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Is Hip Hop Dead?
IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work. -
Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
Kid Koala Featuring Emilíana Torrini Music to Draw To: Satellite Album Biography
Kid Koala featuring Emilíana Torrini Music To Draw To: Satellite Album Biography Kid Koala’s Music To Draw To: Satellite is an uncharted musical journey for the legendary scratch DJ, producer, and composer. Eric San ’s fifth studio album is an expansive work of ambient electronic soundscapes and chilling dream-pop ballads sung by Icelandic artist Emilíana Torrini. Satellite is the renowned audio-collagist’s first non-sample-based record, with Kid Koala composing, performing, and producing with an array of synthesizers, keys, guitars, strings, turntables, noisemakers, and inventive recording techniques. This inaugural volume in the Music To Draw To collaboration series also finds Kid Koala contributing poetic lyrics to five of Emilíana Torrini’s seven vocal contributions. Created during the gelid Montreal winter, the eighteen movements of Music To Draw To: Satellite tell a tale of discovery and loss through the lens of lovers separated by an early Mars mission. Album opener “The Observable Universe” swells in a cycle of orchestral electronic ambience, a glacial and patient overture to Satellite’s 72-minute sonic expedition. On “Collapser,” San’s heartrending poetry is sung in Torrini’s spectral, icy style, repeating the song’s sombre mantra over a pulsating sequence of keyboards, analog synthesizers, samplers, and controllers: No plan, no map, at this rate, we’ll all collapse. About working with the vocalist, San says: “Emilíana is one of my favourite singers in the world. I’ve been following her work since her first album. She’s just got one of those singular voices that captivated me years ago. Even when she is singing at whisper quiet levels, it’s enough to crack your heart open.“ Following their meeting at one of Emilíana’s shows at Joe’s Pub in New York, the pair bonded over a mutual appreciation of one another’s work. -
Leon Bridges Black Moth Super Rainbow Melvins
POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges. -
Souls of Mischief: ’93 Still Infinity Tour Hits Pawtucket
Souls of Mischief: ’93 Still Infinity Tour Hits Pawtucket The Met played host to the Souls of Mischief during their 20-year anniversary tour of their legendary debut album, “’93 til Infinity”. This Oakland-based hip- hop group, comprised of four life-long friends, A-Plus, Tajai, Opio and Phesto, together has created one of the most influential anthems of the ‘90’s hip-hop movement: the title track of the album, ’93 ‘til Infinity. This song is a timeless classic. It has a simple, but beautifully melodic beat that works seamlessly with the song’s message of promoting peace, friendship and of course, chillin’. A perfect message to kick off a summer of music with. The crowd early on in the night was pretty thin and the supporting acts did their best to amp up the audience for the Souls of Mischief. When they took the stage at midnight, the shift in energy was astounding. They walked out on stage and the waning crowd filled the room in seconds. The group was completely unfazed by the relatively small showing and instead, connected with the crowd and how excited they were to be in Pawtucket, RI of all places. Tajai, specifically, reminisced about his youth and his precious G.I. Joes (made by Hasbro) coming from someplace called Pawtucket and how “souped” he was to finally come through. The show was a blissful ride through the group’s history, mixing classic tracks like “Cab Fare” with more recent releases, like “Tour Stories”. The four emcees seamlessly passed around the mic and to the crowd’s enjoyment, dropped a song from their well-known hip-hop super-group, Hieroglyphics, which includes the likes of Casual, Del Tha Funkee Homosapien and more. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
LL 003 SOULS of MISCHIEF There Is Only Now LP
ADRIAN YOUNGE PRESENTS... SOULS OF MISCHIEF THERE IS ONLY NOW SIDE ONE: (feat. Ali Shaheed Muhammed) 2. Time Stopped 3. Womack’s Lament (feat. Busta Rhymes) 4. Panic Struck (feat. Ali Shaheed Muhammed) 6. Another Part Of You (feat. William Hart) 7. All You Got Is Your Word 8. There Is Only Now (feat. Snoop Dogg) 9. Meeting Of The Minds SIDE TWO: (feat. Ali Shaheed Muhammed) 2. Miriam Got A Mickey 3. Stone Cold (feat. Scarub) 4. The Synopsis (feat. Ali Shaheed Muhammed) 5. Ghetto Superhero (feat. Ali Shaheed Muhammed) 7. Narrow Escape 8. Finally Back 9. The Last Act (feat. Ali Shaheed Muhammed) The sixth album from legendary hip-hop group Souls of Mischief, There Is Only Now, is a unique cinematic 90s crime tale of love, loss, and revenge. A conceptual collaboration with producer Adrian Younge and the first release on his freshly launched Linear Labs Records label, There Is Only Now gets its inspiration from a near fatal incident involving group members A-Plus, Opio, Tajai, and Phesto early in their careers. Set in 1994, There Is Only Now serves as a bookend to two decades of music since the release of their seminal debut album, ‘93 Til Infinity. There Is Only Now sees the Souls of Mischief crew members trading bars with a cast of hip-hop and soul luminaries. Narrated by A Tribe Called Quest member Ali Shaheed Muhammed—as DJ for fictional local Oakland radio station K-NOW—the album’s story unfolds under his all-seeing eye. Busta Rhymes makes an appearance as the story’s villain, Womack, on “Womack’s Lament,” while William Hart of the legendary vocal soul group, The Delfonics, lends his buttery falsetto to the contemplative “Another Side of You.” Snoop Dogg drops knowledge on the situation between Stoney and Womack with an ice cold verse on the title track “There Is Only Now,” and Scarub from Living Legends goes in on “Stone Cold.” Souls of Mischief and Adrian Younge have created a hip-hop album like no other. -
