Cuneiform Texts and the Writing of History
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THE ROMANCE of BIBLE CHRONOLOGY Rev
THE ROMANCE OF BIBLE CHRONOLOGY Rev. Martin Anstey, BA, MA An Exposition of the Meaning, and a Demonstration of the Truth, of Every Chronological Statement Contained in the Hebrew Text of the Old Testament Marshall Brothers, Ltd., London, Edinburgh and New York 1913. DEDICATION To my dear Friend Rev. G. Campbell Morgan, D.D. to whose inspiring Lectures on “The Divine Library in Human History” I trace the inception of these pages, and whose intimate knowledge and unrivalled exposition of the Written Word makes audible in human ears the Living Voice of the Living God, I dedicate this book. The Author October 3rd, 1913 FOREWORD BY REV. G. CAMPBELL MORGAN, D. D. It is with pleasure, and yet with reluctance, that I have consented to preface this book with any words of mine. The reluctance is due to the fact that the work is so lucidly done, that any setting forth of the method or purpose by way of introduction would be a work of supererogation. The pleasure results from the fact that the book is the outcome of our survey of the Historic move- ment in the redeeming activity of God as seen in the Old Testament, in the Westminster Bible School. While I was giving lectures on that subject, it was my good fortune to have the co—operation of Mr. Mar- tin Anstey, in a series of lectures on these dates. My work was that of sweeping over large areas, and largely ignoring dates. He gave his attention to these, and the result is the present volume, which is in- valuable to the Bible Teacher, on account of its completeness and detailed accuracy. -
The Akkadian Empire
RESTRICTED https://courses.lumenlearning.com/suny-hccc-worldcivilization/chapter/the-akkadian-empire/ The Akkadian Empire LEARNING OBJECTIVE • Describe the key political characteristics of the Akkadian Empire KEY POINTS • The Akkadian Empire was an ancient Semitic empire centered in the city of Akkad and its surrounding region in ancient Mesopotamia, which united all the indigenous Akkadian speaking Semites and the Sumerian speakers under one rule within a multilingual empire. • King Sargon, the founder of the empire, conquered several regions in Mesopotamia and consolidated his power by instating Akaddian officials in new territories. He extended trade across Mesopotamia and strengthened the economy through rain-fed agriculture in northern Mesopotamia. • The Akkadian Empire experienced a period of successful conquest under Naram-Sin due to benign climatic conditions, huge agricultural surpluses, and the confiscation of wealth. • The empire collapsed after the invasion of the Gutians. Changing climatic conditions also contributed to internal rivalries and fragmentation, and the empire eventually split into the Assyrian Empire in the north and the Babylonian empire in the south. TERMS Gutians A group of barbarians from the Zagros Mountains who invaded the Akkadian Empire and contributed to its collapse. Sargon The first king of the Akkadians. He conquered many of the surrounding regions to establish the massive multilingual empire. Akkadian Empire An ancient Semitic empire centered in the city of Akkad and its surrounding region in ancient Mesopotamia. Cuneiform One of the earliest known systems of writing, distinguished by its wedge-shaped marks on clay tablets, and made by means of a blunt reed for a stylus. Semites RESTRICTED Today, the word “Semite” may be used to refer to any member of any of a number of peoples of ancient Southwest Asian descent, including the Akkadians, Phoenicians, Hebrews (Jews), Arabs, and their descendants. -
Antikenrezeption Im Hochbarock
Antikenrezeption im Hochbarock Herausgegeben van Herbert Beck und Sabine Schulze GEBR. MANN VERLAG· BERLIN lRVTNG LAVIN Bernini and Antiquity - The Baroque Paradox A Poetical View* My chief purpose in this paper is to bring together and consider under one heading two papers by earlier scholars on apparently quite different subjects that are fundamcntnl to some of our current views on the relationship of Baroque art to antiquity. In a brief note entitled ··Rhetoric and Baroque Art". published in 1955 . Giulio Carlo Argan for the first time offered what has since become perhaps the prevalent interpretation of Ba roque art. base d on the classical tradition of rhetoric'. The primary source book on the subject. Arist0tle's treatise on rhetoric. became available in Italian translation in 1570. The wide influence of Argan ·s essay was very salubrious. suggesting as it did that Baroque style. often regarded as a decadent superabundance of ornament and conceit. could better be under stood positively as a deliberate and sophisticated technique of persuasion. T he second paper. published by RudolfWiukower in 1963, compared the use ofanciem models by Poussin. the arch classicist of France. and Bernini, the outstanding representative of Italian Baroque 2 exuberance . With great perspicuity Wittkower showed from preparatory studies how classical sources functioned in diametrically opposite ways in the development of their works. Poussin would typicall y start with a dynamic. ··Baroque" design. into which ancient models would then intervene to produce a restrained. classicizing final version: Bernini. on the other hand. would often start with a classical prototype. which he would then transform into a free and volatile ·'Baroque'· solution. -
