Close to Home: How the Power of Facebook and Google Affects Local Communities
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Eric Johnson Producer of Recode Decode with Kara Swisher Vox Media
FIRESIDE Q&A How podcasting can take social media storytelling ‘to infinity and beyond’ Eric Johnson Producer of Recode Decode with Kara Swisher Vox Media Rebecca Reed Host Off the Assembly Line Podcast 1. Let’s start out by introducing yourself—and telling us about your favorite podcast episode or interview. What made it great? Eric Johnson: My name is Eric Johnson and I'm the producer of Recode Decode with Kara Swisher, which is part of the Vox Media Podcast Network. My favorite episode of the show is the interview Kara conducted with Facebook CEO Mark Zuckerberg — an in-depth, probing discussion about how the company was doing after the Cambridge Analytica scandal and the extent of its power. In particular, I really liked the way Kara pressed Zuckerberg to explain how he felt about the possibility that his company's software was enabling genocide in Myanmar; his inability to respond emotionally to the tragedy was revealing, and because this was a podcast and not a TV interview she was able to patiently keep asking the question, rather than moving on to the next topic. Rebecca Reed: My name is Rebecca Reed and I’m an Education Consultant and Host of the Off the Assembly Line podcast. Off the Assembly Line is your weekly dose of possibility-sparking conversation with the educators and entrepreneurs bringing the future to education. My favorite episode was an interview with Julia Freeland Fisher, author of Who You Know. We talked about the power of student social capital, and the little known role it plays in the so-called “achievement gap” (or disparity in test scores from one school/district to the next). -
ECF 56 Third Amended Complaint
Case 1:19-cv-00160-RMC Document 56 Filed 09/19/19 Page 1 of 27 IN THE UNITED STATES DISTRICT COURT FOR THE .DISTRICT OF COLUMBIA TAMRYN SPRUTLL and JACOB SUNDSTROM, individually and on behalf of all those similarly situated, Plaintiffs, Civil Action No.: l:l 9-cv-00160-RMC vs. Class Action Complaint VOX MEDIA, INC, Jury Trial Demanded Defendants. THIRD AMENDED COMPLAINT I. INTRODUCTION 1. Plaintiffs Tainryn Spruill and Jacob Sundstrom (together, "Plaintiffs") bring this class and representative action against Defendant Vox Media, Inc., ("Defendant' or "Vox") on behalf of themselves and all other former and current paid content contributors for Vox's sports blogging network. and flagship property SB :Nation in California, who Vox classified as independent contractors. S.B Nation operates over 300 team. sites dedicated to publishing written articles, videos, and other content on professional and college sports. Each team. site posts daily coverage on games, statistics, player trades, and culture. 'The more traffic the team sites attract, the more advertising revenue Vox generates. Vox pays Plaintiffs and similarly situated class members ("Content Contributors") a small monthly stipend to create and edit the written, video, and. audio content on these team sites. Content Contributors' posts are the core of Vox's business. 2. .During the entire class period, Vox. uniformly and consistently misclassfied Content Contributors —including job titles such as Site Manager, Associate Editor, Managing Editor, Deputy Editor, and Contributor — as independent contractors in order to avoid its duties 1 764747.8 Case 1:19-cv-00160-RMC Document 56 Filed 09/19/19 Page 2 of 27 and obligations owed to employees under California law and to gain. -
Ipad Educational Apps This List of Apps Was Compiled by the Following Individuals on Behalf of Innovative Educator Consulting: Naomi Harm Jenna Linskens Tim Nielsen
