/75 in white ink, the full sheet printed to the edges, 692 x 558mm (27 3/8 x 22in)(SH)(unframed) £400 - 600 €470 - 700

200

Prints featuring the work of John Piper | 63 201 202 203

204 205 206

201AR 204AR Bruce McLean (British, born 1944) Henry Cliffe (British, 1919-1983) A collection of monotypes Birds Seven monotypes printed in colours, each on thin wove hinged to thick Three lithographs with extensive hand colouring in watercolour, 1951, wove, five signed and inscribed in pencil, together with four exhibition each on wove, one signed and dated in black ink, each 507 x 300mm posters, one signed in pencil, 552 x 370mm (21 3/4 x 14 1/2in)(SH) (20 x 11 3/4in) (I) (3) (unframed)(8) £1,000 - 1,500 £500 - 700 €1,200 - 1,800 €590 - 820 205AR 202AR Henry Cliffe (British, 1919-1983) Barry Flanagan, R.A. (British, 1941-2009) Untitled Loch Ness Lithograph with extensive hand colouring, 1970, on wove, signed, dated Four linocuts printed in colours and six etchings, 1976, each on wove, and numbered 2/4 in pencil, with margins, 580 x 680mm (22 7/8 x 26 each signed and dated and variously numbered or inscribed ‘AP’ in 3/4in)(SH) together with four other prints by Henry Cliffe, various media, pencil, each with margins, 380 x 566mm (15 x 22 1/4in)(SH)(and smaller) on various papers, three signed, and two numbered in pencil, together (10) with 20 other prints by various artists, in various media, on various £400 - 600 papers, some signed in pencil, 780 x 580mm (30 x 22 7/8in)(and smaller) €470 - 700 (SH)(25) £500 - 700 203AR €590 - 820 Patrick Procktor (British, 1936-2003) Two plates, from The Rime of the Ancient Mariner 206AR Two etchings with aquatint printed in colours, 1976, on wove, each Laurence Stephen Lowry R.A. (British, 1887-1976) signed and numbered 40/75, published by Editions Alecto, London, with Group of Children wide margins, each 220 x 150mm (8 5/8 x 5 7/8in)(PL)(2) Offset lithograph printed in colours, on wove, signed in pencil, guild £500 - 700 stamped, from the edition of 850, together with ‘Sketches’, offset €590 - 820 lithograph, on wove, guild stamped, from the edition of 850, printed by Chorley & Pickergill Ltd, published by Adam Collection Ltd, with margins, 300 x 255mm (11 3/4 x 10in)(SH)(unframed)(2) £500 - 700 €590 - 820

64 | Bonhams 208

207

207AR After Marie Laurencin (French, 1883-1956) Portrait de Femme en Rouge, from Estampes Wood engraving printed in colours, 1950, on Van Gelder Zonen paper, signed in black crayon, numbered 38/150 in pencil, countersigned by the publisher, published by Robert Rey, Paris, with full margins, 466 x 362mm (18 3/8 x 14 1/4in) (SH) (unframed) £500 - 700 €590 - 820

208 Paul César Helleu (French, 1859-1927) Girl reclining; Girl with flowers in her hair Two drypoint etchings, on laid, the first inscribed ‘Ellen Paris, tire a 10’, the second one signed in pencil, 220 x 345mm (9 3/4 x 13 2/4in), 280 x 102mm (11 x 4in)(PL) (2) £600 - 800 €700 - 940

209* AR Pierre Bonnard (French, 1867-1947) Frontispiece for La lithographie en couleurs d’André Mellerio (Bouvet 53) 209 Lithograph, 1898, printed in four colours, on China paper, with margins, from an edition of 1000, 210 x 190mm (8 1/4 x 7 1/2in)(I) £1,000 - 1,500 €1,200 - 1,800

210 Théophile Alexandre Steinlen (Swiss/French, 1859-1923) A collection Twelve lithographs, each on wove, one signed in red crayon, each numbered variously from the editions of 400 in pencil, 280 x 380mm (11 x 15in)(SH)(unframed)(12) £1,000 - 1,500 €1,200 - 1,800

210

Prints featuring the work of John Piper | 65 211 212

211 Camille Pissarro (French, 1830-1903) Les Trimardeurs (Delteil 154) Lithograph, 1896, on Van Gelder laid paer, with margins, 255 x 365mm (10 x 14 3/8in)(I) £1,000 - 1,500 €1,200 - 1,800

212 Camille Pissarro (French, 1830-1903) Paysannes Portant des Faggots (Delteil 152) Lithograph, 1896, on Van Gelder laid paper, with margins, 225 x 300mm (8 7/8 x 11 7/8in)(I) £1,000 - 1,500 €1,200 - 1,800

213 Pierre-Auguste Renoir (French, 1841-1919) Femme Nue Assise (Delteil 12) Soft-ground etching, c. 1906, on laid, from the edition published in 213 ‘Kunst and Kunstler’, Jarhgang VII, 1909, with margins, 185 x 140mm (7 1/4 x 5 1/2in)(PL) £700 - 1,000 €820 - 1,200

214 Henri de Toulouse-Lautrec (French, 1864-1901) Le Coiffeur - Programme du Théâtre Libre (Wittrock 15, Adriani 40) Lithograph, 1893, the second state, printed in colours, on wove, numbered 18 in red crayon from the edition of 100, (less than half the edition was signed), printed by Eugene Verneau, published by Kleinmann, Paris, 500 x 325mm (19 3/4 x 12 3/4in)(SH)(unframed) £1,500 - 2,000 €1,800 - 2,300

214

66 | Bonhams 215 217

216 218

215 217AR After Georges Braque (French, 1882-1963) After Georges Braque (French, 1882-1963) Georges Braque Ten Works (Vallier 189) Nature Morte Aux Huitres, from Estampes Ten facsimile colour prints, 1963, copy number 7 of the American edition Wood engraving printed in colours, 1949, on Van Gelder Zonen paper, of 330, (the first 35 copies also contained a signed lithograph but this is signed and numbered 38/150 in pencil, countersigned by the publisher, not included), together with a text of observations by Dora Vallier and a published by Robert Rey, Paris, with full margins, 362 x 446mm (14 1/4 x list of plates, the plates printed by Lichtdruck AG, Zurich, within a pale 18 3/8in) (SH) (unframed) green linen covered folio case, 508 x 380mm (20 x 14 7/8in)(Folio) £1,000 - 1,500 £300 - 500 €1,200 - 1,800 €350 - 590 218AR • AR 216 Georges Braque (French, 1882-1963) Georges Braque (French, 1882-1963) Pichet Noir et Citrons (Maeght 1004) Braque Lithographe (Vallier 188) Etching with aquatint printed in colours, 1952, on wove, signed and Catalogue of the lithographs, 1963, with text in French by Fernand numbered 27/200 in pencil, with margins, 370 x 450mm (14 1/2 x 17 Mourlot, with 5 lithographs, including the cover, with the stamped 3/4in)(PL) number 2524 of 4125 copies, (there was also a signed, numbered £700 - 1,000 edition of 125), within glycine wrapper, printed by Mourlot Frères, Paris, €820 - 1,200 published by Fernand Mourlot and André Sauret, Monte Carlo, in a brown slipcase, 327 x 249mm (12 7/8 x 9 3/4in)(Vol) £300 - 500 €350 - 590

Prints featuring the work of John Piper | 67 219

219 Henri Matisse (French, 1869-1954) Verve: Volume IX, Nos 35 & 36. Dernières Oeuvres de Matisse 1950-54. The book, 1958, comprising 40 lithographs in colours after Matisse printed by Mourlot, with text in French, published by Editions de la Revue Verve, Paris, within original illustrated boards, 365 x 275mm (14 3/8 x 10 3/4in)(overall) £1,400 - 1,800 €1,600 - 2,100

220AR After Henri Matisse (French, 1869-1954) Bal de l’École des Arts Décoratifs (Madame de Pompadour) (Affiches Originales Matisse 43) Lithograph printed in colours, 1951, on wove, a proof before the text below, aside from the edition of 1500, with the printed signatures of Matisse and Mourlot, printed by Mourlot Frères, Paris, 800 x 600mm (31 1/2 x 23 5/8in)(SH)(unframed) £600 - 800 €700 - 940

220

68 | Bonhams 222

221

221AR Henri Matisse (French, 1869-1954) One plate from ‘Danseuses Acrobates’ (Duthuit 528) Lithograph printed in sanguine, 1931-32, on Arches, one of four épreuves d’essai on Arches printed in sanguine aside from the stamped numbered edition of 25 in black and white, the full sheet, 505 x 380mm (19 7/8 x 15in)(SH)(unframed) £1,200 - 1,800 €1,400 - 2,100

222AR Henri Matisse (French, 1869-1954) Poesies Antillaises Lithograph, 1972, on Japan, from the supplementary suite of twelve prints which accompanied the deluxe book edition of 50 (there was also 223 an edition of 200), published by Fernand Mourlot, Paris, the full sheet, 381 x 280mm (15 x 11in)(SH) £500 - 700 €590 - 820

223AR Henri Matisse (French, 1869-1954) Tete de Femme from Poesies Antillaises Lithograph, 1972, on Japan, from the supplementary suite of twelve prints which accompanied the deluxe book edition of 50 (there was also an edition of 200), published by Fernand Mourlot, Paris, the full sheet, 381 x 280mm (15 x 11in)(SH) £500 - 700 €590 - 820

224AR Henri Matisse (French, 1869-1954) One plate from Visages - Quartorze Lithographies (Duthuit Books 11) Lithograph printed in sanguine, 1946, on wove, from an edition of 250, printed by Fequet and Baudier, published by Mourlot Frères, Paris, 335 x 253mm (13 1/4 x 9 7/8in)(SH) £500 - 700 €590 - 820 224

