Baby Goodnight B1A4

Total Page:16

File Type:pdf, Size:1020Kb

Baby Goodnight B1A4 www.acordesweb.com Baby Goodnight B1A4 Intro, verses, and first choruses: G D Em C D (just repeat!) Bridge (Baro’s second rap): Gsus4 G D D Bm Em Then after the bridge: G D Em C D G D/F# Em D C Bm Am D (x2) End with: C D C D (G) [Baro] Uh, Uh, Uh Yeah what‘chu do today? (Yeah) Hey! You still awake? Oh girl (No) Off to bed with you (Uh-Huh) Goodnight [JinYoung] Geuraeyo oneureun meonjeo jayo Geudae jamdeulmyeon nado jalkkeyo Jeonhwareul kkeunko hwaryeohan oseul ipkko nagal jjunbireul hajyo Amudo moreuge (Tonight) [CNU] Oneul haruman geudael sogilge (Tonight) [CNU] Oneuri jinamyeon doragalkke (Tonight) [GongChan] Gakkeum eosaekagedo neukkyeodo arado jom neomeoga jugenni Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com [JinYoung] Baby Goodnight, jaljjayo Goodnight Geureom nan Dancing, Dancing, Dancing in the moonlight Woah~ Woah~ Meori soge oneul kkeudaega eomneyo [SanDeul] Baby Goodnight, jaljjayo Goodnight Geureom nan Dancing, Dancing, Dancing in the moonlight Woah~ Woah~ Mianhaeyo oneul kkeudaega eomneyo [Baro] Oh jajeongi da dwaeseo nagal chaebi Geudaeneun ajiktto moreul teji Munja hanal namgyeo (Jaljja jagiya naeilbwa) Geunde i jjipjjipan gibuneun mwolkka Era molla geunyang nagaja Oneul tto Moonlight Bultaneun i bam Goodnight (Tonight) [CNU] Oneul haruman geudael sogilge (Tonight) [CNU] Oneuri jinamyeon doragalkke (Tonight) [GongChan] Gakkeum eosaekagedo neukkyeodo arado jom neomeoga jugenni Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com [JinYoung] Baby Goodnight, jaljjayo Goodnight Geureom nan Dancing, Dancing, Dancing in the moonlight Woah~ Woah~ Meori soge oneul kkeudaega eomneyo [SanDeul] Baby Goodnight, jaljjayo Goodnight Geureom nan Dancing, Dancing, Dancing in the moonlight Woah~ Woah~ Mianhaeyo oneul kkeudaega eomneyo [Baro] Iyu eomneun tteollime nae gaseumman dugeun Niga bogo sipttadeon saenggageun oneultto toegeun But oneureun bappeun mom naneun cham nappeun nom Gakkeumeun ireoke norado dwae Neon naeil jjeume chaja gamyeon doenikka Sorry [JinYoung] Baby Goodnight, jaljjayo Goodnight Geureom nan Dancing, Dancing, Dancing in the moonlight Woah~ Woah~ Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com Meori soge oneul kkeudaega eomneyo [SanDeul] Baby Goodnight, jaljjayo Goodnight Geureom nan Dancing, Dancing, Dancing in the moonlight Woah~ Woah~ Mianhaeyo oneul kkeudaega eomneyo Goodnight Oh Woah~ Goodnight Oh Woah~ Goodnight Oh Woah~ [CNU] Mianhaeyo oneul kkeudaega eomneyo [JinYoung] Mianhaeyo oneul kkeudaega eomneyo [SanDeul] Mianhaeyo oneul kkeudaega eomneyo official website: www.b1a4.com/ Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com Acordes para Guitarra: Encuentra muchas canciones para tocar en Acordesweb.com.