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F. -
THE EPONYMOUS OFFICIALS of GREEK CITIES: I Aus: Zeitschrift Für Papyrologie Und Epigraphik 83 (1990) 249–288
ROBERT K. SHERK THE EPONYMOUS OFFICIALS OF GREEK CITIES: I aus: Zeitschrift für Papyrologie und Epigraphik 83 (1990) 249–288 © Dr. Rudolf Habelt GmbH, Bonn 249 The Eponymous Officials of Greek Cities: I (A) Introduction The eponymous official or magistrate after whom the year was named in Greek cities or as- sociations is well known to all epigraphists under various titles: archon, prytanis, stephanepho- ros, priest, etc. Some details about them have appeared in many articles and in scattered pas- sages of scholarly books. However, not since the publication of Clemens Gnaedinger, De Graecorum magistratibus eponymis quaestiones epigraphicae selectae (Diss. Strassburg 1892) has there been a treatment of the subject as a whole, although the growth of the material in this regard has been enormous.1 What is missing, however, is an attempt to bring the material up to date in a comprehensive survey covering the whole Greek world, at least as far as possible. The present article, of which this is only the first part, will present that material in a geographically organized manner: mainland Greece and the adjacent islands, then the Aegean islands, Asia Minor and Thrace, Syria, Egypt, Cyrene, Sicily, and southern Italy. All the epi- graphic remains of that area have been examined and catalogued. General observations and conclusions will be presented after the evidence as a whole has been given. I. Earliest Examples of Eponymity The earliest form of writing appeared in Sumer and Assyria sometime within the last half of the fourth millennium BC, and from there it spread westward. Thus, it is not at all surpris- ing that the Mesopotamian civilizations also made the earliest use of assigning names or events to years in dating historical records. -
Historical Survey of Limmu Genet Town from Its Foundation up to Present
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 6, ISSUE 07, JULY 2017 ISSN 2277-8616 Historical Survey Of Limmu Genet Town From Its Foundation Up To Present Dagm Alemayehu Tegegn Abstract: The process of modern urbanization in Ethiopia began to take shape since the later part of the nineteenth century. The territorial expansion of emperor Menelik (r. 1889 –1913), political stability and effective centralization and bureaucratization of government brought relative acceleration of the pace of urbanization in Ethiopia; the improvement of the system of transportation and communication are identified as factors that contributed to this new phase of urban development. Central government expansion to the south led to the appearance of garrison centers which gradually developed to small- sized urban center or Katama. The garrison were established either on already existing settlements or on fresh sites and also physically they were situated on hill tops. Consequently, Limmu Genet town was founded on the former Limmu Ennarya state‘s territory as a result of the territorial expansion of the central government and system of administration. Although the history of the town and its people trace many year back to the present, no historical study has been conducted on. Therefore the aim of this study is to explore the history of Limmu Genet town from its foundation up to present. Keywords: Limmu Ennary, Limmu Genet, Urbanization, Development ———————————————————— 1. Historical Background of the Study Area its production. The production and marketing of forest coffee spread the fame and prestige of Limmu Enarya ( The early history of Limmu Oromo Mohammeed Hassen, 1994). The name Limmu Ennarya is The history of Limmu Genet can be traced back to the rise derived from a combination of the name of the medieval of the Limmu Oromo clans, which became kingdoms or state of Ennarya and the Oromo clan name who settled in states along the Gibe river basin. -
Thiele's Biblical Chronology As a Corrective for Extrabiblical Dates
