Surrender to Love 2003 FALL SEASON
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Der Nussknacker Weihnachtskonzert Musik Von Peter I
Medienlisten der Stadtbücherei Augsburg Der Nussknacker Weihnachtskonzert Musik von Peter I. Tschaikowsky Mittwoch, 23.12.2020 17:00 Uhr, martini-Park Info, Tickets (Staatstheater Augsburg) >> EG: Kinderbücherei Besucherservice des Staatstheaters Augsburg 1. OG: Erwachsenenabteilung in der Bürger- und Tourist-Information 2. OG: Musikbücherei, relax am Rathausplatz 1 Ernst-Reuter-Platz 1 86150 Augsburg 86150 Augsburg Mo-Fr 9.00-17.30 Uhr / Sa 10.00-17.00 Uhr Mo-Fr 10.00-19.00 Uhr / Sa 10.00-15.00 Uhr (Nov. - März: Mo, Di, Mi, Fr nur bis 17.00 Uhr) Telefon 0821 324 2756 Telefon 0821 324 4900 stadtbuecherei.augsburg.de/ staatstheater-augsburg.de/karten [email protected] [email protected] Medienlisten der Stadtbücherei Augsburg – Der Nussknacker Medien für Kinder Märchenvorlage Zum Ballett Zum Komponisten CDs DVDs Bücher Werkeinführung Tschaikowsky : Werkverzeichnisse Tschaikowsky : Quellen und Zeitzeugnisse Tschaikowsky : Biographien (Auswahl) Tschaikowsky : Belletristische Darstellung Noten Partituren Klavierauszüge Arrangements Medien für Kinder Märchenvorlage Nussknacker / E. T. A. Hoffmann. Mit Bildern von EG, Kinderbücherei Lisbeth Zwerger. Neu erzählt von Susanne Koppe. - 2/Nus Gossau, Zürich : Neugebauer, 2003 (mit CD) 30307120 Nussknacker und Mausekönig / E. T. A. Hoffmann. EG, Kinderbücherei Neu erzählt von Wolfgang Knape. Mit Bildern von 2/Nus Petra Probst. – Würzburg : Arena, 2008 30805141 Hoffmann, Ernst T. A.: EG, Kinderbücherei Nussknacker und Mausekönig / E. T. A. Hoffmann. Märchen/Hörbuch Gelesen von Ulrich Noethen. Textbearb. und Regie : 31001484 Annelie Knobloch. Musik : Otto Lechner. - München : Der Hörverl., 2009 Hoffmann, Ernst T. A.: Zweigstelle Haunstetten Nussknacker und Mausekönig. - Stuttgart,Wien : 2/Hof Thienemann, 2006 60601408 Nussknacker und Mausekönig / E. T. A. Hoffmann ; Zweigstelle Göggingen Regina Kehn. -
2016 Tbilisi
NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA SAKPATENTI 4(440) 2016 TBILISI INID CODES FOR IDENTIFICATION OF BIBLIOGRAPHIC DATA LIST OF CODES, IN ALPHABETIC SEQUENCE, AND THE CORRESPONDING (SHORT) NAMES OF STATES, OTHER ENTITIES AND INTERGOVERNMENTAL ORGANIZATIONS (WIPO STANDARD ST.3) INVENTIONS, UTILITY MODELS (10) Number of publication for application, which has been examined (54) Title of the invention AD Andorra for the Arab States of the Gulf (GCC) NE Niger (11) Number of patent and kind of document (57) Abstract AE United Arab Emirates GD Grenada NG Nigeria (21) Serial number of application (60) Number of examined patent document granted by foreign patent office, date from which patent AF Afghanistan GG Guernsey NI Nicaragua (22) Date of filing of the application has effect and country code (62) Number of the earlier application and in case of divided application, date of filing an AG Antigua and Barbuda GH Ghana NL Netherlands (23) Date of exhibition or the date of the earlier filing and the number of application, if any application AI Anguilla GI Gibraltar NO Norway (24) Date from which patent may have effect (71) Name, surname and address of applicant (country code) AL Albania GT Guatemala NP Nepal (31) Number of priority application (72) Name, surname of inventor (country code) AM Armenia GW Guinea- Bissau NR Nauru (32) Date of filing of priority application (73) Name, surname and address of patent owner (country code) AN Netherlands Antilles GY Guyana NZ New Zealand (33) Code of the country or regional organization allotting -
The Mariinsky Ballet & Orchestra
Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko, -
Social Report 2003! 3 Alfa Bank Social Report 2003! 3