Recommended publications
  • Mã Số Tên Bài Hát Ca Sĩ
    MÃ SỐ TÊN BÀI HÁT CA SĨ 607369 0932 陈小春 605670 1 Thing Amerie 604498 1.2.3.4 Plain White T S 601035 1+1 邓颖芝 602573 100个太阳月亮(HD) 棉花糖 606378 102% Love Akon 601398 10年后の君へ(HD) 板野友美 602810 1234(HD) 韩智恩 604458 143 Bobby Brackins&Ray J 603991 16@war Karina 601320 1874(hd) 陈奕迅 604743 1901 Phoenix 604872 1973 James Blunt 605446 1985 Bowling For Soup 604538 2 In The Morning New Kids On The Block 606203 2 Out Of Three Ain't Bad Meatloaf 603742 2002年的第一场雪 刀郎 601796 2010等你来(HD) 群星 601674 2012(hd) 五月天 602527 2020爱你爱你(HD) BY2 604016 21st Century Life Sam Sparro 607004 21个人 游鸿明 606119 24楼 刘若英&杨坤 605128 25 Minutes Michael Learns To Rock 607063 281公里 谢霆锋 605430 281公里 谢霆锋 603515 4 55 Uk 602431 4 In Love(HD) 陈豪 604846 4 In The Morning Gwen Stefani 605333 4:55 Unknown 604954 500 Miles Unknown 601149 5151 任贤齐 601133 7 Days Energy 604481 7 Things Miley Cyrus 604687 7 Years And 50 Days Groove Coverage 605889 808 郑秀文 602467 9:55pm(HD) 薛凯琪 602962 920(HD) A-Lin&小宇 601804 955pm(hd) 薛凯琪 601084 99姑娘酒窝 罗百吉 606646 A B C Unknown 605298 A Better Day 刘德华 605416 A Better Life Jade Giải Pháp Karaoke hàng đầu Việt Nam: www.vietktv.vn Trang 1 MÃ SỐ TÊN BÀI HÁT CA SĨ 604921 A Little Bit Unknown 604525 A Little Gasoline Terri Clark 605604 A Little Love 冯曦妤 604228 A Love Theme Olivia 605122 A Man Without Love Unknown 604881 A Moment Like This Leona Lewis 604853 A New Day Has Come Celinedion 605407 A Reason To Believe Tim Hardin 603648 A Summer Place Unknown 604933 A Thousand Dreams Of You 张国荣 601472 A Thousand Years(hd) Christina Perri 603242 A Whiter Shade Of Pale Procol Harum
    [Show full text]
  • © Copyright 2020 Young Dae
    © Copyright 2020 Young Dae Kim The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2020 Reading Committee: Shannon Dudley, Chair Clark Sorensen Christina Sunardi Program Authorized to Offer Degree: Music University of Washington Abstract The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim Chair of the Supervisory Committee: Shannon Dudley School of Music This dissertation examines the various meanings of modernity in the history of Korean pop music, focusing on several crucial turning points in the development of K-pop. Since the late 1980s, Korean pop music has aspired to be a more advanced industry and establish an international presence, based on the economic leap and democratization as a springboard. Contemporary K-pop, originating from the underground dance scene in the 1980s, succeeded in transforming Korean pop music into a modern and youth-oriented genre with a new style dubbed "rap/dance music." The rise of dance music changed the landscape of Korean popular music and became the cornerstone of the K-pop idol music. In the era of globalization, K-pop’s unique aesthetics and strategy, later termed “Cultural Technology,” achieved substantial returns in the international market. Throughout this evolution, Korean Americans were vital players who brought K-pop closer to its mission of modern and international pop music. In the age of globalization, K-pop's modernity and identity are evolving in a new way.