Andm University Seminary Studies, Autumn 1996, Vol. 34, No. 2,295-317. Copyright 1996 by Andrews University Press.. THIELE'S BIBLICAL CHRONOLOGY AS A CORRECTIVE FOR EXTRABIBLICAL DATES KENNETH A. STRAND Andrews University The outstanding work of Edwin R. Thiele in producing a coherent and internally consistent chronology for the period of the Hebrew Divided Monarchy is well known. By ascertaining and applying the principles and procedures used by the Hebrew scribes in recording the lengths of reign and synchronisms given in the OT books of Kings and Chronicles for the kings of Israel and Judah, he was able to demonstrate the accuracy of these biblical data. What has generally not been given due notice is the effect that Thiele's clarification of the Hebrew chronology of this period of history has had in furnishing a corrective for various dates in ancient Assyrian and Babylonian history. It is the purpose of this essay to look at several such dates.' 1. i%e Basic Question In a recent article in AUSS, Leslie McFall, who along with many other scholars has shown favor for Thiele's chronology, notes five vital variable factors which Thiele recognized, and then he sets forth the following opinion: In view of the complex interaction of several of the independent factors, it is clear that such factors could never have been discovered (or uncovered) if it had not been for extrabiblical evidence which established certain key absolute dates for events in Israel and Judah, such as 853, 841, 723, 701, 605, 597, and 586 B.C. It was as a result of trial and error in fitting the biblical data around these absolute dates that previous chronologists (and more recently Thiele) brought to light the factors outlined above.= '~lthou~hmuch of the information provided in this article can be found in Thiele's own published works, the presentation given here gathers it, together with certain other data, into a context and with a perspective not hitherto considered, so far as I have been able to determine. -
The Evolution of Fragility: Setting the Terms
McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee The Evolution of Fragility: Setting the Terms McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee with contributions from Tom D. Dillehay, Li Min, Patricia A. McAnany, Ellen Morris, Timothy R. Pauketat, Cameron A. Petrie, Peter Robertshaw, Andrea Seri, Miriam T. Stark, Steven A. Wernke & Norman Yoffee Published by: McDonald Institute for Archaeological Research University of Cambridge Downing Street Cambridge, UK CB2 3ER (0)(1223) 339327 [email protected] www.mcdonald.cam.ac.uk McDonald Institute for Archaeological Research, 2019 © 2019 McDonald Institute for Archaeological Research. The Evolution of Fragility: Setting the Terms is made available under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 (International) Licence: https://creativecommons.org/licenses/by-nc-nd/4.0/ ISBN: 978-1-902937-88-5 Cover design by Dora Kemp and Ben Plumridge. Typesetting and layout by Ben Plumridge. Cover image: Ta Prohm temple, Angkor. Photo: Dr Charlotte Minh Ha Pham. Used by permission. Edited for the Institute by James Barrett (Series Editor). Contents Contributors vii Figures viii Tables ix Acknowledgements x Chapter 1 Introducing the Conference: There Are No Innocent Terms 1 Norman Yoffee Mapping the chapters 3 The challenges of fragility 6 Chapter 2 Fragility of Vulnerable Social Institutions in Andean States 9 Tom D. Dillehay & Steven A. Wernke Vulnerability and the fragile state -
Terms and Facts- Hierarchical Scale
Terms and facts- Hierarchical scale From the Prehistoric and Neolithic- Post and Lintel, Megalith, tumulus, henge From Mesopotamia- The Code of Hammurabi, Shamash, Lamassu, Ziggurat, load bearing architecture, The Sumerians, the Akkadians, the Assyrians, the Babylonians, Stele or Stela From Minoa- Labrys, The myth of King Minos and the Minotaur From Mycenae- Corbelled vaults and domes, repousse, Tholos, Megaron, krater From Ancient Egypt- Ben-ben, mastaba, Imhotep, Ma’at, Canon (of artistic laws), cartouche, Canopic jars, Shabti or ushabti, the imagery of nine in connection to the pharaoh, the Amarna Period From Ancient Greece- Polykleitos, Humanism, contrapposto, Exekias, kouros and Kore, archaic smile, Praxiteles, some Greek mythology-especially the main gods and goddesses, meander (key design) Know the seven steps to lost wax casting Know the basic architecture of a Greek Temple-peristyle, the three column orders, (Doric, Ionic, Corinthian), stylobate, cella, shaft, caryatids, pediment, capital The two styles of Greek vase painting-black figure and red figure-the basic differences in look You should look up exam one of these myths and know the basic story or the main story about the character listed: Prometheus and Fire Apollo and Daphne Pygmalion and Galatea Niobe Persephone and Hades Pandora Tantalus-Son of Zeus The Danaides Alcyone and Ceyx Idas and Marpessa The Fall of Icarus Theseus and the Minotaur Perseus and the Medusa Jason and Medea Hercules and the Stymphalian Birds Chapter 2.9 Sculpture PART 2 MEDIA AND PROCESSES Seven steps in the lost-wax casting process Build and armature, sculpt the piece (clay), cover with ½ “ layer of wax, cover the entire piece with debris mixture, heat the entire work to melt out the wax through pre-drilled hole, pour the molten metal into the work through pre-drilled holes, break away the debris layer, clean and polishGateways to Art: Understanding the Visual Arts, Debra J. -
Mesopotamian Epic."