Prints featuring the work of John Piper | 69 225 228

225AR Marc Chagall (Russian/French, 1887-1985) Vers L’Autre Clarte (Mourlot 1050) Lithograph printed in colours, 1985, on wove, with stamped signature, inscribed ‘epreuve d’artiste’ in pencil, from the edition of 1000 with the blindstamp of the Atelier Marc Chagall, 628 x 478mm (24 6/8 x 18 6/8in)(SH) £800 - 1,200 €940 - 1,400

226 After Marc Chagall (Russian/French, 1887-1985) L’Ange du Jugement (Sorlier Posters p.139) Lithographic poster in colours by Charles Sorlier, on thin wove, signed and dated 1976 by Marc Chagall in black felt tip pen, one of a number of signed copies presented to the Society of Friends of the Musée National Message Biblique, printed by Mourlot, published by Editions Societe des Amis du Musee National Message Biblique Marc Chagall, Nice, with their blindstamp, 765 x 525mm (30 1/8 x 20 5/8in)(SH) (unframed) 226 £700 - 1,000 €820 - 1,200

227 After Marc Chagall (Russian/French, 1887-1985) Song of Songs (Sorlier Posters p.143) Lithographic poster in colours by Charles Sorlier, on thin wove, signed and dated 1976 by Marc Chagall in blue pen, one of a number of signed copies presented to the Society of Friends of the Musée National Message Biblique, printed by Mourlot, published by Editions Societe des Amis du Musee National Message Biblique Marc Chagall, Nice, with their blindstamp, 765 x 525mm (30 1/8 x 20 5/8in)(SH) (unframed) £700 - 1,000 €820 - 1,200

228AR Marc Chagall (Russian/French, 1887-1985) King David (Mourlot 718) Lithograph printed in colours, 1974, on Japan, a proof aside from the signed and numbered edition of 40, the full sheet, 289 x 209mm (11 1/4 x 8 1/4in)(SH) £800 - 1,200 €940 - 1,400

227

70 | Bonhams 229 (part) 229 (part) 229 (part)

229AR Marc Chagall (Russian/French, 1887-1985) Lithographe I - IV (Cramer Books 43, 56, 77, 94) Four volumes, 1960-1974, comprising 28 lithographs printed in colours, volumes I, III and IV with text in French, volume II with text in German, printed by Mourlot Frères, Paris, bound in boards, in the original lithographed paper wrappers, three in protective slipcases, overall 325 x 250mm (12 3/4 x 9 3/4in)(4)(vol) £2,000 - 3,000 €2,300 - 3,500

230AR Marc Chagall (Russian/French, 1887-1985) Quai aux Fleurs, from Derrière Le Miroir (Mourlot 99, Cramer 24) Lithograph printed in colours, 1954, on wove, from the edition of 2500, printed by Mourlot Frères, published by Maeght Editeur, Paris, 383 x 278mm (15 1/8 x 10 7/8in)(SH) (unframed) £500 - 700 €590 - 820

231AR 230 Marc Chagall (Russian/French, 1887-1985) Two Lithographs from Derrière Le Miroir (Mourlot 96,97, Cramer 24) ‘Eiffel Tower with Donkey’, ‘Night in Paris’, printed in colours, 1954, on wove, from the edition of 2500, printed by Mourlot Frères, published by Maeght Editeur, Paris, 384 x 280mm (15 1/8 x 11in)(SH) (2) (unframed) £500 - 700 €590 - 820

231

Prints featuring the work of John Piper | 71 232AR After Pablo Picasso (Spanish, 1881-1973) 232 Vive le Paix Lithograph, 1954, on Lana paper, signed and numbered 10/350 in pencil, the full sheet, 645 x 497mm (25 1/2 x 19 5/8in)(SH)(unframed) £2,000 - 3,000 €2,300 - 3,500

233AR After Pablo Picasso (Spanish, 1881-1973) Collection S. Guggenheim, New York, 1958 (Czwiklitzer 141) Lithographic poster printed in colours, 1958, on Arches, signed in blue crayon, a proof before the text, with margins, 688 x 550mm (27 1/8 x 21 5/8in)(SH)(unframed) £2,000 - 3,000 €2,300 - 3,500

233

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234

234 After Pablo Picasso (Spanish, 1881-1973) Exposition Peinture Vallauris 1956 (Czwiklitzer 95) Offset lithograph printed in colours, 1956, on roto blanc paper, signed in pencil, stamped copy number 81 verso, from an edition of 250, 655 x 499mm (25 1/2 x 19 5/8in)(SH) £800 - 1,200 €940 - 1,400

235AR Pablo Picasso (Spanish, 1881-1973) Le Picador (Mourlot 350) Lithograph printed in colours, 1961, on wove, unsigned as published in ‘A Los Toros’, with margins, 244 x 315mm (9 5/8 x 12 3/8in)(SH)(unframed) 236 £600 - 800 €700 - 940

236 Pablo Picasso (Spanish, 1881-1973) A Los Toros (Cramer 113, Bloch 1014-1017) The book containing the set of four lithographs, one printed in colours, 1961, hors-texte, with title page and text in French, on wove, from the edition of unknown size, printed by Draeger Freres, Paris, published by Mourlot Freres, Paris, the full sheets, bound and issued, grey cloth covered-boards with a reproduction after a drawing by Picasso on the front and lettering on the spine, red laid paper-covered slipcase with a reproduction after a drawing by Picasso on the front and back and lettering on the spine, 260 x 330mm (10 1/4 x 13in)(Vol) £1,200 - 1,800 €1,400 - 2,100

237AR Pablo Picasso (Spanish, 1881-1973) The Dance of the Fauns (Bloch 830; Mourlot 291) Lithograph, 1957, on Arches, from the unsigned edition of 1000, the full sheet, 480 x 640mm (18 7/8 x 25 1/8in)(SH)(unframed) £500 - 700 €590 - 820 237

Prints featuring the work of John Piper | 73 238

238* AR Salvador Dali (Spanish, 1904-1989) Le Portique (Michler & Lopsinger 519) Etching with aquatint printed in colours, 1971, on wove, signed and numbered 14/250 in pencil, with margins, 575 x 730mm (22 3/4 x 28 3/4in)(SH)(unframed) £500 - 700 €590 - 820

239AR Salvador Dali (Spanish, 1904-1989) Hamadryades (Michler & Lopsinger 465a) Etching with aquatint printed in colours, 1971, on wove, signed and numbered 62/175 in pencil, 510 x 660 (20 x 26in)(SH)(unframed) £700 - 900 €820 - 1,100

240AR Salvador Dali (Spanish, 1904-1989) Rocks Overlooking the Sea (Michler & Lopsinger 1331) 239 Lithograph printed in colours, 1971, on wove, signed and numbered 167/1000 in pencil, with margins, 540 x 638mm (21 2/8 x 25 1/8in)(SH) £400 - 600 €470 - 700

240

74 | Bonhams 241 242

241AR Salvador Dali (Spanish, 1904-1989) Mystic (Indian) (Michler & Lopsinger 1396) Lithograph printed in colours, 1973, on Arches, signed and numbered 70/1000 in pencil, published by Zeit Magazin/Observer, published by Grapholith, with margins, 550 x 440mm (21 5/8 x 17 3/8in)(I) £500 - 700 €590 - 820

242AR Salvador Dali (Spanish, 1904-1989) Romantic (Michler & Lopsinger 1394) Lithograph printed in colours, 1973, on Arches, signed and numbered 126/1000 in pencil, published by Zeith Magasin/Observer, printed by Grapholith, with margins, 535 x 422mm (21 x 17 3/8in)(I) £500 - 700 €590 - 820

243AR Salvador Dali (Spanish, 1904-1989) Sun Goddess Flower (Michler & Lopsinger 1386) Lithograph printed in colours, 1972, on Rives, signed and inscribed ‘M.D. XXIX/L’ in pencil, published by Sidney Z. Lucas, the full sheet, 755 x 562mm (29 3/4 x 22 1/8in)(SH)(unframed) £700 - 900 €820 - 1,100

243

Prints featuring the work of John Piper | 75 244 245

244AR Joan Miró (Spanish, 1893-1983) Soleil Noyé II (Dupin 349) Aquatint printed in colours, 1962, on Rives, signed and numbered 52/75 in pencil, published by Maeght Editeur, Paris, with wide margins, 218 x 583mm (8 1/2 x 23in)(PL) £2,000 - 3,000 €2,300 - 3,500

245• Joan Miró (Spanish, 1893-1983) Lithographe: Volumes I-VI (Cramer 160, 198, 230, 249) The complete set of six volumes, 1972-1992, each with German text, each containing numerous single and double page original colour lithographs by the artist, 36 in total, printed by Mourlot, Paris, published by Maeght, Paris, 328 x 260mm (12 7/8 x 10 1/4in)(Vol)(6) £800 - 1,200 €940 - 1,400

246AR After Joan Miró (Spanish, 1893-1983) Plate XII, from Constellations Pochoir in colours, 1959, on wove, the full sheet printed to the edges, 431 x 355mm (17 x 14in)(SH) £1,000 - 1,500 €1,200 - 1,800

246

76 | Bonhams 247

247* AR Antoni Tàpies (Spanish, 1923-2012) Papiers Collés aux quatre coins Etching with aquatint, printed in brown and black with collage, 1976, on Auverne, signed and numbered 26/50 in pencil, published by Galerie Maeght, Barcelona, 332 x 505mm (13 x 19 7/8in) (SH) (unframed) £500 - 700 €590 - 820 248

248AR Antoni Tàpies (Spanish, 1923-2012) Apartheid Criminal Lithograph printed in colours, 1983, on wove, signed and numbered 4/100 in pencil, together with ‘Muerte al apartheid’ by Antonio Saura, lithograph, 1983, on wove, signed and numbered 5/100 in pencil, published for the ‘World Artists Against Apartheid’ portfolio, the full sheets, 846 x 598mm (33 3/8 x 23 1/2in)(SH)(unframed)(2) £800 - 1,200 €940 - 1,400