iPad Educational Apps This list of apps was compiled by the following individuals on behalf of Innovative Educator Consulting: Naomi Harm Jenna Linskens Tim Nielsen INNOVATIVE 295 South Marina Drive Brownsville, MN 55919 Home: (507) 750-0506 Cell: (608) 386-2018 EDUCATOR Email: [email protected] Website: http://naomiharm.org CONSULTING Inspired Technology Leadership to Transform Teaching & Learning CONTENTS Art ............................................................................................................... 3 Creativity and Digital Production ................................................................. 5 eBook Applications .................................................................................... 13 Foreign Language ....................................................................................... 22 Music ........................................................................................................ 25 PE / Health ................................................................................................ 27 Special Needs ............................................................................................ 29 STEM - General .......................................................................................... 47 STEM - Science ........................................................................................... 48 STEM - Technology ..................................................................................... 51 STEM - Engineering ................................................................................... -
Vox Media Turns to Cloudian Hyperstore to Meet Growing Archive Demand
Vox Media Turns to Cloudian Hyperstore to Meet Growing Archive Demand Automates archive process and eliminates steps CUSTOMER CASE STUDY: to accelerate workflow by 10X VOX MEDIA Vox Media is a digital media company known for its high-profile brands including Vox, SB Nation, The Verge, Racked, Eater, Curbed, Recode, and Polygon. Headquartered in New York, the company also has offices in D.C, Los Angeles, Chicago, Austin, and San Francisco. The Challenge Vox Media creates digital content that caters to technology, sports and video game enthusiasts. At any given time, the firm has multiple active projects, including videos, podcasts and other digital content for a diverse audience across multiple INDUSTRY sites. Together, these digital projects drive demand for multiple petabytes of Media and Entertainment data storage. CHALLENGES Quantum StorNext provides the central storage management point for Vox, • Time-consuming tape-based connecting users to both primary and Linear Tape Open (LTO) archival storage. In archive process their legacy workflow, the digital assets currently in use were stored on SAN. Once • NAS staging area required, adding a project was completed, those assets were migrated to LTO tape. A NAS system workload served as a staging area between the SAN and the LTO archives. • Tape archive not searchable SOLUTION Cloudian HyperStore appliances PROJECT COMPLETE RESULTS PROJECT RETRIEVAL • 10X acceleration of archive process • Rapid data offload from SAN SAN NAS LTO Tape Backup • Eliminated NAS staging area and manual steps • Integration with existing IT Figure 1 : Legacy media workflow at Vox infrastructure (Quantum StorNext, The legacy workflow had multiple issues which prevented the team from meeting its Evolphin) goals. -
2016 in Review ABOUT NLGJA
2016 In Review ABOUT NLGJA NLGJA – The Association of LGBTQ Journalists is the premier network of LGBTQ media professionals and those who support the highest journalistic standards in the coverage of LGBTQ issues. NLGJA provides its members with skill-building, educational programming and professional development opportunities. As the association of LGBTQ media professionals, we offer members the space to engage with other professionals for both career advancement and the chance to expand their personal networks. Through our commitment to fair and accurate LGBTQ coverage, NLGJA creates tools for journalists by journalists on how to cover the community and issues. NLGJA’s Goals • Enhance the professionalism, skills and career opportunities for LGBTQ journalists while equipping the LGBTQ community with tools and strategies for media access and accountability • Strengthen the identity, respect and status of LGBTQ journalists in the newsroom and throughout the practice of journalism • Advocate for the highest journalistic and ethical standards in the coverage of LGBTQ issues while holding news organizations accountable for their coverage • Collaborate with other professional journalist associations and promote the principles of inclusion and diversity within our ranks • Provide mentoring and leadership to future journalists and support LGBTQ and ally student journalists in order to develop the next generation of professional journalists committed to fair and accurate coverage 2 Introduction NLGJA 2016 In Review NLGJA 2016 In Review Table of -
