Designing a 2D Fighting Game
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It'sallfight Onthenight
60 ............... Friday, December 18, 2015 1SM 1SM Friday, December 18, 2015 ............... 61 WE CHECK OUT THE ACTION AT CAPCOM CUP NEW TRACKLIST MUSIC By Jim Gellately It’s all fight 1. Runaway 2. Conqueror LOST IN VANCOUVER Who: Jake Morgan (vocals 3. Running With The /guitar), Connor Mckay (gui- Wolves tar), Brandon Sherrett (bass/ vocals), Tom Lawrence on the night 4. Lucky (drums). Where: Kirkcaldy/Edinburgh. 5. Winter Bird For fans of: Stereophonics, 6. I Went Too Far Catfish And The Bottlemen, Oasis. 7. Through The Eyes Jim says: Lost In Vancouver Of A Child only recently released their first couple of singles, but 8. Warrior their story goes back around 9. Murder Song (5, five years. They first got together at GLOBAL rivals in the By LEE PRICE By JACQUI SWIFT 4, 3, 2, 1) their local YMCA in Kirkcaldy, which runs a thriving youth world’s top fighting and T-shirts emblazoned A COFFEE shop in 10. Home music programme. game went toe-to- with the logos of their vari- Gatwick Airport’s 11. Under The Water Jake told me: “From the toe as they battled ous sponsors. age of 13, Brandon, Connor And the response from departures lounge 12. Black Water Lilies and myself had been getting to become Street the audience, who paid £25 is not the most guitar and song-writing les- Fighter champion. a ticket, was deafening. sons from a guy called Mark Before a sell-out crowd, At one point, the audito- glamorous setting Burdett. He got us playing in and hundreds of thousands rium chanted “USA! USA!” bands around the town.” following the action online, as a home favourite stepped to meet a fast-rising Jake and original drummer 32 gamers competed for a up, only to be silenced by James Ballingall were previ- share of £165,000 last week. -
The Development and Validation of the Game User Experience Satisfaction Scale (Guess)
THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) A Dissertation by Mikki Hoang Phan Master of Arts, Wichita State University, 2012 Bachelor of Arts, Wichita State University, 2008 Submitted to the Department of Psychology and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 © Copyright 2015 by Mikki Phan All Rights Reserved THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) The following faculty members have examined the final copy of this dissertation for form and content, and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a major in Psychology. _____________________________________ Barbara S. Chaparro, Committee Chair _____________________________________ Joseph Keebler, Committee Member _____________________________________ Jibo He, Committee Member _____________________________________ Darwin Dorr, Committee Member _____________________________________ Jodie Hertzog, Committee Member Accepted for the College of Liberal Arts and Sciences _____________________________________ Ronald Matson, Dean Accepted for the Graduate School _____________________________________ Abu S. Masud, Interim Dean iii DEDICATION To my parents for their love and support, and all that they have sacrificed so that my siblings and I can have a better future iv Video games open worlds. — Jon-Paul Dyson v ACKNOWLEDGEMENTS Althea Gibson once said, “No matter what accomplishments you make, somebody helped you.” Thus, completing this long and winding Ph.D. journey would not have been possible without a village of support and help. While words could not adequately sum up how thankful I am, I would like to start off by thanking my dissertation chair and advisor, Dr. -
Flexible Games by Which I Mean Digital Game Systems That Can Accommodate Rule-Changing and Rule-Bending
Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: David Hendry, Chair David McDonald Nicolas Ducheneaut Jennifer Turns Program Authorized to Offer Degree: Information School ©Copyright 2013 Gifford Cheung 2 University of Washington Abstract Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung Chair of the Supervisory Committee: Associate Professor David Hendry Information School In this dissertation, I explore the idea of designing “flexible game systems”. A flexible game system allows players (not software designers) to decide on what rules to enforce, who enforces them, and when. I explore this in the context of digital card games and introduce two design strategies for promoting flexibility. The first strategy is “robustness”. When players want to change the rules of a game, a robust system is able to resist extreme breakdowns that the new rule would provoke. The second is “versatility”. A versatile system can accommodate multiple use-scenarios and can support them very well. To investigate these concepts, first, I