249AR Antoni Tàpies (Spanish, 1923-2012) Poems from the Catalan II Lithograph printed in colours, 1973, on wove, signed and numbered 24/75 in pencil, the full sheet, 758 x 550mm (29 7/8 x 21 5/8in)(SH) (unframed) £600 - 800 €700 - 940

249

Prints featuring the work of John Piper | 77 250

251

250AR Max Ernst (French, 1891-1976) Death is something like Cousin Cynthia (Spies/Leppien 13 IV) Original photogram from a frottage in black in white, 1931, on photosensitive paper, unsigned as published, from an unknown edition size, the full sheet, 174 x 110mm (6 7/8 x 4 3/8in)(I) £800 - 1,200 €940 - 1,400

251AR Max Ernst (French, 1891-1976) Dent Prompte, Poème de Réne Char (Spies/Leppien A19) The complete portfolio, 1969, comprising ten lithographs, and the 252 lithographic sleeve, each printed in colours, on Arches, with title page, text and justification, signed and numbered ‘XV’ in pencil on the justification, one of 50 artist’s proofs aside from the edition of 240 (there were a further 80 printed on Japan), published by Mourlot, Paris, in the original linen covered portfolio box, 490 x 410mm (19 1/4 x 16 1/4in) (folio) £800 - 1,200 €940 - 1,400

252 Man Ray (American, 1890-1976) Cactus Dansant (Anselmino 64) Etching printed in colours, 1973, on wove, signed and dated 53/100 in pencil, with margins, 429 x 315mm (17 x 12 3/8in)(PL)(unframed) £500 - 700 €590 - 820

253AR André Masson (French, 1896-1987) Portrait of Baudelaire Etching, 1923, on wove, signed and numbered 9/20 in pencil, with wide margins, 78 x 55mm (3 1/8 x 2 1/8in)(PL) £500 - 700 253 €590 - 820

78 | Bonhams 254 255

254* AR Karel Appel (Dutch, 1921-2006) Two Heads Lithograph printed in colours, on Arches, signed and numbered 36/80 in pencil, with margins, 562 x 761mm (22 1/8 x 30in)(SH)(unframed) £300 - 500 €350 - 590

255• Various Artists Derrière le Miroir- Nos 130, 142, 157, 161, 170, 178, 188, 192, 196, 197, 205, 206, 209, 241, 215, 220, 224, 226, 228, 239, 247. A collection of 21 portfolios, 1961-1981, on Rives, Lana and Arches, containing original lithographs by Ubac, Adami, Alechinksy, Bury, Steinberg, Bazaine and lithographic reproductions after Lindner, text and justification pages, each variously numbered from the deluxe edition of 150, published by Maeght Editeur, Paris, loose as issued in original boards and slipcases, each 380 x 280mm (15 x 11in)(vol)(21) £500 - 700 €590 - 820

256AR After Bernard Buffet (French, 1928-1999) 256 Le Pain et Le Vin (Affiche d’Expostition) (Sorlier 306) Colour lithograph, 1964, by Charles Sorlier under the direction of B.Buffet, one of 500 proofs before the lettering, on BFK Rives, signed and inscribed ‘EA’ in pencil, (there was an edition of 3000 with exhibition text), 673 x 510mm(26 1/2 x 20 1/8in)(SH) £600 - 800 €700 - 940

257AR Bernard Buffet (French, 1928-1999) Tulipes Jaunes et Rouges (Sorlier 426) Lithograph printed in colours, on wove, signed and numbered 69/125 in pencil, with margins, 760 x 580mm (30 x 22 3/4in)(SH)(unframed) £500 - 700 €590 - 820

258 Various Artists Derrière Le Miroir - Nos 20-21, 42, 69-70, 141, 144-146, 151-152, 225 Eight volumes, 1949-1977, containing original lithographs and reproductions by Arp, Braque, Calder, Chagall, Leger, Miro, Kandinsky, with text in French, published by Maeght Editeur, Paris, 380 x 280mm (15 x 11in)(vol)(8) £200 - 300 €230 - 350 257

Prints featuring the work of John Piper | 79 259

259AR Sonia Delaunay (French, 1885-1979) Cinema Lithograph printed in colours, on wove, signed and numbered 26/75 in pencil, with margins, 558 x 760mm (22 x 29 7/8in)(SH)(unframed) £600 - 800 €700 - 940

260AR Sonia Delaunay (French, 1885-1979) 260 Composition Red, Blue, Black, White Lithograph, 1964, printed in colours, on Arches, signed twice and inscribed ‘HC’ in pencil, aside from the edition of 100, with margins, 650 x 503mm (25 5/8 x 19 7/8in)(SH)(unframed) £600 - 800 €700 - 940

261AR Sonia Delaunay (French, 1885-1979) Composition en Noir et Blanc Lithograph, on Arches, signed and numbered 4/100 in pencil, with margins, 645 x 498mm (25 3/8 x 19 5/8in)(SH)(unframed) £600 - 800 €700 - 940

261

80 | Bonhams 262 263

262AR Sonia Delaunay (French, 1885-1979) Composition with preparatory self portrait Lithograph printed in colours, 1916-1971 on Arches, signed and numbered ‘EA VIII’ in pencil, dated 1916-71 (the self portrait was added at the later date), the full sheet, 660 x 505mm (26 x 19 78in)(SH) (unframed) £600 - 800 €700 - 940

263AR Sonia Delaunay (French, 1885-1979) Composition With Circles Lithograph printed in colours, on Arches, signed and inscribed ‘EA’ in pencil, an artist’s proof aside from the numbered edition of 75, with margins, 760 x 560mm (29 7/8 x 22 1/8in)(SH)(unframed) £600 - 800 €700 - 940

264AR Sonia Delaunay (French, 1885-1979) Abstract composition with squares, triangles and semicircles Lithograph printed in colours, on Arches, signed twice and inscribed ‘EA’ in pencil, an artist’s proof aside from the numbered edition of 125, with margins, 650 x 500mm (25 5/8 x 19 5/8in)(SH)(unframed) £600 - 800 €700 - 940

264

Prints featuring the work of John Piper | 81 267

265

265AR Victor Vasarely (Hungarian, 1906-1997) Untitled Screenprint in colours, signed and numbered 36/115 in pencil, with margins, 690 x 646mm (27 1/8 x 25 1/2in)(I) £400 - 600 €470 - 700

266AR Victor Vasarely (Hungarian, 1906-1997) Parmenide Screenprint in colours, 1981, on heavy wove, signed and numbered 78/90 in pencil, the full sheet printed to the edges, 750 x 550mm (29 1/2 x 21 5/8in)(SH)(unframed) £700 - 900 €820 - 1,100

267AR Victor Vasarely (Hungarian, 1906-1997) Composition Screenprint in colours, on heavy wove, signed and inscribed ‘EA 6/15’ in pencil, and artist’s proof aside from the numbered edition, with margins, 543 x 705mm (21 3/8 x 27 3/4in)(SH)(unframed) £500 - 700 €590 - 820

266

82 | Bonhams 269

268

268AR Allen Jones RA (British, born 1937) Chalice (Lloyd 94a-c) Three lithographs printed in colours, 1983, each on wove, each signed and numbered variously from the edition of 40 in pencil, published by Waddington Graphics, 300 x 300mm (11 3/4 x 11 3/4in)(SH) £600 - 800 €700 - 940

269AR Allen Jones RA (British, born 1937) Magic Moment (Lloyd 84) Lithograph printed in colours, 1981, on Rives, signed, dated and numbered 15/75 in pencil, printed by Jack Lemon, Landfall Press, 270 Chicago, published by Waddington Graphics, London, with the publisher’s and printer’s blindstamps, 768 x 559mm (30 1/4 x 22in)(SH) £400 - 600 €470 - 700

270AR Tom Phillips CBE, RA (British, born 1937) Dante’s Inferno Six screenprints from the series of ten, each signed and numbered in pencil from the edition of 75, printed by Advanced Graphics, published by Waddington Graphics, with margins, 752 x 549mm (29 1/2 x 21 1/2in)(SH)(5) £500 - 700 €590 - 820

271AR Tom Phillips CBE, RA (British, born 1937) The Composers Five screenprints in colours from the series of six, 1980, on wove, each signed and numbered from the edition of 75, with margins, 445 x 490mm (17 1/2 x 19 1/4in)(I)(5) £500 - 700 €590 - 820 271

Prints featuring the work of John Piper | 83 272

272AR Sir Eduardo Paolozzi (British, 1924-2005) British Library, Newton after Blake Plaster relief, 2004, signed, dated and inscribed ‘For Rex’ in purple crayon verso, 159 x 216mm (6 1/4 x 8 1/2in), together with two other plaster reliefs by the same hand, 2004, each signed and inscribed ‘For Rex’ in pencil verso, 326 x 197mm (12 7/8 x 7 3/4in)(cast)(3) £600 - 800 €700 - 940

273AR Sir Eduardo Paolozzi (British, 1924-2005) ‘Elephant’ for Nairn Floors Ltd Multiple, 1973, moulded plastic shell with injection moulded container, signed and incised 1061/3000, published by Nairn Floors Ltd, 320 x 400 x 150mm (12 1/2 x 15 3/4 x 5 7/8in)(overall) £800 - 1,200 €940 - 1,400

273 274AR Sir Eduardo Paolozzi (British, 1924-2005) Turing I & II Screenprint in colours, 2000, on wove, signed and numbered 16/50 in pencil, 595 x 893mm (23 1/2 x 35 1/4in)(I) £500 - 700 €590 - 820