Playing Fair: Youtube, Nintendo, and the Lost Balance of Online Fair Use Natalie Marfo
Brooklyn Journal of Corporate, Financial & Commercial Law Volume 13 | Issue 2 Article 6 5-1-2019 Playing Fair: Youtube, Nintendo, and the Lost Balance of Online Fair Use Natalie Marfo Follow this and additional works at: https://brooklynworks.brooklaw.edu/bjcfcl Part of the Computer Law Commons, Entertainment, Arts, and Sports Law Commons, Gaming Law Commons, Intellectual Property Law Commons, Internet Law Commons, and the Other Law Commons Recommended Citation Natalie Marfo, Playing Fair: Youtube, Nintendo, and the Lost Balance of Online Fair Use, 13 Brook. J. Corp. Fin. & Com. L. 465 (2019). Available at: https://brooklynworks.brooklaw.edu/bjcfcl/vol13/iss2/6 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Journal of Corporate, Financial & Commercial Law by an authorized editor of BrooklynWorks. PLAYING FAIR: YOUTUBE, NINTENDO, AND THE LOST BALANCE OF ONLINE FAIR USE ABSTRACT Over the past decade, YouTube saw an upsurge in the popularity of “Let’s Play” videos. While positive for YouTube, this uptick was not without controversy. Let’s Play videos use unlicensed copyrighted materials, frustrating copyright holders. YouTube attempted to curb such usages by demonetizing and removing thousands of Let’s Play videos. Let’s Play creators struck back, arguing that the fair use doctrine protects their works. An increasing number of powerful companies, like Nintendo, began exploiting the ambiguity of the fair use doctrine against the genre; forcing potentially legal works to request permission and payment for Let’s Play videos, without a determination of fair use. -
Journal of International Media & Entertainment
JOURNAL OF INTERNATIONAL MEDIA & ENTERTAINMENT LAW PUBLISHED BY THE DONALD E. BIEDERMAN ENTERTAINMENT AND MEDIA LAW INSTITUTE OF SOUTHWESTERN LAW SCHOOL IN ASSOCIATION WITH THE AMERICAN BAR ASSOCIATION FORUMS ON COMMUNICATIONS LAW AND THE ENTERTAINMENT AND SPORTS INDUSTRIES Volume 8, Number 2 2019-2020 SYMPOSIUM FAKE NEWS AND “WEAPONIZED DEFAMATION”: GLOBAL PERSPECTIVES EDITOR’S NOTE ARTICLES Credibility-Enhancing Regulatory Models to Counter Fake News: Risks of a Non-Harmonized Intermediary Liability Paradigm Shift Teresa Rodríguez de las Heras Ballell Criminal Defamation: Still “An Instrument of Destruction” In the Age of Fake News Jane E. Kirtley & Casey Carmody Stemming the Tide of Fake News: A Global Case Study of Decisions to Regulate Amy Kristin Sanders, Rachel L. Jones, and Xiran Liu Legal Responsibility for Fake News Tommaso Tani JOURNAL OF INTERNATIONAL MEDIA & ENTERTAINMENT LAW VOL. 8, NO. 2 ■ 2019–2020 JOURNAL OF INTERNATIONAL MEDIA & ENTERTAINMENT LAW Volume 8 Number 2 2019–2020 PUBLISHED BY THE DONALD E. BIEDERMAN ENTERTAINMENT AND MEDIA LAW INSTITUTE OF SOUTHWESTERN LAW SCHOOL IN ASSOCIATION WITH THE AMERICAN BAR ASSOCIATION FORUMS ON COMMUNICATIONS LAW AND THE ENTERTAINMENT AND SPORTS INDUSTRIES Mission Statement: The Journal of International Media & Entertainment Law is a semi- annual publication of the Donald E. Biederman Entertainment and Media Law Institute of Southwestern Law School in association with the American Bar Association Forums on Communications Law and the Entertainment and Sports Industries. The Journal provides a forum for exploring the complex and unsettled legal principles that apply to the production and distribution of media and entertainment in an international, comparative, and local context. The legal issues surrounding the creation and dissemination of news and entertainment products on a worldwide basis necessarily implicate the laws, customs, and practices of multiple jurisdictions. -
Vox Media CEO Jim Bankoff and the Supersonic Digital Media Revolution”