Our Reputation Throughout the history of Alfa Bank, we have considered our reputation to be our most valuable asset. Over the years, we have experienced all the obstacles and challenges that faced Russia as a whole. We have triumphed against all odds, becoming Russia’s largest private bank, a leader of the financial industry. Alfa Bank is one of the very first Russian companies to acknowledge its social responsibilities. For years now, the name of Alfa Bank has been nancial support to numerous non-profit programs closely linked with such cultural and social initia- in Russia’s regions, as well as offering assistance to tives as the annual Golden Mask Theater Festival in young talent, and helping those in need. But that’s Moscow and the Alfa Chance Program, supporting not all, either. We take an active role in society in talented young people in Russia’s regions. every place where we develop our business, from Alfa Bank has blazed a trail to Russia for some of holding conferences aimed at attracting investment the world’s leading contemporary performers, in- into the regions, to financing ecological programs cluding Elton John, Sting, Tina Turner and Paul and aiding educational institutions. McCartney, as well as organizing foreign tours We offer aid at all levels of society. We see our role for leading Russian opera and ballet companies. as encouraging the harmonious advancement of This year we also helped to organize and finance all of our communities. a competition to design a statue in memory of No- We are convinced that the future of our business bel Laureate Joseph Brodsky in St. -
(With) Shakespeare (/783437/Show) (Pdf) Elizabeth (/783437/Pdf) Klett
11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation ISSN 1554-6985 V O L U M E X · N U M B E R 2 (/current) S P R I N G 2 0 1 7 (/previous) S h a k e s p e a r e a n d D a n c e E D I T E D B Y (/about) E l i z a b e t h K l e t t (/archive) C O N T E N T S Introduction: Dancing (With) Shakespeare (/783437/show) (pdf) Elizabeth (/783437/pdf) Klett "We'll measure them a measure, and be gone": Renaissance Dance Emily Practices and Shakespeare’s Romeo and Juliet (/783478/show) (pdf) Winerock (/783478/pdf) Creation Myths: Inspiration, Collaboration, and the Genesis of Amy Romeo and Juliet (/783458/show) (pdf) (/783458/pdf) Rodgers "A hall, a hall! Give room, and foot it, girls": Realizing the Dance Linda Scene in Romeo and Juliet on Film (/783440/show) (pdf) McJannet (/783440/pdf) Prokofiev’s Romeo and Juliet: Some Consequences of the “Happy Nona Ending” (/783442/show) (pdf) (/783442/pdf) Monahin Scotch Jig or Rope Dance? Choreographic Dramaturgy and Much Emma Ado About Nothing (/783439/show) (pdf) (/783439/pdf) Atwood A "Merry War": Synetic's Much Ado About Nothing and American Sheila T. Post-war Iconography (/783480/show) (pdf) (/783480/pdf) Cavanagh "Light your Cigarette with my Heart's Fire, My Love": Raunchy Madhavi Dances and a Golden-hearted Prostitute in Bhardwaj's Omkara Biswas (2006) (/783482/show) (pdf) (/783482/pdf) www.borrowers.uga.edu/7165/toc 1/2 11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation The Concord of This Discord: Adapting the Late Romances for Elizabeth the -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou First Embarked on a Career As an Actor and Studied at the National Superior School of Drama
DIMITRIS PAKSOGLOU – Tenor Born in Greece. Dimitris Paksoglou first embarked on a career as an actor and studied at the National Superior School of Drama. As an actor he went on to appear in important Greek theatres, including the ancient theatre of Epidaurus, the Greek National Theatre and the Athens Megaron. He then decided to make a career change and studied singing at the Athens National Conservatory under the guidance of the famous baritone Kostas Paskalis and Marina Krilovici, graduating with distinction. He moved to France where he appeared with several opera companies and his success lead Greek National Opera to offer him a contract as a principal tenor. He continues to appear in leading roles with the company, which he combines with guest appearances abroad. Greek