Del the Funkee Homosapien Album Download Del the Funkee Homosapien Album Download
del the funkee homosapien album download Del the funkee homosapien album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Cloudflare Ray ID: 67e1a438af0e1685 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Del the funkee homosapien album download. From from the Legendary Oakland Crew, The Hieroglyphics. One of the most renowned West Coast MC's, Del makes his long awaited return to Victoria. Cousin of renowned West Coast Pioneering Rapper Ice Cube, Del tha Funky Homosapien was born in Oakland, CA. and got his start writing songs for Ice Cube’s group, Da Lench Mob. But Del's rap isn't as grim or violent as Ice Cube's is, in fact, he's been known to include something in his music that's far too uncommon in most rap: humor!! Signed to Elektra/Asylum, Del's debut release, 'I Wish My Brother George Was Here', was issued in 1991 and produced by Cube and like most rap at the time, featured numerous samples of Parliament Funkadelic classics from the '70s. Del's follow-up, 1994's 'No Need for Alarm', was a departure musically, as Ice Cube was no longer in the production seat and the P-Funk sounds were dropped in favor of a more sophisticated, almost jazzy sound. -
Gender, Ethnicity, and Identity in Virtual
Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225 -
Satellite Credits
Kid Koala RIC SAN (or DJ Kid Koala as he is known) is a master of pushing the SATELLITE boundaries of turntable artistry to THURSDAY, MAY 2, 7:30 PM E incredible effect. In his first visit to Carolina FRIDAY, MAY 3, 8 PM Performing Arts, he puts the imaginative style for SATURDAY, MAY 4, 8 PM which he is renowned on display with two unique CURRENT ARTSPACE + STUDIO experiences. During Satellite, audience members are seated at ROBOT DANCE PARTY stations equipped with a turntable, effects box, SATURDAY, MAY 4, 10 AM & 2 PM and a small crate of color-coded vinyl records. SUNDAY, MAY 5, 2 PM Through subtle lighting changes in the room, the CURRENT ARTSPACE + STUDIO audience is cued to play along with DJ Kid Koala, who leads them from his DJ booth. The idea for Satellite emerged from Kid Koala’s Music To Draw To series, where he would spin SATELLITE CREDITS calming music for people to draw or write Eric San, Musician / Composer to, creating a powerful creative energy in the Felix Boisvert, Musician / Turn Table room. He wanted to create an experience that Conductor was “deliberately slow, meditative, emergent, Karina Bleau, Chemical Puppeteer and creative, where everyone in the room Brian Neuman, Production / Tour Manager contributed in a small way to create the music.” carolinaperformingarts.org 55 The audience is an integral part of the show, Kid Koala is a world-renowned scratch DJ, accompanying Kid Koala to create an “ambient vinyl music producer, and an award-winning graphic novelist. orchestra,” melding their individual strains into a He has released four solo albums on Ninja Tune, including fluid body of sound. -
Sfjazz Education Become a Member Tickets About Sfjazz
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Most Senate Resignations in Three Years Shanel Edwards, Former On-Campus Nelson Toriano Was Not Present
Opinion: Explosive Fruit Juice—Page 8 Sports: Dons Over Hornets in Twelfth—Page 20 HiSSBi San Francisco FOGHORN THE UNIVERSITY OF SAN FRANCISCO MARCH 7, 2002 WWW.fOGHORM3NLINE.COM VOLUME 98, ISSUE 13 Most Senate Resignations in Three Years Shanel Edwards, former on-campus Nelson Toriano was not present. Mark Johnson, jun don't see any obstacles. I mean, most Johnson's "frustrations," he was not student representative FOGHORN STAFFWRITER ior class representative, announced of the obstacles I've overcome al aware ofthe senator's plans to resign. The Associated Students of the his resignation during the meeting. ready," he said. "Whatever comes my "I'm not surprised," Menchaca said. "I understand how challenging it University of San Francisco (ASUSF) Alvia and Johnson are the most way, I could take it." Frederik Jacobs, is to work with some of the ad Senate received two more resigna recent resignations since January, Johnson declined to comment to former international ministration." tions at a Senate meeting on Feb. 19. bringing the total number of Sen the Foghorn, but stated in his resig student representative In the past three years, "this Sen ate resignations this semester to six. nation letter, "It is time for me to According to Ayran, some ate has had the most resignations "It was just, like an overwhelm re-direct my efforts and engage times when things don't go the way and the least constituencies repre ing unhealthy leadership role," Alvia ments in a more productive and senators feel, "the easiest choice for sented," said Frangelo Ayran, vice said.