Center for Strategic and International Studies Bob Schieffer’s “About the News” with H. Andrew Schwartz Podcast Subject: “Vox Media CEO Jim Bankoff and the Supersonic Digital Media Revolution” Speaker: Jim Bankoff, CEO Vox Media Hosts: H. Andrew Schwartz, Senior Vice President for External Relations, CSIS Bob Schieffer, CBS Political News Contributor; Former Host, “Face the Nation,” CBS News Date: Tuesday October 18, 2016 Transcript By Superior Transcriptions LLC www.superiortranscriptions.com (Music plays.) BOB SCHIEFFER: I’m Bob Schieffer. H. ANDREW SCHWARTZ: And I’m Andrew Schwartz. MR. SCHIEFFER: And these are conversations about the news. We are in the midst of a communications revolution. We have access to more information than any people in history. But are we more informed, or just overwhelmed by so much information we can’t process it? MR. SCHWARTZ: These conversations are a year-long collaboration of the Bob Schieffer College of Communication at Texas Christian University and the Center for Strategic and International Studies in Washington. (Music plays.) MR. SCHIEFFER: Today we have with us Jim Bankoff, the CEO of the highly popular digital media company Vox Media. Before joining Vox, Jim was the executive VP of programming and products at AOL, where he had popular websites such as MapQuest and Moviefone. He also cofounded TMZ.com and oversaw AOL’s instant messaging service, A-I- M, AIM. While at AOL in 2006, he won the first Emmy ever honoring a digital program, for his role as executive producer of Live 8 Concerts online. Since joining VOX in 2009 he has overseen its growth to 170 million unique monthly visitors, 785 million monthly content viewers, eight media brands – such as SB Nation, The Verge, and Recode, with two in three users on mobile devices. -
Tech Blog Spinoff Re/Code Is Acquired by Online Media Chain 27 May 2015, Bythe Associated Press
Tech blog spinoff Re/code is acquired by online media chain 27 May 2015, byThe Associated Press Tech news blog Re/code said Tuesday it's been acquired by online publishing company Vox Media, just 18 months after spinning off from its former parent, The Wall Street Journal. Vox operates several news and entertainment sites, including The Verge, which also covers tech news. In an online statement, Re/code founders Kara Swisher and Walt Mossberg said they will continue to operate their site separately but may occasionally collaborate with The Verge. Re/code has focused on tech companies and business news, while The Verge reports from a culture and lifestyle perspective. Terms of the acquisition were not disclosed. Swisher and Mossberg started their blog at The Wall Street Journal, which is owned by News Corp., where it was known as AllThingsD. Since the spinoff, Re/code has continued to stage successful industry conferences and earned a reputation for breaking exclusive stories. But its readership has lagged. Re/code had 1.5 million unique visitors in April, compared with 12 million for the Verge and 53 million for all Vox sites combined, according to the comScore research service. Another tech news site, GigaOm, shut down earlier this year. A number of other news sites continue to cover the tech industry in New York and Silicon Valley, and some have added staff in recent months. © 2015 The Associated Press. All rights reserved. APA citation: Tech blog spinoff Re/code is acquired by online media chain (2015, May 27) retrieved 25 September 2021 from https://phys.org/news/2015-05-tech-blog-spinoff-recode-online.html This document is subject to copyright. -
Request to Investigate Google's Youtube Online Service And
*EMBARGOED UNTIL 12:01 AM ET APRIL 9, 2018* Before the FEDERAL TRADE COMMISSION Washington, DC 20580 In the Matter of ) ) Request to Investigate Google’s YouTube ) Online Service and Advertising Practices for ) Violating the Children’s Online Privacy ) Protection Act ) By CENTER FOR DIGITAL DEMOCRACY CAMPAIGN FOR A COMMERCIAL-FREE CHILDHOOD BERKELEY MEDIA STUDIES GROUP CENTER FOR MEDIA JUSTICE COMMON SENSE CONSUMER ACTION CONSUMER FEDERATION OF AMERICA CONSUMER FEDERATION OF CALIFORNIA CONSUMERS UNION CONSUMER WATCHDOG CORPORATE ACCOUNTABILITY DEFENDING THE EARLY YEARS ELECTRONIC PRIVACY INFORMATION CENTER (EPIC) NEW DREAM OBLIGATION, INC. PARENT COALITION FOR STUDENT PRIVACY PARENTS ACROSS AMERICA PARENTS TELEVISION COUNCIL PRIVACY RIGHTS CLEARINGHOUSE PUBLIC CITIZEN THE STORY OF STUFF PROJECT TRUCE (TEACHERS RESISTING UNHEALTHY CHILDHOOD ENTERTAINMENT) USPIRG Angela J. Campbell Chris Laughlin Institute for Public Representation Georgetown University Law Center 600 New Jersey Avenue NW, Suite 312 Washington, DC 20001 (202) 662-9535 Counsel for Center for Digital Democracy and Campaign for a Commercial-Free Childhood *EMBARGOED UNTIL 