engage in reflective design inquiry through the design and implementation of Card Board, a highly flexible digital card game system. Second, via a user study of Card Board, I analyze how players negotiate the rules of play, take ownership of the game experience, and communicate in the course of play. Through a thematic and grounded qualitative analysis, I derive rich descriptions of negotiation, play, and communication. I offer contributions that include criteria for flexibility with sub-principles of robustness and versatility, design recommendations for flexible systems, 3 novel dimensions of design for gameplay and communications, and rich description of game play and rule-negotiation over flexible systems. -
Game Design 2 Game Balance
CE810 - Game Design 2 Game Balance Joseph Walton-Rivers & Piers Williams Friday, 18 May 2018 University of Essex 1 What is Balance? Game Balance Question What is balance? 2 Game Balance “All players have an equal chance of winning” – Richard Bartle Richard covered a combat example in the first part of the module. 3 On Strategies Game Balance • What about higher level strategies? • Zerg rush? • Dominant strategies • Metagaming 4 Metagaming - Rock Paper Scissors • A beats B, B beats C, C beats A • If there are lots of A players, people will play C • Then there are a lot of C players, so people play B • and so on... 5 Metagaming - Dominant Strategies • What if A is significantly stronger? • No one will use the other two strategies • We want to encourage variety in play 6 Can we detect this? • Can we detect strategies which are overpowered? • Try to punish strategies we don’t want to see • We did this earlier in the week with rotate and shoot! • Can we measure this? 7 Automated Game Tuning • Academics seem to think so... • Ryan Leigh et al (2008) - Co-evolution for game balancing • Alexander Jaffe et al (2012) - Restricted-Play balance framework • Mihail Morosan - GAs for tuning parameters 8 Game Curves First Move Advantage First Move Advantage • Typically affects turn based games • Going first in tac tac toe means either a win or adraw • White has > 50% win rate over all games • Worse effects if you have resources • We need a way of dealing with this 9 First Move Advantage Magic Second player gets an extra card Go Second player gets 7.5 bonus -
UPC Platform Publisher Title Price Available 730865001347
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Testament Guilty Gear Art Pinterest
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Download the Catalog
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Nintendo Switch
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Cgcopyright 2013 Alexander Jaffe
c Copyright 2013 Alexander Jaffe Understanding Game Balance with Quantitative Methods Alexander Jaffe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: James R. Lee, Chair Zoran Popovi´c,Chair Anna Karlin Program Authorized to Offer Degree: UW Computer Science & Engineering University of Washington Abstract Understanding Game Balance with Quantitative Methods Alexander Jaffe Co-Chairs of the Supervisory Committee: Professor James R. Lee CSE Professor Zoran Popovi´c CSE Game balancing is the fine-tuning phase in which a functioning game is adjusted to be deep, fair, and interesting. Balancing is difficult and time-consuming, as designers must repeatedly tweak parameters and run lengthy playtests to evaluate the effects of these changes. Only recently has computer science played a role in balancing, through quantitative balance analysis. Such methods take two forms: analytics for repositories of real gameplay, and the study of simulated players. In this work I rectify a deficiency of prior work: largely ignoring the players themselves. I argue that variety among players is the main source of depth in many games, and that analysis should be contextualized by the behavioral properties of players. Concretely, I present a formalization of diverse forms of game balance. This formulation, called `restricted play', reveals the connection between balancing concerns, by effectively reducing them to the fairness of games with restricted players. Using restricted play as a foundation, I contribute four novel methods of quantitative balance analysis. I first show how game balance be estimated without players, using sim- ulated agents under algorithmic restrictions. -
Fighting Games, Performativity, and Social Game Play a Dissertation
