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Select Bibliography Select Bibliography Primary Sources Blind, Mathilde, ‘The New Proserpine’, in Birds of Passage: Songs of the Orient and Occident (London: Chatto and Windus, 1895) Bowen, Elizabeth, The Death of the Heart (Harmondsworth: Penguin, 1989) ___ The Hotel (Harmondsworth: Penguin, 1987) ___ The House in Paris (Harmondsworth: Penguin, 1976) Butts, Mary, ‘A Russian prophet’, Time and Tide (October 14, 1933) ___ ‘Ashe of Rings’ and Other Writings (New York: McPherson, 1998) ___ ‘Bloomsbury’, Modernism/Modernity, 5 (1998), 321-45 ___ ‘Confessions & Interview’, Little Review, 7 (1929), 21-22 ___ The Crystal Cabinet: My Childhood at Salterns (London: Carcanet, 1988) ___ From Altar to Chimney-Piece: Selected Stories, preface by John Ashbery (New York: McPherson, 1992) ___ ‘The Golden Bough’, in That Kind of Women: Stories from the Left Bank and Beyond, ed. by Bronte Adams and Trudi Tate (London: Virago, 1991), pp. 16-28 ___ The Journals of Mary Butts, ed. by Nathalie Blondel (New Haven: Yale University Press, 2002) ___ ‘The Magic of Person and Place’, The Bookman, 85 (1933), 141-43 ___ ‘Mr. Powys’s Dorset’, The Sunday Times (18 February 1934), 11 ___ ‘Our Native Land’, The Bookman, 84 (1933), 125-27 ___ Scenes from the Life of Cleopatra, reprinted in The Classical Novels (Kingston: McPherson, 1994) ___ The Taverner Novels: ‘Armed with Madness’ and ‘Death of Felicity Taverner’ (New York: McPherson, 1992) ___ ‘Vision of Asia’, The Bookman (1932), 223-25 Compton-Burnett, Ivy, Dolores (Edinburgh: Blackwood, 1971) ___ The Last and the First (London: Gollancz, 1971) Field, Michael, Bellerophon (London: Bell, 1881) Fitzgerald, Caroline, Venetia Victrix and Other Poems (London: Macmillan, 1889) Forster, E. M., A Passage to India, ed. by Oliver Stallybrass (Harmondsworth: Penguin, 1989) ___ A Room with a View, ed. by Oliver Stallybrass (Harmondsworth: Penguin, 1990) ___ Abinger Harvest (Harmondsworth: Penguin, 1974) Select Bibliography ___ Albergo Empedocle and Other Writings, ed. by George H. Thomson (New York: Liveright, 1971) ___ ‘Aspect of a Novel’, The Bookseller (10 September 1960), 1228 ___ Aspects of the Novel (London: Arnold, 1974) ___ The Celestial Omnibus and Other Stories (London: Vintage, 1976) ___Commonplace Book, ed. by Philip Gardner (Palo Alto: Stanford University Press, 1987) ___ Goldsworthy Lowes Dickinson (London: Arnold, 1934) ___ Howards End, ed. by Oliver Stallybrass (Harmondsworth: Penguin, 1989) ___ The Longest Journey (Harmondsworth: Penguin, 1985) ___ Marianne Thornton: A Domestic Biography (London: Arnold, 1956) ___ Maurice (Harmondsworth: Penguin, 1989) ___ The Prince’s Tale and Other Uncollected Writings, ed. by P. N. Furbank (London: Penguin, 1999) ___ Selected Letters of E. M. Forster, ed. by Mary Lago and P. N. Furbank, 2 vols (London: Collins, 1983) ___ Two Cheers for Democracy, ed. by Oliver Stallybrass (London: Edward Arnold, 1972) ___ Where Angels Fear to Tread, ed. by Oliver Stallybrass (Harmondsworth: Penguin, 1976) Frazer, J. G., The Golden Bough, ed. by Robert Fraser (Oxford: The World’s Classics, 1986) Greenwell, Dora, Selected Poems by Dora Greenwell (London, 1889) Hardy, Thomas, The Collected Letters of Thomas Hardy, ed. by Richard L. Purdy and Michael Millgate, 7 vols (Oxford: Clarendon Press, 1978-88) ___ The Complete Poems of Thomas Hardy, ed. by James Gibson, The New Wessex Edition (London: Macmillan, 1976) ___ Jude the Obscure, ed. by Patricia Ingham (Oxford: The World’s Classics, 1985) ___ The Life and Work of Thomas Hardy by Thomas Hardy, ed. by Michael Millgate (London: Macmillan, 1984) ___ The Literary Notebooks of Thomas Hardy, ed. by Lennart A. Björk, 2 vols (London: Macmillan, 1985) ___ The Mayor of Casterbridge, ed. by Dale Kramer (Oxford: The World’s Classics, 1987) ___ The Personal Notebooks of Thomas Hardy, ed. by Richard H. Taylor (London: Macmillan, 1978) ___ ‘The Pursuit of the Well-Beloved’ and ‘The Well-Beloved’, ed. by Patricia Ingham (Harmondsworth: Penguin, 1997) ___ Tess of the d’Urbervilles, ed. by Juliet Grindle and Simon Gatrell (Oxford: The World’s Classics, 1988) 335.