12:01 AM ET APRIL 9, 2018* Summary The Center for Digital Democracy, Campaign for a Commercial-Free Childhood, Berkeley Media Studies Group, Center for Media Justice, Common Sense, Consumer Action, Consumer Federation of America, Consumer Federation of California, Consumers Union (the advocacy division of Consumer Reports), Corporate Accountability, Consumer Watchdog, Defending the Early Years, Electronic Privacy Information Center (EPIC), New Dream, Obligation, Inc., Parent Coalition for Student Privacy, Parents Across America, Parents Television Council, Privacy Rights Clearinghouse, Public Citizen, The Story of Stuff Project, TRUCE (Teachers Resisting Unhealthy Childhood Entertainment), and USPIRG ask the FTC to take enforcement action against Google for violating children’s privacy laws in operating the YouTube online video and advertising network services. -
Center for Strategic and International Studies
Center for Strategic and International Studies Bob Schieffer’s “About the News” with H. Andrew Schwartz Podcast Subject: “Walt Mossberg and the End of News Websites” Speaker: Walt Mossberg, Executive Editor, The Verge; Editor-at-Large, Recode Hosts: H. Andrew Schwartz, Senior Vice President for External Relations, CSIS Bob Schieffer, CBS Political News Contributor; Former Host, “Face the Nation,” CBS News Date: Tuesday, August 16, 2016 Transcript By Superior Transcriptions LLC www.superiortranscriptions.com BOB SCHIEFFER: I’m Bob Schieffer. H. ANDREW SCHWARTZ: And I’m Andrew Schwartz. MR. SCHIEFFER: And these are conversations about the news. We are in the midst of a communications revolution. We have access to more information than any people in history. But are we more informed, or just overwhelmed by so much information we can’t process it? MR. SCHWARTZ: These conversations are a year-long collaboration of the Bob Schieffer College of Communication at Texas Christian University and the Center for Strategic and International Studies in Washington. Now, everyone knows Bob Schieffer’s a newsman, but not everyone knows how he became an anchorman. He wrote a song about it. Let’s have a listen. (Music plays.) MR. SCHIEFFER: (Sings.) Well, I left this job that I just took, started practicing my sincere look, they said I had the face of a man with heart. They wrote me some lines, taught me a style, drew a happy face on the script where I should smile, and the key demographics went right off the charts. I have to say, they pay me good, a whole lot better than Stuckey’s ever would, and a cute little stage manager gives me all my cues. -
Vox Media Flourishes with Scalable Solutions and Support from Chesapeake Systems
VOX MEDIA FLOURISHES WITH SCALABLE SOLUTIONS AND SUPPORT FROM CHESAPEAKE SYSTEMS Archive, asset management, workflow automation, and storage solutions have paved the path for Vox Media’s future growth, providing new functionality that addresses rising trends and viable revenue streams for the company. CASE STUDY Photos by ©Chris Leonard, courtesy of Gensler WWW.CHESA.COM CASE STUDY VOX MEDIA OVERVIEW Premium digital media company Vox Media has grown exponentially over the past 12 years, currently encompassing eight authoritative editorial networks – SB Nation, The Verge, Polygon, Curbed, Eater, Racked, Vox, and Recode. In addition to its position as a powerhouse new media company, Vox Media’s underlying technology has played a key role in the company’s success. Vox Media’s brands are built on the company’s proprietary modern media stack, Chorus, and ad marketplace, Concert. 1 CHESA CHESA.COM 410.752.7729 CASE STUDY VOX MEDIA ABOUT VOX MEDIA On the content creation side, Vox Media’s emphasis on visual impact has driven tremendous growth. For the past six years, Marcos Bueno, Head of Media Technology based at the company’s New York City headquarters, has spearheaded the infrastructure used by Vox Creative, the company’s branded content division. Like all video producers today, the Vox Media studio team requires a robust, reliable, and secure post-production pipeline for effective asset management and archiving. As content creation continues to explode at Vox Media, Bueno has come to rely on Chesapeake Systems as an engaged partner for providing solutions to the team’s evolving needs. “We started working with Chesapeake about four years ago,” Bueno recalls.