The Art of War: Fighting Games, Performativity, and Social Game Play A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Todd L. Harper November 2010 © 2010 Todd L. Harper. All Rights Reserved. This dissertation titled The Art of War: Fighting Games, Performativity, and Social Game Play by TODD L. HARPER has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Mia L. Consalvo Associate Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT HARPER, TODD L., Ph.D., November 2010, Mass Communications The Art of War: Fighting Games, Performativity, and Social Game Play (244 pp.) Director of Dissertation: Mia L. Consalvo This dissertation draws on feminist theory – specifically, performance and performativity – to explore how digital game players construct the game experience and social play. Scholarship in game studies has established the formal aspects of a game as being a combination of its rules and the fiction or narrative that contextualizes those rules. The question remains, how do the ways people play games influence what makes up a game, and how those players understand themselves as players and as social actors through the gaming experience? Taking a qualitative approach, this study explored players of fighting games: competitive games of one-on-one combat. Specifically, it combined observations at the Evolution fighting game tournament in July, 2009 and in-depth interviews with fighting game enthusiasts. In addition, three groups of college students with varying histories and experiences with games were observed playing both competitive and cooperative games together. -
Deepcrawl: Deep Reinforcement Learning for Turn-Based Strategy Games
DeepCrawl: Deep Reinforcement Learning for Turn-based Strategy Games Alessandro Sestini,1 Alexander Kuhnle,2 Andrew D. Bagdanov1 1Dipartimento di Ingegneria dell’Informazione, Universita` degli Studi di Firenze, Florence, Italy 2Department of Computer Science and Technology, University of Cambridge, United Kingdom falessandro.sestini, andrew.bagdanovg@unifi.it Abstract super-human skills able to solve a variety of environments. However the main objective of DRL of this type is training In this paper we introduce DeepCrawl, a fully-playable Rogue- like prototype for iOS and Android in which all agents are con- agents to surpass human players in competitive play in clas- trolled by policy networks trained using Deep Reinforcement sical games like Go (Silver et al. 2016) and video games Learning (DRL). Our aim is to understand whether recent ad- like DOTA 2 (OpenAI 2019). The resulting, however, agents vances in DRL can be used to develop convincing behavioral clearly run the risk of being too strong, of exhibiting artificial models for non-player characters in videogames. We begin behavior, and in the end not being a fun gameplay element. with an analysis of requirements that such an AI system should Video games have become an integral part of our entertain- satisfy in order to be practically applicable in video game de- ment experience, and our goal in this work is to demonstrate velopment, and identify the elements of the DRL model used that DRL techniques can be used as an effective game design in the DeepCrawl prototype. The successes and limitations tool for learning compelling and convincing NPC behaviors of DeepCrawl are documented through a series of playability tests performed on the final game. -
Street Fighter V” - the Latest Title in This Gold Standard Franchise for Fighting Games Is for the Next-Generation Playstation®4 and Pcs
December 8, 2014 Press Release 3-1-3, Uchihiranomachi, Chuo-ku Osaka, 540-0037, Japan Capcom Co., Ltd. Haruhiro Tsujimoto, President and COO (Code No. 9697 First Section of Tokyo Stock Exchange) Announcement of Decision to Launch “Street Fighter V” - The latest title in this gold standard franchise for fighting games is for the next-generation PlayStation®4 and PCs - Capcom Co., Ltd. (Capcom) today announced that the decision has been made to release “Street Fighter V” for the PlayStation®4 and PCs. The “Street Fighter” series debuted in 1987 as an arcade game. This was followed by the 1991 release of “Street Fighter II”, which was an enormous success. With its revolutionary fighting format, this series of home video games has recorded global shipments of 36 million units as of September 30, 2014. Having established the new fighting game genre, “Street Fighter” is still one of the world’s most popular games 27 years after its debut. “Street Fighter V” is the sequel to “Street Fighter IV”, which has cumulative shipments of 3.3 million units since its launch in 2010. Capcom is currently working on the development of this new title, which is to be the first in the “Street Fighter” series with a “cross platform” for allowing PlayStation®4 users and PC users to go up against each other. Capcom remains firmly committed to satisfying the expectations of all users by making the most of its industry-leading game development capabilities in order to create games that are full of originality. 【Product Details】 1. Title Street Fighter V 2.