' / Prof. Scott B. Noege1 Chair, Dept. of Near Eastern Languages and Civilization University of Washington "Mesopotamian Epic." First Published in: John Miles Foley, ed. The Blackwell Companion to Ancient Epic London: Blackwell (2005), 233-245. ' / \.-/ A COMPANION TO ANCIENT EPIC Edited by John Miles Foley ~ A Blackwell '-II Publishing ~"o< - -_u - - ------ @ 2005 by Blackwell Publishing Ltd BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right ofJohn Miles Foley to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2005 by Blackwell Publishing Ltd 1 2005 Library of Congress Cataloging-in-Publication Data A companion to ancient epic / edited by John Miles Foley. p. cm. - (Blackwell companions to the ancient world. Literature and culture) Includes bibliographical references and index. ISBN 1-4051-0524-0 (alk. paper) 1. Epic poetry-History and criticism. 2. Epic literature-History and criticism. 3. Epic poetry, Classical-History and criticism. I. Foley, John Miles. II. Series. PN1317.C662005 809.1'32-dc22 2004018322 ISBN-13: 978-1-4051-0524-8 (hardback) A catalogue record for this title is available from the British Library. -
Darwinian Perspectives on Creativity
ORIGINS OF GENIUS This page intentionally left blank ~ ORIGINS OF GENIUS ~ Darwinian Perspectives on Creativity Dean Keith Simonton New York Oxford OXFORD UNIVERSITY PRESS 1999 Oxford University Press Oxford New York Athens Auckland Bangkok Bogota Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1999 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 http://www.oup-usa.org Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication maybe reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Simonton, Dean Keith. Origins of genius: Darwinian perspectives on creativity/ Dean Keith Simonton. p. cm. Includes bibliographical references and index. ISBN 0-19-512879-6 i. Genius. 2. Creative ability. 3. Darwin, Charles, 1809-1882. I. Title. BF412.S58 1999 153.9'8 — dc2i 98-45044 987654321 Printed in the United States of America on acid-free paper To all Darwinists This page intentionally left blank Contents ~ Preface IX 1. GENIUS AND DARWIN The Surprising Connections i 2. COGNITION How Does the Brain Create? 25 3. VARIATION Is Genius Brilliant—or Mad? 75 4. DEVELOPMENT Are Geniuses Born—or Made? 109 5. PRODUCTS By What Works Shall We Know Them? 145 6. -
STUDIA BIBLIJNE Słowa Kluczowe: Stary Testament, Druga Księga Królewska, Asyria, Samaria, Izrael, Nergal, Nergal Z Cuta
2 STUDIA BIBLIJNE Słowa kluczowe: Stary Testament, Druga Księga Królewska, Asyria, Samaria, Izrael, Nergal, Nergal z Cuta 82 Keywords: The Old Testament, 2 Kings, Asyria, Samaria, Israel, Nergal, Nergal of Cuth Ks. Leszek Rasztawicki Warszawskie Studia Teologiczne DOI: 10.30439/WST.2019.4.5 XXXII/4/2019, 82-104 Ks. Leszek Rasztawicki PAPIESKI WYDZIAł TEOLOGICZNY W WARSZAWIE COLLEGIUM JOANNEUM ORCID: 0000-0002-5140-0819 „ THE PEOPLE OF CUTH MADE NERGAL” (2 KINGS 17:30). THE HISTORICITY AND CULT OF NERGAL IN THE ANCIENT MIDDLE EAST. The deity Nergal of Cuth appears only once in the Hebrew Bible (2 Kings 17:30). He is mentioned among a list of some Assyrian gods, which new repopulated settlers in Samaria “made” for themselves after the fall of the Northern Kingdom. In this brief paper, we would like to investigate the historicity of Nergal of Cuth in the context of Mesopotamian literature and religion. REPOPULATION OF SAMARIA The Assyrians after conquering a new territory relocated people from other regions of the empire to newly subjugated provinces (2 Kings 17:24). The people of 83 „ THE PEOPLE OF CUTH MADE NERGAL” (2 KINGS 17:30) Samaria were carried away into exile (2 Kings 17:6, 18:11). The repopulation policy of the Assyrians is well documented from their own records1. Sargon II (722-705 BC) took credit in Assyrian royal inscriptions for deporting 27,290 inhabitants of Sa- maria (Sargon II prism IV:31)2: ... he defeated and conquered Samaria, and carried away as slaves 27290 inhabitants ... he rebuilt the city better than before and settled in it people of other countries ..