    [Show full text]
  • Peran Greenpeace Dalam Upaya Membantu Pengurangan
    PERAN GREENPEACE DALAM UPAYA MEMBANTU PENGURANGAN PENGGUNAAN PLASTIK DI JAKARTA Disusun dan Diajukan untuk Memenuhi Salah Satu Syarat Memperoleh Gelar Sarjana Sosial (S.Sos) Strata-1 SKRIPSI THASYA SHAYELA RACHMA 201510360311139 PROGRAM STUDI HUBUNGAN INTERNASIONAL FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS MUHAMMADIYAH MALANG 2020 ii iii iv v KATA PENGANTAR Puji Syukur atas kehadirat Allah SWT, atas ridho dan limpahan karuniaNya akhirnya penulis dapat menyelesaikan tugas akhir dengan judul “Peran Greenpeace Dalam Upaya Membantu Pengurangan Penggunaan Plastik di Jakarta” dengan baik dan lancar. Penulisan tugas akhir ini merupakan syarat untuk menyelesaikan Program Sarjana (S1) pada Program Studi Hubungan Internasional, Fakultas Ilmu Sosial dan Ilmu Politik Universitas Muhammadiyah Malang. Pada kesempatan ini, penulis ingin mengucapkan banyak terimakasih kepada orang-orang yang selalu setia memberikan semangat, dukungan dan bimbingan hingga akhirnya tugas akhir ini dapat terselesaikan dengan baik. Oleh sebab itu, melalui kata pengantar ini penulis ingin menyampaikan rasa terimakasih terutama kepada: 1. Keluarga saya tercinta, terutama kedua orang tua saya yakni Ayah, Yanto Suparman dan Mama, Sitti Nur Alwiyah, S.Pd.I yang tidak pernah berhenti memberikan dukungan serta doa, selalu menjadi tempat terbaik untuk bercerita, dan memberikan kekuatan kepada saya untuk bisa menyelesaikan perkuliahan ini. Selain itu, untuk adik saya satu-satunya Daffa Alyandra serta Marko, kucing saya yang turut memberikan support kepada saya selama ini. 2. Terimakasih kepada dosen-dosen pembimbing skripsi yang telah membimbing saya dengan kesabaran dan membantu dalam menyelesaikan skripsi ini. Ibu Peggy Puspa Haffsari, M.Sc., M.Si selaku dosen vi pembimbing I dan Bapak Najamuddin Khairur Rijal, M. Hub.Int selaku dosen pembimbing II.
    [Show full text]
  • Paint It Black
    EQUITY RESEARCH | October 4, 2016 MUSIC IN THE AIR PAINT IT BLACK Avoiding the prisoner’s dilemma and assessing the risks to music’s UBLE DO M nascent turnaround ALBU The complicated web of competing interests in the music industry poses a threat to the budding turnaround that we expect to almost double global music revenue over the next 15 years. In this second of a “double album“ on the music industry’s return to growth, we assess the risks and scenarios that could derail our thesis, from the risk of “windowing” and exclusivity turning off fans to an acceleration in declines for physical CDs and downloads that would come too fast for streaming to fill the void in the near term. Lisa Yang Heath P. Terry, CFA Masaru Sugiyama Simona Jankowski, CFA Heather Bellini, CFA +44(20)7552-3713 (212) 357-1849 +81(3)6437-4691 (415) 249-7437 (212) 357-7710 lisa.yang@ gs.com heath.terry@ gs.com masaru.sugiyama@ gs.com simona.jankowski@ gs.com heather.bellini@ gs.com Goldman Sachs Goldman, Sachs & Co. Goldman Sachs Goldman, Sachs & Co. Goldman, Sachs & Co. International Japan Co., Ltd. Goldman Sachs does and seeks to do business with companies covered in its research reports. As a result, investors should be aware that the firm may have a conflict of interest that could affect the objectivity of this report. Investors should consider this report as only a single factor in making their investment decision. For Reg AC certification and other important disclosures, see the Disclosure Appendix, or go to www.gs.com/research/hedge.html.
    [Show full text]
  • Karaoken Presenteras Av Sveriges J-Rock-Förening
    Karaoken presenteras av Sveriges J-rock-förening Karaokelista – Innehåll s. 3 Animé & Live Action s. 20 J-rock s. 26 J-pop s. 31 Spel & VN s. 33 Parodier & Fanlåtar s. 37 Vocaloid s. 39 Koreanskt & Kinesiskt s. 44 Västerländskt s. 51 Film & TV s. 54 Musikal & Opera Scanna QR-koden – få karaokelistan digitalt! Listan senast uppdaterad 2021-06-10 Karaoken presenteras av I samarbete med Hikari-kai, Sveriges J-rock-förening Raison d’être Pecena Piperka och Feed Me Kpop Den här är rejäl Jag minns inte exakt när det var jag tog över karaokelistan och databasen. När det var jag som började vara ansvarig för uppdateringarna. Det allra tidigaste beviset jag kan finna på en lista som det med hundraprocentig säkerhet var jag som stod för är från december 2014. Så jag har inte riktigt gjort det i ett decennium än. Men jag är rätt säker på att det här är den absolut största uppdateringen jag har gjort. I alla fall är det, utan minsta tvivel, den största uppdateringen på så här kort tid, eftersom det inte ens var två månader sedan den förra listan. Vi hade nämligen förra månaden ett litet event. En karaokemakartävling som löpte över fyra veckor. Summa summarum: Över hundra nya låtar i listan. Plus ett gäng uppdaterade versioner av sånt vi redan hade. Själv har jag se’n sist i princip bara gjort One Piece och Nichijou-låtar, så där finns det diverse nytt att hämta. Högst takt höll Nea, som dessutom fokuserade mycket på nyare populära serier. Så häri kan ni numera hitta musik från Tensei Shitara Slime Datta Ken, Re:Zero kara Hajimeru Isekai Seikatsu, Dr.