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84 | Bonhams 275 276

277 277A

275AR 277AR Sir Eduardo Paolozzi (British, 1924-2005) Sir Eduardo Paolozzi (British, 1924-2005) General Dynamic F.U.N. (Grisebach 54) B.A.S.H. (Pale Pink & Orange) The portfolio, 1965-70, Volume B, comprising 50 lithographs and Three screenprints in colours with collage, each signed, dated, and screenprints, on various papers and acetate, the first six sheets and title numbered variously from the editions of 3000 in pencil, published page signed and numbered 112/350 in pencil, introductory text by J.G. by Dorothea Leonhart, Munich, with their blindstamp, each with full Ballard, justification page, lithographs printed by Richard Davis, London margins, 740 x 485mm (29 1/8 x 19 1/8in)(I) (3) (unframed) and screenprints at Alecto Studios, London, with their stamp verso, £500 - 700 published by Editions Alecto, London, with the original formed acrylic lid €590 - 820 from the box (lacking the lower part), 380 x 254mm (15 x 10in)(50)(Folio) £1,000 - 1,500 277AAR €1,200 - 1,800 Joe Tilson R.A. (British, born 1928) Six Labyrinths 276AR Etching with hand colouring, 1976, on wove, signed and numbered Sir Eduardo Paolozzi (British, 1924-2005) 9/80 in pencil, and ‘Origins’, soft-ground etching in colours with collage, Ponti 1976, on wove, signed and numbered 60/60 in pencil, each with Screenprint in colours with embossing, 1968, on wove, signed, titled and margins, 1000 x 690mm (39 1/2 x 27 1/8in)(SH)(and smaller)(unframed) dated in pencil, with margins, printed by Advanced Graphics, London, (2) with their blindstamp, together with an untitled lithograph printed in £400 - 600 colours, 1974, on wove, signed, dated and inscribed ‘A/P’ in pencil, an €470 - 700 artist’s proof aside from the numbered edition of 70, with margins, 648 x 500mm (25 1/2 x 19 3/4in)(SH)(1 unframed)(2) £500 - 700 €590 - 820

Prints featuring the work of John Piper | 85 279 278 278AR Joe Tilson R.A. (British, born 1928) Bela Lugosi Journal II Screenprint and etching, 1970, on wove, signed, dated and numbered 6/30 in pencil, with margins, 784 x 510mm (31 x 20in)(I) £300 - 500 €350 - 590

279AR Joe Tilson R.A. (British, born 1928) Eye Mantra Etching and aquatint with handcolouring and multimedia, 1979, on wove with a metal plate affixed by twine, signed, dated and numbered 75/75 in pencil, published by Waddington Graphics, with their blindstamp, with margins, 740 x 830mm (29 1/4 x 32 2/3in)(PL) £600 - 800 €700 - 940

280AR Sir Peter Blake (British, born 1932) Fag Packets (Belga) 280 Colour screenprint, 2005, on Somerset satin, signed and incribed ‘Artist’s Proof’ in pencil, aside from the edition of 95, published by Eyestorm, 1005 x 760mm (39 1/12 x 29 7/8in)(SH) £1,500 - 2,000 €1,800 - 2,300

281AR Sir Peter Blake (British, born 1932) Fag Packet (Fifth Avenue) Colour screenprint, 2005, on Somerset satin, signed and incribed ‘Artist’s Proof’ in pencil, aside from the edition of 95, published by Eyestorm, 1005 x 760mm (39 1/12 x 29 7/8in)(SH) £1,000 - 1,500 €1,200 - 1,800

281

86 | Bonhams 282 284

283 285

282AR 284AR Sir Peter Blake (British, born 1932) Richard Hamilton (British 1922-2011) & Dieter Roth (German 1930- Costume Life Drawing, Yellow Hat 1998) Offset lithograph printed in colours, 1972-79, signed and numbered Seminar (Lullin 80) 134/500 in pencil, published by Waddington Graphics, London, with Offset lithograph printed in colours, 1971, on Hodgkinson, signed in their blindstamp, with margins, together with ‘Liberty as “A Suffolk pencil by both artists, dated and numbered xx/96 in pencil, printed by Child by John Constable RA”’, drypoint with collage, 1976, on wove, the artists, published by Petersburg Press, 735 x 1015mm (29 x 40in)(SH) signed and numbered 67/100 in pencil, with margins, 424 x 224mm (16 £500 - 700 15/16 x 8 11/16in)(I)(and smaller)(unframed) €590 - 820 £300 - 500 €350 - 590 285AR Richard Hamilton (British, 1922-2011) 283AR Reaper (a) (Lullin 20) R. B. Kitaj (American, 1932-2007) Etching, 1949, on handmade wove, signed in pencil, from the edition of Day Book by Robert Creeley (Kinsman 51) 300, with margins, together with ‘Whiteley Bay’, photographic postcard, The portfolio, 1972, the Standard edition, with text, justification and the 1966, on glossy wove, without the printed signature, from the unknown complete set of 13 images, printed in colours, on various papers, the edition size, the full sheet printed to the edges, together with two etchings printed by White Ink, Ltd. London, the lithographs by Mourlot, ‘Marcel Duchamp’ posters, printed in colours, 800 x 585mm (31 1/2 x Paris, text pages by Gustav Adolf Hohm, Cologne, each image signed 23in)(SH)(and smaller)(unframed)(4) and numbered 33/200, the justification page signed by Robert Creeley £500 - 700 and R B Kitaj, and numbered 33/200, with the original red folio, 615 x €590 - 820 420mm (24 1/4 x 16 1/2in)(folio) £600 - 800 €700 - 940

Prints featuring the work of John Piper | 87 286

287

288

286AR 288AR Richard Hamilton (British, 1922-2011) Richard Hamilton (British, 1922-2011) Soft Pink Landscape (Lullin 115) Un des effets des eaux de Miers Collotype and screenprint in colours, 1980, on Ivorex paper, signed, Etching with aquatint on Jeyes toilet tissue, 1973, on wove, signed and titled and numbered 117/136 in pencil, printed by the artist and Heinz numbered 6/100 in pencil, with margins, 118 x 179mm (4 5/8 x 7in)(PL) Hafner at Eberhard, published by Waddington Graphics, London, the full £600 - 800 sheet, 588 x 820mm (23 x 32 1/4in)(I) €700 - 940 £1,500 - 2,000 €1,800 - 2,300

287AR Richard Hamilton (British, 1922-2011) Swingeing London 67 - Poster (Lullin 69) Offset lithograph printed in colours, 1968, on wove, from the unsigned edition of 1950, (there was a signed edition of 50), printed by the artist and Sergio Tosi, Milan, published by ED 912, Edizioni di Cultura Contemporanea, Milan, 705 x 500mm (27 3/4 x 19 5/8in)(SH) £700 - 1,000 €820 - 1,200

88 | Bonhams 289

289AR 290 David Hockney R.A. (British, born 1937) Red Square and the Forbidden City, from China Diary (MCA Tokyo 254) Lithograph printed in colours, 1982, on mould-made Somerset satin, signed, dated and numbered 251/1000 in pencil, printed by Petersburg Studios, New York, with the accompanying book ‘China Diary’, with title, text and justification, signed by the artist and author, Stephen Spender, copy 251 of 1000, within the original slipcase, 255 x 195mm (10 1/8 x 7 2/3in)(framed & Vol) £800 - 1,200 €940 - 1,400

290AR David Hockney R.A. (British, born 1937) Parade (Baggott 94) Screenprint in colours, 1981, on wove, for the Metropolitan Opera, New York, from an unknown edition size, published by Petersburg Press, London, the full sheet, 2134 x 1245mm (84 x 49in)(SH) £1,000 - 1,500 €1,200 - 1,800

Prints featuring the work of John Piper | 89 294

291 291 David Hockney R.A. (British, born 1937) David Hockney, Prints from Tyler Graphics, 1984-6 Lithographic poster printed in colours, 1985, on wove, signed in pencil, published by Thorden Wetterling Galleries, Gothenburg, 1004 x 635mm (39 1/2 x 25in)(SH) £400 - 600 €470 - 700

292AR David Hockney R.A. (British, born 1937) XIV Olympic Winter Games, Sarajevo Offset lithograph in colours, 1984, on thick wove, signed and dated in pencil, published by the Petersburg Press, London, 850 x 620mm (33 1/2 x 24 3/8in)(SH)(unframed) £1,000 - 1,500 €1,200 - 1,800

293AR David Hockney R.A. (British, born 1937) 292 The Beginning, from Illustrations for Fourteen Poem from C.P. Cavafy (SAC 55) Etching, 1966, on wove, signed, dated and numbered 48/75 in pencil, published by Editions Alecto, London, with margins, 350 x 222mm (13 3/4 x 8 3/4in)(PL) £600 - 800 €700 - 940

294AR David Hockney R.A. (British, born 1937) Two Apples, One Lemon and Four Flowers Offset lithograph printed in colours, 1997, on thin wove, published in The Independent, together with a copy of the original newspaper, 365 x 578mm (14 3/8 x 22 3/4in)(SH)(unframed) £500 - 700 €590 - 820

293

90 | Bonhams 295

296

295AR 296AR David Hockney R.A. (British, born 1937) David Hockney R.A. (British, born 1937) The French Shop (MCA Tokyo 112) Corbusier Chair and Rug (Baggott 22) Etching with aquatint printed in black and red, 1971, on BFK Rives, Offset colour lithograph, 1969, after the colour pencil drawing, printed signed, dated and numbered 432/500 in pencil, printed at the Print in colours, a rare signed proof for the poster for an exhibition at Andre Shop, Amsterdam, published by the Observer, London, 535 x 450mm Emmerich, New York, prior to the text, 520 x 490mm (20 1/2 x 19 1/4in) (21 1/4 x 17 3/4in)(PL) (I) £1,000 - 1,500 £600 - 800 €1,200 - 1,800 €700 - 940

Prints featuring the work of John Piper | 91 298

297

297 Various Artists Six Artists: The 1994 Royal College of Art Portfolio of Prints The portfolio with six screenprints in colours, 1994 each on wove, each signed and numbered 23/50 in pencil, published by the Royal College of Art, with the maroon portfolio and title page, the full sheets, 765 x 575mm (29 3/4 x 22 5/8in)(overall) £1,500 - 2,000 €1,800 - 2,300

Artists included are Patrick Caulfield, Alf Dunn, Albert Irvin, Rosalind Kunath, Ana Maria Pacheco and Joe Tilson