Dimitris Paksoglou does not sing Cavaradossi with the usual slightly emotional Mediterranean glow. His tenor is more powerfully virile, but also with beautiful splashes of tenderness. He makes his famous song for life with considerable intensity. AFTONBLADET – Lennart Bromander - Monday 10th February 2020 Dimitris Paksoglou who sang Cavaradossi is a real Italian tenor (although he is Greek) with plenty of power and clear tone up to the highest register. Capriccio - Lars-Erik Larsson – 23rd December 2019 Roles: AIDA: Radames ~ Stade de France UN BALLO IN MASCHERA: Gustavo III ~ Greek National Opera CARMEN: Don José ~ Odeon of Herodes Atticus CAVALLERIA RUSTICANA: Turiddu ~ Opéra de Saint-Étienne; Greek National Opera EDIPO RE: Creonte ~ Opera of Thessaloniki DIE FLEDERMAUS: Eisenstein ~ Greek National Opera INNO DELLE NAZIONE VERDI: Tenor Solo ~ Opera of Thessaloniki JENUFA: Števa ~ Greek National Opera APA Artists’ Management / Alexandra Mercer Mobile: +44 (0)7710 378719 - Tel: +44 (0)189 686 0276 Email: [email protected] - www.apaartistsmanagement.com Hillslap Tower - Langshaw - By Galashiels - Scotland TD1 2PA, United Kingdom Vat Registration No. -
Roger Parker: Curriculum Vitae
1 Roger Parker Publications I Books 1. Giacomo Puccini: La bohème (Cambridge, 1986). With Arthur Groos 2. Studies in Early Verdi (1832-1844) (New York, 1989) 3. Leonora’s Last Act: Essays in Verdian Discourse (Princeton, 1997) 4. “Arpa d’or”: The Verdian Patriotic Chorus (Parma, 1997) 5. Remaking the Song: Operatic Visions and Revisions from Handel to Berio (Berkeley, 2006) 6. New Grove Guide to Verdi and his Operas (Oxford, 2007); revised entries from The New Grove Dictionaries (see VIII/2 and VIII/5 below) 7. Opera’s Last Four Hundred Years (in preparation, to be published by Penguin Books/Norton). With Carolyn Abbate II Books (edited/translated) 1. Gabriele Baldini, The Story of Giuseppe Verdi (Cambridge, 1980); trans. and ed. 2. Reading Opera (Princeton, 1988); ed. with Arthur Groos 3. Analyzing Opera: Verdi and Wagner (Berkeley, 1989); ed. with Carolyn Abbate 4. Pierluigi Petrobelli, Music in the Theater: Essays on Verdi and Other Composers (Princeton, 1994); trans. 5. The Oxford Illustrated History of Opera (Oxford, 1994); translated into German (Stuttgart. 1998), Italian (Milan, 1998), Spanish (Barcelona, 1998), Japanese (Tokyo, 1999); repr. (slightly revised) as The Oxford History of Opera (1996); repr. paperback (2001); ed. 6. Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 (Oxford, 2001); ed. with Mary Ann Smart 7. Verdi in Performance (Oxford, 2001); ed. with Alison Latham 8. Pensieri per un maestro: Studi in onore di Pierluigi Petrobelli (Turin, 2002); ed. with Stefano La Via 9. Puccini: Manon Lescaut, special issue of The Opera Quarterly, 24/1-2 (2008); ed. -
The History of Russian Ballet
Pet’ko Ludmyla, Ph.D., Associate Professor, Dragomanov National Pedagogical University Savina Kateryna Dragomanov National Pedagogical University Institute of Arts, student THE HISTORY OF RUSSIAN BALLET Петько Людмила к.пед.н., доцент НПУ имени М.П.Драгоманова (Украина, г.Киев) Савина Екатерина Национальный педагогический университет имени М.П.Драгоманова (Украина, г.Киев), Інститут искусствб студентка Annotation This article is devoted to describing of history of Russian ballet. The aim of the article is to provide the reader some materials on developing of ballet in Russia, its influence on the development of ballet schools in the world and its leading role in the world ballet art. The authors characterize the main periods of history of Russian ballet and its famous representatives. Key words: Russian ballet, choreographers, dancers, classical ballet, ballet techniques. 