    [Show full text]
  • BEAT, 60S/70S DEE-JAY DOO WOP SERIES SEIRESPOWOODYAJ
    DEE-JAY DOO WOP SERIES 183 TEEN SCENE CD BB 55113 € 15.34 WINCHELL : Don’t Make Small Talk Baby RICKY SHAW : The Riddle TOMMY BIENER & WENDY &...: The Top 40 DOVERS: Alice My SEVEN TEENS: Steady Guy AUGIE RIOS : Augie Stay Home CURT Love PAUL GRIF FIN : Ragdoll Baby LEE PARKER : Sand Dance JENSEN : Bobbie CHARLES DELL : I’m Here To Tell You (What MELLODEERS: The Letter DOVERS: A Lonely Heart RALPH DE Ronnie Couldn ’t..) RONI POWERS : Any Friend Of Henry’s RICKY MARCO : Donna MELODEERS: Born To Be Mine GINO: I’m A Boy SHAW : I Got A Girl GINO & THE DELLS: Baby Don’t Go Now In Love ANDY & GINO: Love Is Love (All Around The World) DONNY LEE MOORE : You Left Me Standing There AUGIE RIOS : DANNY WINCHELL : Sugar Baby RICKY & ROBBY: Suzzanne No One CHARLES DELL : Let’s Tell Him Now BIG BOB AUGIE ROSE : Lullaby ANDY ROSE & THE THORNS: Just For Fun DOUGHERTY : Bang Bang RICKY & ROBBY: Purple Pedal Pushers MONTELLS: My Prince Will Come (And He Will Be The One) DICK HEARTHERTON : Hey! Travelin’ Man ANGELA MARTIN : Two Pairs Of Shoes JAN TOBER : Just Married ANDY ROSE : Hey Scooter AUGIE RIOS & NOTA TIONS: There’s A Girl Down The Way CHESS MEN: Prayer Of Love DANNY BEAT, 60s/70s 13TH FLOOR ELEVATORS Willow Weep For Me- Yours Until Tomor row- Simon Smith And The Amaz ing Dancing Bear- Tickle Me 8 PARA DISE LOST 2-CD CD LSR 19630 € 24.90 CD-1:- Gloria- You’re Gonna Miss Me- Tried To Hide- Splash One- ALLMAN BROS You Can’t Hurt Me Anymore- Make That Girl Your Own- Before You UNIVER SAL MASTER Accuse Me- Fire In My Bones- Monkey Island- Thru The Rhythm-
    [Show full text]
  • Korean Women, K-Pop, and Fandom a Dissertation Submitted in Partial Satisfaction
    UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. Thank you for your essential and insightful suggestions on my work. My special acknowledgement goes to the Korean female K-pop fans who were willing to participate in my research.