298AR Patrick Caulfield (British, 1936-2005) Grey Pipe (Cristea 64) Screenprint in colours, 1981, on wove, signed and numbered 24/75 in pencil, printed at Kelpra Studio, published by Waddington Graphics, London, with margins, 485 x 510mm (19 1/8 x 20in)(I) £600 - 800 €700 - 940

299AR Patrick Caulfield (British, 1936-2005) Plant Pot (Cristea 61) Screenprint in colours, 1979-80, on wove, signed and numbered 98/100 in pencil, printed at Kelpra Studio, published by Waddington Graphics, London, the full sheet printed to the edges, 836 x 595mm (33 x 23 1/2in)(SH) £600 - 800 €700 - 940

299

92 | Bonhams 300

300AR Patrick Caulfield (British, 1936-2005) Black and White Jug (Cristea 37) Screenprint, 1973, on wove, signed and numbered 33/72 in pencil, printed at Kelpra Studio, published by Waddington Graphics, London, with margins, 557 x 783mm (21 7/8 x 30 7/8in)(I) £800 - 1,200 €940 - 1,400

301AR Patrick Caulfield (British, 1936-2005) Dressed Lobster (Cristea 63) Screenprint, in colours, 1980, on wove, signed, dated and numbered 83/150 in pencil, printed at Kelpra Studio, published in the ‘Kelpra/Tate Gallery Portfolio’ by Kelpra Studio in collaboration with the Tate Gallery and Waddington Graphics, the full sheet printed to the edges, 600 x 750mm (23 3/4 x 29 1/2in) (SH) £600 - 800 €700 - 940

301

Prints featuring the work of John Piper | 93 302 303

304 305

302AR 304AR Chris Ofili (British, born 1968) Peter Doig (British, born 1959) Celestial Alpiniste Screenprint in colours, 1998, on wove, signed, titled and numbered Etching printed in blue, on wove, signed and numbered 29/40 in pencil, 112/320 in pencil, with margins, 405 x 290mm (15 7/8 x 11 3/8in)(SH) with full margins, 280 x 220mm (11 x 8 5/8in)(PL); together with ‘The (unframed) Wonders of Ski-ing’ book by Hannes Schneider and Arnold Fanck and £1,000 - 1,500 printed bookplate, the bookplate signed and numbered 29/40 in pencil, €1,200 - 1,800 published by Salon Verlag, Cologne, within the original presentation box. (framed & folio) 303AR £1,000 - 1,500 Antony Gormley RA (British, born 1950) €1,200 - 1,800 Untitled Lithograph, 1999, on wove, signed and inscribed ‘GSL I’ in pencil, a 305AR proof aside from the numbered edition of 100 as published in ‘The Paula Rego (British, born 1935) King’s College Portfolio’, published by Kings College, Cambridge, with Sing a Song of Sixpence II, from Nursery Rhymes (Rosenthal 58) margins, 374 x 374mm (14 3/4 x 14 3/4in)(SH)(unframed) Etching and aquatint, 1989, on wove, signed and numbered 41/50 in £500 - 700 pencil, published by Marlborough Graphics and the artist, printed by €590 - 820 Culford Press, 520 x 380mm (20 1/2 x 15in)(SH)(unframed) £700 - 1,000 €820 - 1,200

94 | Bonhams 306 307

306AR Damien Hirst (British, born 1965) Ho Ho Ho! Screenprint on perspex, 1997, signed in white crayon, from the edition of 1700, published by Momart, London, 67 x 76 x 30mm (2 1/2 x 3 x 1 1/4in) £500 - 700 €590 - 820

307AR Damien Hirst (British, born 1965) Science Xmas Butterfly Print (2010) Foil block print in silver gloss, emerald green and chili red, 2010, on Arches 88, signed, numbered 107/150 and inscribed ‘For Ella’ in pencil, stamped ‘Happy Christmas 2010’, with full margins, 725 x 505mm (28 1/2 x 20in)(SH) £2,500 - 3,500 €2,900 - 4,100

308AR Gary Hume RA (British, born 1962) Psyche Screenprint on aluminium, 2001, signed, titled and numbered 249/400 in pencil, the full sheet printed to the edges, 660 x 508mm (26 x 20in) (SH) £500 - 700 €590 - 820

308

Prints featuring the work of John Piper | 95 310

309AR Michael Craig-Martin (Irish, born 1941) 309 Piano and Metronome Screenprint in colours, 1997, on heavy wove, signed and numbered 19/25 in pencil, published by Alan Cristea, London, the full sheet printed to the edges, 890 x 455mm (35 x 18in)(SH)(unframed) £500 - 700 €590 - 820

310AR Fiona Rae RA (British, born 1963) 500 Paintings for Witte de With Handpainted multiple, 1990, titled and numbered 400 on a label verso, one of 500 handpainted multiples, 122 x 84mm (4 7/8 x 3 1/4in), together with ‘Special Edition’ catalogue, by Angela de la Cruz, 2001, wrapped in a blue painted canvas, signed in pencil and numbered 20/30 on an attached label, wrapped in cellophane as issued, 248 x 195mm (9 3/4 x 7 5/8in)(overall)(2) £500 - 700 €590 - 820

311 Various Artists Pax Britannica The complete portfolio, 2004, comprising 22 prints of various media, on various papers, each signed, from the edition of 100, published by Aquarium Gallery, London, in the original black portfolio box, overall 235 x 325mm (9 1/4 x 12 3/4in) (folio) £2,000 - 3,000 €2,300 - 3,500

Artists include Banksy, Steve Bell, James Boswell, Alexander de Cadenet, Sir Anthony Caro, James Cauty, Billy Childish, David Gentleman, Richard Hamilton, Clifford Harper, Brian Jones, John Keane, Peter Kennard, Alan Kitching, Jenny Matthews, Paul Mattson, Antonio 311 Pacitti, Jamie Reid, Martin Rowson, Ralph Steadman, STOT21stC and Gee Vaucher.

96 | Bonhams 312

313 312AR Nicholas Monro (British, 1936) Boats Screenprint in colours, 1973, signed and numbered 15/72 in pencil, the full sheet, together with ‘Green Figures’, screenprint in colours, 1970, signed and numbered 46/75 in pencil, with margins, 695 x 1015mm (27 3/8 x 40in)(and smaller)(SH)(2) £500 - 700 €590 - 820

313AR Peter Sedgley (British, born 1930) Untitled Screenprint in colours on tin, 1970, signed, dated and numbered 36/100 verso, the full sheet, 755mm (29 3/4in)(diameter), together with ‘Whitewave’, seven paper multiples, each signed, titled and numbered from the edition of 30 or inscribed ‘prototype’ in pencil, together with artist’s created display device, and a handwritten sheet of instructions on how to display the multiples, 224 x 224 x 246mm (8 7/8 x 8 7/8 x 9 3/4in)(overall)(10) £500 - 700 €590 - 820

314AR Ian Tyson (British, 1933) A collection of Tetrad Press ‘Screens I-XIV’, ‘The Seventeen Horse Songs’, ‘Reeded Glass’ and ‘Trio’, by Ian Tyson, portfolios of screenprints in colours, each on wove, each signed and numbered in pencil, together with ‘Spare Parts’, by Richard Pinkney, portfolio of screenprints in colours, 1971, on wove, signed and inscribed ‘A/P’ , together with two screenprints and one etching by the same hand, two signed, numbered and dated in pencil, each published by Tetrad Press, together with ‘Wind Instruments’ by Richard Wilson, multiple, 530 x 360mm (22 x 14 1/8in)(overall)(or smaller)(8) £500 - 700 €590 - 820

314

Prints featuring the work of John Piper | 97 315

315AR Kenneth Martin (British, 1905-1984) Metamorphoses Screenprint, 1976-1977, on wove, signed, dated and numbered 16/100 in pencil, together with the acetate folder, published by Editions Media, Neuchatel, with full margins, 519 x 1274mm (20 x 50 1/8in) (SH) together with ‘Chance, Order, Change’, screenprint in colours, 1981, on wove, signed, dated and numbered 23/80 in pencil, with margins, 945 x 945mm (37 1/4 x 37 1/4in)(SH)(unframed) £700 - 1,000 €820 - 1,200

316AR Kenneth Martin (British, 1905-1984) Chance Order Change Screenprint in colours, 1981, on wove, signed, dated and numbered 27/80 in pencil, with narrow margins, 945 x 945mm (37 1/4 x 37 1/4in)(SH), together with another by Gillian Wise, ‘Quartet Red’, screenprint with handcolouring, 1974, signed and numbered 8/50 in pencil, with margins, 844 x 595mm (33 1/4 x 23 1/2in)(SH)(unframed)(2) £500 - 700 €590 - 820 316 317AR Bridget Riley (British, born 1931) Untitled (Wave) (Schubert 20) Screenprint in colours, 1975, on wove, signed, dated and numbered 117/400 in pencil, printed by Graham-Henderson, London, published by Galerie Beyeler, Basel, with margins, 428 x 120mm (17 x 4 3/4in)(I) £800 - 1,200 €940 - 1,400

317

98 | Bonhams 318

318AR Bridget Riley (British, born 1931) To Midsummer (Schubert 34) Screenprint in colours, 1989, on wove, signed, titled, dated and numbered 14/100 in pencil, printed by Graham Henderson, London, with the Advanced Graphics blindstamp, published by 3i Group, with full margins, 927 x 915mm (31 1/2 x 36in)(SH) £4,000 - 6,000 €4,700 - 7,000