1. Introduction. Russian ballet is a form of ballet characteristic of or originating from Russia. In the early 19th century, the theatres were opened up to anyone who could afford a ticket. There was a seating section called a rayok, or «paradise gallery», which consisted of simple wooden benches. This allowed non- wealthy people access to the ballet, because tickets in this section were inexpensive. It is considered one of the most rigorous dance schools and it came to Russia from France. The specific cultural traits of this country allowed to this technique to evolve very fast reach his most perfect state of beauty and performing [4; 22]. II. The aim of work is to investigate theoretical material and to study ballet works on this theme. To achieve the aim we have defined such tasks: 1. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Stapleton Enterprise It’S Your Right to Know Mcpherson Co
SERVING LOGAN & McPHERSON COUNTIES THE STAPLETON FOR OVER 100 YEARS SinceLOGAN 1912 COUNTY, • creativeprintersonline.com STAPLETON NEBRASKA 69163 (USPS THURSDAY, 518780) NOVEMBER THURSDAY, 5, 2020 JANUARY 5, 2017 NO. NO. 1 45 Murder at Deadwood Solved COURTESY Murder at Deadwood characters, front row, l-r: Velda Cassell, bartender; Marcia Hora, saloon girl; Lori Streit, Henrietta High-Stakes; Shad Streit, Mitch Maverick; Rex Hanna, Marshal Dalton; and Cindy Frey, murder mystery coordinator. Middle row, l-r: Kendra Cutler, saloon girl; Connie O’Brien, Elizabeth Money; Klara Daly Minnie Money; Polly Burnside, Anna Belle; Amber Rooney, Sally Starr; Lauren Leetch, Taffy Garrette; Robin Garlett, Holly Hickok; Abby Sabel, Banker Bonnie; Jeana Hanna, Poker Alice; Candy Salisbury, Black Barbara; and Kourtney Cutler, saloon girl. Back row, l-r: Ash Ramirez, Banker Bob; Toby Kinderknecht, Montgomery Money; Rich Burnside, Harry High-Stakes; Kaman Dailey, Clay Coldwell; Art Leetch, Gambling Jack; Bryce Funk, Sheriff Sam; Tim Karn, Jesse Wales; and Scott Salisbury, Billy-The-Bartender. The Stapleton Commu- centered around the to be a very financially Leetch, gambler. Banker Bob - Ash Scott Salisbury, Saloon nity Center was trans- small western town of successful venture for the Anna Belle - Polly Burn- Ramirez, bank owner. bartender and book- formed into Deadwood Deadwood as people had saloon. side, wife of Gambling Banker Bonnie - Abby keeper. for the first annual poker been pouring into town As the evening unfolded Jack. Sabel, wife to Banker Bob. Overall coordinator - tournament, Saturday, for the biggest poker tour- Mitch Maverick (Shad Mitch Maverick - Shad Jesse Wales - Tim Karn, Cindy Frey. October 24. nament this side of the Streit) was murdered. -
View PDF of Aria
HAWAII OPERA THEATRE By Giuseppe Verdi February 1, 3 & 5, 2008 NEAL S. BLAISDELL CONCERT HALL oahu 2118 kalakaua avenue 808.921.1000, ala moana center 808.942.1148 maui the shops at wailea 808.879.1060 shop gucci.com Director’s Notes by HENRY G. AKINA Don Carlo is often considered Verdi’s most Wagnerian work. It makes use of the evolving structure of the Musiktheater, made so popular by Wagner, and introduces several motives that can be seen almost as Wagnerian leitmotifs. Verdi creates an entire political world set in Spain during the reign of Philip II. The opera follows four members of the Habsburg family: Philip II, King of all the world, son of an Emperor and ruler of a kingdom that “the sun never sets upon." Champion of the Catholic faith, devoted ruler and supporter of the Inquisition. This man rules his empire from a small room in the bowels of the Escurial palace. Likened by his enemies to a spider at the center of its web. At the time of the opera he has married three times. His current wife he married in spite of the fact that she had originally been promised to his son, Don Carlo. This marriage is one of the greatest burdens of his life. He does not know how to love. He is fiercely anti-protestant. His presence is felt oppressively in Flanders, a hot-bed of this new and troublesome movement. He has unleashed his armies and the Inquisition upon them. Elisabetta, Queen of Spain, daughter of Katharina de Medici and the King of France.