    [Show full text]
  • B1A4 How Many Times
    How Many Times B1A4 [Gongchun] Tuk sori eobshi tteoreojin nunmul Wenjjok gaseumi apa Eogimeobshi tto chajaon neo [Baro] (Jidoki shirin geurium) [Baro] Myeot bami jinaya alkka Myeot beoneul maraeya olkka Nuneul gamado jakku boigie Myeochil dongan jameul tto motja Uri Date-hadeon geuttae Niga majimageuro geonnen Hanmadi geu hanmadiga Hyungteoro yeogi nama Jiul su eobneun Trauma [Baro] Gieokna uri dul sai Nambureopji anke haengbokaeneunde Sarang da mulgwa bul sai Neomu neutge ara beorin munje Motaeseo beol baneun neukkim Chungbunhanikka doraoneun achim Haega tteooreugi jikjeonkkajiman Gidarilge neo ol ttaekkaji nan [CNU] I jigyeopdorok banbokdweneun seulpeumeseo nareul kkeonaejwo Hayake tan nae mami neol bureugo itjanha [Sandeul] Daeche myeot beoneul, myeot bameul, myeochireun maemdora (Myeot beoneul, myeot bameun jisaewodo) Dashi myeot beoneul, myeot bameul, myeochireun maemdora Ajikdo ni juwireul ireoke maemdora [Jinyoung] Myeot beoneul apaya dabi olkka Sueobshido sseureojin nae mameul alkka [Sandeul] Daeche myeot beoneul, myeot bameul, myeochireun apaya Neon doraoneun geolkka [Jinyoung] Nae jigap soge ajikdo utgo ineun niga neomu miwo Ije geuman sarajyeojwo [Baro] (Mamedo eobneun geojitmal) [CNU] I jigyeopdorok banbokdweneun seulpeumeseo nareul kkeonaejwo Hayake tan nae mami neol bureugo itjanha! [Sandeul] Daeche myeot beoneul, myeot bameul, myeochireun maemdora (Myeot beoneul, myeot bameun jisaewodo) Dashi myeot beoneul, myeot bameul, myeochireun maemdora Ajikdo ni juwireul ireoke maemdora [Jinyoung] Myeot beoneul apaya dabi olkka Sueobshido
    [Show full text]
  • The Life and Legacy of Rapper- Activist ECD (1960-2018)
    Volume 16 | Issue 6 | Number 3 | Article ID 5125 | Mar 15, 2018 The Asia-Pacific Journal | Japan Focus “It's Our Turn to Be Heard”: The Life and Legacy of Rapper- Activist ECD (1960-2018) Noriko Manabe Abstract Part II portrays his role in Japanese social movements of this century. History tends to memorialize the stars and leaders, yet both musical and social movements are also made possible by people who work in the background, organize, seed trends, and Keywords: Japan, ECD, rap, hip-hop, protest, otherwise help make things happen. The social movements, sound demo, antinuclear Japanese rap pioneer and activist ECD, who movement, SEALDs, CRAC (Shibaki-tai), passed away on January 24, 2018, was neither protests against Abe's policies the earliest nor most commercially successful rapper, and he would have eschewed calling himself a leader of any protest group. Nonetheless, he was what Gramsci would have ECDはきっと有名になる人 called an organic intellectual of the working class. The frankness of his music, writing, and その時君だけ自慢できる人 performances touched his audiences at an affective level, connecting them to the 皆に自慢できる今日会えたこと movements in which he participated. This article looks back at his life, which embodied 皆に自慢できる今日聞いたこと the worlds of hip-hop, contentious politics, and そいつは約束するよ君だけに the working class. It also examines his songs, which not only convey a vivid account of his 教えてあげる 誰も知らない life, but also reflect his personal and political concerns as well as the ambience of street 教えてあげる 僕の名前 protests. ECD was a key figure in the development of the underground hip-hop scene, ECD will surely become famous organizing events that allowed it to take root and be lifted into commercial viability.
    [Show full text]
  • Ofenômenokonglish.Pdf
    UNIVERSIDADE FEDERAL DE UBERLÂNDIA INSTITUTO DE LETRAS E LINGUÍSTICA CURSO DE TRADUÇÃO CLARIANA BORGES GAÍVA MARINO O FENÔMENO KONGLISH NA MÚSICA POPULAR COREANA (K-POP) Uberlândia/MG 2020 1 CLARIANA BORGES GAÍVA MARINO O FENÔMENO KONGLISH NA MÚSICA POPULAR COREANA (K-POP) Monografia apresentada ao Curso de Tradução do Instituto de Letras e Linguística da Universidade Federal de Uberlândia, como requisito parcial para a obtenção do Grau de Bacharel em Tradução. Orientadora: Profa. Dra. Silvana Maria de Jesus. Uberlândia/MG 2020 2 CLARIANA BORGES GAÍVA MARINO O FENÔMENO KONGLISH NA MÚSICA POPULAR COREANA (K-POP) Monografia apresentada ao Curso de Tradução do Instituto de Letras e Linguística da Universidade Federal de Uberlândia como requisito parcial para a obtenção do título de Bacharel em Tradução. Banca de Avaliação: Profa. Dra. Silvana Maria de Jesus – UFU Orientadora Profa. Dra. Yun Jung Im Park – USP Membro Prof. Dr. Igor Antônio Lourenço da Silva – UFU Membro Uberlândia (MG), 04 de dezembro de 2020 3 Resumo Este trabalho tem como premissa identificar e analisar o uso do Konglish em músicas coreanas. A língua coreana vem incorporando, em seu alfabeto (hangul), palavras em inglês adaptando-as conforme a fonologia do coreano. Surge, então, o fenômeno chamado Konglish que, de acordo com McPhail (2018), é “uma mistura do coreano com o inglês encontrado na Coreia do Sul”. Nas letras de música, as ocorrências de Konglish selecionadas foram categorizadas de acordo com a proposta de Kent (1999). A maioria das ocorrências analisadas neste trabalho foram classificadas como empréstimo direto, ou seja, palavras com pronúncia idêntica ou modificada foneticamente e que são pronunciadas no coreano da mesma forma ou aproximadamente à pronúncia do inglês.