Prints featuring the work of John Piper | 99 319 320

321 322

319AR 321 Mimmo Rotella (Italian, 1918-2006) Various Artists Marilyn Royal College of Art 1997 Printmaking Portfolio Lithograph printed in colours, on wove, signed and numbered ‘AP Thirty three prints in various media, 1997, each on wove, each signed 12/30’ in pencil, 660 x 690mm (26 x 27 1/8in)(SH)(unframed) and numbered 49/50 in pencil, published by the Royal College of art, £600 - 800 295 x 295 x 58mm (11 5/8 x 11 5/8 x 2 3/8in)(overall) €700 - 940 £1,000 - 1,500 €1,200 - 1,800 320 Sidney Nolan (Australian, 1917-1992) A list of artists is available from the department Imitation III Screenprint in colours, 1972, on wove, signed and numbered 27/70 in 322 pencil, with margins, 730 x 605mm (28 3/4 x 23 3/4in)(I) Wang Guangyi (Chinese, born 1956) £500 - 700 Gillette €590 - 820 Lithograph printed in colours, 2002, on wove, signed and numbered 178/199 in pencil, published by Kwai Po Collection, Hong Kong, with margins, 748 x 587mm (29 1/2 x 23 1/4in)(I) £600 - 800 €700 - 940

100 | Bonhams 323* Chu Teh-Chun (Chinese, born 1920) Saison Bleue The complete portfolio, 2006, comprising six lithographs printed in colours and a poem by Jean-Clarence Lambert in calligraphy, each signed and numbered 58/99 in pencil, with title page, text in Chinese and French, and justification, this copy number 58, signed in pencil by both artists on the justification, the lithographs on Rives, the script on Japan, published by l’Atelier A Fleur de Pierre, Paris, the full sheets loose as issued in the original acrylic formed box, each 445 x 350mm (17 3/4 x 13 3/4in)(SH)(folio) £4,000 - 6,000 €4,700 - 7,000

Prints featuring the work of John Piper | 101 324

324 Takashi Murakami (Japanese, born 1962) Jellyfish Eyes Offset lithograph printed in colours, 2001, on wove, signed and numbered 128/300 in black pen, printed by Kaikai Kiki, Tokyo, the fullsheet printed to the edges, 500 x 500mm (19 5/8 x 19 5/8)(SH) £600 - 800 €700 - 940

325AR Takashi Murakami (Japanese, born 1962) Cube Offset lithograph printed in colours, 2001, on glossy wove, signed and numbered 223/300 in black pen, printed and published by Kaikai Kiki Co., Tokyo, the full sheet printed to the edges, 600 x 600mm (23 3/4 x 23 3/4in)(SH)(unframed) £500 - 700 €590 - 820

326 Takashi Murakami (Japanese, born 1962) 325 !N-Cha! Offset lithograph in colours, on wove, signed and numbered 143/300 in black ink, published by the artist and Kaikai Kiki, Tokyo, the full sheet, 500 x 500 mm (19 6/8 x 19 6/8 in)(SH) £500 - 700 €590 - 820

326

102 | Bonhams 327 327

328 328

327* 328* Takashi Murakami (Japanese, born 1962) Takashi Murakami (Japanese, born 1962) Flowerball 3D Margaret ; Flowerball 3D Blood V Kansei Skulls ; Architect of the Heart Two offset lithographs printed in colours, 2008, on glossy wove, each Two offset lithographs printed in colours, 2010, on glossy wove, each signed and numbered from the edition of 300, printed and published by signed and numbered from the edition of 300, printed and published by Kaikai Kiki Ltd, Tokyo, the full sheets printed to the edges, 710mm (28in) Kaikai Kiki Ltd, Tokyo, the full sheets printed to the edges, 710mm (28in) (diameter)(unframed)(2) (diameter(unframed)(2) £1,000 - 1,500 £1,000 - 1,500 €1,200 - 1,800 €1,200 - 1,800

Prints featuring the work of John Piper | 103 329 330

329 330

329* 330* Takashi Murakami (Japanese, born 1962) Takashi Murakami (Japanese, born 1962) And then (Pink) ; And then (Aqua Blue) An Hommage to IKB ; An Hommage to Monopink Two offset lithographs printed in colours, 2011, on glossy wove, each Two offset lithographs printed in colours, 2011, each on glossy wove, signed and numbered from the edition of 300, printed and published by each signed and numbered from the edition of 300, printed and Kaikai Kiki Ltd, Tokyo, the full sheets printed to the edges, 680 x 680mm published by Kaikai Kiki Ltd, Tokyo, the full sheets printed to the edges, (26 3/4 x 26 3/4in)(SH)(unframed)(2) 740 x 530mm (29 1/8 x 20 7/8in)(and smaller)(SH)(unframed)(2) £1,000 - 1,500 £1,000 - 1,500 €1,200 - 1,800 €1,200 - 1,800

104 | Bonhams 331 332

331 332

331* 332* Takashi Murakami (Japanese, born 1962) Takashi Murakami (Japanese, born 1962) An Hommage to Monogold ; An Hommage to Yves Klein And Then (Yellow) ; Warm and Sunny Two offset lithographs printed in colours, 2011, on glossy wove, signed Two offset lithographs printed in colours, 2011 and 1999, on glossy and numbered from the editions of 300, printed and published by Kaikai wove, each signed and numbered from the editions of 300, printed and Kiki Ltd, the full sheets printed to the edges, 735 x 530mm (29 x 20 published by Kaikai Kiki Ltd, Tokyo, the full sheets printed to the edges, 7/8in)(SH)(unframed)(2) 685 x 685mm (27 x 27in)(SH)(unframed)(2) £1,000 - 1,500 £1,000 - 1,500 €1,200 - 1,800 €1,200 - 1,800

Prints featuring the work of John Piper | 105 334

333AR Joseph Beuys (German, 1921-1986) Celtic Kinloch Rannoch Lithograph printed in colours, 1980, on wove, signed and numbered 122/200 in pencil, published by Richard DeMarco Gallery, the full sheet, 1380 x 300mm (54 1/4 x 11 7/8in)(SH) £700 - 1,000 €820 - 1,200

334 Willem de Kooning (American, 1904-1997) Untitled, from Seventeen Lithographs for Frank O’Hara Lithograph, 1968-88, on chine colle of handmade Japanese yame on handmade Twinrocker paper, with the artist’s stamped signature, numbered 41/60 in pencil, published by The Limited Editions Club, New York, with margins, 690 x 580mm (27 1/8 x 22 7/8in)(SH) £1,000 - 1,500 €1,200 - 1,800

333

106 | Bonhams 336

335

335* Donald Sultan (born 1951) Four Plates, from Wallflowers Four screenprints in colours, 2008, each on wove, each signed and numbered 42/190 in pencil, with margins, 615 x 550mm (24 1/4 X 21 3/4in)(SH)(unframed)(4) £1,500 - 2,000 €1,800 - 2,300

336 Josef Albers (American, 1888-1976) Variant IV, from Ten Variants Screenprint in colours, 1969, on wove, signed, titled and numbered 142/200 in pencil, published by Ives-Sillman Inc, New Haven, with margins, 279 x 300mm (11 7/8 x 11 7/8in)(I) £500 - 700 €590 - 820 337 337 Tom Wesselmann (American, 1931-2004) Frozen tears Ceramic plate, 1985, with the artist’s stamped signature on the front and reverse, titled and numbered 0603/3000, published by Rosenthal Limiteirte Kunstreihen, Germany, 267mm (10 1/2in)(diameter) £500 - 700 €590 - 820

Prints featuring the work of John Piper | 107 338 339

338* 339 Jim Dine (American, born 1935) Jim Dine (American, born 1935) Paintbrush Albertina Venus Etching with aquatint, 1973, on wove, signed, dated and inscribed ‘A/P’ Etching with aquatint and handcolouring, 1989, on wove, signed, dated, in pencil, with margins, 780 x 565mm (30 5/8 x 22 1/4in)(SH)(unframed) numbered 30/30 and inscribed ‘A/P’ in pencil, one of 30 artist’s proofs £800 - 1,200 aside from the numbered edition of 100, with margins, 452 x 305mm €940 - 1,400 (17 3/4 x 12in)(PL) £1,200 - 1,800 €1,400 - 2,100

108 | Bonhams 340 Keith Haring (American, 1958-1990) The Great Peace March Offset lithograph printed in colours, 1986, on thin wove, signed and dated in black ink, published by The Great Peace March, 1986, New York, with full margins, 527 x 438mm (20 3/4 x 17 1/4in)(SH)(unframed) £800 - 1,200 €940 - 1,400 340 Provenance: Private Collection, San Francisco. Private Collection, London.

341 After Andy Warhol (American, 1928-1987) Campbell’s Soup I The complete set of ten screenprints in colours, on stiff wove, each with the Sunday B. Morning stamp verso, the full sheets, each 890 x 585mm (35 x 23in)(SH)(10)(unframed) £700 - 1,000 €820 - 1,200