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  • The Symbolic Moment in the Fiction of E. M. Forster
    RICE UNIVERSITY THE SYMBOLIC MOMENT IN THE FICTION OF E. M. FORSTER by BARBARA ANN HOAK *P60 06900 ZLZ L A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director*s signature: May# 1965 ABSTRACT This thesis is a study in the fiction of E. M* Forster of a principle which has been named the "symbolic moment•" The symbolic moment is defined as a short period of time which has the effect of removing character or reader from consciousness of the continual flu:: of mundane occurrences since it has the potential of revealing something universalt a kind of reality beyond the everyday human life processes. This thesis demonstrates that one way of seeing the struc¬ ture of Forster* s works is as a series of symbolic moments which are more vivid and more meaningful than everything happening between them, since they juxtapose levels of reality or meaning in incidents which often have archetypal reference. The thesis examines Forster’s ideas about the structure of the novel and concludes that the symbolic moment prin¬ ciple fits in with Forster’s conception of a novel as repre¬ sentation of human life, in which not all periods of time have equal significance when examined in retrospect. The symbolic moment characteristically takes the form of a confrontation—between two characters, or between a character and an object or event—which may bring about a revelation of reality if the character is prepared to accept it. The symbolic moment is examined as a focal point of structure and themes in two of Forster® s short stories: "The Eternal Moment" and "Tue Road from Colonus.” Forster’s novels are a series of symbolic moments, and in the early novels^“especially Khere Angels Fear to Tread and A Room with a View—‘Forster’& characters progress through them to some kind of growth in understanding which allows them to accept all sides of man* s good~and-evil nature.
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    Introduction 学校编码 10384 分类号 密级 学 号 9804013 UDC 学 位 论 文 Only Connect: E. M. Forster’s Howards End 只 要 联 系 E. M.福斯特的 霍华德别业 肖 萍 指 导 教 师 张 礼 龙 副教授 厦门大学外文学院 申 请 学 位 硕 士 专 业 名 称 英语 语 言 文 学 论文提交日期 2 0 0 1 年 5 月 厦门大学博硕士论文摘要库论文答辩日期 2 0 0 1 年 6 月 学位授予单位 厦 门 大 学 学位授予日期 2 0 0 1 年 月 答辩委员会主席 评 阅 人 2001 年 5 月 1 Introduction Synopsis E. M. Forster (1879-1970) can be regarded as one of the most controversial writers of his time, and Howards End has always been the most controversial of his novels. Divergences of the criticism on the novel reside mainly in its ambivalence and ambiguity as a result of Forster’s “double vision,” and its happy, but unconvincing ending that seems to embody the ultimate and comprehensive “connection” of all those opposing forces Forster has discerned in modern society. The present thesis aims to reveal the connotation of the epigraphy “Only connect…” and Forster’s real intention to conceive such a happy ending whose “connection” is actually one-sided, so as to justify Forster’s “double vision.” The present thesis consists of six chapters, an “Introduction,” and a “Conclusion.” “Introduction” briefly traces the vicissitudes of Forster criticism and scholarship, then introduces the main points of controversy on Howards End: whether Forster’s “double vision” in Howards End is its strength or weakness, with Woolf on one side and Widdowson on the other.
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  • The Machine Stops Forster, E
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