    [Show full text]
  • Entertainment & Life
    Entertainment & Life 23p 24p I’m Celuv | Entertainment Girl 34p Slimmy Lunch Box│Slimmy Lunch Box 2 25p Live Day | Ride a Bus and Go Busking 35p Real Time Fitness│Must Eat: Okay to Be Alone 26p Idol Master│Aprils’ My Wish 36p Must Eat 20 | Honbap Stargram Season 2 27p School Attack│Yogobara 37p Global 99 Dish | Day You Eat Out 28p 2018 JHF│The Stage Big Pleasure 38p Go Together Travel Alone 29p The Show│K-Pop Hero 39p Stylish Travel | Tak PD’s Travel Talk 30p Idol Showcase│Challenge King 40p Happiness Through Travel | Romantic City 31p Beauty Log│Gaechui-Beauty 41p Must Go To Know│Two Feet Life 32p Daily Home Training | Let’s Go Surfing Trip 42p Hello Korea Season 1│Hello Korea Season 2 33p Sweet Body│S’s Secret 43p Interactive TV Show Format Entertainment & Lifestyle I’M CELUV 아임셀럽 ENTERTAINMENT GIRL 연예소녀 120mins x weekly│ongoing│KR│HD 20mins x weekly│2019│KR│HD A weekly program to showcase attractive celebrity. Entertainment news that points out the entertainment This program can show celebrity’s attraction, also industry issue of one week with the girl’s gaze K-pop pursue fun that can communicate in real-time with related topics are translated and provided for overseas viewers. user sympathy. Host: Jinsol (April) 24 Entertainment & Lifestyle LIVE DAY 라이브데이 RIDE A BUS AND GO BUSKING 버스타고 버스킹 130mins x monthly│2019│KR│HD 60mins x 6eps│2018│KR│4K UHD│Air on GMTV An open live broadcast that you can listen, watch and Special Busking on the Street in Seoul! feel through the live stage.
    [Show full text]
  • Get Real Men, Says KJ After K-Pop Hug Incident Malaysiakini.Com Jan 11, 2015
    Get real men, says KJ after K-Pop hug incident MalaysiaKini.com Jan 11, 2015 Amid outrage among conservative Muslims over images of K-Pop stars hugging tudung-clad girls in a fan meeting last night, Youth and Sports Minister Khairy Jamaluddin has some advice: "Get real men." "Much has been said about K-Pop. Hopefully Malaysian girls will return to men who are tall, dark and handsome and not pale, skinny and pretty. "Those aren't real men," he said in a Twitter posting today. The minister later dismissed it as a joke and told reporters to learn to differentiate between serious and lighthearted tweets. But while Khairy refused to entertain questions on this when met at the Parliament building today, his deputy M Saravanan (below) was happy to oblige. Asked who the "tall, dark and handsome" person is, the deputy youth and sports minister quipped: "Me lah!" A video of the K-pop group B1A4 hugging the girls was uploaded on Youtube by RajaLawak.com last night and reproduced by Sukan Star TV Facebook page this morning. The video was titled: "Malay girls molested on stage by Kpop B1A4" yesterday. In the video, members of the K-Pop group were seen interacting with four tudung-clad girls and subsequently hugged them on stage. A band member also kissed one of the girls on the forehead. Another member moved his face close to one of the girls but she backed off. Some of the girls appeared excited while others were shy and nervous, but reciprocated when they were hugged.
    [Show full text]