End of Sale

341

Prints featuring the work of John Piper | 109 Index Artist Lot No Aitchison, Craigie 195, 196, 197, Flanagan, Barry 202 198, 199, 200 Frink, Elisabeth 126, 127, 128, Albers, Josef 336 129, 130, 131, 132, 133, 134, Andrews, Sybil 53 135, 136 Appel, Karel 254 Frost, Terry 174, 175, 176, Avery, Milton 45 177, 178, 179, Ayres, Gillian 153 180, 181, 182, 183, 184, 187, Bawden, Edward 62, 63 188, 189 Bellany, John 191, 192, 193, 194 Gibbings, Robert 44 Bellows, George 24 Gill, Eric 25 Beuys, Joseph 333 Gillray, James 12, 13 Blackadder, Elizabeth Violet 64, 65 Gooch, Thomas 11 Blake, Peter 280, 281, 282 Gormley, Antony 303 Blow, Sandra 171, 172, 173 Griggs, Frederick Landseer Maur 20 Bonnard, Pierre 209 Hamilton, Richard 285, 286, 287, 288 Braque, After Georges 215, 217 Haring, Keith 340 Braque, Georges 216, 218 Helleu, Paul César 208 Brodzky, Horace Asher 46, 47 Hepworth, Dame Barbara 163, 164 Buffet, After Bernard 256 Heron, Patrick 165, 166, 167, 168 Buffet, Bernard 257 Hillier, Tristram 30 Caulfield, Patrick 298, 299, 300, 301 Hilton, Matthew 154, 155, 156 Chadwick, Lynn 146 Hilton, Roger 157 Chagall, After Marc 226, 227 Hirst, Damien 306, 307 Chagall, Marc 225, 228, 229, Hockney, David 289, 290, 291, 230, 231 292, 293, 294, 296 Cliffe, Henry 204, 205 Hodgkin, Howard 147, 148, 151, 152 Clough, Prunella 61 Hogarth, After William 10 Collins, Cecil 74 Hogarth, William 9 Craig-Martin, Michael 309 Holloway, Edgar A. 35 Dali, Salvador 238, 239, 240, Hoyland, John 66, 67, 68, 69, 70 241, 242, 243 Hume, Gary 308 Daumier, Honoré 27 Irvin, Albert 71 de Kooning, Willem 334 John, Augustus Edwin 33, 34 Delaunay, Sonia 259, 260, 261, 262, 263, 264 Jones, Allen 268, 269 Dicksee, Herbert Thomas 18 Kauffer, Edward McKnight 32 Dine, Jim 338, 339 Kitaj, R. B. 283 Doig, Peter 304 Lanyon, Peter 185 Drury, Paul Dalou 19 Laurencin, After Marie 207 Dürer, Albrecht 1, 2, 3 Leach, Bernard 23 Ellis, Clifford and Rosemary 29 Lorrain, Claude 4 Ernst, Max 251 Lowry, Laurence Stephen 206 Artist Lot No MacNab, Iain 39, 40 Ravilious, Eric William 36, 37 Man Ray 252 Rego, Paula 305 Martin, Kenneth 315, 316 Rembrandt Harmensz van Rijn 7, 8 Masson, André 253 Renoir, Pierre-Auguste 213 Matisse, After Henri 220 Reynolds, After Sir Joshua 14 Matisse, Henri 219, 221, 222, Riley, Bridget 318 223, 224 Rotella, Mimmo 319 McKnight Kauffer, Edward 31 Roth, Richard Hamilton (British 1922-2011) & Dieter 284 McLean, Bruce 201 Scott, William 169, 170 Miró, After Joan 246 Sedgley, Peter 313 Miró, Joan 244, 245 Self, Colin 73 Monro, Nicholas 312 Sickert, Walter Richard 16, 17 Moore, Henry 137, 138, 139, Steinlen, Théophile Alexandre 210 140, 141, 142, 143, 144 Stuart, Gilbert 15 Murakami, Takashi 324, 325, 326, Sultan, Donald 335 327, 328, 329, Sutherland, Graham 38, 58, 59, 60 330, 332 Tàpies, Antoni 247, 248, 249 Nash, Paul 42 Teh-Chun, Chu 323 Nevinson, Christopher Richard Wynne 55, 56 Tilson, Joe 277A, 278, 279 Nicholson, Ben 158, 159, 161 Toulouse-Lautrec, Henri de 214 Nolan, Sidney 320 Trevelyan, Julian 72 Ofili, Chris 302 Tschudi, Lill 49, 50 Palmer, Samuel 21 Tyson, Ian 314 Paolozzi, Eduardo 272, 273, 274, van Ostade, Adriaen 5 275, 276, 277 Various Artists 258, 297, 311, 321 Pasmore, Victor 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, Vasarely, Victor 265, 266, 267 85 von Stuck, Franz 26 Phillips, Tom 270, 271 Wadsworth, Edward 41 Picasso, After Pablo 232, 233, 234 Walcot, William 22 Picasso, Pablo 235, 236, 237 Wang Guangyi 322 Piper, John 87, 88, 89, 90, 91, Warhol, After Andy 341 92, 93, 94, 95, 96, 97, 98, 99, 100, Wesselmann, Tom 337 101, 102, 103, Zorn, Anders 28 104, 105, 106, 107, 108, 109, 110, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124 Pissarro, Camille 211, 212 Power, Cyril Edward 43 Procktor, Patrick 203 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/5.13 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the bidding. Please contact us for further details. terms of payment at any time. Under the Buyer’s Agreement, a premium (the Buyer’s Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bidding Form carefully before returning it to us, fully completed 25% up to £25,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with 20% from £25,001 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which 12% from £500,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; the date of the Sale). details of how to bid via the internet. Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% Address: PO Box 4RY the agent’s authority to bid. Nevertheless, as the Bidding 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT London W1A 4RY of another (whether or not he has disclosed that fact or the Account Name: Bonhams 1793 Limited Trust Account identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, Account Number: 25563009 the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. IBAN Number: GB 33 NWBK 560027 25563009 please let us know if you are acting on behalf of another person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on If paying by bank transfer, the amount received after the the Hammer Price and Buyer’s Premium: deduction of any bank fees and/or conversion of the currency Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s of payment to pounds sterling must not be less than the person to bid on your behalf at the Sale unless this is to be Premium sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Form that you have completed. If we do not approve the Price and Buyer’s Premium Debit cards: there is no additional charge for purchases made agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium issued by an overseas bank, deferred and company debit cards own behalf. Accordingly, the person bidding at the Sale will and all credit cards will be subject to a 2% surcharge; be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

NTB/MAIN/5.13 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/5.13 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/5.13 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/5.13 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Lot for your breach of contract; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing other means on giving seven days’ written notice to and may be delivered by hand or sent by first class you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. in relation to the Lot made by or on behalf of 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which the remainder of the relevant term. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. not become your property, and for this purpose management or staff or, for any indirect losses or (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. himself and to his servants or agents to enter upon of whether the said loss or damage is caused by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. the Lot or part thereof; claim or otherwise; 10.9 References to the singular will include reference to 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. private treaty until all sums due under the Contract or representation in respect of it, or this agreement for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and (after as well as before judgement or order) at the construed in accordance with the laws of that part rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints his behalf in respect of the Lot, after the payment of procedure in place. all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

NTB/MAIN/5.13 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/5.13 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or any rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. contract; is the subject of a claim by someone other than you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, we may: Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will thereof; 8.1.3 commence interpleader proceedings or seek any cease. other order of any court, mediator, arbitrator or 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps return for pursuing a course of action agreed to by or a Book or Books. 7.1.8 to retain possession of any of your other property in you. our possession for any purpose (including, without 10 OUR LIABILITY limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate arbitrator or government body; and in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior any monies due to you as a result of such Sale in to or during the Sale. payment or part payment of any amounts owed to 9 FORGERIES us; 10.2 Our duty to you while the Lot is at your risk and/or 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by us persons or things caused by: at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or the Lot and that invoice has been paid; and 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: not court proceedings will have been issued) incurred practicable after you have become aware that the Lot by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. of the Sale and Lot number sufficient to identify the Lot.

NTB/MAIN/5.13 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. wasted time on the part of the Buyer’s management a conflict of such opinion; or or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. damages of any kind, irrespective in any case of Lot only by means of a process not generally the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. in respect of any negligence, other tort, breach of for us to have employed; or contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. manuscripts, extra illustrated books, music or 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 circumstances where we are liable to you in nothing in this agreement confers (or purports to respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third you in respect of the Lot. Parties) Act 1999, which enables the benefit of a You may wish to protect yourself against loss by contract to be extended to a person who is not a obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. incapable of assignment by, you and if you sell or 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. person’s liability or excluding or restricting any All transactions to which this agreement applies person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a given to you in writing. Any such waiver will not complaints procedure in place. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. give rise to a significantly increased financial com or requested by post from Customer Services Department, the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. and obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3. APPENDIX 3 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The address or fax number of the relevant party given Glossary is to assist you to understand words and phrases within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. return the Lot to us in the same condition as it was of the sender of the notice or communication to at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS evidence that the Lot is a non-conforming Lot and applicable time period. details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/5.13 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. on the Hammer Price. (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant “Reserve” the minimum price at which a Lot may be sold the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. (whether at auction or by private treaty). the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as “Sale” the auction Sale at which a Lot is to be offered for Sale will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots by Bonhams. pass. to be offered for Sale by Bonhams. “Sale Proceeds” the net amount due to the Seller from the “Contract for Sale” the Sale contract entered into by the Sale of a Lot, being the Hammer Price less the Commission, any (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). VAT chargeable thereon, Expenses and any other amount due (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot to us in whatever capacity and howsoever arising. (being that part of the Entry about the Lot in the Catalogue “Seller” the person who offers the Lot for Sale named on (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) the Contract Form. Where the person so named identifies on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the form another person as acting as his agent, or where the charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. person named on the Contract Form acts as an agent for a to the buyer before the contract is made, and “Description” any statement or representation in any principal (whether such agency is disclosed to Bonhams or not), way descriptive of the Lot, including any statement or “Seller” includes both the agent and the principal who shall be (b) the buyer will enjoy quiet possession of the goods representation relating to its authorship, attribution, condition, jointly and severally liable as such. The Seller is also referred to except in so far as it may be disturbed by the provenance, authenticity, style, period, age, suitability, quality, in the Conditions of Business by the words “you” and “your”. owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer “Specialist Examination” a visual examination of a Lot by a of any charge or encumbrance so disclosed or Price). specialist on the Lot. known. “Entry” a written statement in the Catalogue identifying the “Stamp” means a postage Stamp offered for Sale at a Lot and its Lot number which may contain a Description and Specialist Stamp Sale. (3) This subsection applies to a contract of sale in the case illustration(s) relating to the Lot. “Standard Examination” a visual examination of a Lot by a of which there appears from the contract or is to be “Estimate” a statement of our opinion of the range within non-specialist member of Bonhams’ staff. inferred from its circumstances an intention that the which the hammer is likely to fall. “Storage Contract” means the contract described in seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by paragraph 8.3.3 of the Conditions of Business or paragraph person may have. Bonhams in respect of the Lot including legal Expenses, 4.4 of the Buyer’s Agreement (as appropriate). banking charges and Expenses incurred as a result of an “Storage Contractor” means the company identified as such (4) In a contract to which subsection (3) above applies there electronic transfer of money, charges and Expenses for loss and in the Catalogue. is an implied term that all charges or encumbrances damage cover, insurance, Catalogue and other reproductions “Terrorism” means any act or threatened act of terrorism, known to the seller and not known to the buyer have and illustrations, any customs duties, advertising, packing or whether any person is acting alone or on behalf of or in been disclosed to the buyer before the contract is made. shipping costs, reproductions rights’ fees, taxes, levies, costs of connection with any organisation(s) and/or government(s), testing, searches or enquiries, preparation of the Lot for Sale, committed for political, religious or ideological or similar (5) In a contract to which subsection (3) above applies storage charges, removal charges, removal charges or costs purposes including, but not limited to, the intention to there is also an implied term that none of the following of collection from the Seller as the Seller’s agents or from a influence any government and/or put the public or any section will disturb the buyer’s quiet possession of the goods, defaulting Buyer, plus VAT if applicable. of the public into fear. namely: “Forgery” an imitation intended by the maker or any other “Trust Account” the bank account of Bonhams into which all person to deceive as to authorship, attribution, origin, sums received in respect of the Purchase Price of any (a) the seller; authenticity, style, date, age, period, provenance, culture, Lot will be paid, such account to be a distinct and separate source or composition, which at the date of the Sale had a account to Bonhams’ normal business bank account. (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not “VAT” value added tax at the prevailing rate at the date of the that the seller should transfer only such title as a been such an imitation, and which is not stated to be such Sale in the United Kingdom. third person may have, that person; an imitation in any description of the Lot. A Lot will not be a “Website” Bonhams Website at www.bonhams.com Forgery by reason of any damage to, and/or restoration and/ “Withdrawal Notice” the Seller’s written notice to Bonhams (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) revoking Bonhams’ instructions to sell a Lot. that third person otherwise than under a charge having been carried out on the Lot, where that damage, “Without Reserve” where there is no minimum price at or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not which a Lot may be sold (whether at auction or by private before the contract is made. substantially affect the identity of the Lot as one conforming to treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a Lot The following expressions have specific legal meanings with are warranties.” made up of a Stamp or Stamps or a Book or Books as set out which you may not be familiar. The following glossary is in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/5.13 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments UK Porcelain & Pottery Memorabilia UK Jon Baddeley Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK Greer Adams Greek Art Automobilia Michael Moorcroft +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 UK +44 20 7468 8314 Toby Wilson U.S.A African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 Philip Keith U.S.A. Memorabilia Kurt Forry +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt Fred Baklar Motorcycles +44 20 7468 8355 +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker UK Penny Day +44 8700 273616 Sporting Guns American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 Dessa Goddard Modern Art Toys, Dolls & Chess Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 +852 2918 4321 U.S.A Travel Pictures Antique Arms & Armour Tanya Wells Natural History Veronique Scorer UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 David Williams UK Claudia Florian +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 +1 415 503 3360 Jonathan Snellenburg UK +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & Art Collections, UK +44 20 7468 8261 Wristwatches Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 +44 20 7393 3914 Jeff Olson U.S.A. Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg Art & Design Paul Song Charles O’Brien +1 212 461 6530 UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG Mark Oliver UK Carson Chan +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 U.S.A UK +44 20 7468 8282 U.S.A Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK U.S.A +1 212 461 6525 Martin Green Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman Costume & Textiles +1 917 206 1661 Australian Colonial Claire Browne Marine Art Prints HONG KONG Furniture and Australiana +44 1564 732969 UK UK Daniel Lam James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 +61 2 8412 2222 Entertainment +44 20 7393 3962 +44 20 7468 8262 Memorabilia U.S.A U.S.A Wine Books, Maps & UK Gregg Dietrich Judith Eurich UK Manuscripts Stephanie Connell +1 917 206 1697 +1 415 503 3259 Richard Harvey UK +44 20 7393 3844 +44 (0) 20 7468 5811 Matthew Haley U.S.A Mechanical Music Russian Art U.S.A +44 20 7393 3817 Catherine Williamson Jon Baddeley UK Doug Davidson U.S.A +1 323 436 5442 +44 20 7393 3872 Sophie Hamilton +1 415 503 3363 Christina Geiger +44 20 7468 8334 HONG KONG +1 212 644 9094 Ethnographic Art Modern, Contemporary U.S.A Daniel Lam Jim Haas & Latin American Art Yelena Harbick +852 3607 0004 British & European Glass +1 415 503 3294 U.S.A +1 212 644 9136 UK Alexis Chompaisal Simon Cottle +1 323 436 5469 +44 20 7468 8383 U.S.A. Modern Design Suzy Pai Gareth Williams +1 415 503 3343 +44 20 7468 5879

SD05/2013-06 To e-mail any of the below use the first name dot second International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments London Bill Allan Jersey 20123 Milano USA Argentina UK Porcelain & Pottery Memorabilia UK Jon Baddeley 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 Italy - rome CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 +1 212 644 9108 Peter Scott UK +1 415 503 3353 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA South East Scotland Los Angeles Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK Brighton & Hove Reepham 22 Queen Street 1075 HL Amsterdam +1 (323) 850 6090 fax Suite 1122 Greer Adams Greek Art Automobilia Michael Moorcroft 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway UK +44 20 7468 8314 Toby Wilson U.S.A BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 Glasgow Nuñez de Balboa no.4 - 1A Philip Keith U.S.A. Memorabilia Kurt Forry +1 (212) 644 9001 +852 2918 4320 fax Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art Millmead, The Old House Glasgow 28001 U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing Fred Baklar Motorcycles +44 20 7468 8355 Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 UK Penny Day +44 8700 273616 Sporting Guns +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes +44 1564 776 151 Representatives: Rue Etienne-Dumont 10 Mansion Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 Ground Floor Tom Gilbey Switzerland Central Valley Chaoyang District +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 Dessa Goddard Modern Art Toys, Dolls & Chess 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 1865 372 722 fax 7-8 Park Place, Art Expertise +852 2918 4321 U.S.A Travel Pictures +44 1892 518 077 fax Martin Gammon Japan Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building Antique Arms & Armour Tanya Wells Natural History Veronique Scorer Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku David Williams UK Claudia Florian James Roberts Christine Eisenberg Tokyo 105-0003 +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 Jeff Burfield Leeds LS1 2PF Florida [email protected] +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 +1 415 503 3360 Jonathan Snellenburg UK +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade Taiwan +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower Art Collections, UK +44 20 7468 8261 Wristwatches England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK [email protected] +1 (404) 842 1500 Taipei, 100 Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley Bath Chester • russia +886 2 8758 2898 +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] +44 20 7393 3914 Jeff Olson U.S.A. Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 Art & Design Paul Song Charles O’Brien +1 212 461 6530 +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts Mark Oliver UK Carson Chan Cornwall – Truro [email protected] Boston/New England Sydney +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street U.S.A UK +44 20 7468 8282 U.S.A Truro 48 Cecil Street France - paris +1 (617) 742 0909 Paddington NSW 2021 Cornwall Carlisle, Cumbria 4 rue de la Paix Australia Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax U.S.A +1 212 461 6525 Martin Green +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 [email protected] Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A Exeter Manchester New Mexico Melbourne +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall 213 Ashley Road Albertusstrasse 26 Costume & Textiles +1 917 206 1661 Southernhay West Exeter, +1 (505) 820 0701 557 St Kilda Rd Devon Hale WA15 9TB 50667 Cologne Melbourne VIC 3004 Australian Colonial Claire Browne Marine Art Prints HONG KONG EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 Furniture and Australiana +44 1564 732969 UK UK Daniel Lam +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: +61 2 8412 2222 Entertainment +44 20 7393 3962 +44 20 7468 8262 Southport Adelaide Memorabilia U.S.A U.S.A Wine Winchester 33 Botanic Road Germany - Munich Texas James Bruce Churchtown Books, Maps & UK Gregg Dietrich Judith Eurich UK The Red House Maximilianstrasse 52 Amy Lawch +61 (0) 8 8232 2860 Hyde Street Southport 80538 Munich +1 (713) 621 5988 Manuscripts Stephanie Connell +1 917 206 1697 +1 415 503 3259 Richard Harvey Winchester Merseyside PR9 7NE +49 (0) 89 2420 5812 UK +44 20 7393 3844 +44 (0) 20 7468 5811 Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA Matthew Haley U.S.A Mechanical Music Russian Art U.S.A +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony +44 20 7393 3817 Catherine Williamson Jon Baddeley UK Doug Davidson +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg U.S.A +1 323 436 5442 +44 20 7393 3872 Sophie Hamilton +1 415 503 3363 Ireland - Dublin Penny Culverwell Christina Geiger +44 20 7468 8334 HONG KONG Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 Daniel Lam 22a Long Street Dublin 2 [email protected] +1 212 644 9094 Ethnographic Art Modern, Contemporary U.S.A Tetbury +353 (0)1 602 0990 Toronto, Ontario • Jim Haas & Latin American Art Yelena Harbick +852 3607 0004 Gloucestershire +353 (0)1 4004 140 fax Jack Kerr-Wilson British & European Glass +1 415 503 3294 U.S.A +1 212 644 9136 GL8 8AQ [email protected] 20 Hazelton Avenue UK Alexis Chompaisal +44 1666 502 200 Toronto, ONT Simon Cottle +1 323 436 5469 +44 1666 505 107 fax M5R 2E2 +44 20 7468 8383 +1 (416) 462 9004 U.S.A. Modern Design [email protected] Suzy Pai Gareth Williams Montreal, Quebec +1 415 503 3343 +44 20 7468 5879 David Kelsey +1 (514) 341 9238 [email protected]

G-NET/3/13 SD05/2013-06 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Prints featuring the work of John Piper Sale date: 18 September 2013

Sale no. 20739 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

20739 Prints featuring the work of John Piper, 18 September 2013, Knightsbridge, London – bonhams.com Valuers International Auctioneers and Bonhams Street Montpelier Knightsbridge London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax